I love your artwork so much! Your colors are so vibrant and none of the white speckles in the paper ever shows, its so impressive and I really dig it! I was wondering if you use any sort of blending medium? Like baby oil or anything? Either way, I really enjoy looking at your artwork and I'm always excited to see whatever you'll make next
I use a colorless blender (prismacolor, which is wax-based so baby oil probably wouldnt work) but my scanner is also rly bad about picking up white specks in a way photographing the art with my phone isnt, so I usually have to do some digital editing to get rid of them as well.
I do this by duplicating the layer, setting the one on top to "darken," and using the mixer brush to blend out the white spots + just use the eyedropper tool to select the color of that area (needs to be a slightly lighter shade of it) and color over the white spots with the brush tool
i edited a small bit of the original scan to show what i mean
original:
with the edited layer:
heres how it looks set to normal instead of darken, I used both the mixing brush and regular brush just to demo it
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i was rewatching the available episodes of dungeon meshi earlier when i came across this scene, and was wondering if it was an intentional reference to "jason and the argonauts", because the way this specific skeleton looked and moved reminded me a lot of the skeletons from harryhausen's iconic "children of the hydra's teeth" fight.............
and yup, it sure is a direct reference. same shield design and everything :D
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i cant deal w ppl on tiktok saying they didn't like modern faerie tales because they thought the writing wasn't clear enough or too flowery... meanwhile i thought the language was too plain and explained every little thing in tfota series, but overall i thought the trilogy was fast paced so that may be a personal miff that i have... also there are crits i have about how race is handled in mfts, but the line 'what flavour of asian are you' is kaye experiencing racism... like that's the point, she's an asian main character even though she's mixed, and she's surrounded by racist assholes in new jersey... like that's a vital factor in her feeling different and othered by her white family who doesn't give a shit about her asian side, and othred by society... she experiences racism 😭 she's not just a changeling, she's also asian american...
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tbh clara could be split a billion times across the doctors timeline and id be like yeah this fucks it's literally only annoying bc she exists to "save the doctor" like there couldve been so many other reasons most importantly why couldnt it just be a mistake. can we pls explain big plot things with mistakes again i love mistakes. fucking. what was the entire buildup of bad wolf for oh yeah rose saw the tardises pussy and became god! ! ! !! uh oh ! oopsie doopsie ! ! this is poetic cinema
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hello as i attempt to become active on tumblr again i will actually be making a vested effort to not rb as much labru bc as much i do enjoy laios and labru, i'm into labru bc of what it means for kabru's character arc primarily and i am lowkey exhausted by how so much kabru art is focused on his ships w white ppl. so unless the labru is v focused on kabru, and not only how he feels abt laios, especially if it is posted by a white person, i'mma try to limit rbs. it is super exhausting to go thru the kabru tags on both twt and tumblr and everything's abt his ships w white ppl. also sucks that the kabrin and toshikabu stuff (his main 2 poc4poc ships) that gets popular is mostly made by white ppl as well, esp kabrin, and therefore often falls flat in their racial dynamics, and also somehow often still has to include a white person anyway. i also want to see more of his dynamics w other characters, and more of his platonic dynamics. so i will be attempting to keep that balance on my blog. i like laios well enough but. i'm a butch of the orient, a colonized and racialized person, dunmeshi in part hooked me with its anticolonial politics and worldbuilding. that's a big part of why i love kabru!
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any1 wanna commission me for 25 nintendo eshop buckaroonis… ill draw your character really awesome lol!
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the portal fandom sucks imo people are overly passionate abt their ships to the point that they’ll call you a lesbophobe just bc you don’t ship the right characters together. like i wrote for a m/m rarepair that only has 3 fics in the tag (all written by me and my bf btw) and i got hate for not writing f/f
and also you’ll get accused of being racist if you like the headcanon that cave/caroline are chell’s parents even if u hc that they adopted her OR if u hc that they aren’t white…
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izzy didn’t do coke with ed but you know who would, no hesitation?? stede bonnet. we’re always underestimating stede’s tendency to just do whatever. like guys he’s such a reckless impulsive madman. he would snort coke no hesitation if someone offered.
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re: baldur's gate's setting limitations: I've read a Lot of shit set in the Forgotten Realms and yeah, I agree. I mean I think it's interesting with the Legend of Drizzt (which are objectively bad although I love them dearly) to see an author clumsily *trying* grapple with sociological cycles of violence, and even that's being really deprecated out of more modern D&D to make it brighter, shinier, more Marvel, and more approachable. Like that's certainly the more marketable approach and in a [1/2
setting increasingly dictated by TTRPGs as played by people who expect videogame logic, /or/ parasocial slice of life, it's not surprising - it also avoids a lot of the pitfalls of "what the fuck were you thinking" that LoD itself is a great example of when it comes to clumsy allegory and sexual assault played for titillation - but honestly I prefer the clumsy trash that contemplates gore and consequence happening on a human level than something that wants to be approachable and friendly but [2/
[3/3] has no problem with the concept of ontological evil which is always more fundamentally regressive than clumsy allegory tbh. But I mean we both prefer DA and DA started /as a reaction to/ the fundamental limitations of the Baldur's Gate series, so it's not surprisingly that a game that sort of ignores the entire DA-digression, and the risks it took with form, doesn't have that spark.
haven't read LoD but agreed, my clumsy allegory tolerance is probably /too/ high but do ontological good and evil at face value & i'm right out
i think what hits weird for me about bg3 is almost some version of the uncanny, like on the one hand it's trying to do psychological realism in a pretty earnest way, but it's also set up this world where like. a character's hair changes from black to white when she chooses Good. yknow. there's some lovely sensitive character writing, but it rests on this substrate of world-logic that's just fundamentally not how people work. ahistorical, like you've said before. so you can only drill down so far before it rings hollow or just comes off kind of pat
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