#melody orgel

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Namie Amuro: Hit Song Final Premium Melody Orgel - Music Box - Showtime Version

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[moonhoneygrove]

THE 2 SONG LIST

Someone on reddit asked for a 2 song rec from every SHINee album, plus soloists.

Took me 3 hours.

Only 2 songs?? Might as well ask for the moon, too, ha!

KOREAN RELEASES:

SHINee WORLD: Love's Way, SHINee World!

ROMEO: Talk to Me, Hit Me

2009, YEAR OF US: Y.O.U., SHINee Girl!

AMIGO: - sorry, I can't remember which ones are the new ones on this repackage

LUCIFER: Quasimodo, Life

HELLO: Hello

SHERLOCK: Alarm Clock (the live is *chef's kiss*), Sherlock (Clue & Note)

MISCONCEPTIONS OF US: Spoiler, Dream Girl

MISCONCEPTIONS OF ME: Orgel, Dangerous

EVERYBODY: One Minute Back (live stage omfg), Close the Door,

ODD: Saviour, Hold You

MARRIED TO THE MUSIC: Odd Eye, Trigger

1 of 1: Feel Good, Shift

STORY OF LIGHT: I Say, Jump/Drive I'm sorry I couldn't decide)(

DON'T CALL ME/ATLANTIS: Kind, Kiss Kiss

HARD: 10X, The Feeling/Sweet Misery

JAPANESE RELEASES:

THE FIRST: Better, Start

BOYS MEET U: 1000 Year by Your Side, Keeping Love Again

FIVE: Kimi no Sei De, Melody

DXDXD: DxDxD, Sing Your Song

FROM NOW ON: Lucky Star, Winter Wonderland

SUPERSTAR: Superstar, Seasons

SOLOISTS:

ONEW:

VOICE: Blue

DICE: On the Way, In the Whale

CIRCLE: Circle, Anywhere/Paradise

COLLABS:

Onew + Punch/NINGNING: Way

JONGHYUN:

BASE: Neon, Deja Boo/Love Belt (sorry couldn't decide)

STORY OP #1: Happy Birthday, Diphylleia Grayi

SHE IS: all of it.

STORY OP #2: Just Chill, Our Season

SHININ': Shinin', Only One You Need - I've only listened to half of this. I'm sorry.

COLLABS:

SM THE BALLAD - Hot Times

JONGHYUN & HERITAGE: Your Voice

KEY:

FACE: Imagine, Easy to Love

HOLOGRAM: Hologram, City Girl

I WANNA BE: I Wanna Be (w/Soyeon)

BAD LOVE: Helium, Eighteen

GASOLINE: Ain't Gonna Dance, Another Life

KILLER: Killer, Easy

COLLABS:

Years & Years: If You're Over Me (remix)

AXODUS: Hold On

MINHO:

CHASE: Waterfall, Prove It

Falling Free (Japanese single)

TAEMIN:

ACE: Ace, Play Me

PRESS IT: One by One, Mystery Lover

SAYONARA HITORI: Sayonara Hitori,

FLAME OF LOVE: I'm Crying, Door

MOVE: Crazy 4 U, Back to You

MOVE-ING: Day and Night, Snow Flower

TAEMIN: Eclipse, Under My Skin, Better Man

WANT: Never Forever, Outro

FAMOUS: Exclusive, Colours

NEVER GONNA DANCE AGAIN PT 1: Strangers, Clockwork, Just Me and You

NEVER GONNA DANCE AGAIN PT 2: Heaven, Identity

ADVICE: Advice, Strings

[aaltjelng]

Langblr reactivation challenge, Week 1 day 4, Make a vocabulary list📃

Klassieke muziek - Klassinen musiikki - Classical music 🎼

Nederlands - suomi - English

De muziek - musiikki - music

Het stuk - kappale - piece

De compositie - sävellys - composition

De musicant, de musicus - muusikko - musician

De zanger - laulaja - singer

Het ensemble - yhtye - ensemble

De pianist - pianisti - pianist

Het koor - kuoro - choir

De uitvoorder, de performer - esiintyjä - performer

Het orkester - orkesteri - orchestra

Het strijkorkester - jousiorkesteri - string orchestra

De opera - ooppera - opera

De componist - säveltäjä - composer

De arrangeur - sovittaja - arranger

De dirigent - kapellimestari - conductor

De radio - radio

Zingen - laulaa - to sing

Spelen - soittaa - to play

Componeren - säveltää - to compose

Sovittaa - to arrange

Improviseren - improvisoida - to improvise

Luisteren (naar) - kuunnella (jtk) - to listen (to)

Het genre -tyylilaji - genre

Klassiek - klassinen - classical

Het instrument - soitin, instrumentti - instrument

Kantele - kantele, kannel - kantele

De harp - harppu - harp

De piano - piano - piano

De vleugelpiano, de vleugel - flyygeli - grand piano

Het orgel - urut - organ

De accordeon - harmonikka - accordion

De contrabas - kontrbasso - double bass

De gitaar - kitara - guitar

De viool - viulu - violin

De cello - sello - cello

De contrabas - kontrabassso - double bass

De trommel - rumpu - drum

De pauken - patarummut - timpani

De fluit - huilu - flute

De blokfluit - nokkahuilu - recorder

De saxofoon - saksofoni - saxophone

De trompet - trumpetti - trumpet 

De noot - nuotti - note (visual)

De toon - sävel - note (auditory)

De sleutel (?) - nuottiavain - clef

De melodie - melodia - melody

De harmonie - harmonia - harmony

Het ritme - rytmi - rhythm

De schaal (?) - asteikko - scale

De repetitie - harjoitukset - rehearsal

De tournee - kiertue - tour

Het concert - konsertti - concert

Het optreden - keikka - gig

Het publiek - yleisö - audience

Het podium - lava - stage

Muzikaal - musikaalinen - musical

Inspired by @tealingual 's music vocabulary list!

