#most colored drawing I’ve done lol

[roki-roki-roll]

She’s judging your fit

@zaacataac ‘s wife

[bukiyubiur]

I like how I drew her face

version with blood below.. the more “canon” death of real Hinako. didnt really like how I drew the blood so I didn’t put it as the main drawing oops

[peapod20001]

Haha someone points out the diversity of silhouettes on my ocs and I’m like, “lol the whats”

[viccharine]

do you guys ever listen to a band so much that you end up making fake merch for it?

(reblogs greatly appreciated!!!!)

close ups and commentary under the cut!

about the poster itself: do you guys know how hard it is to make art for a band that hasn’t been active in 13 years? the answer is HARD (yes, i probably could done research and looked for old interviews for inspiration but who has time for that)

—> the icons related to “take a vacation!” are inspired by lyrics from the song “take a vacation!” (haha, did you see what I did there?) specifically, the lines “we’ll leave the waves at the ocean” and “we’ll leave the sand in a suitcase”

—> the Jon Walker and Ryan Ross icons are taken directly from the album cover (it took ten years off my life trying to figure out how to get them on here w/ the color palette—graphic design may be my passion but I never said i was GOOD at it)

—> the heart imagery comes from the fact that the band’s called “the young VEINS”—although it annoys me IMMENSELY that i technically drew more arteries than veins in the icons (my anatomy teacher would be so disappointed, but alas, anatomical accuracy had to be sacrificed to make it. yknow. look nice)

—> i did hand-lettering for all the text except for everything that’s in Helvetica (i did THAT in canva). the art program i use has a basically unusable text tool so I was forced to draw all of it, so I choose to believe that the reason why it doesn’t look. the best. is because of the caffeine shakes

some extra commentary: am I the only one who’s genuinely REALLY bad at listening to music? i don’t really get into bands as much as i just find songs that sound nice—to illustrate the extent of this issue: i did NOT know that Brendon Urie was a part of Panic! At the Disco. I’m not even kidding, I thought the artist who made Death of a Bachelor and the artist who made A Fever You Can’t Sweat Out were completely different and just. didn’t bother to check if I was right.

also, I’m not the type of person to be interested in band lore???? I rarely know the names of band members if even I’ve listened to the band for years (I really couldn’t care less in most situations)

case in point, i did not know who the FUCK Ryan Ross was!!! i knew he was in p!atd but that’s literally about it—before a couple of days ago if you asked to me pick out either Ryan Ross or Jon Walker from a line up I would not be able to get even CLOSE

anyway, my friend/manager is really into band lore, so I basically got a crash-course in all things “early to late 2000s emo band” and subsequently found out about the Young Veins (i was also extremely disappointed when I found out they only had one album and hadn’t been active in over a decade) THEN I realized that decade old, inactive bands don’t usually have merch, so I made my own! “merch” used lightly—i don’t think this is actually fit to sell lol

anyway that’s all k thanks byeee :D!! (and go stream the young veins!!)

[literallyjusttoa]

First thing first I LOVE your art style. Second your Apollo design and headcanons are amazing. And third I would love to see some kind of colored reference sheet of Apollo, because I would love to make Fanart of your design!

Ok I made a re-made a lil reference thing I made about a year ago with color for you! + I'll add some notes I keep in mind while drawing Apollo in different forms bc I'm kind of inconsistent with my art lol

Pre-ToA Apollo: Covered in jewelry, bc he's fancy like that. No shoes, I used to draw him wearing sandals but it was actually rly important in antiquity that the gods didn't wear shoes as a sign of their divinity, so no more of that. At most he wears cool gold anklets. I also use his chiton as a bit of a mood ring. When Apollo's is having a great time, it's gold or has gold accents. When he's in stressful situations, it's got more orange and red.

Lester: Shift all colors a bit closer to red, just for cool symbolism-y reasons. I've done blue-eyed Lester before, but I'm ngl brown-eyed Lester still holds my heart. Also the most consistent part of my Lester design is the red hoodie, I will never let that thing go. Lester is a short king, and he always, ALWAYS has some pudge. (I feel kind of bad bc I always draw him in a baggy hoodie so you can't tell sometimes, but I swear I always keep it in mind) I usually show time going on in the trials by adding scars, making the hair longer, and making him a little bit bigger (callback to my hc that all of the physical things Apollo saw as "flaws" got worse in the 5th book, but bc Apollo has grown as a person he genuinely doesn't notice/care as much)

Post-Toa Apollo: Everything is a mix of the first two designs. Two eye colors, two hair colors, clothes that are modern while still referencing antiquity. He even wears sandals, right in between barefoot and sneakers. This design changes a lot, but that's bc I think Apollo is still rapidly changing after the end of ToA, and figuring out how to settle back into himself. The only consistency is that I’ve drawn him wearing crop tops alot? I honestly can’t tell you the reasoning behind that it just keeps happening. So yeah, really with this one, go wild!

