#muse: kyoko

[d4djobesemuses]

“Heh, still… hff… fit without turning sideways here… maybe I’m not that big…” Kyoko mused to herself absentmindedly as she waddled inside into Makigumo’s clinic, colorful hoodie tightly clad to her body from both sweat and size, while her legs, completely exposed spare for some pants that were forced into uncomfortable shorts and flip flops awkwardly crushed under her hefty feet.

“O-oh yeah, hi Makigumo-san… hff… thank you for seeing me again… hahh… m-may I sit down?” She asked with a sheepish smile, motioning towards the couch despite the copious amounts of sweat dripping off of her lower body and onto the floor.

@chubbykanmuses

[midnightactual]

@fantasybots liked for a starter!

"You really must not have been too serious about this. Why should I teach anything to someone who can't even complete a single simple task? Come on, you've already washed the car and taped it up, so get on with buffing it—and put your back into it." She gave a dismissive little wave toward the dripping Toyota Aygo.

[oc-menagerie-archived]

Roleplay Starter Call for One Piece OC Kyoko!

Kyoko grew up in the country of Wano, her mother a well respected geisha who rose to the ranks of Oiran. She met her father who was a customer at one point and the two fell in love, so she decided to settle with him but still keep her title as Oiran. Growing up, Kyoko learned the trade of being an entertainer Geisha, how to play the shamisen and even learning how to do calligraphy and paint.

She became great at it, impressing townsfolk everywhere. But someone grew jealous, another geisha who saw Kyoko as competition to become the next Oiran. She hired some secret assassins to try and take out Kyoko, but the newbie Oiran managed to escape on a cargo boat. Only thing is, she isn't sure where she is going. Has the Fude Fude no Mi fruit (the ink fruit).

Like or reblog to be tagged in a roleplay starter with Kyoko! Crossovers accepted!

[ultimateplaylistmaker]

Im rewatching all the free time events and this is such a cute fucking statement from kirigiri

The mental image of Makoto basically hopping back and forth in place is so goddamn cute i am in LOVE

[spammiamm]

SQUAD!! The danganronpa brainrot wont rest… specifically thh 😢

[aparticularbandit]

Kyoko and Junko are two sides of the same coin, in terms of their Ultimate abilities.

Junko is the Ultimate Analyst, which lets her analyze and learn Talents, sure, but most importantly lets her predict what's going to happen in the future based on the data she has. Trends, people, interactions, relationships - all of that is something she can mentally and easily comb through to accurately guess at what will happen in the next step, two steps, three steps.

Junko's Talent lets her predict the future. Accurately.

Kyoko is the Ultimate Detective, which lets her analyze the past and figure out what happened to get people where they are now. She can look at people and determine their current everything and accurately determine how that grew out of their past everything. She observes to find motives to explain a current murder by gathering details that show what previously happened.

Kyoko's Talent lets her retrace the past. Accurately.

Between the two of them, they can see everything.

[mikanlardyclinic]

Junko's cafeteria and grill. Nothing like seeing people despair about how they're loosing their ideal bodies, and then coming back fo fifths.

She wasn't inmune to the effects herself but still worked as the cashier just to get a first hand view of all of them~,

sonia forcing herself to eat so much and with manners unbecoming of a princess but still waddling back to order more of these foreign delicacies...

Aoi coming for more deep fried jelly filled donuts after declaring she was gonna go on a diet and exercise.. Oh seeing them give up so easy and those eyes filled with despair and resignation~

oh its delicious~ but she loved one client more than the other suffering lardasses.. The poor detective that tried shutting her down... That tried proving junjo was fattening up the student body and putting their life at risk.. She waddled to the fashionista and looked at her with hate....

"ahh.... J..jusht.. Bwouuroph.... G..gimmeh.."

she was so close to stopping her.. And here she was supporting the thing she tried to destroy.. She just put the money on the counter as a tray was given to her.. The greasiest most disgusting slop she has ever seen.. And her favourite meal..

Kirigiri took a bite.. Moaning as her hunger was being sated.. She took the tray and sat on the massive reinforced chair, her table was covered in other trays of similar meals.. Her chest felt tight she was pale and out of breath.. But she kept coming.. Worst of all she was mocked by the health rating being a 10/10..