[deathmaiidens]

@ycllowhaired from [x]

If Lily's father's friend, Anthony was a more extroverted version of him, then certainly, Johanna was an even more introverted version of her mother. It was hard not to think of her with her gentle grace and eyes that observed the world around her and said more than her usually quiet voice ever could. But Lily understood Victoria's because -- well, she was her mother, and there was a sadness in the other woman's gaze that only crept into her mother's so rarely these days. Regardless (well, because of that, really), Lily was determined to be her friend. Maybe even make her smile before they had to go away.

She was hardly expecting the other to be the one to make her smile that afternoon.

Her large blue eyes lit up the moment she pulled out the trinket. Usually, it was Anthony who brought back souvenirs from their travels, but this was more wonderful than anything she'd seen from him (no offense, of course, she liked him well enough).

"Wow, Paris!" She took the globe with eager, but gentle hands and ran a finger over the glass lovingly, her smile broadening to see the teddy bear and the Eiffel tower. "It's beautiful! Thank you so much, Miss Johanna!" She turned the key as instructed to hear its melody, the delicate and old-fashioned orgel sounds always filling her heart with so much joy.

"I should like to get you something, too! This gives me just the perfect idea, but I'm not telling you. It's a surprise." She put a finger to her lip conspiratorially and giggled.

[berlinonair]

Jeff Fein - Luxury (Indie Folk)

🕑 Lesedauer: 2 min / 📷 CTTO / Jeff Fein Offizielles Erscheinungsdatum:  10.05.2024 Mir gefällt es, wie der US-amerikanische Singer-Songwriter Jeff Fein modernen Indie-Folk mit klassischen Balladenklängen kombiniert und dabei ein authentisches Retro-Feeling kreiert: 'Luxury' ist der Titel seines neu veröffentlichten Songs, wobei ich zu Beginn die wirklich schöne Melodie im Refrain erwähnen und betonen möchte. Eine sehr gefühlvollen Ader und ein leicht hymnischer Ansatz verleihen der Track zudem einen wahrhaftig großen Wiedererkennungswert, was nicht zuletzt auch an der expressiven und lebendigen Stimme des Künstlers selbst liegt. Von der musikalischen Umsetzung her sticht der Song außerdem mit einer wunderbaren Hammond-Orgel, sowie warmen Gitarrenklängen in der Begleitung und einem dynamischen Drum-Arrangement heraus. Der entschleunigte Rhythmus bringt derweil einen sehr angenehm auflockernden Flair mit sich. Die Preview zu 'Luxury' findet ihr unten verlinkt. Für mehr könnt ihr Jeff Fein außerdem auch bei Instagram und Spotify folgen: Spotify: https://open.spotify.com/track/3QNtHXt8AW9tyseIuoHTlb Instagram: https://www.instagram.com/jfeinmusic Text: Adrian

[end-of-violence]

2023日本ラップ

LUNV LOYAL (feat. Seeda) / 高所恐怖症

Lunv Loyal feat. SEEDA & Watson / 高所恐怖症(Remix)

Lunv Loyal / SHIBUKI BOY

Yung Colty feat.YLE HIDE/ LOYALTY

Yvngboi P & FreekoyaBoiii / ２Top

NEO Fox / KIMINI

NEO Fox & Disorder feat. FreekoyaBoiii / TENOHIRA (Remix)

Huncho Fox / NEOISCEO

Huncho Fox feat.YeyaS Prod by Loner Baby / Freestyle

Huncho Fox / WTF!!!

¥OUNG ARM¥ & Plain Jay feat. NEO Fox, Yvngboi P & FreekoyaBoiii / Ballin

¥OUNG ARM¥ & Plain Jay / YAKEDO

¥OUNG ARM¥ & Plain Jay / Sorry Mom Pt.2

Lil健康 feat. DEVIN / LazyDaZe

DEVIN / Bc4bb

Young zetton / REAL PAST

Young zetton / 僕なりの意見

Young zetton / 錆びた街 ＆ South side

炒炒x young zetton / Chandelier

Watson & Young zetton / 暗い部屋

LOX BLACK BACK feat. Watson / High

Watson / MJ Freestyle

JAKEN / DONZOKO

JAKEN / STREET PAIN

BAY,bigsos&Loar / conversation

BAY,bigsos&Loar / 100%

CFN MALIK / Do this shit 4 me

CFN Malik / GET RIGHT BACK

JuggrixhSentana feat .FreekoyaBoiii / SWAG

JuggrixhSentana / Like that

juggrixhSentana / Stock

JuggrixSentana (feat. jellyyabashi) / Orgel

Henny K / カラカラ

LANA feat. Candee & ZOT on the WAVE / TURN IT UP

バイレファンキかけ子 feat. valknee / VOLCANIC EMOTION

TYOSiN / 彗星

Loud Santana / Yeahhh!!!!