[crystaldoodler]

A very long post of doodles relating to @theminecraftbee ‘s smallishsona AU (sorry for the tag again). I think of this AU while wandering Tartarus, so, I’ve had a lot of time to think. This post is really long and has a lot of rambling so, I’m putting it all under the cut. I’m sorry world I have too many words and rambles in me

First up, character designs!

I used primarily their mc skins for design, with only a few rl things thrown in. But, I didn’t bring them up so the colors are off a bit.

Starting off with Joel:

He’s following the persona protagonist tradition of mostly wearing the school uniform correctly, but with some minor embellishments. I’m still debating whether or not to add more, but w/e. His signature color is green.

Then Skizz and Impulse:

The greatest dichotomy of time to design, Impulse I knocked out on the second go, but I’ve done many iterations of Skizz and I still am not satisfied with this design. The ripped sleeves looked too out there (to me, at least) but nothing else seems to work so I settled for the shirt under uniform shirt look. Something I struggled with that these two emphasize is making them look like teenagers, and what they look like, and also keep to the anime style, and also my own incompetence with drawing facial features so It’s something all of these lack in. Impulse is yellow, and Skizz is blue.

Scar and Grian are next up, Scar’s facial Scar is from summoning his persona, because he stabbed himself in the face lol. Not much to say about these guys, I settled on orange for Scar and red for grian, which I am still struggling with beacause mumbo:

is ALSO red. So I guess they are just, both? red? If you look at the party select screens in persona though, the characters have pretty strong color coding, so I guess I’ll figure something out. If anyone is still reading: help. Anyway, mumbo wins the award for wearing the uniform the most normal (except for the tie)

Last but not least, Gem!

She’s wearing a longer skirt than the usual uniforms and also some big-ass boots. Also, she’s a sea monster thing? So, I was thinking, staring at SEES cool new uniform things and thinking about the Phantom Thieves and how cool their outfits are and realized the persona games have at least some design change to separate their daily looks from shadow hunting. Even if it is only glasses in p4 lol. So, I thought maybe weapon holsters? but, that seemed a little too generic. So! I decided to combine how I normally draw the hermits (and a lot of the fandom does) as having non-human traits as the big things setting their combat looks apart. It is both a) fun to draw, b) creates an eye catching and distinctive design for combat and c) is really funny. I thought it was funny so I drew a comic about it:

and here’s a sketch of what everyone looks like and also the transformation gives them very distinct eyes, for no reason other than I think it looks cool:

mumbo is a normal human btw (or at least, he appears to be)

Welp,that’s all I got. If I look at these drawings any longer I will hate them so here they are, yippee. Also, Bee/OP, sorry for exploding; I am into persona and hermitcraft right now so this AU is like a perfect storm to give me brain rot.

[siriusleee]

you're stunning

Rodolfo Para x f!reader For @glitterypirateduck's Fall4Rudy challenge. Prompt: It's your choice A/N: #6! Four more to go for my 10-part drabble series! The challenge ends in 2 days so I can do it lol. Although I may be a rebel and post one a day late, since I will be working the homecoming game on Friday. tags: borderline smut. nothing to explicit, but it's enough. To see others in this series, you can find them at my masterlist here.

Rudy doesn’t love like other men you’ve been with: a race to the end, to see who finishes first and forget about the other. He doesn’t even undress you quickly, instead opting to touch you above your clothes.

It’s a wonder the bed sheets haven’t gone up in flame from the heat rolling off the two of you; you’re sweating and panting before he’s even done anything other than touch you, his fingers tracing your jaw.

“I need you Rudy,” you practically beg, lips parting as his thumb traces the outline of your lip. You capture the tip of his thumb in your mouth, swirling your tongue and savoring the taste of him. 

You can see his pulse quicken, and you want to kiss him at his pulse point, like away the sweat that’s starting to form there. 

“I’ve thought about this for a long time,” Rudy whispers against your skin, sliding your shirt up, pulling it off of you. 

“Why didn’t you ever say anything?” You ask, hands wrapping around the hem of his white shirt, marveling at the contrast between the color and his skin as you tug it over his head. 

“You never called me Rudy.”

You never thought you needed to. The sleep is burnt from your body as Rudy hooks his fingers in the waistband of your shorts, pulling them down until you can kick them across the room.

Rudy shifts so that he’s kneeling between your knees; he bats away your hand when you try to reach for his belt buckle. His eyes linger on the stitches at your temple, the bruises you collect through each operation, the little scars picked up from everyday living. 

Your whole body bushes beneath his gaze. 

“You’re stunning; you know that?”

You’ve heard others say it - but not once had you ever felt like it was anything other than an excuse to move forward, but when Rudy says it you know he’s telling the truth.

Rudy takes his time with you, refusing to let you touch him until you’re nearly broken from the overwhelming feeling of him, and when he finally bury’s himself in you, he doesn’t fuck you. He holds you like you’re the most fragile thing in the world, pressing into you enough to stretch you out, hands caressing every inch of your body he can reach.

He doesn’t stop when you come undone beneath him; he talks to you in slow Spanish, kissing you when it gets too much.