As more and more students piled up on the pounds the more humiliating it was for kyoko.. Junko staring at her with a big smile as chiaki is being hit with a defribilator.. Her lardy heart barely hanging on.. She wanted nothing more but to wipe that grin off her face but.. She just sunk back into her meal.. Her eyes filled with that feeling junko loved oh so much~

Despair~

[littlequeenies]

‘I’ve been called a witch, slut, murderer’: the ultra-creative women dismissed as rock star girlfriends

Despite their artistic skill, Anita Pallenberg, Suzi Ronson and Yoko Ono were cast as mere lovers or muses. They're now being allowed to tell their own stories – even if it's after death-Annie ZaleskiTue 21 May 2024 11.46 CEST

In a 2008 interview, Anita Pallenberg swore she would never write her autobiography. The artist, model and actor was weary of publishers who only wanted to read about her intimate dealings with the Rolling Stones – she dated both Brian Jones and Keith Richards, and had an affair with Mick Jagger. “They all wanted salacious,” she said then. “And everybody is writing autobiographies and that’s one reason why I’m not going to do it.”

Yet when Pallenberg died in 2017, she left behind pages of a neatly typed manuscript, titled Black Magic, that contained her life story. True to form, she characterised these memoirs as “memory images, a traveller’s tale through a landscape of dreams and shadows” rather than an autobiography. But she held little back while chronicling her spirited and frequently tumultuous life, quipping: “I don’t think the lawyers will like it very much.”Read in a narration by Scarlett Johansson, her unpublished words are the backbone of a compelling new documentary, Catching Fire: The Story of Anita Pallenberg. Kate Moss celebrates her as “the original bohemian rock chick that people still aspire to today” but more valuable is Pallenberg reframing her legacy on her own terms from beyond the grave. “I’ve been called a witch, a slut, a murderer. I’ve been hounded by the police and slandered in the press,” she wrote, before adding, “But I don’t need to settle scores. I’m reclaiming my soul.”Given how much ink has been spilt on the Stones over the years, it’s refreshing to hear Pallenberg share her own perspective on her experiences. She’s not the only high-profile rock girlfriend now getting a chance to tell their own story, asserting their place in, and influence on, male-dominated music culture.

Suzi Ronson, who was married to the guitarist Mick Ronson, just released a candid memoir, Me and Mr Jones: My Life with David Bowie and the Spiders from Mars, that’s a clear-eyed look at rock star mythology. Pattie Boyd, married to both George Harrison and Eric Clapton, was interviewed in 2018 by Taylor Swift for Harper’s Bazaar (“George and Eric had an inability to communicate their feelings through normal conversation,” Boyd said, “I became a reflection for them”) and this year she eloquently reminisced as she auctioned her memorabilia, including love letters from Clapton and handwritten Harrison lyrics, for a staggering £2,818,184. “The letters from Eric – they’re so desperate and passionate, a passion that blooms once in a lifetime,” she said. “They’re too painful in their beauty.”

Tate Modern, in London, is meanwhile celebrating Yoko Ono with a career-spanning exhibition, Yoko Ono: Music of the Mind – a pointed reminder that Ono’s artistic collaboration with John Lennon was only a relatively brief part of her career. It shows how her artistry spans theatre, writing and music, but also how it makes space for her story to change over time – for example, the various performances of Cut Piece across the decades – and for others’ perspectives. Take Ono’s 1964 artist’s book Grapefruit, which uses short, abstract action items (“Imagine the clouds dripping. Dig a hole in your garden to put it in”) to generate a huge potential variety of creative responses.

Among those was Lennon’s Imagine. In a 1980 BBC interview, Lennon said Grapefruit provided “the lyric and the concept” of the song, but Ono didn’t receive a songwriting credit until 2017 even though Lennon was aware of the oversight in his lifetime. “But those days I was a bit more selfish, a bit more macho,” he told the BBC, “and I sort of omitted to mention her contribution.”

Pallenberg, too, served as inspiration for Rolling Stones songs such as Gimme Shelter. But Catching Fire reinforces the idea that even if sexism meant she was underestimated by the public, she wasn’t a passive presence or muse. “Neither Anita nor I wanted to be with them because we wanted some of their power,” Marianne Faithfull says in voiceover – she was in the band’s orbit alongside Pallenberg owing to a relationship with Jagger. “We had our own power.”

