#master thief garrett

[supervillain-smut]

Garrett would start off with an "I don't make noise" tough guy demeanor, but when he's close he's moaning like a whore.

[kenaigamesgallantly]

I want more content for a character, but I have to make more content for that character, but I don't have the motivation to make content, but I want more content for a character...

[elven-butts]

everyone say thank u to this mf whose hands have been living in my head rent free for the past decade for pulling me out of the art gutter

[skrilltia]

Thief (2014) Collectibles

Unique Loots

[jeanivere]

garrett flowercrown edits lol

(totally unironic and very real edits !!!!)

there is a distinct lack of flowercrown edits for thief so i took it upon myself to make some in honor of one of the most significant eras in fandom culture

and also because its funny (and oddly therapeutic??)

inspired by this tweet 😍

[silurisanguine]

Chapters: 6/? Fandom: Dishonored (Video Games), Thief (Video Games) Rating: Mature Warnings: No Archive Warnings Apply Relationships: Basso the Boxman & Garrett (Thief 2014), Garrett (Thief 2014)/Original Female Character(s), Erin & Garrett (mentioned) Characters: Garrett (Thief 2014), Basso The Boxman (Thief 2014), Kiara Aeryn Black (original character) Additional Tags: mature themes, slowish burn, Garrett has feelings he doesn’t know what to do with

Chapter 6: Reflected Visions

Summary:

Garrett ponders of what he's realised he's feeling and the Void shows them both what was hidden from their view.

[glettokono]

my lost memories about thief4 is back thanks for one wonderful artist and now im presenting you this little thief4′s fanart

[tallyarts]

[greenelectricsky]

🌺🪻🌸🌷💮🌷🏵️💐💮🏵️🪷🪷🌸💐💮🌷🌸🪷🌺

Easter eggs, part 3!

Garrett was climbing on a balcony, trying to be as quiet as possible. Night wasn't easy, the full moon was shining bright. In one of the windows he saw a cat so white, it was almost shining too.

The animal was looking into the sky, and with every moment its eyes were bigger and brighter, like a candle, like a lamp, like a... He shook his head. Nah, it was just a cat! He walked away as fast as he could. This night evening was strange, he saw cats everywhere, like they were going somewhere...

Victoria was sitting on a windowsill, collecting a moonshine, when a strange hooman climbed on her balcony. He was made from shadows and she thought, her light could hurt him, so she stopped for a while. She had a time, the Ball will start in an hour.

<prev next>

[garrettauthor]

Hey y'all!

This is a reminder that I write fantasy books. They're cool as fuck, they deal with themes of family and antifascism and the nature of responsibility, and they also happen to be REALLY queer.

For, like, the whole first LONG part of my writing career, I was on an exclusive deal with Amazon. I wasn't allowed to publish or distribute my ebooks on other websites.

That's no longer the case. I'm free!

So, I'm putting all my books on my Patreon. That's THIRTEEN books and counting.

Full-size books, not novellas. (Nothing wrong with novellas. We love'em. Just...this is a lotta books and I need you to understand that).

Want a bi, robin-hood-meets-batgirl, young forest girl becomes master thief adventure? That's the Nightblade Epic.

Want a polyam, trans-friendly, wizard-school-meets-The-Godfather, mystery and intrigue series? That's the Academy Journals.

Want an ace-and-bi best friends, buddy revenge, monster hunter, Princess-Bride-meets-Supernatural-but-queer journey? That's Tales of the Wanderer.

Want a queer-platonic-but-also-SUCH-sapphic-yearning, reluctant chosen one, found family, mysterious past, LOTR-meets-Hot-Fuzz, heroic quest? That's the Resurrection Cycle.

And they're ALL in that post on my Patreon.

I'm trying hard to not only write my own books but publish more marginalized and underrepresented voices. I've already started. I'm planning to do a lot more.

So if you want to help make all of THAT happen...and also just, like, get thirteen new books right now...