Eric.B.Jr / FREE SHIMON

Eric.B.Jr feat.Lil Gor / East River Side

Eric.B.Jr & REAL-T / WHAT'S WIN

REAL-T feat. ���GONG / KATA

DJ RYOW feat. CYBER RUI & MaRI / Bling Bling

BigDollarDoll / pole

guca owl / ROBIN

guca owl / SCHOOL BUS

JIN DOGG feat.TAKABO / ON MY MAMA

Jin Dogg / OMG

Young Coco and Kenayeboi / S.K.A.T.E

Minchanbaby & vio moon / 姫路上空いらっしゃいませ

Elle Teresa / GO DJ (Hey Daddy)

Elle Teresa with Choppa Capone / LOVE

Elle Teresa / Pierce Snake

Elle Teresa / Dorobo

アルバム

Young zetton & WATSON / BRIGHT FUTURE - EP

Young zetton / Zee PACK vol. 1.8 - EP

Young Zetton / Zee PACK vol.2

Watson / Soul Quake

炒炒 / RED TAPE - EP

Yvngboi P / Demon's Melody

FreekoyaBoii / Dope Pack Vol. 2

DNE / Ready For War - EP

AZU / Inside Me - EP

NEO Fox / PLUGG & LIFE -EP

Huncho Fox / TEARS OF BLOOD

Huncho Fox & Loner Baby / Slime House

Plain Jay / Frozen - EP

Plain Jay / Frozen 2

¥OUNG ARM¥ & KUYA MIGUEL / ¥OUNG MIGUEL - EP

¥OUNG ARM¥ & Plain Jay / Slime 4 Life 2

LIL STANKY, ¥OUNG ARM¥, KaworuMF & DJ EZEL / F-TOWN FLOW - EP

pararainy / rainy TAPE

DEVIN / 捨てられないSHIT

YUNGSTAお仲間 / ONAKAMATAPE: 上

YUNGSTAお仲間 / ONAKAMATAPE:下

DSXTX, KAY DIEGO & D-SETO / SUMMA BREEZE

DSXTX, Arigato Mane & DJ EZEL / Shinto Souljas Namida EZELED & CHOPPED Vol.1

Cold Rose & Arigato Mane / 幻想流離

LUNV LOYAL / LOYALITY

YLE HIDE / Lost Flow - EP

Yung Colty / Brush Up - EP

PAZU / Back To The Hood - EP

Young Coco & Kenayeboi / MOSAIC

kenayeboi / DTK

Young Yujiro / 420 VOL.2

Jin Dogg / Blood & Bones (BLOOD)

BigDollerDoll & A$AMI / BigDollerDoll 1$t - EP

CYBER RUI / ISSUES DELUXE

guca owl / ROBIN HOOD STREET

Minchanbaby & 藤城アンナ / 青の扉 - EP

minchanbaby / 青春 - EP

MIKADO & 18stop / PLAY PURE 3 - EP

Elle Teresa / KAWAII BUBBLY LOVELY Ⅲ

Elle Teresa / Pink Crocodile

JuggrixhSentana / JUUG SEASON Vol.1

Henny K / K

BAY,bigsos&Loar / Spin the sit again

Tomiko Wasabi / 黒いお姉さん - EP

OGGYWEST / 무섭다(ムソプタ)

Die, No Ties, Fly / SEASONS

TYOSiN / シネマ - EP

秋田Wavy Gang 2023 🌊🌊🌊

[sheetmusiclibrarypdf]

J. S. Bach Air auf der G Seite, BWV 1068, Air On The G String, Solo Piano Noten

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J. S. Bach Air auf der G Seite, BWV 1068, Air On The G String, Noten Solo Piano arrangement with sheet music

J. S. Bach Air auf der G Seite, BWV 1068, Air On The G String, Noten Solo Piano arrangement with sheet music "Air auf der G Seite" (BWV 1068) Noten Bester Notendownload aus unserer Bibliothek. Please, subscribe to our Library. Thank you! Bachs Original Wilhelmjs arrangement Download a selection of the best classical sheet music from our Library.Air auf der G-Saite, hat eine interessante Entstehungsgeschichte: https://vimeo.com/497237636

"Air auf der G Seite" (BWV 1068) Noten

ist August Wilhelmjs Bearbeitung des zweiten Satzes von Johann Sebastian Bachs Orchestersuite Nr. 3 in D-Dur, BWV 1068 von 1871. Das Arrangement unterscheidet sich vom Original dadurch, dass der Part der ersten Violinen nach unten transponiert wird, sodass er vollständig auf der tiefsten Saite einer Violine, dh der G-Saite, gespielt werden kann. Es wird von einer einzelnen Geige gespielt (statt von den ersten Geigen als Gruppe).

Bachs Original

Bachs dritte Orchestersuite in D-Dur, komponiert in der ersten Hälfte des 18. Jahrhunderts, hat als zweiten Satz eine „Air“ nach dem Eröffnungssatz der französischen Ouvertüre. Die Suite ist für drei Trompeten, Pauken, zwei Oboen, Streicher (zwei Violinstimmen und eine Bratschenstimme) und Basso continuo komponiert. Im zweiten Satz der Suite spielen jedoch nur die Streicher und das Continuo. Dies ist der einzige Satz der Suite, in dem alle anderen Instrumente schweigen. Die Musik der „Air“ ist auf vier Notenzeilen geschrieben, für erste und zweite Violine, Bratsche(n) und Continuo. Die ineinander verschlungenen Melodielinien der hohen Streicher kontrastieren mit dem ausgeprägten rhythmischen Drive im Bass. 1871 arrangierte der Geiger August Wilhelmj den zweiten Satz von Bachs dritter Orchestersuite für Violine und eine Begleitung durch Streicher, Klavier oder Orgel (Harmonium). Auf der Partitur schrieb er auf der G-Saite (auf der G-Saite) über der Notenzeile für die Solovioline, was der Bearbeitung ihren Spitznamen gab.

