#martyn casey

[nofatclips]

There She Goes, My Beautiful World by Nick Cave & The Bad Seeds, live at Maida Vale b/w Get Ready for Love

[musickickztoo]

Martyn P. Casey *July 10, 1960

[theaskew]

Lyrics:

I found her on a night of fire and noise Wild bells rang in a wild sky I knew from that moment on I’d love her till the day that I died And I kissed away a thousand tears My lady of the Various Sorrows Some begged, some borrowed, some stolen Some kept safe for tomorrow On an endless night, silver star spangled The bells from the chapel went jingle-jangle

Do you love me? She was given to me to put things right And I stacked all my accomplishments beside her Still I seemed so obsolete and small I found God and all His devils inside her In my bed she cast the blizzard out A mock sun blazed upon her head So completely filled with light she was Her shadow fanged and hairy and mad Our love-lines grew hopelessly tangled And the bells from the chapel went jingle-jangle

Do you love me? She had a heartful of love and devotion She had a mindful of tyranny and terror Well, I try, I do, I really try But I just err, baby, I do, I error So come find me, my darling one I’m down to the grounds, the very dregs Ah, here she comes, blocking the sun Blood running down the inside of her legs The moon in the sky is battered and mangled And the bells from the chapel go jingle-jangle

Do you love me? All things move toward their end I knew before I met her that I would lose her I swear I made every effort to be good to her I swear I made every effort not to abuse her Crazy bracelets on her wrists and her ankles And the bells from the chapel went jingle-jangle

[yourfavealbumisgender]

Dig, Lazarus, Dig!!! by Nick Cave and the Bad Seeds is Transgender!

requested by anon

[spilladabalia]

Grinderman - No Pussy Blues

[mitjalovse]

That Neil Young's producer? His name was – he died a long time ago – David Briggs. He was actually more than a production sideman of Neil Young, he also collaborated with many others thanks to his status there. However, do not mention his name in front of Nick Cave. Their project, Henry's Dream, was apparently a communication disaster, though you cannot tell that from the songs there who are incredible and I think the production serves them well. Then again, Nick Cave & The Bad Seeds were in one of their better phrases, so one is allowed to think anyone could've produced them at that point and make the similar sounding album. You see, I somehow wish Nick Cave would've called Brian Eno then, what would've happened there …

[piasgermany]

[Album] Nick Cave & The Bad Seeds kündigen neues Album "Wild God" an!

Nick Cave & The Bad Seeds kündigen ihr neues Album "Wild God" an! Der erste Vorgeschmack auf das am 30. August über Play It Again Sam erscheinende 18. Studioalbum ist der Titelsong, der bereits jetzt zu hören ist.

Die 1983 gegründete Band, die bereits zahlreiche Klassiker und zuletzt das Album "Ghosteen" (2019) veröffentlicht hat, besteht neben dem australischen Frontsänger seit knapp 30 Jahren aus Warren Ellis (Violine, Bouzouki, Mandoline), Thomas Wydler (Schlagzeug), Martyn Casey (Bass) und Jim Sclavunos (Schlagzeug, Perkussion, Gesang, Orgel), 2016 kam noch George Vjestica (Gitarre) hinzu. Ende des letzten Jahres hatte Cave gemeinsam mit Warren Ellis das Live-Album "Australian Carnage – Nick Cave and Warren Ellis Live At The Sydney Opera House" released. Seit ihrer Gründung vor über 40 Jahren haben Nick Cave & The Bad Seeds es geschafft, ihren Sound immer wieder neu zu erfinden. Das kommende Album ist keine Ausnahme von dieser kreativen Entwicklung der Band, die auf den zehn Songs den düsteren Vorhang ein wenig zurückzieht und etwas Licht hereinlässt.

