#marshall parsons

[archerinventive]

🎃  The Mystic Masquerade 2022 🎃

And just like that Loreamours first Mystic Masquerade Harvest Faire comes to a close.

While this year's festivities may be over, I’m so excited to see how Loreamour and its events will grow and transform over time. :)

A huge thank you to everyone who could make it out, and a special thank you to all the supporters and Patrons who made this event possible.

This is just one of the first steps towards the goal of building a permanent kingdom for the community and I personally couldn't be prouder of the foundation stones being laid. The crew and I  truly couldn't do this without you.

Here’s to many more joyous adventures to come!

If you’d like to help make other events like this possible, or support us on our quest, please consider checking out the Loreamour Patreon Page.:) https://www.patreon.com/loreamour

More photos of the event are on the way! :) A huge thank you to Emma Rockenbeck for helping me gather photos. (Img, 9 & 13) 💚

Guest and Crew images in descending order:  Rae, @unicorn-shieldmaiden​, Michelle Boyer, Liv F.H., Resnikraft Studio, & wightknightdeviant (IG),

[heartlandians]

Heartland - 11x07 - Our Sons and Daughters

[masoncarr2244]

[originalscaps]

[operationbigskye]

Tall Goofy Guys on TV

[popentertainment-concertphotos]

Allie Colleen – Marshall County Fair – Moundsville, WV – July 29, 2023

Photos by Dave Parsons © 2023

[losthavenmine]

Logan Marshall-Green as Henry Parsons || Intrusion (2021)

[tuppencetrinkets]

Sorted caps from Season 1 of The Vampire Diaries, the Originals and Legacies.

Nina Dobrev - Elena Gilbert

Paul Wesley - Stefan Salvatore

Ian Somerhalder - Damon Salvatore

Kat Graham - Bonnie Bennett

Candice King - Caroline Forbes

Zach Roerig - Matt Donovan

Michael Trevino - Tyler Lockwood

Steven R. McQueen - Jeremy Gilbert

Matthew Davis - Alaric Saltzman

Joseph Morgan - Klaus Mikaelson

Marguerite Macintyre - Liz Forbes

Sara Canning - Jenna Sommers

Claire Holt - Rebekah Mikaelson

Susan Walters - Carol Lockwood

Daniel Gillies - Elijah Mikaelson

Susan Walters - Carol Lockwood

Kayle Ewell - Vicki Donovan

Melise - Anna Zhu

David Anders - John Gilbert

Arielle Kebbel - Lexi Branson

Phoebe Tonkin - Hayley Marshall

Kelly Hu - Pearl Zhu

Mia Kirshner - Isobel Flemming

Sebastian Roche - Mikael

Charles Michael Davis - Marcel Gerard

Danielle Campbell - Davina Claire

Leah Pipes - Camille O'Connell

Nathan Parsons - Jackson Kenner

Danielle Pineda - Sophie Deveraux

Danielle Rose Russell - Hope Mikaelson

Eka Darville - Diego

Todd Stashwick - Kieran O'Connell

Elyse Levesque - Genevieve

Shannon Kane - Sabine Laurent

Aria Shahghasemi - Landon Kirby

Quincy Rouse - Milton Greasley

Jenny Boyd - Lizzie Saltzman

Kaylee Kaneshiro - Josie Saltzman

Demetrius Bridges - Dorian Williams

Omono Okojie - Cleo Sowande

Yasmine Al-Bustami - Monique Deveraux

Bianca Lawson - Emily Bennett

Steven Krueger - Josh

Lulu Antariksa - Penelope

Melinda Clarke - Kelly Donovan

Sheila Bennett - Jasmine Guy

Karen David - Emma

Gina Torres - Bess

This content is free for anyone to use or edit however you like; if you care to throw a dollar or two my way for time, effort, storage fees etc you are more than welcome to do so via my PAYPAL.  Please like or reblog this post if you have found it useful or are downloading the content within.  If you have any questions or you have any problems with the links or find any inconsistencies in the content, etc. please feel free to drop me a politely worded message via my ASKBOX (second icon from the top on my theme!)

[choicesficwriterscreations]

CFWC F/AotW - April 7 - 14, 2024

✒️ = Fanfic | 📱= Text Fics/Edits | 🎨 = Fanart Ⓜ️ = Mature Content 18+ | 🔥 = Explicit/NSFW 18+ 🏳️‍🌈 = LGBTQIA

BLADES OF LIGHT AND SHADOW

Back on Vacation 🎨| Imtura Tal Kaelen, Nia Ellarious, Valax, MC - @myautumnrose

BLOODBOUND

Five of Cups ✒️| Gaius Augustine - @thosehallowedhalls

The Sock Giveaway ✒️| Adrian Raines x F!MC - @thosehallowedhalls

CRIMES OF PASSION

A Begining ✒️| Ruby Webster, F!MC - @thosehallowedhalls

Movement ✒️ | m!Trystan Thorne x F!MC - @thosehallowedhalls

Second Language (Series) ✒️| m!Trystan Thorne - @inlocusmads Chapter 1: "What's that song you sing for the dead?"

