Thomas Sharpe never really interested me as a character or love interest in previous watches, but now that I've rewatched it again with more appreciation for the love story, I'm thinking more about him:
Like he's a practiced scammer. The love declaration to Edith at the hotel was copied almost word for word from Jane Eyre. Did he also say this to his other wives when proposing to them? And what made him choose her at the time? Even Lucille, the more 'evil' one, disapproved of Thomas's choice, telling him she was much too young. Like she hasn't even lived yet, yet Thomas insisted on having her, knowing that she'd likely be killed. Was it just to spite her father at the time, who disliked him and humiliated him, or had he already formed that strong of a regard towards her? His lack of expression and how he 'comforts' Edith when she has a breakdown over her dead father makes me think he hadn't actually fallen in love with her yet, and was still planning on killing her.
Then their first night at the house: both Thomas and Lucille are seen preparing Edith's poisonous tea. Guillermo makes it apparent that he's not innocent or being forced to do this by Lucille: he's an active participant. The recordings Edith listened to of him talking to Enola: so dismissive and annoyed. Thomas didn't respect or care for any of his previous wives. But Edith is different. She believes in him. Therefore he feels compelled to respect her, and later on try to save her.
Considering how he really believed till the very end he could convince Lucille to give it all up and live happily together with Edith away from Allerdale Hall, maybe he naively thought at the time he could marry Edith, get her money, and back out of the murder plan at any point if he wanted to. It doesn't even occur to him how absurd that idea is, but with a background like that, how could you expect him to see coercion, entrapment, incest, adultery, and attempted murder as unforgivable, when that has been his whole life?
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The research notes on distilling dunamancy found in Brenattos apothecary are so interesting actually. It’s not outright stated who’s notes they are, but with a retrospective lens it’s quite clear that they’re Ludinus’. There are fragments there about his musings on some of Trent’s protégées showing proficiency with early dunamancy, that he is planning to incorporate it into his own skill sets to aid him in his pursuits, and he records how it seems the Kryn have been quote unquote “learning to bend and break the threads of destiny for hundreds of years. Be this truth, I cannot imagine the Raven Queen looks down upon them favorably either, though the thought brings a laugh to my lips.”
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Authentic Story of the Shining Force - Saint Fencer Max - Chapter 5
Translation notes:
All enemies so far were recognizable from the game, but here they seem to be original.
This might be Boken?? The only character in the game with a big backpack and hair. And he does show up in Dragonia in-game.
About the Ancient names. Mega Max is clearly alliterative in both languages. Giga Cain is almost that. K sounds in japanese become g sounds once you add a dakuten (゙), so they're associated. And in english it kinda works out accidentally, because a G is basically a C with extras too.
Vega Darksol though? No link. The pattern is lost. I'm kinda mad about it.
From an author's comment:
"These two also appear in Tanuma-sensei's Shining Force (lol). Are they official members?"
Yuichiro Tanuma is the artist for another Shining Force manga, Descent of Great Intention, whose scans I only found today (warning for a lot of ecchi/nudity/nsfw, i'm still going through but what i've seen is pretty horny already). And yes, these background characters also appear there. This manga was published before that one, though, so this is their first appearance.
"But Claire you're dodging the main topic, Cain just did exposition of the whole lore" yes yes, the similarities between it and the GBA version are what made me interested in this manga to begin with, but I've decided there's so much to compare between all versions of Max and Cain I'll make a whole huge ass post about it instead. Look forward to that.
I will mention however that Cain's bodysuit here reminds me a bit of the manual picture with Max being brought into Guardiana for the first time.
I did say we had to talk about Prompt (and then promptly forgot it in the first draft of these notes). Like Waral, Prompt is not seen anywhere in the beta map. And here, it is depicted as only ruins instead of the country it is in the final game. That in itself wouldn't mean much, however, Chapter 7, where Prompt is, has a lot more weirdness in it. It has peculiar unused content implying a whole deleted cutscene with Cain, Adam, Chaos and Darksol in Metapha, and it freezes the Debug Mode's Battle Test any time you Egress (also, Chapter Selection won't even load it from a save file of another chapter, which doesn't happen for any other chapter). Of course, I don't know the actual code of the game, but this gives me the impression that this Chapter 7 had some other Egress point that got removed later. Basically, if there's one part of the game you can expect to have changed late in development, it's Prompt and Metapha, so it could have been only ruins as the manga depicts here, and as I mentioned in the last chapter, some place or machine called Tenochtitlan could have existed.
Oh boy I keep forgetting notes this time! The goddamn chapter title. Both times the Chaos Breaker is mentioned here, it is written with the usual katakana, but also the kanji 対暗黒魔法剣 (Anti-Darkness Magic Sword) as furigana. I felt it was too clunky to mention both sword names in the dialogue, especially when Cain was already pushing the limits of a lot of speech bubbles this chapter. But anyway, yeah, it's supposed to be a bit of a title drop there.
I. forgot. yet. another. note. When Otrant recognizes the robot using an explosion spell, the manga actually says 核爆烈, a mix of 核 (nuclear) and 爆烈 (explosion). However, I couldn't find this exact wording in dictionaries, only fictional works, so it might just dramatic flavor, since nuclear explosions Don't Work Like That. I kept it ambiguous in the translation to not raise questions in the middle of the action, but it's worth noting since both the aforementioned Descent of Great Intention manga and the UK Sonic the Comic version of Shining Force bring up nuclear themes at some point.
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I forgot that ghosts are. Not widely known in the first season
Also totally unfair Valerie's dad lost his job like?? That was a giant glowing green dog that could phase though doors. Name one person who could've secured against that in a world and amity where ghosts largely still remain an unknown
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something that i think is really interesting about billy's view of flint in s3 is that he thinks flint's death (if it's in a self-sacrificial way) will not absolve him of his sins in life but that it will make up for the hurt he's caused. or at least that billy wants it to. he pushes flint to take the maroon queen hostage so that flint will die, but flint will die for the crew. billy says in s3e6 "with all the shit that he's done, the things he's gotten away with, [flint dying to free them from the maroons] would have been fair. that would have been right" and that he wants to see "the moment the world finally catches up to [flint]" if/when he dies dueling teach. billy has a very simple idea of justice - he wants flint to die for the death and destruction he has caused, no matter how. that will make the world right, that the narrative will be balanced again.
but what billy doesn't know, and what makes me INSANE about this show is that the full quote from billy is is "I think part of the reason I've been able to stand by his [flint's] side is that I wanted to make sure I've got a good view of the moment the world finally catches up to him... and this story starts to make sense again." but to flint, what he has done is in service of his own justice. justice for the deaths of thomas and miranda and james mcgraw, for the theft of his home in london and again his home in nassau. but to billy, HIS narrative identifies flint as the villain. as the monster. for billy to get justice, flint must die. but it's SUCH a good line, because it also prompts the viewer to think - in OUR narrative, which follows flint and silver mostly, flint must succeed. we want him to beat teach and take the fleet back and overthrow the british empire. flint is shown to be a murderer but he is also shown to be deeply deeply human and we are set up to sympathize him. but it makes you consider what other voices we aren't hearing. who else has been hurt by flint's actions? what narratives have flint as the villain ? none of the characters in black sails are the heroes in every story - but to who are they the villains?
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