He doesn’t leave after he finishes, a rush of belt bucking and searching for socks. 

He presses a gentle kiss to the stitches on your temple, rolling you over so that your back is pressed tight against his chest, hands drawing soft circles on the sensitive skin of your stomach. Outside it’s dark, stars rolling across the sky, and you fall asleep again to the warmth of him.

[paracosmicessence]

Hey! I love your art so much 💖 I wanted to ask what program you use for 3D modelling?

aw thank you!! :3

and to answer your question i’m going to warn you this is going to be kinda long because i’m gonna use this post as an excuse to show my 3D models that aren’t awful (sorry lol).

i actually use two different programs, both for different purposes, but you don’t need to get both, it really depends on which kind of modeling you want to do.

1) the first is called Nomad Sculpt on the iPad, you do have to pay for it unfortunately but it’s definitely one of the best modeling apps for the iPad. i know Blender is free but my computer is really old and doesn’t run the program very well, and at this point i’ve already gotten used to nomad sculpt.

anyway tho, i use it for art-related things like the obvious 3D models, but recently i’ve been playing around with just making scenes to use as references for my drawings. they’re not anything impressive, most of the time i actually use it to make little figurines to print and turn into earrings/little friends that sit in my room just for fun.

i’m gonna show this first bc they look cooler once they’re printed and colored (also you can tell i printed mini crowley and aziraphale when my sonadow hyperfixation started bc i never actually painted crowley) (he’s just kinda sitting there oops).

the little red guys are actually my favorite bugs (goliath beetles), i made them about a year ago but i still wear them like every day.

and here’s what they look like in the app, it’s a little intimidating but once you get used to it it’s actually kinda fun just playing around and seeing what you can do.

2) the second program i use is Shapr3D (also for the iPad, but i think they made an update where you can run it on windows/mac). you also have to pay for this as a subscription which sucks, i’m only able to use it since the engineering program i’m in pays for it.

Shapr3D is one of the many CAD software programs out there, but it’s nice bc it’s very beginner friendly and very easy to use. CAD is mainly for architecture/engineering but i honestly think more 3D artists should give it a try. it’s really nice once you get the hang of it and (i’m probably biased bc i’m a student) i honestly prefer it over just normal modeling software because i feel like you can be a lot more creative with it.

right now for my engineering class, our semester final is to design and present something that’s functional, and we can either explain the math behind it or just 3D print it and demonstrate how it works, and i’m making a functional mini model of “the rack” trap from Saw III (i’m not psychotic i swear i’ve just had a Saw hyperfixation for 5 years).

i’m definitely gonna post it when it’s finished just bc i’m already excited with how it’s turning out, but for now here’s a couple at-home projects i’ve done:

(above) i have a bunch of wet liners and i designed a stackable holder thingy with bolts between the shelves and a little cute star screw to fasten it at the top.

(above) i also made a few rotating brush holders at home (bc the ones that actually rotate are like $40 for some reason) by buying a set of small sphere bearings at home depot for like $5 (that’s what those little metal things are inside the third one, i took it apart bc i don’t know how to put a video and a picture in the same post) (just pretend they’re spinning rn).

anyway that’s all!! if you actually read this whole thing i love you so much bc engineering and design is one of my special interests so thanks for letting me tell you about the silly things i’ve made :3

[hollycircling]

would you consider dropping some tips on how you color? your art always has such a nice feeling to it

Thank you so much, and yes, absolutely! 

So... I have been agonizing over how to answer this question for over a week because I tend to make a lot of my major decisions based on what looks and feels good to me in the moment. It’s sort of hard to explain. Then I started getting philosophical with it (“how does one color? How do I explain aesthetic?”), and I started rambling, and had to cut the answer way, way, way down lol.

But here’s what I can help with right now. I think the most important part of how I color is my tools and what they allow me to do. These are currently my favorite brushes to use: 

From top to bottom, I use Kyle T’s Gouache for just about everything. A lot of my recent pieces are done entirely in that– I love the chunky texture and how the pressure mimics traditional gouache. It’s great for children’s book illustrations, and filling linework, and realistic portraits. She is my soft wife and I love her. 

I practically never use the default hard round. Ignore that. 

The roller brush is another one I use for painting. It was my go-to before KT’s gouache, so you’ll find it a lot in my older work (and as a big texture thing in my current works). The “Sampled Tip” below that one I usually use for children’s book styled illustrations. It’s like a really dense, waxy crayon, so it’s fun for textured lines and details.

I always paint in my own shadows and highlights, but I like to use the soft round if I want to blow the shadow or highlight out. It’s for extra large areas.

And finally my pencil. I use it for sketching as well as linework, if I plan on doing a linework-centric piece. I don’t think there’s much of a difference between the two there… one is probably smoother than the other. 

______________

The reason why I like textured, pressure-sensitive brushes so much is because they’re important to how I paint. When I blend, I don’t use a blender brush or a smudge tool. What I do is layer two colors– lightly– then use the eyedropper to select the color between them and continue painting with it. That’s probably the key to most of my work. I’ve gotten pretty fast at it, so I’m constantly selecting colors from the painting and reusing it throughout my painting. 