Auf den neuen Tracks von "Wild God" bewegt sich das Kollektiv zwischen Konvention, Experimenten, Anspannung und Entspannung und nimmt dabei auch Abzweigungen und Umwege in Kauf, die die Bilder und Emotionen in Caves Erzählungen noch verstärken. So gibt es Momente, die an die Vergangenheit der Bad Seeds erinnern, die aber nur flüchtig aufleuchten und eher dazu dienen, den Fortschritt der Band zu untermauern. “I hope the album has the effect on listeners that it’s had on me”, erzählt Cave. “It bursts out of the speaker, and I get swept up with it. It’s a complicated record, but it’s also deeply and joyously infectious. There is never a masterplan when we make a record. The records rather reflect back the emotional state of the writers and musicians who played them. Listening to this, I don’t know, it seems we’re happy.”

Produziert von Cave und Warren Ellis und gemischt von David Fridmann, begann der Frontmann Anfang 2023 mit dem Schreiben des Albums. Bei Sessions im Miraval in der französischen Provence und in London brachten die Bad Seeds dann noch eigene Elemente ein, mit zusätzlichen Gastauftritten von Colin Greenwood (Bass) und Luis Almau (Akustikgitarre). “Wild God…there’s no fucking around with this record”, so Cave. “When it hits, it hits. It lifts you. It moves you. I love that about it.”

Als einer der ersten Songs, die Cave für das Album schrieb, ist der jetzt schon geteilte Titeltrack ein Stück, das erneut das besondere Storytelling des Australiers präsentiert und sich nicht nur musikalisch immer weiter aufbaut und schließlich entlädt: „And the people on the ground cried when does it end? / The wild god says well it depends, but mostly never ends”. „When I hear ‘Wild God’ or ‘Frogs’ or ‘Conversion’ – songs on the album that have these big climactic moments – it puts a big fucking smile on my face”, ergänzt Cave über die Single. Dem können wir uns nur anschliessen!

Tracklist "Wild God": 01. Song of the Lake 02. Wild God 03. Frogs 04. Joy 05. Final Rescue Attempt 06. Conversion 07. Cinnamon Horses 08. Long Dark Night 09. O Wow O Wow (How Wonderful She Is) 10. As the Waters Cover the Sea

Website Instagram Facebook

[jackmanifold-daily]

In defence of jackmanifold-daily

better call kettle

Earlier today a despicable, scathing callout was posted by our own mod luigra… it was a painful betrayal for all of us, but thankfully, I can categorically disprove each and every allegation and mistruth contained within this evil post. Smash that like button and lets jump right in

MOD STRAD

Okay I cant lie Strad definitely did that, more than once too. But there’s something that was… conveniently omitted. He got Food Poisoning from the foul dogs. 

Strad is the VICTIM here, and painting him as being the problem is just one example of the egregious twisting of the truth all throughout this callout. 

MOD SNALZ

Maybe I can’t prove that Jackity is a pure and unproblematic ship… but I can prove that the call comes from inside the house…blog, and the crew goes down with the ship…house *epic guitar riff*

In the image provided on the original callout post you can see the usage of the word “y’alls” … which doesnt seem too strange, until you remember that I am BRITISH and would never use the word “y’all” 

No, this tag was typed by someone else… mod luigra itself. My source? Trust me. 

MOD KEY(S)

Frankly, keys has literally never done anything wrong. Keys is a chronic haver of certified 🔑 moments, and is once again being victim blamed here, kinda weirdchamp, kinda gloopydoinky. Everybody wishes they were keys, unburdened by suffering and full of swag, this was clearly a callout spawned from jealousy.

MOD PEP

This is an OLD message, from long before pep had met our beloved keys, who changed their beliefs wholeheartedly. Pep does now ship jack manifold. The lgtbq community has forgiven pep cosmosisfold. People can change, man, thats so beautiful.

MOD TEA

Was that night not dark for us all? During the long, cold jack manifold lore drought? Did it not hurt most of all for poor tea???? Democratically elected owner of c!jack, who made this prediction, only a light joke, to be struck down unwillingly by the gift of prophecy…. also xe is sleeping and cant defend themselves??? You wouldnt call out a sleepyguy. So immoral. 

