i cant lie, im also beating myself up about not being able to get excited for the new game, or anything anymore it seems, while it can be fun to criticise things, some things you just dont like so badly that the frustration knowing it could be so much better but isnt and you not able to change it outweighs any fun- i dont like being a 'hater', i hate totk, but not bc i hate zelda but bc i LOVE it and want it to be better (though im starting to doubt my ability to do anything good with it too..)
and with the new game trailer (like, i still hope its better than im fearing rn) i feel similarly as when the next totk trailers dropped after the first one (which DID excite me), all of them gave me a sense of dread bc it seemed to go into a direction i wouldnt like, i tried to tone that voice down to enjoy the game, but then .. i was right
i dont want to be an annoying complainer about everything new, but maybe i am and i dont like that thought, i dont want to spoil anyones fun, i want to partake in it :(
55 notes
·
View notes
Look.
Ace Attorney fandom.
I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.
But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.
Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.
It's that - in my personal OPINION - it could have been *great*.
I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).
They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete opposite of what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).
They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)
It just flopped and that's ok.
Even though it kinda sucked, it can still mean something to me.
Also I'm a Moe Curls apologist. I liked him, shut up.
37 notes
·
View notes
I'm playing some old missions again to update my challenges and was surprised at how good I find the 7 Deadly Sins compared to the newer content (pff)
But playing Ambrose Island, I realised again how little we know about Lucas Grey's past.
Apart from the fact that Grey suddenly comes around the corner with a mission that also happens to have something to do with Providence, I'm sure it's down to IOI looking for content that fits in with the overall game. So no further questions.
But still I ask myself: Who was Noel Crest for Lucas Grey?
Because have you noticed that Grey sounds super, super sad when Crest dies? Or when he announces him? Or when he briefly talks about his past?
In general, Grey was extremely vulnerable in this mission. John Hopkins does a fantastic job as always, but I really wonder why Grey is so emotional. I mean, I melt every time he says "I'll see you soon" when the mission is over. It's very sweetly purred. Longingly, even.
Crest was probably one of Grey's confidants, they worked closely together. But for comparison, Sean Rose, the guy who ran the big militia in Colorado (on Grey's behalf), also seemed to me to be a confidant of Grey. Otherwise he wouldn't give him such a task. Grey himself worked in the house alongside all the others (we remember the cellar). Intense co-operation, as with Crest. And we see Grey directly after 47 has done his deed, namely on the hill with his sniper rifle. But here, he didn't look sad at all. More like "well, now they're dead, crap, I'll have to think of something else now"
With Crest, I had the feeling that he needed 5 minutes to himself to process the death of his former... friend? I don't know, maybe I am reading too much into it.
Are there any fan theories on Noel Crest and Lucas Grey yet??
22 notes
·
View notes
There's a big difference between a missing person and a kidnapped person in this au
When a bird of any species goes missing, it means they flied or were dragged by the wind too far away from the main lands. Whenever there's particularly nasty weather, especially during winter, investigations always start the day the wind calms down enough, but on different cases, investigations only start two days after the person has failed to return back home, and the background information that their family and friends provide help to determine the situation, and they usually come down to two main categories: runaways or a possible sudden health issue while flying (like a heart attack or stroke)
Birds of prey don't have a police system so it's usually the person's family who goes looking for them.
On the other hand, kidnapped people are always either songbirds or game birds, and the kidnappers are always birds of prey.
Kidnappings are actually quite rare, since whenever raptors do hunt smaller birds they leave their cadavers behind after they've eaten or collected enough to feed their young.
Much like murders, kidnappings also involve blood because of raptors' brutality, but it's just that, just evidence that a struggle occured that the smaller bird obviously lost.
The smaller birds have no idea of the reasons that could lead to a kidnapping, but even if they knew they'd still not bargain or anything similar to get the person back, they're too scared of angering the raptors for just one person.
All the few songbirds and game birds who have lost a friend or family member because they were kidnapped think that this system of not trying is extremely unfair, but unfortunately there's nothing they can do.
Mark is pretty much miserable. He's stuck with someone who is incapable of moving on from a loss, and he can't leave them either, because his bird instincts have been forced into depending on this person, so the couple of times he did try to escape he got very sick physically.
He's stuck on an unhealthy "friendship" and is too scared to try to reason with them.
Ruth is doing a bit better, kind of. She lost one of her wings to her kidnapper, but did and still does try to talk to them, and overtime their dynamic evolved from kidnapper and victim to a companionship.
This person still hasn't gotten over their loss, even after all these years, but Ruth still tries to in some way give them a bit of therapy, not just for her own sake anymore but for theirs now too.
She even got them to stop hunting smaller birds at some point! (They joke sometimes that they're gonna break their new diet when Ruth tell them of her past and all the people who were assholes to her)
damn what's the weather got against them man xddddd
also p interesting overall! also didn't think you'd make mark and ruth live! p cool idea :D i do have ideas on who mark and ruth's kidnappers are, but i wont say bc i could be completely wrong LOL
4 notes
·
View notes
(Out of nowhere, you are approached by a familiar lightbulb-headed Cog.)
Ah, it's you, cat. Thinking you're oh-so-slick. Muttering and whispering under those raggedy whiskers of yours... Thinking I am unable to hear it all...
Well, you've simply underestimated my fantastic hearing. You probably want to know the reason why I'm here, taking a 'break' from my incredibly important scientific breakthroughs? It's quite simple, really!
(She gets close, and squints her eyes.)
I know what you are.
Farewell, now!
(She then leaves the way she came from.)
(Spam giggles immensely, covering her face... it always seems like she's giggling, isn't she? This lasts... at least thirty seconds. Longer than usual.)
And I know what I am too, Sparky! You broke through something, that's for sure. Really, broke through...
(She looks down, continuing to laugh nervously.)
You know, I find it odd you Havent tried to bulb blast me into the stratosphere by now. I mean knowing how you acted with Frostbite. Is there something peculiar about me that you perhaps can't quite track? Something about me that you... don't know what I am?
I know, I know, I'm talking to nobody again. But you were there when I had a moment today with the one the only Frostbite The Bravecog. You may be remaining. Lurking in the shadows. Knowing about these thoughts that I'm thinking.
(The giggling resumes, lasting far shorter this time.)
Your brother's a piece of fucking barp, by the way
(She braces for impact for a few seconds, wincing while smiling, before comically looking around to realize nobody's there. She sighs.)
Wow, okay maybe toony superhero show logic doesn't apply in this situation. Cool.
WAIT I JUST FUCKING REALIZED WHAT SHE MEANT but like. Dude if she meant that then what's the point I mean the whole ahh sellbot department barping knows unless you're Really low on the ladder. Heheh... maybe she did mean what I thought she meant.
Oh i'm so fucking screwed. What kind of bitch gets filament fever
2 notes
·
View notes
before i actually go through the phantom hourglass manga to critique it i’m going to quickly just toss out a bullet point list of things i actually liked in the ph manga
- i like how the stuff w/ tetra in the first chapter not only sets her up but serves to contrast how she is as a captain vs. how linebeck initially is as a captain. the line ‘as captain, nothing is more important than the lives of my crew’ specifically
- link’s cute. hes just a little guy
- i’m a big fan of the added detail that linebeck tends to stick out his bottom lip. it fits really well with his character. as a smaller side note i like the way his nose is drawn. i just like the shape they went with lol
- the bit with the point card for eddo’s garage that is specifically noted to be Not In The Video Game is good
- for all intents and purposes what is done with the bellumbeck fight is really good
thats it everything else i either feel neutral about or hate/feel frustrated with
6 notes
·
View notes