I still use the color-wheel to hand-pick what I think will look best, though. This is probably going to be a really frustrating answer, but I choose color palettes based on basic color/lighting theory combined with personal aesthetic preference. It can take some studying (of both theory and other artists’ work). If you’re ever looking for a really great reference on the former subjects, I highly recommend Color and Light by James Gurny. Even if you’re not into watercolor or dinosaurs or realism, the guy is a master at explaining all that different stuff in depth. 

Shape and negative space are also pretty important to me, but that's a whole other thing. And as a side-note, I recommend following more children’s book illustrators. Their work may look simple, but a lot of intention goes into how they use color, shape, space, and texture. 

Also, on texture, I hand-draw most of mine. I love to add little scratches and drops and splashes when the painting is almost over. It's one of my favorite things to do :')

____

Now, the other most important tip:

Once I’m happy with the sketch/linework, and once I’ve laid down the basic colors of my piece, I do a Really Terrible Thing. I become a graphic designer’s worst nightmare and collapse everything onto one layer. 

Then I paint directly on top of it, linework and all.

I do this for a lot of reasons, but mostly because 1) my tiny brain is overwhelmed by the clutter of too many layers, and 2) it forces me to approach a piece as if it was traditional media– a process which I find a lot more comfortable and rewarding. I paint right on top of the base colors, and right on top of the linework, effectively redoing and cleaning up what I already have there. Even if I'm working with a blank background, I'll paint a new blank one on top because it gives the feeling of a more unified piece, if that makes sense.

Basically, I approach my drawings as if I’m using traditional media. I like chunky brushes, utilizing (what I personally think are) interesting color combinations and textures, and smashing everything down onto one page so I can just paint. 

Anyway, please let me know if there’s anything specific you’d like me to go into detail on, any pieces of mine you’d like to know how exactly I went about it, etc etc etc. I’m happy to answer ^^

[nondidd]

2023 Art Summary 🥳

January remains my most emotional piece. I was processing grief during the one year anniversary of losing a close family member. And it’s apparently the only painting I did this year LOL

After that is where I went back to studying fairytale art. February being a NieR recreation of Arthur Rackham’s The Romance Of King Arthur artwork

Then as for march, that’s where I started to study Henry Clarke and essentially lost my mind for the rest of the year with linework ✌️😩

I had two favs from October so they both go in 🫶

And as for November and December I’ve hit my burnout + busy with health and holidays LOL. Not forcing an illustration just to have one so there’s all my silly little doodles ✌️

Honorable mention is the savanaclaw set I did this year! Wasn’t something I planned on but I had fun making it and it think it’s my most popular set this year. I was surprised so many people liked it 😆

The next photo is a comparison of how I drew FG Ruggie last year compared to this year. I wanted to show the comparison to explain my shift in focus in my illustrations. After studying Clarke’s work I realized I was having fun creating again. Not to say I’m not satisfied with how the older Ruggie piece came out but I found myself often frustrated with it trying to make sure everything was “drawn right” for lack of a better explanation. It was a chore. I’ve come to find I enjoy making illustrations now with the mindset of “how do I want to convey this” rather than “how accurate can I make these details”. Drawing the newer Ruggie was enjoyable the entire time. My focus wasn’t accurate details or semi realistic but rather what emotion could I convey with just these lines and limited color. And that’s how I’ve been moving forward with my art as of late. It’s been fun again

Because of my newfound confidence and enjoyment of creating again I’ve gone back to traditional sketching too. It used to feel so constricted for me but now with loose lines and a loose mindset I’ve been scribbling all over notebooks again 😆

All this ramble to say I’m satisfied with what I’ve done this year. My health needs to start taking priority come 2024 but I hope to still create and share in the new year ✌️ If you took the time to read all this, thank you 🙏

[genericpuff]

Weird thing I’ve noticed:

Rachel seems to be deathly afraid of giving her characters facial hair- even tho that was like, a staple for a lot of male Greek gods and deities

Well, except for the “unattractive” ones

In Rachel's defense on that one, I can attest that it's difficult to give these characters facial hair when they're all painted neon colors LMAO like, I LOOOOVE drawing facial hair, but even I haven't really bothered giving the male cast facial hair because they're so ethereal/non-human looking that if you gave them something like a mustache or beard, it would start to tip them more towards the 'human' look and it could clash with the colors and enter uncanny valley territory. Like, the characters would either have to have full stylized cartoon beards-

-or nothing at all.

(that's how I get away with it with Dionysus, because his beard is basically just a big 'ole berry bush, so it's able to color match his face and not be distracting with its stylization).

That said, I've seen some great edits of LO panels where characters have facial hair, so that's not to say it can't be done! I just don't know if it's something that Rachel is capable of doing.