Wilhelmjs arrangement

In Wilhelmjs Version ist das Stück von seiner ursprünglichen Tonart (D-Dur) nach C-Dur heruntertransponiert. Dann wird der Part der ersten Violinen eine Oktave tiefer transponiert und einer Solovioline übergeben, die auf ihrer tiefsten Saite, der G-Saite, die gesamte Melodie spielen kann. Die von Wilhelmj hinzugefügten dynamischen Markierungen entsprechen eher einer romantischen Interpretation als dem barocken Original. Da eine Violine in ihrer tiefsten Lage nicht sehr laut spielen kann, wurden alle anderen Teile von Bachs Musik in Wilhelmjs Version stark reduziert: Der Klavierpart wird staccato und pianissimo gespielt, wodurch die Effekte von Melodieverflechtungen und von Drive in der entstehen Basspart verloren gehen. Die begleitenden Violinen und Bratschen spielen gedämpft (con sordino), und die Bassstimme für Celli und Kontrabässe ist pizzicato und semper pianissimo zu spielen, mit der gleichen Wirkungsänderung gegenüber Bachs Original. Später kursierte eine falsche Geschichte, dass die Melodie immer nur auf der G-Saite gespielt werden sollte. Der Soloviolinpart von Wilhelmjs Arrangement wird manchmal auf dem Countertenor-Violoncello gespielt. Aufgrund der Popularität des Stücks blieb auf der G-Saite der Name verschiedener Arrangements, unabhängig davon, ob ein auf seiner G-Saite spielendes Saiteninstrument beteiligt war oder nicht. Den meisten dieser Versionen ist gemeinsam, dass die Originalmelodie der ersten Violinen in der tiefen Lage eines Soloinstruments gespielt wird, begleitet von einer Reduzierung des Materials der anderen Teile von Bachs Stück, obwohl gelegentlich Versionen, die mehr auf einer Linie bleiben, Bachs Original kann den gleichen Namen tragen.

Download a selection of the best classical sheet music from our Library.

Air auf der G-Saite, hat eine interessante Entstehungsgeschichte: Zu Ende des 19. Jahrhunderts entschloß sich der deutsche Violinist August Wilhelmj (1845-1908) die Arie aus der „Suite für Orchester in D-dur“ BWV 1068 für Violine und Klavier zu bearbeiten. Der zweite Satz aus Bachs dritter Orchestersuite ist ein langsamer Satz im 4/4 –Takt und Bach schrieb das Stück ursprünglich für Solo-Violine und Streichorchester. Wilhelmj transponierte den gesamten Soloteil, ein Juwel lyrischer Musik, nach C, sodass er bequem auf der G-Saite, der vierten und tiefsten Seite der Violine, die ein besonderes, dunkles und romantisches Timbre hat, gespielt werden kann. Die harmonischen Teile schrieb er für Klavier. Obwohl die Melodie später für viele andere Instrumente, z.B. Flöte, transcribiert wurde, blieb der Titel „Air auf der G-Saite“ bestehen. Read the full article

[astra-and-lilith]

Das Wintertagebuch

von Nigel Slater. Kapitel Weihnachtslieder: ... Der Ursprung der Weihnachtslieder liegt vermutlich im Wassailing, jenen enthusiastischen dörflichen Gesängen am Dreikönigstag, die den lokalen Obstgärten gutes Gedeihen bringen sollen (Anmerkung: Siehe Heide Göttner-Abendroth, Frau Holle, Die Rauhnächte und das Wilde Heer). Auf jeden Fall fühlen sich die Stechpalme und der Efeu aus "The Holy and the Ivy" so ähnlich an. Diese immergrünen Gewächse haben schon seit heidnischen Zeiten eine enge Verbindung zum Winter, obwohl die religiöse Erklärung eine ganz andere ist: Die weißen Blüten der Stechpalme sind ein Symbol der Reinheit, ihre roten Beeren stehen für das Blut Christi und die Stacheln erinnern an die Dornenkrone. So oder so ist es ein tolles Weihnachtslied, das am besten mit Schmackes gesungen werden sollte. Das Oxford Book of Carols berichtet, dass Melodie und Text von einer Mrs. Clayton aus Chipping Campden stammen und von Mrs. Wyatt aus East Harptree um weitere Zeilen ergänzt wurden; beide hatten vermutlich keinen "Schmackes" im Sinn.