Patreon?

[tygerbug]

https://youtu.be/FC4sYmilGF8 The Thief and the Cobbler Recobbled Cut Mark 5 Work in Progress 06/20/23

This restoration is still a work in progress. It contains new animation which has not yet been completed, and is "half done" in this preview. At times, there are unfinished edits and smudgy frames.

"Animation among the most glorious and lively ever created!" - The New York Times "The best and most important 'fan edit' ever made." - Twitch Film

Chief Restorationist: Garrett Gilchrist

Directed by Richard Williams Screenplay by Richard Williams and Margaret French Master animator Ken Harris Produced by Imogen Sutton and Richard Williams

Here is your first sneak preview of a newly re-restored version of this lost animation classic, written and directed by legendary three-time Academy Award winning animator Richard Williams (animation director of Who Framed Roger Rabbit, and the author of The Animator's Survival Kit). Nearly 30 years in the making, a labor of love by a team of animation greats, this was to be the masterpiece of Williams’ career, perhaps the most ambitious independent animated film ever conceived. It was taken away from Williams when he couldn’t meet his deadline, recut and destroyed. It has never been seen the way it was intended to be seen … until now. Based on Williams’ original workprint, missing scenes have been restored using storyboards and unfinished animation. Restored to its true form, this lost cult classic has finally been found - for you at home.

2023 could be considered the 60th anniversary of when production began on the film that would become "The Thief and the Cobbler." 2023 is also the 30th anniversary of when production ended on the film, when a reedited version called "The Princess and the Cobbler" had a very small release in some countries. 2023 is also the 10th anniversary of "The Thief and the Cobbler Recobbled Cut Mark 4," a restoration by filmmaker Garrett Gilchrist which intended to restore the film to its original intended form, as much as possible. This is also, approximately, the 25th anniversary of Gilchrist's first experiments with restoring this film.

So we thought it would be a good idea to go back and restore the film further, and see what could be done with it. We still do not have access to a high quality HD copy of any version of the film (such as the released version "Arabian Knight" or Williams' workprint "A Moment In Time"). We do have some 35mm workprint scenes, which we transferred in HD for this project, and which make up over 30 minutes of the film. Some scenes were also upscaled and rebuilt in HD, and all scenes were cleaned up and restored frame by frame by Garrett Gilchrist. Any Blu-Ray labels that would like to take on this project with us officially can contact us.

Garrett Gilchrist writes:

I had often said that I wouldn't do a "Mark 5" edit unless an HD version of the film (in any form) was released and could be used for a better quality version. The "Recobbled Cut" project was begun in 2006 and continued until 2013, originally. That's eight years of work restoring the film (frame by frame in Photoshop!) and building up a huge data archive of Richard Williams' work (Available via ocpmovie at archive. org). I wasn't going to return to the project without a very good reason to do so. No new footage has turned up in our hands in the last ten years.

But it's been ten years since the "Mark 4," and I was approached by animators Dennis Van Hout and Kiko Pablo (The Crow Artist), who had animated a few new shots for the film. It's very difficult, without a budget, to create the sort of high quality animation that this film requires. However, their efforts showed me that it's possible. I had just completed inking a Thief and the Cobbler Coloring Book (available at archive) and felt more confident that I could draw and ink in Richard Williams' style. I chose about twenty shots that seemed possible to animate, and began work on them in early 2023. You can see a half-finished version of the results in this video. I am still working to bring the results up to standard as much as possible.

I also "re-restored" most of the film for this version, rebuilding some shots in HD using cropped DVD sources, recoloring some shots to appear higher quality, removing dirt and damage in Photoshop frame by frame, and doing months of new work to bring the film to life like never before. We were never happy with the HD transfer of the scenes of The Thief in the War Machine, which are very red and dark and lack detail. Some color correction trickery helped bring more detail to the scenes, and dirt and damage was removed by hand in Photoshop over the course of several months.