Because straight up, Rachel also just doesn't know how to draw men. Or rather, she only knows how to draw one type of man. Most of her portfolio pre-LO consists of drawings of women, many sharing the same body types (though there are some variations around 2010-2014). And just like with the women, when she does draw men, they've all got the same facial structures and body types:

(from The Doctor Pepper/Foxglove Show)

Like, you've got 6 guys here, six, and not a single one of them has facial hair or any extremely varied hairstyle. Half of them look like Hades. I get the sense that Rachel basically learned how to draw one "type" of male and one "type" of female and has just been drawing from those same templates ever since while swapping out minor details like nose shape and hair type.

Shit, here's an actual Hades drawing from back when she started doing Hades x Persephone sketches around 2016/2017:

Like, that's just a guy from The Doctor Pepper Show. He looks like a mix of Donovan and Shifty Ricky LMAO And it's not like she doesn't have mortals in LO either who aren't colored with highlighter marker, but I don't think she ever really gives them beards either. The only guy I can think of off the top of my head is Psyche's *future husband:

And that has the exact kind of stylization/structure that I was talking about before that Rachel would likely have to do if she gave the gods facial hair to keep it from looking silly. Case in point, that time Hermes grew a mustache:

All that said, I do think it's a combination of Rachel not knowing how to draw men (she's even admitted in past AMA's and interviews that she's bad at drawing men and that doesn't seem like something she's tried to improve judging by how the men look in LO) and LO's art style just not mixing well with more human features like beards and body hair. It could wind up looking like a Barbie doll with marker scribbled on it LMAO

(*edited because that's not her dad, that's the man she was married off to , my bad LOL)

[lnmei]

How I Approach Figure Drawing

Got asked about tips for figure drawing and...I have a lot to say! I thought to just catalogue what I’ve been doing to build up my figure drawing knowledge and habit, so hopefully this is a useful reference for anyone interested in figure drawing :)

make it a habit (but take it easy!)

This is probably the most important and most annoying tip ever lol I’ve been figure drawing for 7-8 years (on and off! I don’t pressure myself if I have other things to do) so it really just takes time. Given that, my biggest tip for figure drawing is to figure out how you can have fun on this forever journey, so everything below is what I do to have fun and maintain the necessary enthusiasm to persist at it.

warm-up before a figure drawing session of myself figure drawing at my desk:

be bad at it on a regular basis

kind of just the principle of drawing....but with figure especially you draw so many of them that it’s important to let your drawings be bad to free yourself of pressure, and good ones will come out just from the brute force repetition of the skill.

Whenever I feel myself hitting a wall I intentionally revert to letting go of the desire to make a good drawing and try drawing in different ways even if it looks or feels bad in the moment. Some of my favorite drawings are the result of this, it’s awesome how that works out lol

For example, if I’m frustrated by my line work, I’ll start drawing thicker lines than usual and more cartoony (by my standards at least...) to loosen up:

set small goals for figure drawing

The main thing with figure drawing is that to get good, you have to draw hundreds and thousands of figures over time...so to keep that from being repetitive I change up my goal regularly so I can exercise different ways of thinking and keep it fresh, and my drawings look different based on what I am aiming for

Goal of practicing for cleaner lines and using line variety (5 min each):

Goal of drawing the lines neatly to color after (10 min each):

A typical progression I’ve seen is to build from drawing nude models to clothed models which is what I did, but honestly just start with what you want to learn the most and you’ll figure out what you want to work on.

copy other people

When I used to go to live figure drawing, I’d peek at what people sitting all over the studio were doing and copy their method or look. I look at artists online and pull up their work while I draw. I like sessions where there’s an artist demo because I can see what they’re doing (zeet does this). Figure drawing is great because everyone draws the same thing in their own way so it’s cool to see the variety, and it goes so fast that no matter what your references are, it still retains your habits so it’s actually your drawing even when you copy lol

Figure drawing done with heavy reference to Greco-Roman pottery art (4 min for lines):

traditional vs digital media

I switch between drawing on paper and drawing digitally for variety. The material constrains how you draw so it makes each session different from the last and you’ll gain different techniques and discover effects you like over time.

Colored pencil figure drawings with the prompt to draw the model as an animal (5 min each):

Brush pen, ballpoint pen, and felt tip pen figure drawings (1-2 min each):

Also draw at different scales. Try drawing on big paper, try drawing a single pose big, or compose a big page with many small figures.

drawing time

again, variety! Switch up how long the figures each take and how long the overall sessions are. See how your approach and outcomes change based on how long you have to draw. I do long sessions of 3 or more hours less frequently with short 20-30 minute sessions more frequently (I like these short ones lately).

I think persistence and stamina are important for figure drawing, so building up your tolerance for long sessions is a good goal if you are looking to improve. Also, long poses and short poses present different problems to solve, so try them all.

I tend to treat super long poses as paintings so sometimes I’ll color them live (this is a 25 min pose):

short poses I color after the pose ends if I even color them (3 min poses)

line quality

try drawing with a soft line like pencil vs a hard line like pen, different brushes, etc. 

Also try drawing with the constraint that you cannot retrace a line

try drawing with and without an under sketch

how much anatomy do I need to know?