Es gibt einen Augenblick in der Kirche, wenn die Gemeinde aufsteht, mit dem Rascheln von Gesangbüchern und Mänteln, dem dumpfen Innehalten der Orgel und einem tiefen Luftholen aus vielen Kehlen. Dieser Klang verläßt uns nie, egal, wie lange es her ist, dass wir das letzte Mal in der Kirche waren. Manche Weihnachtslieder sind wunderbar, wenn sie von einer kleineren Gruppe von Menschen gesungen werden, aber es gibt ein paar, die wirklich einen ganzen Chor brauchen. Zumindest für meine Ohren. Ich würde behaupten, dass "Stille Nacht, heilige Nacht" und "Once in Royal David's City" die solistische Perfektion ausgebildeter Chorsänger benötigen. Schön gesungen, können beide Lieder mich zu Tränen rühren. Ich habe nie verstanden, warum diese beiden Lieder bei mir, dem wahrscheinlich unreligiösesten Menschen, den man sich vorstellen kann, so starke Gefühle auslösen. Sie haben eine unvergängliche Unschuld und Verwundbarkeit in sich.

Ein Wort zu Charles Wesley. Dieser fleißigste britische Verfasser von Weihnachtsliedern wurde im Dezember 1707 als achtzehntes Kind von Samuel und Suzanna Wesley geboren. Ich wohne nur ein paar Häuser weiter, und mir gefällt die Vorstellung, dass ihm "In das Warten dieser Welt" einfiel, als er am ersten Weihnachtstag 1738 an der St Mary's Church in Islington vorbeiging. Ob das stimmt oder nicht, spielt für mich keine wirkliche Rolle, nur, dass er ein paar meiner liebsten Kirchenlieder hinterlassen hat.

Aus: Nigel Slater, Das Wintertagebuch, Seite 290

Veröffentlicht auf den Boards "Shamans - Rites", "It's Friday - Es ist Freitag", "Christmas - Winter Solstice - Weihnachten", "Für Davina und die Little People", "Für Luca und die Little People" und "Eine kleine Kulturgeschichte der Küche"

[rinatouin]

[oneesanmarket]

Namie Amuro: Hit Song Final Premium Melody Orgel - Music Box - Showtime Version

Price: 15€/20USD

(Shipping price not included)

Units Available :1

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[im-657-mv]

Orgel

yandere lee taemin

[inspired by shinee - orgel]

word count: 874

My orgel I've seen you. Heard you. My angel that sings in frustration. Aren't you tired? I've seen everyone take you for granted. Your mother your father and even your supposed friends. I know you feel my presence, but you deny it. You brush me off as an unwanted spirit. I am no spirit, my love. I am something much greater.

From the mirrors I watch, every little move you make. Sometimes I brush your hair back from your face and your spooked expression makes me smile. Everything you do I see, even from beyond the mirrors. I have no bounds and you will soon someday realize that, my orgel.

Do you ever think about who I am, my orgel? Sometimes you're too oblivious for your own good, but I love you for it. I know you ignore me sometimes, but I make it harder and harder for you to do that. The music that plays in your ears is my call. Come follow it and you will be forever trapped in my melody box. It's safe and warm there my dear. Don't be afraid if you hear my calls, my little melody.

I know you dream of being freed from this difficult world. I hear you talk about to the air, to no one. Just know that I am always there. When you sleep I protect your dreams and fend of your nightmares. I have killed for you and fought your unseen enemies just for you my love. I am your lover, your protector, your demon disguised as your angel. I know you sense me. I've sent you gifts from my mirror. Flowers galore and jewelry before you awake from your dreams about me. And I know you're scared but I promise I don't bite, only if you want me to will I then leave beautiful marks on your neck tainting your skin with my love.

You may not realize, but we have met before. Sometimes in your dreams, sometimes not. I am the stranger at the coffee shop you tell yourself is pretty and attractive. And yes, I've been in your mind. There is not I thing I don't hear, my orgel. So don't be frightened. Even before that, I was the man in your dreams. The one you woke up thinking about and wondering "Why". I know you love me, so don't be scared when I pull you closer and closer. My music screams for you, my little music box.

Mere hours go by and I can't stop thinking about you, my muse. I just have to have you. I wind up my trap, my music box for you to live in. Only then will you only be with me. Only mine to keep and mine to listen to, like a melody I can't escape. And I know I shouldn't but I want to make myself known to you. I want to show you I'm real. So now every time you sleep or walk by a mirror I am always in it, smiling at you, my orgel. I know it scares you but I can't help it. When you look in the mirror you scream at my appearance and look back to see nothing there. I just smile and walk closer to you, pulling you closer and closer until the only keeping us apart is the mirror.

"I'm Taemin, don't be frightened." I explain myself as a "peaceful" entity and your eyes go wide. Such beautiful eyes, my orgel.

I play my melody louder everywhere you go, but you are smart so I have to be careful. But slowly and slowly you fall for me. My melody whispers loving words in your ear, as you come closer and closer.

Am I making you dizzy my love? Round and round you go in my melody box for me to keep. Forever mine to dance with. Round and round we go inside my melody box, dancing for eternity as mine. You will only dance for me, as my calling influences your infatuation with me. I told you, you will love me.

I feel your resistance, don't think you're smart. You are my little melody box, so don't run away from me. Only I get to see you.

Twinkle, twinkle as my webs entrap you, your tears shining under my light. No one gets to see you like this. And round and round we go in this dance of love as you cry tears of music, my melody box. My orgel, this is my song for you.

I've made this world for us, my orgel. Now your mine. Mine to dance with, mine to play with, mine to keep. Forever and forever will you be trapped in my melody box. Forever and forever will we dance to melodies of my love. Like a siren in the sea, I keep you drawn in. There is no escape from my melody, my orgel.

