last night i went to bed thinking of my husband, i ended up dreaming about my husband as well. today, i woke up thinking about my husband and throughout the day i kept boasting about how wonderful my husband is to my friends. when i got home, i immediately went to greet my husband after being apart from him for so long and right now, im cuddling with my husband as i type this.
this is how my day goes on about 😊😊😊
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so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-
but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again
(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)
i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)
weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon
(which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( )
AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward
but i suppose i was very wrong with that .__.
right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)
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i think it fucks immensely that bk moon went out of his way to 1) establish rakiel wished to live a long life and eventually pass away of old age, 2) have him very briefly envy an immortal being only to be told very clearly to be careful what he wishes for by that very same person because living forever isn't all it's cracked up to be, 3) make the main antagonist be another immortal being who is so desperate to die he's willing to destroy the universe just to finally rest and 4) have said antagonist psychologically torture rakiel with the threat of making him live for a thousand years as everyone he loves and knows eventually grows old and dies and becomes nothing but forgotten memories.
only to then end the novel by making rakiel also immortal
like. god. it's so fucking good i love it. i'm not being sarcastic i genuinely think it fucks and it's one of the best ways bk moon could've wrapped up the plot.
it's a happy ending by all means but it has consequences and through the entire novel we've been shown and told over and over again just how heavy the consequences are and/or will be on rakiel.
he got his happy ending but it was at a price and by the last time we see him he's only just starting to pay for it.
it's great i love it
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Comic panel redraw because I looove sillygoofy guys dying horribly (but then they get better)
[ID: a redraw of a panel from the ghostbusters comic "The Other Side". A possessed Peter and several ghosts with guns stand over the bullet-riddled bodies of Ray, Egon, and Winston. The redraw is done in a simpler style with slight tweaks to some designs and poses (most notably Egon's hair being fluffier and the dead men's eyes still being open) and is extended to fit Ray's boots in frame. The ghosts are a lot less defined and more wispy in the redraw, Peter has a scarier grin and a yellowish glow around him, and there's a large pool of blood added under the bodies.
There are two versions of the image, one with the original panel in the upper right for reference, and the other with the lyric "they'd find us in a week" written in red at the bottom. End ID]
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How do you feel about the fact that Bellatrix was Voldemort’s concubine/lover?
This ask prompted a real coleslaw of emotions.
Top level, I can't take the Cursed Child seriously as canon. I'm a purist about text to begin with — no word of God or adaptation can change what you put in the original books, and if the author wanted the text to be different, they had their shot — but, even if not, the Cursed Child is bad. Like, it's My Immortal type bad. It's the kind of bad that makes you glad it didn't come out closer to the original books + movies, or it could have had a Game of Thrones-type cratering effect on discussion and fandom. The Albus/Scorpius dynamic is cute — everything else about it sucks. It is a no-fly zone for good ideas. The Golden Trio are all twisted into funhouse mirrors, Voldemort has a daughter, and most perversely, the absolutely horrific mutilation of Cedric Diggory's character (in no world did that boy become a Death Eater! he was KIND AND DECENT! and he DIED ANYWAY! that was THE FUCKING POINT!!!!!!!).
Second layer: let's say that Bellatrix/Voldemort is canon and explored beyond the writers going "whoops gotta find a working womb for Voldemort's kid." That's a really interesting dynamic. It's a horrible dynamic! It's a motherfucker of an age gap to begin with, and it would have started when she was in her late teens to early twenties! Plus, she was married. To another man. So that would have to be explained? Because she obviously wasn't always so mindlessly devoted to Voldemort that she couldn't entertain connections with others? But that's not to say that I'm against it as a narrative decision. Tom Riddle is (captain obvious moment incoming) a Bad, Bad Man, and the idea of him seducing a younger woman is actually an understandable extension of his connection with his followers that's not explored in the books. Because, like: the Death Eaters are a cult! Riddle runs a death cult. Cults use sex to manipulate members. One of the oldest tricks in the book.
Third layer: this could be a kind of interesting move for Riddle, who as a villain is never developed all that much, and doesn't have much in the way of humanizing qualities. Because Riddle is anti-love as such. He doesn't believe in it, and if you believe Dumbledore, he's not capable of it. (I don't really love this take on the character, but I think that Riddle thinks this is the case, and Dumbledore is so grizzled and jaded by the years that he believes him. Dumbledore's great failure with Tom was never seeing past the person Tom wanted him to see — or, rather, looking at Tom and seeing Grindlewald when he should have seen Harry.) So for him to harbor enough affection for Bellatrix to take her as his (only?) lover, when he doesn't seem to need it to convince her to join him (and he doesn't really need her support, anyway) creates a wrinkle in the Story of Voldemort as we're told. It suggests that either Tom or Dumbledore (or both) is lying about his capacity for love— or at least his capacity for human attachment. And that Tom isn't so unique as either of them would like to believe.
Also, it adds a wrinkle to Bellatrix's character, too: even if they met when she was an adult, there's manipulation happening there that's clearly one-sided and unequal. or at least, there probably is. and if it's consensual, or if she aggressively pursued him— that's interesting, too. my point being: this isn't a bad idea, necessarily. it's a bad idea because i don't think the writers of the Cursed Child thought about any of that when they were trying to find a womb for the Voldebaby.
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life has been a lot lately. almost too much at times, honestly. this year has been one mess after another.
but right now i’m putting all my energy into this cute cross stitch for my partner for Valentine’s Day, and it’s keeping me sane.
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