I hate studying anatomy lol I would say you only need as much as you feel like you need so don’t stress over it, but pick up little bits of knowledge and apply them whenever you can.

That said, I thing the biggest help to anatomy for me (other than directly studying it) is to attend nude model sessions in person. Seeing the figure in real life and having to translate the 3D form to paper clarifies what the important forms and connections are to make a clear drawing. These are studies of live models from 2020 after I’d been doing nude models for ~6 years

My figure anatomy big 3 concepts have been

1) construction/proportion – how and where different body parts connect and overlap to form the whole

2) balance/weight – where is the figure applying force, stretching vs. compressing? if the model is stationary, how is the poses stability maintained? If the model is meant to be in motion, what are the directions of force?

3) anatomy from top down – start with very basic anatomy forms like cylinders for the upper and lower arm, egg shape for head, ball and socket for shoulder joint, etc. and build your understanding of anatomy up from there. I get tied down by too much detail so it’s worked out better for me to start with a very dumb anatomical understanding and learn to add nuance over time.

Here’s an example of points 1 and 3 using Teen Titans Slade Wilson (homework for a class I took lol). Break down the proportion, how parts connect, and the basic shapes of body parts and assemble them like a doll. You can do this for any style you want to learn from, and for realistic human figures. This is the basics of “figure construction”.

Internalizing a model that you’ve deconstructed and can reconstruct from memory is the basis for building a “general model,” which is just a generic human body that you can use to figure draw so you don’t have to think about how the body is constructed and can focus on expressing the pose, character, gesture, while maintaining accuracy to a human figure. Here are poses I constructed from imagination once I broke down and understood how to draw Slade.

A lot of this stuff is specifically applicable to animation character drawing but it’s been helpful towards figure drawing for me.

how things look vs. how things feel

I like to switch my focus between drawing for accuracy/correctness (studying the pose, anatomy, etc.), and drawing to capture how the figure physically feels even if it breaks the anatomy. I like to do the pose myself to feel how the model feels, where the stretch and compression of the pose is, and how it feels to exaggerate the pose, and then drawing from that experience.

Some of these legs don’t work anatomically but they feel right and look cool. These drawings came out very twisty and fluid after I copied the model’s pose and exaggerated how the shoulders, waist, spine, etc. were tilted based on how they feel in my body.

drawing the model vs. drawing a character

Sometimes I get bored of drawing just what the model looks like, so I will use the figure drawing as a live reference and draw something based on the model but as a different character instead and make up new clothes, appearance, etc. It exercises your decision making about what’s important to grab from a pose reference and also trains you to design instead of copy.

These are Gallery Girl LA sessions where I drew the model with a new design:

invent another character to draw a character dynamic (left chara is invented):

Random tips

I tend to prioritize the pose and full body and leave the head for last or after the session is over so I can spend time making it look nice. 

Avoid drawing a perfect vertical or horizontal unless it is important as a design element (if the model is stand straight up and down for example, try to re-balance the pose in your drawing so it has some variety of line direction)

Be choosy about drawing straight lines on the body, save those for silhouette lines, and for internal lines figure out which way the body is bending, moving, or twisting and express that.

Like in this sketch, I tried to add subtle tilts and leans to the model who was posing upright with a mannequin (which I drew as a character):

If you wanted to know about my color process for figure drawing, here! I color after I finish the drawing session and picked out a few drawings to color.

That’s all I got for now! Have fun and draw lots!

a traditional colored pencil sketch where I changed the model’s clothes and expression/body language while drawing it, then photographed and digitally colored it after:

[fever-project]

Twilight for my Pokémon AU! Been seeing other people make Pokémon AUs, which is great because I love them. Twilight here has been posing for the camera for 30 minutes :) I’ve haven’t been able to draw Twi’s wolf form yet, but it’s a shiny Dusk form Lycanroc, hence the blue coat. People wanted Epona to be a Mudsdale, so I made her one but adjusted the colors and hair to match her normal horse self. She also gets a Luxury Ball, as well as the Cosmog, and those are the only two Pokémon he keeps in balls. The rest are just on his farm. Anyways, Lore (and the reason why a Cosmog is here) under the cut.

Okay so mostly everything from Twilight Princess’s story is the same. I intend to keep everyone’s story mostly the same, with changes here and there to account for the Pokémon. For here, the Twilight Realm can be accessed via Ultra Space, with the Mirror of Twilight being part of Necrozma’s body or something. Maybe it replaces or is just similar to Ultra Megalopolis. They both have blue skinned people. The Twilight invasion had a lot of Ultra Beasts scurrying about. Midna got turned into an Ultra Beast instead of an imp by the Fused Shadow, and Twilight got cursed into a shiny Dusk Lycanroc.

Cue Mystery Dungeon-type vibes. Kinda, lol. Also, Rockruffs and Lycanrocs are not at all native or even around in Hyrule at this point, and with all the Ultra Beasts, it’s very reasonable that most people are scared of Wolfie.