DESIRE & DECORUM

Annabelle Parsons Fanart 🎨by @artbyalz

Ernest Sinclaire Fanart 🎨by @storyofmychoices

THE ELEMENTALISTS

Cloud Watching ✒️| Beckett Harrington x F!MC - @storyofmychoices

THE FRESHMAN SERIES

The Press Secretary (Series) ✒️| Chris Powell x F!MC - @eadanga Chapter 12

HIGH SCHOOL STORY

Aiden Zhou x MC Fanart 🎨🏳️‍🌈 art by @callmebeem (C: @cadybear420)

IT LIVES SERIES

Lincoln Aquino x MC Fanart 🎨🏳️‍🌈 by @weetlebeetle (C: @storyofmychoices for @abelflints)

Noah Marshall x MC Fanart 🎨🏳️‍🌈by @payroo

LAWS OF ATTRACTION

Uncharacteristic ✒️| Gabe Ricci x F!MC - @thosehallowedhalls

MULTIPLE STORIES

Bloodbound/Nightbound

Disembodied 7/8 ✒️| Adrian Raines x MC, Nik Ryder x MC - @mynotsohealthyobsession

TRR / RoE / TNA / CoP

Isle of Misfits ✒️Ⓜ️| Multiple Characters - @tessa-liam Chapter 9: Inconvenient Truths

NIGHTBOUND

Bound by Fate (Series) ✒️| Nik Ryder x F!MC - @ladylamrian Chapter 3: The Unknown

OPEN HEART

Complete Open Heart List - Week ending April 13th

THE PRINCESS SWAP

Prince Clarke x MC Fanart 🎨 by @bri1234

RED CARPET DIARIES

Comfort ✒️| Thomas Hunt x F!OC - @thosehallowedhalls for @storyofmychoices

THE ROYAL ROMANCE

Behind Closed Doors (Series) ✒️Ⓜ️🏳️‍🌈| Maxwell Beaumont x MC, Liam Rys x Maxwell Beaumont - @angelasscribbles Chapter 1: The Invitation

A Bird in Hand ✒️| Liam Rys x MC - @angelasscribbles

Catch & Release ✒️Ⓜ️| Liam Rys x MC, Drake Walker x MC - @dcbbw

Dance Under the Rainbow 🎨🏳️‍🌈 | Hana Lee x MC - @uselessgay10101

[pwlanier]

[MANHATTAN PROJECT]. Document commemorating the "Los Alamos New Mexico Atomic Bomb Project" SIGNED BY 30 SCIENTISTS, OFFICERS AND CIVILIANS EMPLOYED ON THE MANHATTAN PROJECT, INCLUDING GEN. LESLIE GROVES, J. ROBERT OPPENHEIMER, EDWARD TELLER, ENRICO FERMI and others. Los Alamos, New Mexico n.d. [ca.1945]. 1 page, 4to, even age-toning, minor chipping at top edge of sheet, neatly pasted at corners to stiff backing board.

THE MEN AND WOMEN WHO BUILT THE BOMB: THE SCIENTISTS, ENGINEERS AND TECHNICIANS OF THE MANHATTAN PROJECT

A highly unusual document commemorating the massive, top-secret scientific and technical efforts from 1939 to 1945 which resulted in the successful deployment of the first atomic weapons. At the top of the sheet is a hand-drawn emblem of the Manhattan Project executed in blue, black and red inks. The six-line hand-written text beneath the emblem reads: "We, the undersigned, in grateful appreciation of our joint association in the Los Alamos, New Mexico Atomic Bomb Project, hereby list below a lasting record of friendship spent in working on the World's Greatest Secret The Atomic Bomb."

