When you get your soft, italicized "oh."
the unrelated moment
you tend to be more preoccupied with practical things, to the point where you've been blinded to matters of the heart. sure, you're close with this person. you like to be close with people. it is rewarding to know and be known in return. you leave realization no choice but to sneak up on you. they're not even in the room when it happens. someone or something else spells it out for you, an observant friend's passing comment or a particular sentence you were reading in a book, and suddenly it hits you, what it all means. the person your feelings have been building themselves around. Oh. it's them. it's time. it's them and you, here and now, and you have to decide what to do at this crossroads. luckily, you're practically-minded.
The Missed Opportunity
this one comes with a pang. it is the wrinkled brow of something unpleasant sinking in. they've left to find some new adventure. or they've met someone else. and you have only just begun to understand their true importance to you. you watch them drift toward a future without you, and in that stark numbness of their absence, it hits you. Oh. oh, you want them close. you hopelessly, selfishly want them all to yourself. you'll support them no matter what, but you don't want them to want a future that doesn't involve you. you want them to read the near-invisible signs of your love and decide to take a chance on you. you never want to say that you *used* to know each other. so what are you going to do?
The Emergency
something goes wrong. there's urgency. everything gets turned upside down, and you have to grab for the things that matter most-- Oh. suddenly, there's perspective, and at the worst possible moment, the moment when there is so much else going on, you realize that you have been breathless with want for so, so long. you want everyone to be safe, but please, please, you want them to be safe. you want everything to be okay so that you can have another chance to get things right. a chance to start over. and everything will be okay, of course, because you've made it through bad moments before, and that foundation of trust is there, even if you've never quite acknowledged it to its full potential. you trust them. you need them. Oh.
Tagged by: @autonomousxselves
Tagging: @ruiination (Subaru, Akira), @prsrott, @more-than-a-princess, @hxpelessnurse
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@wingspiked said :
warm, dark feathers seem to have a mind of their own - the svelte form of raven's wings coming to secure themselves around ratio's from behind. at the same moment, a svelte frame presses to him, and the chime of harmony rings true, the caress of curious fingertips inside his mind, before angel sinks chin to the doctor's shoulder. " veritas. " he hums thoughtfully, those wings flexing briefly as they twitch against him. at the same time, an ungloved fingertip drifts forth, dragging down the curve of ratio's jaw, as sunday himself nestles against his ear, " you are quite the learned man. tell me: when does a dream... " one caressing fingertip turns into two, before gently grasping the other's jaw, tilting it just so, so that their gazes might meet, and ratio can behold a momentary glimpse of too many eyes adorning sunday's wings and bare chest before they're gone again, " ...turn into a nightmare? "
⸻ this is the stuff of bespoken tales , by guardians whom beseech their children behave. to imprison them with their fears that lock them , into the blanketed security of their bed. an image that is spun , with a sole perpetrator in mind : a monster.
but sunday is no monster , and this is no tale.
he regards him , as solid as the alabaster that he so often garlanded. maintaining eye contact that refused to yield , whether it be the halovian or not. with or without the external influence of higher powers , at the command of the one who hoists him. ❝ you already know — ❞ scholarly tones slither , entangling with the voracity that exhibits off the seraphim , ❝ — the answer to that. ❞
skating , digits find purchase in sealing a wrist , belonging to the hand that seeks. creating an equilibrium , that balances their abilities , on the edge of a blade that threatens to sever whoever falls sunder — to plunge into the source of the angel’s inquisition.
cast into shadow , by the backdrop of midnight plumage , his eyes are radiant evermore. searing starlight with its golden streak. ❝ for you to ask such a question , can mean only one thing. ❞ perhaps , the guided and blessed are equipped with the tools , cast by their aeon , but knowledge is all — encompassing. it did not require the aid nor intervention of the divine.
even an emanator , could be surpassed.
carved , his gaze sculpts along the make of the troubled soul , glimmering with nothing but a hunger — to be freed from this haze that obfuscates him. another hand rests then , caressing the unattended jawline , imploring the ethereal to shirk that which blinds him.