Other HD scenes were also restored by hand, which had been overlooked for the previous version, because I'd been working on it for eight years at that point and had to stop somewhere. The U-Matic video source for the workprint was also revisited. Pencil test scenes are hard to see due to the low quality of the video source, and I went back to the original source for this version, and cleaned up the scenes very carefully frame by frame to bring out quality and detail that was previously lost. Scenes that previously switched from one source to another have been cleaned up as much as possible so that the sources match seamlessly. Some workprint scenes have been recolored by hand to improve their quality.

The scenes directed by Fred Calvert were done on the cheap and are not up to the quality standards that Richard Williams intended. In this edit I have reworked the Calvert scenes as much as possible, so that they play more smoothly with additional inbetweening. I have removed animation errors and improved scenes with special effects, and rebuild some scenes in HD. This work will continue as time allows.

Our newly animated scenes are also a work in progress, and will require further work to make the animation smoother and more in line with the rest of the film. I am just one illustrator and do not have the budget of a professional animation studio, so I'm really pushing my luck by trying to insert new animation into a cult-favorite masterpiece by one of the greatest animators who ever lived. But I also was careful to choose scenes that are less complex in how they move. It's been a lot of work, and it's still a work in progress. But I hope you enjoy seeing what I've been up to all these months, as well as the delightful new animation by Dennis Van Hout, Kiko Pablo, Chris Fern and others.

[supervillain-smut]

Dude... Garrett has so much fic trope potential. Rivalmance. Forbidden relationship. Friends to lovers. Only one bed.

[kenaigamesgallantly]

Well, had a few obstacles, but I overcame them! Here's all of Garrett's voice lines from Chapter 3!

@grandqueefmaster

[the-mistholme-museum]

Hi! I'm listening to S5E6 right now and I'm just wondering if the Library in that episode is in any way a reference to Jorge Luis Borges' short story, the Library of Babel, or if it could be compared to that at all if it isn't? Excellent podcast btw I've been recommending it to my friends since I started season 1 ^.^ Have a good day!

Hey! I wasn't aware of The Library Of Babel when I wrote that part, although I have come across it since. It's a great story, although I think the vibe is a little different? In that the Babel Library has mostly nothing of worth within the books pages, but maybe? You'll find one? That actually says something? That crushing search for meaning among infinite permutations is so evocative. Whereas in Mistholme the library is all definitely information, but there's so much you need to know how to find it.

If I was to say anything had influenced me in the Mistholme's Library, it would probably be a level from Thief: Deadly Shadows, a game I loved as a kid. At one point the protagonist Garrett has to break into the library of this mysterious organisation called The Keepers, who've been around for an unknown amount of time and have all these prophecies and powers and magical items in their compound. But you're only there to steal one thing (I think it's evidence to exonerate Garret in a crime?), and I liked the idea of this Master Thief breaking into a place full of wonder and riches, but having to keep his eye on the prize.

[skrilltia]

Thief (2014) Collectibles

Bank Heist

Client Loot

[clouds-of-wings]

Notice how Garrett doesn't just steal stuff that's obviously valuable, like money or gems. He also steals wine and paintings, but not all wine and not all paintings are given that 'valuable' gleam in Thief 3. Clearly, Garrett is an expert. He knows which art and which wine is valuable. He knows which years are a good vintage, he knows which painters are esteemed, he can tell a real master's painting from a bad copy even in the dim light of a torch.

I imagine that Garrett goes to bed when he gets home, then wakes up in the afternoon and starts educating himself about topics such as trends in the art world and where the tastes of the upper class are shifting, which goldsmith has a good reputation, which museum or private collector has just acquired something new. Maybe he's a "master thief" not just because he's good at sneaking, but also because he continuously educates himself about his profession, which sets him apart from the simple-minded burglars who can only snatch everything that looks shiny and don't recognize half the valuable stuff they see.