Below, arranged in three neat columns on dotted lines, are the signatures of 30 individuals including: Leslie R. Groves (General and commanding officer of the Manhattan Engineering District [the Manhattan Project]); J. Robert Oppenheimer (Theoretical Physicist and Director of Los Alamos Laboratory); Samuel K. Allison (Physicist at the Metallurgical Laboratory at the University of Chicago, who also did the Trinity countdown); Lt. D.H. Dick; Edward Teller (Theoretical Physicist and Head of Thermonuclear Research Group during wartime Los Alamos); Harry S. Allen (Head of Procurement Group and later Supply and Property Group); [?] B. Auker; Lt. Col. Stanley Stewart (Manhattan Project Contracting Officer for Los Alamos); Peter M. Petersen; Gus Schultz (Foreman of the drafting room and machine shop); Dana P. Mitchell (Head of Technical Procurement and later Assistant Director of the Los Alamos Laboratory); L.B. Thompson; Robert McDermott; Enrico Fermi (Theoretical Physicist University of Chicago, also Head of the F Division at Los Alamos as well as Associate Director); Robert F. Bacher (Experimental Physicist and Head of the G[adget] Division at Los Alamos, which developed Fat Man); Capt. W.S. Parsons (Head of Chemical Division); Charles L. Critchfield (Mathematical Physicist who did much of the basic development work on both Little Boy and Fat Man); Edwin Creutz (Experimental Physicist who worked on the magnetic method of implosion diagnostics); William Schuster; M.W. Johnson; J.D. Clartout; Pearce Marshall; John Patrick Callahan; S.H. Young; Capt. W.A. Farina (Head of the Manhattan Projects Property Inventory Section); Margaret K. Thompson; Bruno Rossi (Experimental Physicist who did implosion diagnostics in the RaLa program and at Trinity); A.J. Dickemeyer; Clyde E. Reum (Head of the General Service and Warehouse Section). RARE. We are grateful to Roger Meade, Laboratory Archivist/Historian at Los Alamos for valuable assistance in cataloguing.

Christie’s

[aimeedaisies]

Court Circular | 17th June 2024

Windsor Castle

The King, accompanied by The Queen, The Prince of Wales, The Duke of York, The Duke of Edinburgh, The Princess Royal, The Duke of Gloucester, and The Duke of Kent today held a Chapter of the Most Noble Order of the Garter in the Throne Room, Windsor Castle.

The Duchess of Edinburgh and Vice Admiral Sir Tim Laurence were present.

The Duchess of Gloucester and the Lord Lloyd-Webber, the Lord Kakkar and Air Chief Marshal the Lord Peach were present.

The following Knights Companion were present: the Duke of Abercorn, the Lord Butler of Brockwell, the Rt Hon Sir John Major, the Lord Luce, the Lord Phillips of Worth Matravers, Marshal of the Royal Air Force the Lord Stirrup, the Lady Manningham Buller, the Lord King of Lothbury, the Lord Shuttleworth, the Viscount Brookeborough, Lady Mary Fagan, the Marquess of Salisbury, Lady Mary Peters, the Baroness Amos, the Rt Hon Sir Tony Blair and the Baroness Ashton of Upholland.

The Officers of the Order were: the Bishop of Winchester (Prelate), the Dean of Windsor (Register), Mr David White (Garter King of Arms), Miss Sarah Clarke (Lady Usher of the Black Rod) and Lieutenant Colonel Stephen Segrave (Secretary).

The Hon Guy Tryon (Page of Honour) and Mr Charles van Cutsem (Page of Honour) were in attendance.

His Majesty invested The Duchess of Gloucester with the Insignia of a Lady of the Most Noble Order of the Garter and the Lord Lloyd-Webber, the Lord Kakkar and Air Chief Marshal the Lord Peach with the Insignia of a Knight Companion of the Most Noble Order of the Garter.

The King later gave a Luncheon Party for the Companions of the Most Noble Order of the Garter at which The Queen, The Prince of Wales, The Duke of York, The Duke and Duchess of Edinburgh, The Princess Royal and Vice Admiral Sir Tim Laurence, The Duke and Duchess of Gloucester, and The Duke of Kent were present.

The following had the honour of being invited: the Duke of Abercorn and the Lady Sophie Hamilton, the Lord and Lady Butler of Brockwell, the Rt Hon Sir John Major and Dame Norma Major, the Lord Luce, the Lord and Lady Phillips of Worth Matravers, Marshal of the Royal Air Force the Lord and Lady Stirrup, the Baroness Manningham-Buller and Miss Lilah Parsons, the Lord and Lady King of Lothbury, the Viscount and Viscountess Brookeborough, Lady Mary Fagan and Captain Christopher Fagan, the Marquess and Marchioness of Salisbury, Lady Mary Peters and Mrs Susan Gaunt, the Rt Hon Sir Tony and Lady Blair, the Baroness Amos and Ms Colleen Amos, the Baroness Ashton of Upholland and Mr Peter Kellner, the Lord and Lady Patten of Barnes, the Lord and Lady Lloyd-Webber, the Lord and Lady Kakkar, Air Chief Marshal the Lord and Lady Peach, the Bishop of Winchester, the Dean of Windsor, Mr David White, Miss Sarah Clarke, Lieutenant Colonel Stephen Segrave, the Hon Guy Tryon and Mr Charles van Cutsem.