Twinkle, twinkle your face shines. Your tears make me smile. I love watching you cry. Like a show just for me, a performance. I don't want anyone else seeing this. To see you, to even glance at you. You will only cry for me. And you will only smile for me. My orgel.

[alwayshinee]

@ohmuqueen asked my favorite shinee b-sides and i very much doubt i could fit them all in a reply length so i made a Whole New Post.

love should go on. this is also my favorite shinee song in general. if youre reading this post you have to listen to it now.

forever or never

senorita.

shinee girl. just as catchy as ring ding dong but no one wants to talk about it!

ready or not. every time i listen to this song it reminds me of 5th grade. it also never fails to put a smile on my face.

get it.

to your heart.

the reason.

kiss yo. cutest live performance of all time i think.

punch drunk love.

aside.

excuse me miss.

orgel.

literally every b-side on everybody. i am not kidding.

YOU'RE MY SAVIOR, TREASURE, BUT CRUEL.

moon drop.

feel good.

melody.

become undone.

chemistry.

drive.

undercover.

tonight.

retro.

i say.

kiss kiss.

[thepriceofbeingaroseisloneliness]

KAORU PERSONAL INTERVIEW SPECIAL HEADBANG VOL.27 TRANSLATION 2/2

The ideal figure that the guitarist who leads the band as a leader got while struggling, and the reason for his unstoppable pursuit. “Without ‘BLUE BLOOD’ I wouldn’t really be who I am now” “After all, I’ve always liked dark and hopeless stuff, that kind of things” “I’m the type of person who wants to be affected by cd jackets and lyrics” "Sometimes I can do it. A song with a very pop and bright atmosphere"

Notes before reading: This is the second part of the personal interview of Kaoru from the magazine Headbang Vol.27 released on 18th August 2020.  The interview is 11 pages long and this part covers the last 5 pages.  As Toshiya and Die’s interviews, 2nd part is focused on his roots as a guitarist.

You can get the magazine at Amazon Japan or CDJapan. Read Toshiya’s interview here Read Die’s interview here

Feel free to correct me if you spot any mistake or any confusing. Links or credits to this post when the content is reposted or captured in other SNS is appreciated :) ----- Text by: Yohsuke Hayakawa (First part here) “Without “BLUE BLOOD” I wouldn’t really be who I am now” -Then, the topic of the talk changes from here.  I would like to ask you about the story behind the 20 albums that you selected regardless of era or reasons but, you chose 10 albums from Japan and 10 foreign albums.

K: Is that true? (laughs). It's a coincidence, but it was very difficult to narrow down when it came to choose again. So, I chose mainly the ones I listened to a lot before I started the band and when I started doing it. They are just albums that influenced me. -I have the impression that Japanese music was a kids who read WeROCK’s thing. K:  Hahaha. Yes (laughs). -First of all…. COLOR's mini album "FOOLS! GET LUCKY !!" (1989) is also included. I have to ask about why you picked this one. K: Well, I really love it (laughs). Even though it was "X in the east, COLOR in the west"*, I was really into it, so I went to see their live performance. I like their punkish songs and they have many fast songs. At that time, if a song wasn’t  fast, it was a “no” for me. I also liked ROSE ROSE. *(This makes reference to X Japan being from the Kanto region (East) and COLOR being from Kansai (West) as both band emerged around the same time.) -Then D'ERLANGER. DIR EN GREY participated in D'ERLANGER's tribute (announced in 2017 ‘D'ERLANGER TRIBUTE ALBUM  ~ Stairway to Heaven~ "). Was the album "LA VIE EN ROSE" (1989) a shock for you?

K: That’s right, “LA VIE EN ROSE” too but also CIPHER (G) himself. Well, I think it was at ”BURNN! JAPAN”, CIPHER appeared in a solo photo on one page in colour.

-Oh, it’s a shot in which you can see him standing with a flashy Les Paul guitar. It was before kyo (D’ERLANGER vocalist) became a member. K: That’s right.  I though “What on earth is this person?” After that, they were releasing a CD ("LA VIE EN ROSE") , so I made a I made a reservation right away.

-Also, a band you can't miss from those times is DEAD END. It never gets old because it’s respected across generations. K: I chose "Shambara" (1988), well, it's a masterpiece. Just listening to the opening song "EMBRYO BURNING" made me sick. When I first started listening to metal music, I was a bit reluctant but with DEAD END, the melody that MORRIE sung got me very quickly, I got into them without any resistance. I didn’t have the impression that DEAD END was so-called “metal”. Since I started playing in bands, I was overwhelmed by the seriousness of YOU’s guitar technique. - Next is ZI: KILL is "ROCKET" (1993). Initially, the dark positive punk style was strong but with that last album, their musicality expanded dramatically and there are even piano jazz songs. K: It’s an album that feels like something has been reached. I got into ZI:KILL since the early albums and after making their major debut, I got the impression that their albums got milder. However, when I listened to "ROCKET", it seemed like an insanely cool album. I still listen to it. -Including a horn in their arrangements was ground-breaking. K: Yes, at first I hated it! But somehow, I didn’t care about it at all. Still, TUSK (Vo) lyrics and the songs were addictive. It made a deep impression on me, that’s why I read ZI:KILL lyrics carefully as well.

-Do you care about the lyrics when it comes to Japanese artists? K: I check the booklets properly. After all, the lyrics reach my ears at the point in which the words make you feel something.