MOD CASEY

sigh… this is the worst accusation of them all. First of all, martyn is neurodivergent AND a minor. Which speaks for itself. Secondly, As circled in the image above you can see a difference in white colour, the wrong font for discord, the covered up original text. sloppy work tbh

Here you can even see the harshly named channel: martyn-hates-gay-people-and-women created by joy… who first sent this same supposed image… curious. Seems… sus.

MOD LUIGRA

Didn’t think I would made a defence for every mod here and leave the perpetrator out, did you?

No, listen well, good people of tumblr. Despite my clear evidence that the original callout post by the traitorous mod luigra is like, cringe or whatever, luigra is in fact… innocent too (gasp)

Joy is… literally a woman? The only woman on the server, which shows that we really need to do better, im sorry women. God forbid women do Anything. Also she goes through the horrors and maybe even the terrors every day, so, completely innocent. 

Let out that breath of relief, dear follower, you can continue enjoying the jackmanifold-daily blog free of fear, happy april fools <3 thanks for all the support, these guys are my best friends and im glad i got to meet them through this silly blog <33

[norimatsuaki]

[ulkaralakbarova]

Five twenty-something friends spend a drug-fueled weekend in Cardiff, Wales. Credits: TheMovieDb. Film Cast: Jip: John Simm Koop: Shaun Parkes Nina: Nicola Reynolds Lulu: Lorraine Pilkington Moff: Danny Dyer Lee: Dean Davies Felix: Andrew Lincoln Moff’s Father: Terence Beesley Reality (voice): Jo Brand Andy: Richard Coyle Karen Benson: Jan Anderson Pablo Hassan: Carl Cox Fleur: Stephanie Brooks Howard Marks: Howard Marks Jip’s Mother: Helen Griffin Tyrone: Danny Midwinter Ziggy Marlon: Justin Kerrigan Hip Hop Junkie: Tyrone Johnson Koop’s Father: Larrington Walker Jip’s Manager: Philip Rosch Lulu’s Uncle Albert: Peter Albert Lulu’s Auntie Violet: Menna Trussler Jeremy Faxman: Mark Seaman Connie: Lynne Seymour Luke: Patrick Taggart Boomshanka: Anna Wilson Casey: Robert Marable Herbie: Nick Kilroy Matt: Peter Bramhill Moff’s Mother: Carol Harrison Moff’s Grandmother: Anne Bowen Martin: Giles Thomas Jip’s Ex #2: Sarah Blackburn Doctor: Eilian Wyn Asylum Doorman: Neil Bowens Jip’s Ex #3: Nicola Davey Inca: Roger Evans Tyler: Bradley Freegard Trixi: Emma Hall Jip’s Ex #1: Elizabeth Harper Jip’s Secretary: Jennifer Hill TV Interviewer: Nicola Heywood-Thomas Casey: Robert Marrable Cardiff Bad Boy: Louis Marriot Millsy From Roath: Millsy in Nottingham Karen Benson’s Boyfriend: Robbie Newby Tom Tom’s MC: Ninjah Jip’s Mother’s Client: Cadfan Roberts Koop’s Workmate: Mad Doctor X Bad Boy: Jason Samuels Breakdancer / Bodypopper: Tim Hamilton Bodypopper: Alicia Ferraboschi Bodypopper: Sherena Flash Bodypopper: Marat Khairoullin Bodypopper: Adam Pudney Bodypopper: Mark Seymore Bodypopper: Algernon Williams Bodypopper: Colin Williams Bodypopper: Frank Wilson Film Crew: Supervising Sound Editor: Glenn Freemantle Sound Editor: Tom Sayers Dialogue Editor: Gillian Dodders Casting Director: Sue Jones Additional Editing: Stuart Gazzard Associate Producer: Rupert Preston Producer: Allan Niblo Director: Justin Kerrigan Producer: Emer McCourt Co-Executive Producer: Michael Wearing Steadicam Operator: Paul Edwards Second Assistant Director: Marcus Collier Sound Re-Recording Mixer: Craig Irving Editor: Patrick Moore Director of Photography: Dave Bennett Costume Designer: Claire Anderson Original Music Composer: Matthew Herbert Set Dresser: Ed Talfan Sound Recordist: Martyn Stevens Production Coordinator: Andrea Cornwell Post Production Supervisor: Jackie Vance Post Production Coordinator: Claire Mason ADR Recordist: Sandy Buchanan Gaffer: Andrew Taylor Sound Re-Recording Mixer: Nicolas Le Messurier Script Supervisor: Laura Gwynne Assistant Sound Editor: Susan French Music Supervisor: Pete Tong Makeup & Hair: Kerry September First Assistant Director: Charlie Watson Post Production Supervisor: Maria Walker Second Assistant Director: Matthew Penry-Davey Assistant Editor: Amy Adams Foley Editor: Miriam Ludbrook Original Music Composer: Roberto Leite Storyboard Artist: Nick Kilroy Dialogue Editor: Keith Marriner Makeup Designer: Tony Lilley First Assistant Director: Emma Pounds Music Consultant: Arthur Baker Co-Executive Producer: Kevin Menton Electrician: Mark Hutchings Boom Operator: Jeff Welch Costume Assistant: Karen Mason Casting Director: Gary Howe Production Design: David Buckingham Co-Executive Producer: Nigel Warren-Green Executive Producer: Renata S. Aly Art Direction: Sue Ayton First Assistant Director: Hywel Watkins Third Assistant Director: Tivian Zvekan Location Manager: Peter Vidler Location Manager: Frank Coles Assistant Location Manager: Roland Mercer Focus Puller: Mike Chitty Clapper Loader: Ewan O’Brien Key Grip: David Hopkins Construction Manager: Martin Dawes Property Master: John C. Reilly Set Dresser: Riana Griffiths Art Department Assistant: Jacqui Puscher Storyboard Artist: Deena Mathews Costume Supervisor: Anne McManus Makeup & Hair: Hanna Coles Still Photographer: Hector Bermejo Unit Publicist: Jessica Kirsh Movie Reviews: zag: One of my favorite films of all time, its a period movie describing the young party goers of the UK in the 1990’s. It hits the nail on the head, the lov...