An Installation Service was held in St George’s Chapel this afternoon at which The Duchess of Gloucester was installed as a Lady of the Most Noble Order of the Garter and the Lord Lloyd-Webber, the Lord Kakkar and Air Chief Marshal the Lord Peach were installed as Knights Companion of the Most Noble Order of the Garter.

His Majesty’s Body Guard of the Honourable Corps of Gentlemen at Arms and The King’s Body Guard of the Yeomen of the Guard were on duty in the Chapel.

[heartlandians]

Heartland - 11x07 - Our Sons and Daughters

[kwebtv]

From the Golden Age of Television

Series Premiere

The New Adventures of Charlie Chan - Your Money or Your Wife - Syndication - August 9, 1957

Crime Drama

Running Time: 30 minutes

Written by Richard Grey

Produced by Sidney Marshall

Directed by Charles F. Haas

Stars:

J. Carrol Naish as Charlie Chan

Lowell Gilmore as Kramer

Virginia Gregg as Parsons

Dayton Lummis as Hess

Liam Sullivan as Andre Patton

Howard Culver as Lab Technician

[originalscaps]

[ashleybenlove]

Books I read in August

Dessert Person: Recipes and Guidance for Baking with Confidence by Claire Saffitz – Aug 3

Prisoners of a Pirate Queen by Marshall J. Moore – Aug 4

Witches Abroad by Terry Pratchett – Aug 8

Runaway Max by Brenna Yovanoff – Aug 10

The Forest of Vanishing Stars by Kristin Harmel – Aug 12

Punk Paradox: A Memoir by Greg Graffin – Aug 14

The Periodic Table: A Field Guide to the Elements by Paul Parsons and Gail Dixon – Aug 18

Raised Bed Gardening for Beginners: Everything You Need to Know to Start and Sustain a Thriving Garden by Tammy Wylie – Aug 19

Vampires of El Norte by Isabel Cañas – Aug 20

Carmen and Grace by Melissa Coss Aquino – Aug 23

A Fate Inked in Blood by Danielle L. Jensen – Aug 24

Hallowe'en Party by Agatha Christie – Aug 26

How to Be a Pirate by Cressida Cowell – Aug 27

Four Aunties and a Wedding by Jesse Q. Sutanto – Aug 28

[blogger360ncislarules]

We are gathered here this evening to mourn the loss of George Marshall Cooper, Sr. The Young Sheldon patriarch met his maker in the Big Bang Theory prequel’s antepenultimate episode, which set the stage for Part 1 of Thursday’s series finale.

Portrayer Lance Barber appeared throughout Episode 13 — first in an alternate reality sequence where Sheldon (played by “mighty little man” Iain Armitage) imagines getting one last moment with Dad before he leaves and never returns.

“[Lance] was very instrumental in keeping everybody’s morale up, and seeing him towards the end start to get a little affected by it hit me harder than I thought it would,” Armitage shares with TVLine. “He’s always the funny one in between scenes, making jokes, making us look unprofessional because everyone’s laughing [when] they yell ‘action’ and we’re still snorting with laughter. [While filming those alternate realities] we kind of just looked at each other a few times and I’d go, ‘Thank you,’ and that… that struck me.”

Barber also appears at George’s funeral, which features an open casket. Throughout the somber affair, each family member goes up, one by one, and says a final goodbye. Raegan Revord, who plays Missy, went first. “Those tears are real tears,” she says. “I go up first, I walk back, and I’m still sobbing behind camera. I have to sit there and watch Montana [Jordan, who plays Georgie] and Zoe [Perry, who plays Mary] go up and say their goodbyes, and that was the most brutal for me.

“We had tentatively finished the scene, but I was sobbing even more [now],” she recalls. “I turned to our director [Michael Judd] and said, ‘I need one more. Give me one more.’ I went back up and I did it two more times. They told me they used one of those takes instead.”

Sheldon, who’s still presenting as stoic, decides that he doesn’t want to say goodbye before they close George’s casket. But a few minutes later, he gets up and delivers a eulogy. Or so it seems.

“I wish I could tell you that I said all those things, but I didn’t,” our narrator reveals, confirming that what we’ve just seen is a figment of Sheldon’s imagination.

“For a long time, I focused on my father’s shortcomings,” Jim Parsons’ alter ego acknowledges. “Now that I am his age and have kids of my own, I realize that he was just a person doing the best he could. And he did a lot. I didn’t say it as his funeral, but I can say it now: I loved my father. I will miss him forever.”