- And, needless to say, you also chose X's "BLUE BLOOD" (1989). At the Vol. 20 of this magazine, you chose it as a “metal album that changed your life”. So, as expected, if you choose an album from X japan, would be this one? K: Without this album, I wouldn't really be who I am now.

-You were influenced by everything, both the music and the guitar play….is that so? K: The guitar too, right? Well, it’s not at that level anymore.

-Ah, that’s not the level (laughs) K: I was just listening to it earnestly and thinking “amazing!”, it just something that I like, there is no particular reason (laughs).

“Western music  (I listened to) was also greatly influenced by HIDE. That’s why everything it’s related to HIDE (laughs)”

- On the other hand, Tsuyoshi Nagabuchi and Cocco are also included. K: I've always liked Nagabuchi. Like "Tonbo" (1988), there was a tv drama about that. *(”Tonbo” (Dragonfly) was also a tv drama  in which Tsuyoshi Nagabuchi played a member of a yakuza gang  who is trapped in a violent existence.)

- Oh, after that was "Shabontama" (1991). K: I also like the movie "Orgel" (1989), I was really into Nagabuchi at that time. The "Showa" (1989) album I chose this time is the album that got me hooked. The masterpiece "Gekiai" which is my favourite song was recorded around that time.

-You liked Nagabuchi’s drama series. K: Yes, they are rather dark series. I don’t know much about the brighter/cheerful ones.

-The ones like "Family Game" (1983)? K: That's right. Those are not the ones that I prefer. After all, I’ve always liked dark and hopeless stuff, that kind of things. -(Laughs) However, the radical portrayal of Nagabuchi’s drama shocked your heart as a young boy. Probably such a drama couldn’t be made in this era. K: Yes, you can’t. There isn’t even a rebroadcast of these ones.

-Certainly.  Also, I remember that Cocco was around in the scene at the same time than HIDE (g). K: Yes. When I listened to her album, it didn’t feel like I was listening to a Japanese cd. I felt like it was a western heavy band, so I got into it with that kind of image.

-I feel that foreign music, the alternative vibe is overall stronger, but do you like that? K: After all, HIDE’s influence in foreign music (I listened to) is huge. At that time, I was buying various magazines and looking for some more, I checked the names that appeared in HIDE’s articles and I’ve been listening to the ones I liked all the time.

- I have the impression that HIDE had a great influence on you listening to bands like Jane's Addiction at that time. What about Vanessa Paradis and Japan ( English new wave band)? K: That was also due to the influence of HIDE. That’s why almost everything is related to HIDE (laughs). Also, this album of hers (released in 1992, “Vanessa Paradis”) was produced by Lenny Kravitz, who liked to go to her lives.  She's still good, but I especially like her early days, I'm attracted to that voice.

“I’m the type of person who wants to be affected by cd jackets and lyrics”

- So that's it. The only work related to HIDE that you chose was with X Japan but, what about his solo works? K: Well, of course I like his solo, but in my case, I like HIDE in X Japan the most.

-Other than that, I can tell that you like strong sounds, heavy riffs and industrial. K: That’s right. As I was always seeking fierce things, I came to like strong riffs such as Pantera and Ministry.

-What about the so-called European German metal? K: Especially at that time, it wasn’t my cup of tea (laughs) - Then, some of the foreign music you chose…. "Psalm 69: The Way To Succeed And The Way To Suck Eggs" (1992) by Ministry. This album was already mentioned in this magazine before as an important metal album for you. K:  At that time, there was a foreign-related CD shop called WAVE at  Umeda Loft in Osaka. I think that I found it there and listened to it. I was like “what the hell?”, so I bought it right away. I listened to it at home again. That night I went to a acquaintance’s house and I said “Listen to this!”, and I forced him to listen (laughs). -I can tell your excitement (laughs) K: Then I listened to all the other albums. Above all, I like this one the most.  -And you also mentioned Nine Inch Nails. K: The first thing I heard from them was a single or something. At that time, I thought, "Wow, that's amazing," but when I listened to the songs on that album, I felt like I was listening to something I had never heard before. It's dark, but it sounds very aggressive. But it’s not like european music dark feeling.At that time, I wasn't sure if  they were a band or not (laughs).  -You wondered if it was a one-person band. K: That’s right. I was like “Is the same person doing everything?”, “Is he playing drums too?”. Everything was a mystery. Information was not available as soon as it does now, so I was wondering “Who is this person?”. I also wondered if the cd jacket had something to grasp, like it was a cd jacket that I didn’t really understand. Like the logo. It was all mysterious and addictive. I myself am the type who wants to be influenced/affected by cd jackets and lyrics, so I look at every corner. Everything up to the back of the wrapping. Then, when I looked at the back, I thought, "Isn't there anything attached?" (Laughs).  -(Laughs)There are many things that are totally attractive, including elaborate art books.  K: Yes. Especially for Nine Inch Nails, I went looking for some place that sell T-shirts of them.  "Sometimes I can do it. A song with a very pop and bright atmosphere"  -Among these works, isn't there any in particular that has an easy-to-understand influence on the songs that you make with DIR EN GREY? K: Well, I don't know that .  - Some of the works you chose this time have a strong melody…. For example, on a 2017 tour focused in “MACABRE" (2000), you played “Taijou no ao” for the first time in a while. I mentioned in this magazine before that "If you change the arrangement of a song to your current style, you can still play it ", but is there a desire to make a song with that kind of melody now? K: I don’t have a particular desire to do it. I think that it feels like something from that time, it’s an image that doesn’t make me feel excited now.  -By the way, do you usually listen to music with melodies like that? K: I do, I do.  Rather, I’ve been listening to pop music all the time lately.  I am not listening noisy bands at all.  -Noisy ones (laughs). K: Hahaha. -However, it's a little hard to think that you are going to make songs like that. K: Yeah, it doesn't happen very often sometimes, but there are times when I can do it. A song with a very pop and bright atmosphere. So, when I tried to start to work on songs, one turns out like “this is what I have done”. But maybe then I think that it’s a little different from what I do with DIR EN GREY, so I have to mess with it, fix it or just store it. - Eh! Do you make that kind of songs? I would like to hear a song like that from you now. That’s why the melody of “Taijou no Ao” that I mentioned as an example is not only pop but also suffocating. Faintly scented lyrics. I wonder if that it’s your true self. K: That's right.The first thing that influenced me was  the New Wave*. Pet Shop Boys and so, I liked that kinds of thing. That’s why there is a bit of that “kind of atmosphere” sometimes. It's not just pop. *(New wave is a broad music genre that encompasses numerous pop-oriented styles from the late 1970s and the 1980s) -There is also a sorrowful side. K: So, if I had to pick one, Europe is better in that than America. Well, when it comes to the songs I make, I’d like to make them more interesting, but I don’t feel like doing something that is off the point/wrong.  -I have to ask you about the melody part now. K: If you have any concerns, I will answer them…  - What if there is something clear for you like, “this song has this kind of image”? K: After that, Kyo has several ways to sing so I will combine them in my own way and propose new melodies. Like “I think in this way would be cool”.   -Oh, that’s how you do it. In any case, now I'm looking forward to the day when I can listen to a new song again. Will the album be completed in 2021? K: That's right.  -By the way, Kaoru-san's hard disk has already material for the new album…. K: Well, there's something for the album……there is, but it’s still not the whole thing at all (laughs).