Faithfull’s power was her own music career; Pallenberg, who spoke several languages and worked as a model, influenced the Stones’ look. (“I started to become a fashion icon for wearing my old lady’s clothes,” Richards quipped in his bookLife.) And she refused to rearrange her life for the Stones. “No girls were allowed in the studio when they were recording,” she said. “You weren’t allowed even to ring. I did other things; I didn’t sit at home.” She maintained an acting career, notably in 1968’s movie Barbarella and 1970’s Performance – though her voice was dubbed out in the former: you wonder whether her “muse” tag meant casting directors underestimated her.

Suzi Ronson, a colour-loving hair wizard who brought David Bowie’s tomato-red Ziggy Stardust coif to life, also took a different path from other women of her time. She left a steady job and went on the road, steering the Ziggy Stardust tour aesthetic by handling hair, makeup, and other tasks.

Me and Mr Jones illuminates her part in helping Bowie crystallise his vision – and shows how fame and rock stardom corrupt. On a Mott the Hoople tour, she seethes while Mick, cozying up to a baroness, orders Suzi to find his hairbrush, treating her like an assistant rather than a girlfriend. It wasn’t the only time she was underestimated. “I’m now the pathetic girlfriend, clinging on to my man, a position I never thought I’d find myself in,” she writes after joining Mick on tour with Bob Dylan for a few days, after not being invited. “I try to be understanding, but truthfully I’m infuriated at being left out.”

These new works also highlight how each woman, at a time when women struggled to “have it all”, cultivated agency through one of the only paths open to them: motherhood. Rather than being something limiting, becoming mothers allowed them to reinvent their lives. Suzi Ronson, long out of Bowie’s orbit and living in England with her parents after giving birth, reflects that “the life I created for myself has disappeared, and my career with it,” she writes, but her daughter brings joy and solace – and encourages her to stay optimistic and keep striving for a unique path. “As I push her around the same streets my mother used to push me, I swear to her: this isn’t going to be it, and I pray I’m right.” Ronson closes the loop by noting that she and Mick return to the US, living in the singer Maria Muldaur’s house and finding equilibrium.

Ono confronted motherhood’s messiness. Her installation My Mommy Was Beautiful used photos of breasts and vaginas to demystify birth and celebrate the strength of the body, and the 1969 song Don’t Worry Kyoko (Mummy’s Only Looking for a Hand in the Snow) – which Yoko wrote for her young daughter Kyoko – conveys primal agony and frustration. “Society’s myth is that all women are supposed to love having children,” Ono said in 1981. “But that was a myth. So there was Kyoko, and I did become attached to her and had great love for her, but at the same time, I was still struggling to get my own space in the world. I felt that if l didn’t have room for myself, how could I give room to another human being?”

Pallenberg also navigates this conundrum. Jake Weber, the actor son of notorious Stones associate Tommy Weber, becomes visibly emotional when talking about how “generous and funny” Pallenberg was to him after his mother died in 1971, during the Stones’ debauched French summer. “She filled a vacuum of a surrogate parent,” he said. “She was lovely like that. Her thing was trying to give us joy.” Catching Fire also visits the agonising fallout of the sudden June 1976 death of Pallenberg’s 10-week-old son Tara.

Pallenberg has the last word in Catching Fire, and her conclusion illustrates the importance of women directing their own narratives. “Writing this has helped me emerge in my own eyes,” she noted. “Reading over what I’ve written, I get a lump in my throat. But it doesn’t need to be a doom and gloom kind of story.” The film makes it clear that Pallenberg’s chief power was, ultimately, resilience, which she needed during an often-challenging life (she lived with various addictions, including to heroin and alcohol) and several tragic events, such as when a 17-year-old shot and killed himself in Richards’ bed.