[nofatclips]

Do You Love Me Like I Love You, Part 13: Abattoir Blues/Lyre of Orpheus - A documentary by Iain Forsyth and Jane Pollard about the album by Nick Cave & the Bad Seeds

[cakeniron]

Drunken Audiobooks | Red Right Hand - Nick Cave and The Bad Seeds

Nick Cave and the Bad Seeds are an Australian rock band formed in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist-vocalist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey (all from Australia), guitarist George Vjestica (United…

[spilladabalia]

THE TRIFFIDS - My Baby Thinks She's A Train

My baby thinks she's a train, she don't know the difference between pleasure and pain, my baby thinks she's a train, she walks out the door & she's drinking kisses like rain

[sheetmusiclibrarypdf]

George Gershwin at the Piano "Oh, lady be good" (George Shearing) Sheet Music

George Gershwin at the Piano "Oh, lady be good" performed by George Shearing

with Sheet Music Download from our Library.

https://vimeo.com/694346364 "Oh, Lady Be Good!" is a 1924 song by George and Ira Gershwin. It was introduced by Walter Catlett in the Broadway musical Lady, Be Good! written by Guy Bolton, Fred Thompson, and the Gershwin brothers and starring Fred and Adele Astaire. The song was also performed by the chorus in the film Lady Be Good (1941), although the film is unrelated to the musical. Recordings in 1925 were by Paul Whiteman, Carl Fenton, and Cliff Edwards. A 1947 recording of the song became a hit for Ella Fitzgerald, notable for her scat solo. For her album Ella Fitzgerald Sings the George and Ira Gershwin Songbook (1959), it was sung as a ballad arranged by Nelson Riddle. Recorded versions