After Minda shattered the Mirror of Twilight, Twilight was devastated, it was hard for him to move on and return back to his former life. Some days after, he found an odd little Pokémon being attacked by other Pokémon. He saved the odd fellow of course, the shiny (I like shines okay) Cosmog that I drew up there. Their name is Nova. Twilight had an odd feeling that Nova could be the ticket to seeing Minda again, no matter how slim the odds would be. However they are already past level 20 and still hasn’t evolved or has been able to do anything but Teleport, Splash, and Supersonic(it’s an anime only move). Rare candy are hard to find and very expensive, so it’s been a very tedious process. Once Twilight meets the other Links, however, Legend was able to reveal some-key word here, some-truths about the Cosmog. It needs to get to level 43 to evolve into its next form. Twilight wanted to cry right there and then before getting into a trade agreement with Leg, in which Leg would give him Rare Candies in exchange for bottle caps. Now Twi diligently searches for bottles caps for him. Also, Legend here got the nickname “Legend” here for a reason. I can’t wait to draw him. Maybe I should write something? Idk, I’ll try to get Twi’s wolf form done soon.

[asexualotl-does-fanart]

It’s honestly a crime I haven’t drawn her sooner.

Hope y’all have read Violet Hues and Holly Blue by @sibillascribbles08 yet! If not, what are you still doing here? Go read the whole series while you’re at it!

Bit hypocritical of me to say tbh; I’ve been behaving like a literal toddler with how much I’ve been dragging my feet about reading the sequel fics until recently. Like, you like their writing, you’ve had it before but no, my brain can’t commit time to those now even tho most of them are on the shorter side compared to the main fic. But then The Knight and the Dragon updated and I was like okay but Jasonnie tho… (which shoutout to the author once again for introducing me to this ship in the first place lol. Love the Not Part of the Plan series as well) and Comet was the thing that finally punched me in the face and went “read the rest of the damn fics already” and here we are

(Why must I always ramble endlessly)

Anyways I made part of her dress translucent because after drawing the legs I was upset that they weren’t gonna be visible with the clothes on top. This happens way too often.

I’m also working on a very short and meme-y Jasonnie comic that’s almost finished save for the colors and I’m itching to go back to, so I’ll drop that as soon as it’s done.

[halcyone-of-the-sea]

Cerise, what a woman. I’d love to give you the image my mind inevitably created for her. I feel like she was one of those teens who carried so much trauma from her childhood, and was so so full of rage and she felt like she was destined for more, she was ashamed of being so desperate for money and luxury while having practically nothing. Leather jackets, cigarettes and small theft. I feel like she was one of those girls that wanted to have a motorbike but decided a car (a good car) would be more useful when she had big money —even though now she has a few cars and a few bikes. I also think she legally may have changed her name to Cerise, just because she wanted to be another person, she wanted to leave behind the girl she was to focus on the woman she is, no particular reason for that name, just because it’s elegant and it means cherry —a delicious fruit with a beautiful color, sexy, pretentious, vain. I also see her as a red head, probably as a part of that change she dyed her hair and got a perfectly made blowout. I don’t really have a reason for this one but maybe she wanted to leave everything behind so she completely changed her physical appearance, maybe some natural plastic surgery, training, to fit that image she had of an elegant woman. I see her wearing elegant outfits even to go to the grocery store to buy some bread and vegetables. Always a good nude (lily rose depp like) or red lipstick combo and a skin care and shower routine that lasts an hour every morning, just because. Lashes, eyebrows and nails always perfectly done. But internally, she still feels like she wants more, she deserves more, she’s ambitious, has little morals and maybe also is very cold and lacks empathy in some situations. She has lived many lives and will live as many as she had to, as a good survivor, that doesn’t mean she isn’t scared, but she will not hesitate to do anything if that ensures her own survival.

Honestly i’d love if you could give me some outfit inspo because i’d love to try and draw her, maybe i could include soap too. What do you think? Was i accurate? Please correct me if you think anything I said was wrong. I adore your writing, what a blessing to be able to read you every time. This story will stay with me, it destroyed the inspo block I’ve had for months. Thank you x.

AHH - this is so amazing, I love it. Some outfit inspo will be under the cut but I totally want to discuss characterization too because I love what you've brought up. And, omg, 100% - absolutely you can try to draw Cerise and Soap, I'm frothing at the mouth for them already.

Okay, characterization first (ultimately it's up to every reader how they characterize her, so don't take anything I say as law by any means, lol, but these are my own thoughts for her)! I agree with most of what you said! Cerise is totally burdened by her childhood and the trauma that follows it; she even explains that with her first encounter with pickpocketing her wrist literally got snapped back in two places.

She was never wealthy - never had money for anything to buy simply for the want to have it. She would see people with everything in the palm of their hand and become incredibly jealous/bitter at the fact that nothing she did would ever make any difference unless it was drastic.

Cerise 100% always keeps up appearances, she never wants to be perceived as anything other than beautiful or desirable, even if, deep down, she's utterly terrified that someone would get to know her on a personal level. She always flirts and talks so big about physical intimacy, but I think that it scares her just as much. Anything that can get a person close to her is like a threat and a danger to the empire she's built.

