real talk, I feel like people would have taken more notice of Gotham Knights if they dropped the open world or had completely different aesthetic. Like imagine if this had the BIFFs and POWs of the Adam West show, or looked like a comic book a la Hi Fi Rush and Freedom Force. Because combined with the confusing marketing it really did just come off as a sequel to Arkham Knight storyline and aesthetic.
Yeah, I feel like marketing really screwed this game over.
And while I really do like the world -- it's got such a neon-noir art deco revival vibe to it -- they really did lean too much into "it's another Arkham game... come... come play another Arkham game" when that was not the vibe of what they were creating.
Side note: one of my favorite mods replaces the Batcycle song with the Adam West theme song 😂
TW: for motion blur effects and some neon flashing lights.
Thanks to goonhammer throwing me down a rabbit hole, I discovered one of CGL's funnier experiments, the April fools TRO Caveat Emptor. It's free and available on Catalyst's website so I'd recommend going and giving it a read. It's got such wonders as the buster haulermech heavy gauss gun mod that needs to be plugged into the wall to fire, multiple industrialmechs generally stuffed full of tech they shouldn't be (like a Crosscut IIC with a 300 CXXL engine shoved in it), and an inscrutable mechtech named Biff McStrongjaw and his Phoenix Hawk that he stapled an Atlas's worth of armor to at the cost of any possibility of it ever moving (it has a literal top speed of 2 in-game, and it needs improved jump jets to go that fast because otherwise it's actually incapable of walking).
Stuff like this is amazing and I kinda wish other games studios would do it too. I've long maintained bad mechs are the most interesting ludonarrative part of battletech and this just play that to the fucking hilt
Mod you said this about Alex being bullied for his height “I mean I know Alex talked about it one time with that Batman story”, where did he say that? Can you link the interview? Thanks!
Also love the self awareness he shows once again with his comment. 😄
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Bobby Parker - Watch Your Step (Single)
Child Of Panoptes - Un Pettite Morceau De Buvard (Single) Rogue Records
The Well Wishers - Good Side (Just So You Know LP)
The Seasongs - A Tu Lado (Destellos LP)
DM3 - Show You (Road To Rome LP)
Orbis Max - Waiting All Night (Single)
Be Like Pablo - Find A Way To You (Single)
Nick Piunti - Bottle It (Single)
The Sinclairs - La Venta (Sparkle LP)
The Crystal Teardrop - Running Out Of Time (Single)
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Kingdom Of Mustang - All You’ve Got To Do Is Love (Glad Days LP)
Lava Fangs - Take Him Apart (Sub Auroram LP)
The Showmen - The Wrong Girl (Single)
BMX Bandits - In The Afterglow (Theme Park LP)
20th Century Boys - Come On Jason (20th Century Boys EP)
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Biff Bang Pow! were an indie pop band from London, England, active between 1983 and 1991, centering on Creation Records boss Alan McGee.
The initial Biff Bang Pow! line-up was McGee on guitar and vocals, with Dick Green on guitar, Joe Foster on bass, and Ken Popple on drums, these recording the first 2 singles "50 Years of Fun" and "There Must Be A Better Life".
Dave Evans then replaced Foster (who went solo as Slaughter Joe), and guitarist/organist Andrew Innes (later to join Primal Scream) joined on a part-time basis. Debut album Pass The Paintbrush...Honey was released in early 1985, displaying a mixture of mod, psychedelia, and new wave influences. 1986 saw arguably the band's strongest album The Girl Who Runs The Beat Hotel, which expanded on the first album's psychedelic and sixties pop influences, and featured collaborations with artist/painter JC Brouchard. This album coincided with the peak of the first wave of indie pop and as this gave way to shoegazing and grunge, Creation Records also moved in that direction, with the label increasingly being associated with artists such as My Bloody Valentine and Ride. With Biff Bang Pow!, however, McGee continued with guitar pop, becoming increasingly melancholy with releases such as Oblivion (1987), Love Is Forever (1988), Songs For The Sad Eyed Girl (1990), and Me (1991), which proved to be the last album proper by the band.
Members:
Alan McGee
Dick Green
Joe Foster
Ken Popple
Dave Evans
Andrew Innes
Biff Bang Pow! - The Falcon - 6 de Agosto de 1988 - Live
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Lola can probably make anyone laugh, even people like byte and springtron. nobody know how she does it, but she's made everyone in the league laugh at least once
how is it that everybody who gives Manner of Death a poor rating on Mydramalist lists the fact that the women (Jane, Rung, Nam) carry most of the plot as a negative when imho it's one of the coolest things about MoD?
Biff can't really explain why his match counting lines for Springtron are all ARMS Labs propaganda- he just looked at Springtron every round and felt almost compelled to say those things.
same tbh, Biff
(Good headcanon, though! You guys are so creative!)