❝ it is plain to see , this nightmare that you speak of . . . ❞ the sound of reason echoes , past the bewitchment , past the fantastical , past the contender that threatens to thwart reality. as a light would down a winding corridor , swallowed in darkness , to escort a wary traveller home. ❝ you are in it now , as you have always been. ❞
gently , he withdraws , as an anchor would upon the intention to resume a voyage. first , with the slip of his hand , followed by the unfurling of his fingers. where only sunday's grasp attached the two , whilst threads began to fray. as if to sweep the quilt that kept a child nestled in the warmth of their slumber. but he does not exit without parting words — kept aside until this very moment , deliberately so.
❝ it is time to wake up sunday , to the life that awaits you. ❞
and with retrieved limbs , he extends his arm. outstretching a hand , for the lost drifter to take.
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RTé reviews Muse
Muse - Black Holes and Revelations
Label: A&E Records (Warner Bros)
Year: 2006
Duration: 45 minutes
4/5 stars
By Bill Lehane
On 'Black Holes and Revelations' Muse show that their music continues to mix the dark and ominous with the purely playful to enjoyable effect.
'Take A Bow' announces the arrival of their fourth album with rising power chords, batches of synthesised loops and harmonised vocals of damnation. Taken together it's an aural onslaught that almost sounds overblown enough to make the composer of the 'Flash Gordon' theme tune blush; pure Muse in other words.
Skyward piano notes and shuttle engine guitars launch 'Starlight', a sweet-sounding space rock love song that is entirely irony-free. It's as if The Darkness had never existed.
While much has been reported of Muse taking on a new found funk style, in truth this is only in evidence on the Prince-like 'Supermassive Black Hole'. If it wasn't for the vocoder, guitar effects pedals and apocalyptic theme this groovy, syncopated shuffle could sit comfortably on a Franz Ferdinand album.
You could be forgiven for humming REM's 'Everybody Hurts' at the start of 'Soldier's Poem', a meditation on the war in Iraq taken from the lesser heard perspective of a British soldier. It shows Muse can hold back the instrumentation and create a plaintive political statement.
The relative calm is fleeting however. As if to bridge the gap back into normal service, a military drum beat opens 'Invincible', a slow burning romance that is classic Muse material, combining ascending guitars, crashing percussion and roaring vocals.
Perhaps the main difference between this album and Muse's popular last outing, 'Absolution', is the group's relative restraint on string arrangements. Having said this, there is a string section, both unplugged and plugged guitars and a trumpet on another highlight, 'City Of Delusion', an unashamedly prog rock track that boasts couplets like "I choose to hide from the All Seeing Eye/Destroy this city of Delusion".
And if this was not evidence enough of their prog rock credentials, the sleeve notes mention 'antique crushing' alongside more regular instrumental credits. Without the flaming comet of Muse, the galaxy of mainstream rock would be a dull place indeed.
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Comments on the Fordola poll make me feel like I should just say
1) all the propaganda is coming from submissions on the original forms (with one exception that'll show up later; no I'm not telling you which one)
2) I am aware of the War Crimes
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;; Ohh, I had a dark thought for Rem’s survival verse :)
I know everyone’s been doing the idea where she gets into a cryopod and she’s safe and all that -- I like it and I’m gunna adopt that idea.
But...
What if Knives found her cryopod? He keeps it safe, keeps her asleep...something he can use against Vash later :)
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S/b: *gossiping about Rem*
Rem: you’re smokin’ deep fried dick if you think I give a chicken fried fuck.
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Just thinking about the fact that Volume 4 of the manga titled 'Love' literally shows Death (a skeleton crucified) and Shinigami being able to die if they fall in love with a human and try to save them using the Death Note...like 'Love' is such a deadly force in DN. Ohba has created a fictional world where emotions especially 'Love' is guaranteed to be your downfall (Gelus, Rem etc.).
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