Ultimately, Cerise is a character who likes being alone because it's all that makes her feel safe, even if she's incredibly lonely. She openly admits she's vain and prideful, but I believe it stems from her own insecurities - she's a total dichotomy and a hypocrite of her own belief system.

She's prideful = she constantly needs herself to become better/do better

She's vain = she hates looking at herself in the mirror but still constantly does it

She's selfish = she openly talks about helping a man's wife when she required medical care

She's such a compelling character to me because she's utterly broken down and traumatized and she doesn't even realize it. She goes on about what she wants and deserves when the only thing she wants is to be loved and cared for like a human being. She's been so used in her life that everything has become a game of get-or-be-got.

Cerise is genuinely one of my favorite named reader-inserts I've ever created - it was so much fun writing her.

Okay, okay, ramble over - onto some inspo!!

I mentioned that Oxblood was her signature color in the fic, so just imagine these in that shade/hue/etc. Disregard skin color as well, this is just about the outfits!

I think these would fit what I had in mind - simple, elegant, but still has some personality to it!

If people envisioned something more out there/eye drawing we have these dresses-

Personally, I very much like the first of the eye-catching dresses, Cerise is a woman who likes a little flare - the sleeves are lovely and I like the corset add-on.

For jewelry, it's very much high-mass, Cerise was mentioned already wearing necklaces, earrings, etc. Many of which had gems, rocks, and fine metals. I'll leave that up to people's personal preference!

But I think that mostly covers Cerise, for Johnny I really just thought up a normal 3-piece suit except for the fact that he barely fit into it, lol.

But thank you so much for sending this in! It was so lovely. If you do end up drawing them, I would love to see it - I'm sure it'll be amazing!!

[peridyke]

How many comics do you have? and where can I find them?

thank you for asking!!!!

sadly right now i don’t have any finished comics to show off as I only recently got the time to seriously work on my art BUT i do have a variety of projects that i can show off! there’s some stuff i’m actively working on and other stuff that’s more of a back burner thing but let me list out everything i’ve done/have planned on doing

1) angel bites

ok so my current project i’m working on right now is called angel bites and it’s actually going to be a fun lesbian erotica comic about an angel girl and devil girl who are bandmates and who secretly hook up on the side. i’m currently in the process of thumbnailing this one and i’m guessing it’s gonna be around 60 or so pages. once im done i’m gonna have the comic up on patreon/have it for sale digitally on a platform like itch.io BUT the first 20ish pages are sfw so I will post those publicly for free so i can show off my work and characters.

i designed these in universe pin ups that i haven’t posted publicly yet and even though i wanted to wait until i finish the third one in the series that’s a little sillier theyre my most recent and best looking art of the characters

2) sacrificial lamb

sacrificial lamb was my main focus for a bit but i’ve taken a break from it for the time being to work on other projects. it’s a more serious project than anything else i’ve been doing but it’s one i’ve been planning out since 2021 and that i do want to seriously look into getting published when it’s finished. it is a lesbian horror comic about a butch lesbian rabbit whose femme cat girlfriend gets sucked into the darker side of new age spiritualism. here is my WIP of the cover and a finished page

3) claw wrench

this is a lower priority project of mine but one i still want to make exist in some form one of these days. it’s about a teenage cat named milly going to live with their estranged super genius mad scientist half sister named mindy and her robot assistant mr. rogato. it would be a newspaper strip style comic with a few larger plot threads. i might start it up one of these days after i’ve gotten some other comics under my belt and i feel like i have a better mental image of what i want the writing to be like. here’s some designs i did in 2021

4) be mine, valentine

this is a project featuring characters of mine who i’ve had for a few years but only recently decided i wanted to turn into a short story. it’s about a peryton coder named cupid who is unbeknownst to herself a trans girl egg discovering her identity after being hired by a trans girl sex worker unicorn named valentine to help build a website for her work. it’s a short but sweet little love story that i have to plan out better before i seriously work on it but i can see it being something i make in the near-ish future. there will be some nudity and sexual themes but nothing pornographic so i will upload it for free online when it’s done ^_^ sadly i um…don’t have a sfw drawing of valentine yet LOL so you’re just gonna have to deal with a cropped pic

5) thalassophobia

this is probably most relevant to peoples’ interest who follow me and something probably remember. thalassophobia is a really big steven universe fan comic i started writing to give lapis a more complete arc. i had a lot of passion for it back in 2022/23 but steven universe hasn’t been on my mind as much recently so it’s gone on the back burner. still i put a ton of work into it so i’d like to come back and finish writing it one day, although for the actual comic process i might see about getting some help on pages and colors and such since considering the scale i think it’s way too big for me to do solo. here’s a cover and a few test pages i did

I HAVE ONE MORE COMIC TO TALK ABOUT BUT IVE USED UP THE IMAGE LIMIT i’m gonna finish in a reblog so give me a second