#maya thurman-hawke

[smalltownrobin]

Collecting photos of Maya and Charlie cos I'm desperate for platonic jobin content

Special shout out to the grainiest set photos known to man

Double special shout out to the s3 table read where they're fucking backlit and in black and white so you can't see shit but it's them

Bonus: Charlie going to one of Maya's shows and being besties with her mother ❤️‍🩹

[disdaidal]

My ears are little geniuses, trust me. Come on, it's your turn to sling ice cream, my turn to translate. I don't even want credit. I'm just bored.

[cantsayidont]

Recentish movies of note, or not:

BOTTOMS: Ridiculous "teen" comedy about two gay high school losers, PJ (Rachel Sennott, who also co-wrote with director Emma Seligman) and Josie (Ayo Edebiri), who seize on a rumor about their having been in juvenile detention to start an after-school "self-defense club," in the hope that introducing the school's hottest cheerleaders to the cathartic thrill of girls beating the shit out of each other will finally give these hopeless (and ho-less) virgins a chance to score. So silly that complaining about the stupidity of the plot seems a tad churlish, but the story misses some obvious comedic opportunities, and despite the premise, the film eventually becomes far more interested in cartoonish violence than sex. If you dig the overall vibe, you might not care, but as a gay teen sex comedy, it's ultimately less successful (and less outrageous) than BOOKSMART, even though only one of the latter film's teen loser heroines is gay.

DO REVENGE: Black comedy homage to the teen comedies of the '90s and early '00s, inspired in part by the 1951 movie version of STRANGERS ON A TRAIN, about a disgraced prep school popular girl, Drea (Camila Mendes), who joins forces with gay weirdo Eleanor (Maya Hawke) to avenge herself on her former friends and find out who leaked her sex tape — a plan that involves giving Eleanor a makeover so she can infiltrate the popular kids. Hawke is a delight, Mendes is very good, and the homoerotic tension of their odd relationship makes the movie fun for a while, especially if you appreciate the many self-conscious homages to prior teen movies. However, a major reveal late in the second act makes hash of the already sloppy plot, and the finale is both nonsensical and as antisemitic as STRANGERS ON A TRAIN author Patricia Highsmith, which leaves a sour aftertaste.

IT'S A WONDERFUL KNIFE: Bizarre slasher movie pastiche of IT'S A WONDERFUL LIFE, about a teenage girl named Winnie Carruthers (Jane Widdop of YELLOWJACKETS), who kills the masked serial killer who's been terrorizing the small town of Angel Falls and murdered her best friend (Hana Huggins) at Christmastime. A year later, everyone in town seems to have gotten over it except Winnie, who's miserable. On Christmas Eve, she's magically transported into an alternate timeline where she was never born and the masked slasher has continued murdering people, including Winnie's brother (Aiden Howard). To set things right, Winnie has to stop the villain all over again with the help of Bernie Simon (Jess McLeod), the town outcast and the only one who believes her story. Not scary, gruesome, or suspenseful enough to be much of a horror movie, but there are enough grisly murders to make the comedic holiday fantasy aspects seem a trifle sociopathic, and a late reveal that the killer has supernatural powers beyond just stabbing or slashing people feels like one ingredient too many in an already convoluted plot. The main redeeming feature is that it's ultimately a gay love story, which I wasn't expecting, but appreciated nonetheless.

THE KILL ROOM: Uma Thurman, Samuel L. Jackson, Joe Manganiello, and Maya Hawke go slumming in this dumb black comedy about a handsome hitman named Reggie (Manganiello) who becomes the sensation of the art world after his mob intermediary (Jackson) concocts a scheme to launder Reggie's payments by selling his abstract paintings (under the nom de plume "the Bagman") through a burned-out, Adderall-snorting art dealer (Thurman). Intended satire of the cutthroat vacuity of the art world lacks bite and no part of the plot makes any sense, but sheer star power gets the movie through about half its 80-minute running time before the banality becomes terminal.

POLITE SOCIETY: Silly British action-comedy by Nida Manzoor (creator of WE ARE LADY PARTS) about Ria Khan (Priya Kansara, delightful), a Pakistani teenager who aspires to be a stuntwoman, and her quest to save her flaky art student older sister Lena (Ritu Arya, radiant) from marrying a handsome doctor (Ashay Khanna) who seems a little too good to be true. It looks great, and the characters are very charming, but the story waits much too long to clarify the stakes of the plot: Until the finale, we don't know if Lena is actually in any danger or if Ria is just letting her imagination run away with her, and that uncertainty becomes an unwelcome distraction in the later action sequences. As a result, it feels more like an update of the John Hughes perennial SIXTEEN CANDLES than the over-the-top action movie it obviously aspires to be.

SHIVA BABY: Low-key but vivid comedy of manners, written and directed by Emma Seligman, starring Rachel Sennott as Danielle, a bisexual 20something Jewish girl who secretly pays her bills as a sugar baby. When she goes with her parents (Fred Melamed and Polly Draper) to a shiva, she finds herself trapped with not only her most annoying relatives, but also her disgruntled ex-girlfriend (Molly Gordon), her current sugar daddy (Danny Deferrari), his gorgeous blond wife (Dianna Agron), and their new baby. Seligman milks every awkward nuance of this uncomfortable social situation for maximum dramatic effect, and the tension of the final scene (which is nothing more complicated than the characters trying to squeeze into the back of Danielle's father's minivan) will drive you right up the wall.