“I felt like some nasty person who caused death and destruction around her,” Pallenberg said after the 1979 incident, but Catching Fire refuses to let Pallenberg become a tragic figure or cautionary tale. The film ends noting that she got sober, graduated from college, and aged with iconoclastic gusto. The lessons are clear – redemption is possible and we are not our worst moments – while also reinforcing what we miss when women’s voices are silenced or ignored. Catching Fire: The Story of Anita Pallenberg, directed by Alexis Bloom and Svetlana Zill is in UK and Irish cinemas now

[gluttonemporium]

"Hey, Kyoookoooo~"

Bumping her wide, wobbly hips against the other girl's as she lets out that 'confused' voice of hers...

"D' you think that... Maybe we're eating a bit too much?"

Said as she looks out at the 20th tray of delicious gourmet food they've ordered just this morning alone.

"Amazing. Here I thought *I* was the detective..."

Kyoko sarcastically replied, but a slight smile played at her lips. She returned the hip bump with a swing of her heavily stuffed gut, smacking into Sayaka's with a squelchy slap-

"You're thinking about it too much... Oh, and by the way. I believe you've eaten most of our breakfast, by my count."

[dranother-memory]

The future foundation had selected Kyoko Kirigiri to enter the simulation. They did not want what had happen in previous simulations to occur in this one.

Quickly there to greet the girl was someone who was surely marked down as 'dead' in the record books. "Hello! You're Kirigiri-Sama correct? I believe you to be a year above me. My name is Akane Taira from class 79 at Hopes Peak." She gently bowed towards the other. "The Ultimate Maid is at your service." Of course since she attended the very school, it was more of a question as to who wouldn't know Kirigiri.

[d4djobesemuses]

“BHUUUUUUUUURRRRRrrrRRRrrrppPpp…”

Kyoko groaned in satisfaction, blushing deeply as everyone stared… but, she kept eating, her embarrassment turning to pride, 12 burgers down, 8 to go.

“Surely being extra greedy will get me a girl who’s into a 600 pound blimp.”

[fantasybots]

@baiika replied to your post “"Politically... motivated... assassination..."”:

Momo; (eyes emoji)

"Good morning, Lieutenant Hinamori. Does this convey the feeling of political assassination to you?" She's showing her a drawing.

[oc-menagerie-archived]

Kyoko is here just parading her tatas around like nothing. "What? It's just my outfit! It's how a Geisha in my district dresses!"

[ultimateplaylistmaker]

I've always felt that Kyoko Kirigiri Mastermind au is the most underrated mastermind au like the girl has MOTIVE has the INTELLIGENCE has the DRAMATIC IRONY like it's so so good every single goddamn time like she has the backstory for it!!! Let her kill people!!!!

[queenharumiura]

Moved from: [x] || @thehandworld

Haru quietly smiled, hoping that everything ended well like he said, but it was so hard to have faith when Tsuna had already died. Sometimes, she still felt like he would suddenly return saying something like, ‘I couldn’t rest in the afterlife when my friends were struggling, so they sent me back.’ However, reality was harsh and he wasn’t coming back, and everyone had to work even harder to try to protect their friends and family.

It wouldn’t be helpful at all to be pessimistic, and she didn’t want her husband to think she doubted him. “I’m sure you’ll resolve everything like you always do. You always see your tasks to the end.” Wanting to stay positive, “once everything is over, we can go back to our lives and live together peacefully again.” Well, as peaceful as it can be aside from the small squabbles they’d have every now and again.

“Hm? I remember, you’ll be changing the emoji and there is a back up contact person to ensure that Haru doesn’t get tricked by someone and get lured out.” She confirms that she’s understood the protocol with the coded messages. It made her nervous to know that the situation was so serious that it required the use of coded messages and even a code phrase to tell her that something that happened to him. She bit her lower lip out of anxiety. They did talk about this earlier, but he added on another catch phrase for her to know that he was still fine- just busy.

She assumes it’s because he thought about it some more and revised his plan. “Don’t forget that you promised to take care of yourself the best you can even if I’m not around to nag you to rest or eat.” She’s only willingly going into hiding like you asked because you assured her that you’d do your best to stay healthy. She’s reminding him of that fact. ‘Hopefully Kyoko-chan will have similar protocols in place with her brother so that they both know the other is safe.’

[aparticularbandit]

looking at some of kyoko's early concept designs and that's.

that's just yui.

admittedly, that's yui in a skirt and heels, but like. that's yui samidare.