#maren yearly

[yourhoneymoongirl]

🧺🐑🍒🍧𝜗𝜚˚ ₊‧

[filedio]

bones and all (2022) dir. luca guadagnino / possession (1981) dir. andrzej źuławski

[emiliosandozsequence]

bones and all (2022) dir. luca guadagnino / the dreamers, gilbert adair / a self portrait in letters, anne sexton / the phantom of the opera (2004) dir. joel schumacher / orestes, anne carson / 'everywhere, everything' by noah kahan / yellowjackets (2021-present) cr. ashley lyle & bart nickerson / caffeine, pt 1, sean glatch / women, mihail sebastian / the fountain (2006) dir. darren aronofsky / toward the amaranth gates of war or love, natalie diaz /the portrait of a lady, henry james / in a week by hozier

for @morbidgf ♡

[the-sweetest-g1rl-in-town]

[ahaura]

Bones and All (2022) dir. Luca Guadagnino

[adelinelvge]

[draftmonologue]

—my mother speaks of my rage as if there's something wrong with it. as if it's undeserved; as if her hand didn't hammer it into me; as if i wanted it, chose it.

1. Florence + the Machine | 2. @sweatermuppet | 3. Strangers— Ethel Cain | 4. Russian Doll ( GIFs from @ladiesofcinema | 5. Fleabag | 6. what my mother (a poet) might say—Mary Jean Chan | 7. Shiv Roy — succession | 8. Unknown | 9. Maren Yearly—Bones and All (2022) | 10. Everything everywhere all at once ( 2022 ) | Rue Bennett—Euphoria

[drownersicons]

[taylorrussellsgf]

Maren Yearly’s style

[degenderates]

Bones and All (2022) dir. Luca Guadagnino // The Girl Aquarium by Jen Campbell

[creekbeds]

Bones and All (from page to screen) dir. Luca Guadagnino 2022

[dykeganseythethird]

god loves you, but not enough to save you

[printempsdessens]

can’t stop thinking of how domestic maren and lee looked here

[euphorial-docx]

thinking of Her today

[ahaura]

Bones and All (2022) dir. Luca Guadagnino

Hélène Cixous, The Love of the Wolf

Haruki Murakami, Norwegian Wood

Maud Ellmann, The Hunger Artists

Catherynne M. Valente, The Bread We Eat in Dreams, “The Red Girl”

Marty McConnell, The Best American Poetry (2014) ed. David Lehman & Terrance Hayes, “vivisection (you’re going to break my heart)”

Start Web Weaving Text & Image IDs:

[Image ID (1 out of 6): Maren is eating Lee; the shot is focused on Maren. The shot is in black and white. End ID]

Hélène Cixous, The Love of the Wolf

[Text ID: I beg you, eat me up. Want me down to the marrow. End ID]

[Image ID (2 out of 6): Maren is clutching her father's father's coat to her chest on her bed as she cries, shortly after he abandons her. End ID]

Haruki Murakami, Norwegian Wood

[Text ID: I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. End ID]

[Image ID (3 out of 6): Maren and Lee sit across from each other in a diner; Maren is not looking at Lee and Lee is looking at her as he drinks coffee. End ID]

Maud Ellmann, The Hunger Artists

[Text ID: Since sexuality originates in seating, it is always haunted by the imagery of ingestion, having neither an object nor a territory proper to itself. Yet eating, in its turn, exceeds the biological demand for nourishment, for it expresses the desire to possess the object unconditionally. The infant sees his stomach as a safe in which he hoards his loot, thus learning his first lessons in private property. The genesis of secrecy may also be attributed to eating, for it is well known that the best way to keep a secret is to eat the evidence. {Highlighted} The stomach is a place almost as private as the grave. {End Highlight} End ID]

[Image ID (4 out of 6): In the dark of night outside of their blue pickup truck, Lee holds Maren's face in his hand. His face is bloody; he is shirtless. Maren's face is not visible to the camera. End ID]

Catherynne M. Valente, The Bread We Eat in Dreams, “The Red Girl”

[Text ID: I love you but there are things older and murkier than love. Things that live not in the heart but the entrails. I don’t want you to see me with the wolf. I don’t want you to see what he does to me. I don’t want you to see what I do to him. End ID]

[Image ID (5 out of 6): In daylight, Maren holds Lee; the viewer cannot see Lee's face. End ID]

Marty McConnell, The Best American Poetry (2014) ed. David Lehman & Terrance Hayes, “vivisection (you’re going to break my heart)”

[Text ID:When I say eat me I mean suck the bones clean, leave nothing

for the waiting, nothing for the vultures or the travelers to come. End ID]

[Image ID (6 out of 6): Maren is eating Lee; Maren's face is out of the shot but the viewer can see her hand on Lee's face as he screams. He is holding her hand to her face. The shot is in black and white. End ID]

End Web Weaving post Text & Image IDS.

[lullabiesinaglasswilderness]