VOLEUSES (WINGWOMEN): Is it really possible for a 40-year-old Frenchwoman living in the 21st century to not know that lesbians exist? One wouldn't think so, but watching this jokey buddy-action movie suggests that director/co-writer/star Mélanie Laurent desperately needs some kind of educational intervention in that regard. This is for all intents and purposes a lesbian romance: Master thieves Carole (Laurent) and Alex (Adèle Exarchopoulos) live together, routinely sleep in the same bed, and plan to retire together; they constantly express their love and affection for one another, and when Carole discovers that she's pregnant (the hows of which are never explained), Alex immediately assumes that they'll be moms together. Nonetheless, the story not only attempts to no-homo this cozy domestic scenario, but also presumes that there's no way Carole and Alex's relationship could ever be the de facto marriage it obviously already is — indeed, a crucial story moment involves Carole tearfully wishing she were a man so she could love Alex the way she deserves! If the movie had been made 50+ years ago, this might be poignant, but in 2023, it's just weird, and the resulting cognitive dissonance largely overshadows the thin plot, which concerns Carole and Alex trying to persuade their bitchy, cheerfully murderous employer Marraine (Isabelle Adjani, barely recognizable beneath her big hair and oversized sunglasses) to let them retire, while training a younger woman named Sam (Manon Bresch) to become their driver and the ambiguously defined third in their domestic ménage à trois.

[fandomnerd9602]

Maya Hawke x Reader. Uma Thurman disapproving of their relationship after finding out that Maya's boyfriend is a Milla Jovovich fan and not a Uma Thurman fan

Uma: out!

Maya: Mom!

Y/N: all I said was I like the resident evil movies

Uma: im not in those!

Y/N: I know. But the Kill Bill movies are still my top 10 action films just behind John Wick

Uma: hmm…you can stay

Maya: thank you!

Maya settles next to Y/N and hugs them tightly…

[idealuk]

Four confirmations I woke up to today:

1: Matthew's ready to start talking about the sequel.

2: Lou is Trump supporter.

3 (after waiting in vain for years for a download to finish): Ryan's character called Matt Bomer's character "Honey" in Papi Chulo.

4: Maya owned being a nepo baby in the best possible way.

The pipeline/universe knew that I woke up in a bad mood.

[differentcookieturtlerascal]

[escapismthroughfilm]

#140

[lover-praxis]

uma thurman, ethan hawke, and maya hawke all being in some of my favorite pieces of queer cinema is so fun

[lonesomedreamereccentriclover]

Happy Birthday Maya Hawke!

[viajerofantasma]

Uma Thurman.

Maya Hawke.

[moonschocolate]

the only celeb family that exists to me is the thurman-hawke family

[super-nova5045]

you telling me the guy who plays the fruity dude in dps ALSO plays the creepy serial killer in the black phone is ALSO an ex of kill bill girl and is ALSO MAYA HAWKE'S DAD????

[daddyy333]

Giggles | Maya Hawke x y/n

if you’d like you can reblog my original work, but please don’t post it without credit. if you take inspiration from my ideas please tag me, I’d like to see how someone else would write it

word count: 0.4k

warnings: ?

summary: literally just Maya hawke fluff

You watched as Maya did the little monologue in Family Video about Robin's crush on Vicky, smiling softly. You were always so proud of her. Plus, she looked really good today and her lips just look so kissable.

“Okay, let’s take 5 and come back for the last few shots” the director said and you immediately ran to Maya, pulling her away and running to her trailer. You practically slammed her on the couch, kissing her passionately.

“Mm…hi, baby,” she chuckled and mumbled against your lips. You eventually pulled away for air and panted softly as you said “you are so…so damn hot,”

She bit her lip and pulled you closer, smashing her lips on yours again. You moaned softly into the kiss, feeling her up slightly. She wrapped her arms around your waist, and her legs around your hips like a damn koala.

You giggled through the kisses, lipstick all over each other's mouths and both of you are a mess now. You moved down to her neck and she gasped a little, blushing. You giggled and said “you got the giggles o-or something babe?”

“I just love you…so…freaking much. So pretty, Maya” you mumbled into her neck and she arched her back into you slightly, feeling you create a hickey on her sweet spot. She quickly remembered she was still at work and said “babe- babe, no hickeys! I’m still at work”

You rolled your eyes and kissed her again, straddling her hips. She giggled and brought one hand up to your hair, threading her fingers through it and caressing it softly.

“God, you’re so hot,” you mumbled against her lips and she blushed. She chuckled and said “you’re one to talk,” You giggled, hiding your head in her neck out of embarrassment.

“Maya! We need you back on set!” An assistant said as they knocked on the door. She gasped and you immediately got off. She jumped up and ran to the mirror, groaning as her lipstick was smeared and some was on her neck.

You chuckled and she said “just a minute!” You kissed her head, hugging her from behind. She sighed and you said “I couldn’t help it, you’re just so beautiful, babe” She rolled her eyes and blushed, shoving you lightly. You giggled and she smiled, looking at you through the mirror. You winked and she blushed twice as hard, shaking her head and looking away.

As of now l'm writing for

Eddie Munson

Joseph Quinn

Jamie Bower

Steve Harrington

Robin Buckley

Maya Hawke

Lo’ak

Neteyam

So just comment the taglist you want to be added to and l'll add you :)

[beautifulpeoplearoundtheworld]

[deftos]

maya hawke icons ★

like or reblog if u use/save!

[archivist-goldfish]