[berlinonair]

Stephen EvEns - A Tree (Indie Rock)

🕑 Lesedauer: 2 min / 📷 CTTO / Stephen EvEns Offizielles Erscheinungsdatum: 15.12.2024 Hier kommt ein genialer Indie-Rock-Titel, der garantiert Laune macht und die Stimmung um einiges auflockert. Wir sprechen von der neuen Single 'A Tree' des britischen Künstlers Stephen EvEns, der mit seinem Stil den 90er-Jahre Garage Rock wieder zum Leben erweckt und uns einen fetzigen und leicht verspielten Gitarrensound bietet. Vor allem ist es der Refrain, der mit seiner mitreißenden Melodie im Ohr bleibt und den ihr garantiert nach dem wunderbaren Orgel-Outro noch eine Weile weiter singen werdet. Neben den energiereichen Drums und Gitarren selbst verleiht Stephen EvEns seiner Musik auch mit seiner Stimme einen klaren Wiedererkennungswert. Die lässige, ungezwungene Ader und die Dynamik haben es in sich – ein insgesamt sehr lebendiger und positiv gestimmter Track mit einem exzellenten Hauch an Psychedelic und Alternative. 'A Tree' könnt ihr direkt bei Spotify streamen und mehr über Stephen EvEns bei Instagram herausfinden. Spotify: https://open.spotify.com/track/2Jw9YSZrNUnsoyelf6Rixq Instagram: https://www.instagram.com/thestephenevens Text: Adrian /discovered via Musosoup #sustainablecurator

[solkatts-svenska]

Music vocabulary in Swedish

musik (en) — music

musikant (en)/musiker (en)/artist (en) — musician

kompositör (en) — composer

musikgenre (en) — genre

musikstil (en) — style

popmusik, pop (en) — pop

countrymusik, country (en) — country

hiphop (en) — hip hop

rap/rapp (en) — rap

folkmusik (en) — folk music

rock (en) — rock

jazz (en) — jazz

blues (en) — blues

klassisk musik — classical music

(musik)grupp (en)/band (ett)* — band

sångare (en) — singer

stjärna (en) — star

musikstycke (ett) — piece, composition

sonat (en) — sonata

symfoni (en) — symphony

preludium (ett, definitive form: preludiet) — prelude

vals (en) — waltz

opera (en) — opera

balett (en) — ballet

musiknot (en), ton (en) — note

rytm (en) — rhythm

melodi (en) — tune, melody

diskantklav (en)/g-klav (en) — treble clef

basklav (en) — bass clef

musikinstrument (en) — musical instrument

att stämma — to tune

att öva — to practise

piano (ett) — piano

dragspel (ett) — accordion

fiol (en) — fiddle

violin (en) — violin

violoncell (en)/cello (en) — cello

kontrabas (en) — bass, bass fiddle

flöjt (en) — flute

munspel (ett) — harmonica

valthorn (ett) — French horn

trumpet (en) — trumpet

klarinett (en) — clarinet

tuba (en) — tuba

orgel (en) — pipe organ

säckpipa (en) — bagpipe

harpa (en) — harp

gitarr (en) — guitar

trumma (en) — drum

orkester (en) — orchestra

dirigent (en) — conductor

konsert (en) — concert, concerto

*both can be combined with styles: en rockgrupp, ett jazzband

Corrections appreciated!