The way Armitage sees it, knowing that Sheldon regrets not speaking that day makes up for his decision. “I think it adds more layers to it than if it were something that Sheldon got up and said,” he opines, “which almost makes it more beautiful.”

Below, Young Sheldon co-showrunner Steve Holland, who penned the episode with co-creators Chuck Lorre and Steven Molaro, tells us about crafting George’s memorial.

TVLINE | Was there any apprehension about setting Episode 13 almost entirely at George’s funeral, featuring an open casket, having everyone in tears, not constantly mining the subject matter for laughs…? The endings of shows [are] always tricky, and you’re always aware that there’s a lot of audience expectation. At some point, you literally have to just put that aside and tell the story that you think is best and hope that people will follow you down that path. Otherwise, you can get lost in the spiral of “Are people going to like this? Are they going to hate this?” It felt important to us, for the family, and for the character [of George Sr.] to do it. You can’t treat this glibly. For us, living with these characters for all this time, they felt real; this family felt real.

Going into Episode 13, we were trying to find that balance where we recognize that it’s a comedy, and we were trying to have some moments of levity. We also wanted to make sure that we gave this moment its actual, proper weight. I think what we found was that there were some jokes and some lighter moments that were shot that, going into the edit, started to feel a little tone deaf. It felt like, “This family is grieving, and maybe we don’t need make a silly joke at this moment.” For the audience, too, they’ve lived with this family for so long that they can be in the shoes of our characters and also grieve George’s death. It’s emotional, and we felt like we had earned it. We also felt like that was being respectful to these characters to let them have this moment of grief.

It was difficult to write, it was incredibly difficult to shoot, and then we had to watch it over and over again in editing, and it gets me every time. Any time you cut to Raegan in tears, it gets me. It’s a weird mixture because the cast was also grieving the end of this show. It was really an emotional time. It took us two days, or a little more than two days in the church to film the funeral scenes — two days that were full of tears, people just weeping on camera and off camera, with some moments of levity. Lance wanted to be in the casket; he wanted to appear at his own funeral, so he’s actually in the casket, and he had a fart machine to lighten the mood when it needed lightening. But it was a rough couple of days.

TVLINE | Can you talk to me about the idea behind Sheldon playing all those scenarios — all those different ways he could have had one last moment with Dad — in his head? Was it a way to show that, in his own unique way, Sheldon was, in fact, emotionally intelligent? I think that’s exactly right. It kind of goes back to Episode 12. We spent a lot of time crafting George’s last moment — a lot of time for a scene where nothing happens — and it was very important to us that this just be an everyday moment. George is leaving for work, no one’s paying attention, that felt very real. Sheldon doesn’t even look up, he doesn’t say goodbye to him, and I think [the question] was, “How does Sheldon process grief?” It’s not that he doesn’t have emotions, he just doesn’t process them outwardly the way other people do, so for him it was running these scenarios. It was branching into timelines and what he could have said.

Running that back to the outside world, and especially to his sister, looks like he’s not affected at all by it. He just seems very stoic, in a way that is upsetting to her. But for him, this is how he is processing his grief; he’s trying to go back and rewrite those last moments with his dad in his brain. I don’t think he’s really even aware that that is what he is doing. As an adult, I think he is, but as a kid I don’t think he’s necessarily aware that he is processing grief. He’s trying to come to terms with those last moments and his regret over not recognizing that that might have been his last moment with his dad. There is a sort of weird, emotional intelligence to that.

TVLINE | We see Sheldon get up and give a eulogy, then discover that what we just saw never took place. It’s what he wishes he had said that day. I couldn’t help but contrast that moment with Sheldon’s Nobel Prize acceptance. At that point in his life, at the end of Big Bang, he’s able to step up and honor his chosen family and their contributions to his life. Was part of the conceit here, with his eulogy, to create a parallel and show what Sheldon couldn’t bring himself to express at 14, and what he was able to express 25 years later, at 39? A little bit. Obviously, the show is Young Sheldon. You want to have Sheldon have a moment at his dad’s funeral, but we also know that the character Sheldon has a lot more growth [ahead of him]. It can’t all happen here. We started to feel as we were talking about it that it felt phony for him to get up and give this speech. It’s a nice dramatic moment for our show and for our character, but it didn’t feel true to him. We had already talked about [older] Sheldon going back and rewriting those moments. It just felt like the natural way to get that moment for the end of the show and for the character, but not give him too much growth in this moment. It would sort of erase the 12 years of growth that it takes him to get to that moment at the end of The Big Bang Theory.