- Rob Agerbeek – Three of a Kind (1998) - Fred Astaire – rec. December 1952 – The Astaire Story - Count Basie – rec. February 4, 1939 (Decca) - Buck and Bubbles – rec. December 26, 1933 (Columbia) - Kenny Burrell - rec. August 25, 1959 - On View at the Five Spot Cafe (Blue Note) - Joe Carroll – The Man with the Happy Sound (1962) - Cliff "Ukulele Ike" Edwards – rec. January 2, 1925 - Carl Fenton and His Orchestra – recorded on December 11, 1924 (Brunswick) - Ella Fitzgerald – with Bob Haggart (1947) - Ella Fitzgerald – rec. 1959 – Ella Fitzgerald Sings the George and Ira Gershwin Songbook - Benny Goodman Trio – rec. April 27, 1936 as the B–side of China Boy (Victor) - The Gordons with Dizzy Gillespie and Stuff Smith – rec. April 17, 1957 - Jack Hylton and his Orchestra – rec. March 29, 1926 - Buddy Lee with the Gilt–Edged Four – rec. May 17, 1926 (Columbia) - Charlie Parker and Lester Young for Jazz at the Philharmonic, January 28, 1946 - Dianne Reeves – We All Love Ella: Celebrating the First Lady of Song (2007) - Slim & Slam – rec. May 3, 1938 (Vocalion) - Mel Tormé and Buddy Rich – Together Again: For the First Time (1978) - Paul Whiteman and His Orchestra – rec. December 29, 1924 (Victor) - John Wilson Orchestra– Gershwin in Hollywood, live at the Royal Albert Hall (2016) - Django Reinhardt- Django Reinhardt swing de Paris 4 CD set (2003) See also - List of 1920s jazz standards “When Lester Young played on the second chorus, the jazz world was introduced to another way of playing the tenor saxophone ... Jazz would never be the same.”- Chris Tyle As improvisational vehicles, many songs could not endure the transition from the loose Dixieland style of the “Roaring Twenties” to the smooth, swing sound of the 1930’s. They were dropped from jazz musicians’ catalogs, performances, and recordings and relegated to period collections and specialty bands. There are, however, a handful of songs written in the mid-twenties or earlier that have persisted as the topmost jazz standards: WC Handy’s “St. Louis Blues” (1914); the Ken Casey, Maceo Pinkard, Ben Bernie composition “Sweet Georgia Brown” (1925); and George and Ira Gershwin’s “The Man I Love” (1924) and “Oh, Lady Be Good” (1924). Walter Catlett introduced “Oh, Lady Be Good!” on the stage of the Liberty Theater December 1st 1924. The song was included in the Broadway Musical Lady, Be Good! a popular show that would run for 330 performances. The show starred Fred and Adele Astaire, Walter Catlett, Alan Edwards, Jayne Auburn, Kathlene Martyn, and Cliff Edwards. It opened to generally favorable reviews, with the critics raving about the Astaires’ footwork and the “jazzy” Gershwin score.  In 1925 “Oh, Lady Be Good!” went on to become a pop chart hit three times with Paul Whiteman and His Orchestra (1925, instrumental, #2) Carl Fenton and his Orchestra (1925, instrumental, #9) Cliff Edwards (1925, #13) Lady Be Good was one of several shows in 1924 that represented a significant departure from the romantic operetta style. According to Edward Jablonski’s book Gershwin: A Biography, these pioneering productions were “... brittle in tone, ‘smart,’ characterized by athletic dances, tongue-in-cheek love songs”; in other words, forerunners of the modern musical comedy.

Best site for sheet music download.

“Oh, Lady Be Good!” was one of a dozen songs in the all-Gershwin Broadway score. Also becoming hits were “So Am I,” “Little Jazz Bird,” “The Half of It, Dearie, Blues,” and “Fascinating Rhythm.” Lady Be Good was also a turning point in the career of Cliff Edwards. Edwards’ ukulele rendition of “Fascinating Rhythm” stole the show and would prove to be the beginning of a string of Broadway appearances for him. Read the full article