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miannedomusings · 5 years ago

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Jus2′s FOCUS ON ME

OUT OF FOCUS IDOLS

Summary: This gorgeous video gives us more Jus2 than we know what to do with, and shows us the disconnect between idol and fan through the disconnect between lyrics and video

A/N: Quite possibly my favourite MV from 2019, and one that I’ve been wanting to write about since I saw it... So this is well past due, but better late than never! The points I make are based off of two different translations of the lyrics (MV and colorcodedlyrics), and I tried to consider both when interpreting.

In interviews with Billboard and Soompi the Got7 leader-maknae subunit, Jus2, describe their debut EP as a tour through the senses. Each track is dedicated to one of the classic five senses, and the song Senses encapsulates a “sixth sense”. Fittingly, it’s the song representing vision – Focus on Me – that’s paired with a music video, and one that paints a very different picture from what’s given to us through sound.

To me, the lyrics of Focus on Me conjure up a chaotic scene in a club where two people are trying to connect. It’s too loud to hear each other and so all their talking is done through their eyes. Focusing on each other, matching tempos in their dance, until it’s as if it’s only them in the room.

However, like with many of my favourite MVs, the visuals dramatically change the feeling of the lyrics. The video attached to this song contradict the words at almost every turn. It’s as if they’ve used their concept to give us a song that can only be fully understood with the use of sight – a nice touch!

I am very tempted to sit here and write out every time they contradicted themselves in this video. It’s crazy. And impressive – the amount of planning that went into this is admirable and worth boasting. But I’ll do my best to limit myself... Let’s start with one of my favourites:

In the beginning of the first verse (and yet somehow not even the first disconnect between audio and video) Yugyeom delivers the lines,

When there’s the indescribable tension We’re parallel to each other

while leaning to the side at an unnatural angle. It’s one of the only moments in the video where the world tilts like this, putting him entirely out of parallel with the rest of the world (as seen in the lines of the walls behind him). By twisting this line in a very literal sense, he calls into question how honest the sentiment is. The use of the word parallel implies a comparison where he and the person he’s singing to are equal in their lingering feelings. However, with the visuals it seems more like that’s the impression he’d like to give rather than the reality.

More generally, one of the ways they play with the lyrics in this video is by adjusting the camera movements based on the actions that are being described. The camera is almost never still, often feeling like it’s playing the role of us. But despite what we may want, it’s rarely on the same page as Jus2. If they say get deeper, you better believe the camera is backing up instead of diving in; if they say go, we’re taking a pause; if they say stay, we’re zooming back. Probably the least subtle of these is another Yugyeom moment, when he tells us he’ll always go where [we] are. He delivers this line while stopping in his tracks, letting the camera leave the room, door closing in our face, and being cut us off from us entirely.

Things like this are all over the verses – nearly every line. If they mention dim lights, the set is brightly lit, if they mention the moon, get ready to see the stage lighting coming into shot, and on and on. Constantly these two are painting pictures with their words that the video doesn’t deliver on.

The chorus is probably where it becomes the clearest (it’s when I first noticed it at least). The only lyrics they need to make happen (or more accurately, not get in the way of) is the single repeated line, Now focus on me. And yet, the first chorus meets us with glitching edits that switch between JB and Yugyeom so that we can’t possibly focus on either of them, as well as choreography that obscures most of their faces.

By the second and third choruses they’ve switched up their tactics a bit, keeping the same obscuring choreography, but now asking us to focus while having a dozen people on the screen. Focusing is made all the more impossible since at least four of the dozen are the two men we’re meant to be watching – it’s tough to choose where to look, let alone maintain focus on the one that’s actually singing, tucked away several sets back as the world fills in in front of him.

The song is full of commands to focus and to look into their eyes, and yet every time these tasks are made impossible: they look away, the camera goes out of focus, there are too many versions of JB and Yugyeom for us to know where to look. All of which is topped off with distracting pulsing lights and glitches that cut into the video.

But what are they trying to tell us with these endless contradictions?

It’s with the first chorus that we’re given what we need to put the constant conflict between what we’re hearing and what we’re seeing into context. This is when JB and Yugyeom get an audience. A crowd of women sit in the stands and watch these two as they perform on a catwalk stage. But importantly, everyone in the audience wears 3D glasses – a tool used to bring two images into a focused one. And so, we can identify with this crowd as we see them trying to follow through on the same instructions as us and bring the two idols into focus.

For me, this scene takes the song to somewhere a little meta, where it feels like we’re having the idol-fan relationship laid out for us. The lyrics give us the fantasies promised by all idols to their fans, and the visuals point to a hollow truth.

There are two main elements in the dream that idols are selling: there’s the fantasy surrounding the fan, and the fantasy surrounding the idol.

Starting with the fan, the fantasies presented in this song feel personal. They’re singing to you, they’re matching tempos with you, and just as you try to focus on them, they promise that it’s only you. But of course, it isn’t just you. There are many you’s listening and being swept along by these sentiments.

A reality of the idol-fan relationship is that it is uneven. There is an endless sea of fans admiring each single idol, and inevitably this creates a connection that differs depending on the direction it’s travelling. From a fan’s perspective it can feel as though a connection develops on a personal level; if you pay enough attention you’ll pick up on their personality, their sense of humor, their quirks. But this connection can’t be reciprocated. Not to say that idols don’t love their fans, but the connection felt for a group of people too big to easily quantify can’t reach that same individualized level. However, the lyrics ignore this and tell the listener sweet lies.

The video on the other hand points to reality. It does a good job of visualizing this with the audience present in the first chorus. They all have black hair, wear black clothes, and slowly fade into the black background as they stretch into the distance. They’re not indistinguishable (different hair styles, different clothes) but they do blend together into an impersonal mass.

Despite the audience’s focus on the stage, JB and Yugyeom don’t give them any direct attention, instead performing for the camera. They’re singing to a you, to their fans, who are right there, but instead they commit to the performance and the camera. They prioritize the connection with the person watching the video – this makes it feel more personal for the real audience watching through a screen while showing us how impersonal it really is.

The trouble with having so many you’s to sing to is that their attention has to be split. We see this in how they ignore the audience in favour of the camera, and in the way they sing, Let me love you. Both times this line is featured, we see Yugyeom and JB break from facing forward, rotating each time they deliver the line. It’s as if they’re trying to direct their love outward in all directions so that every fan can feel it coming their way. The visual feels especially cold since for the majority of the video we’ve heard them sing to just one person as they hold eye contact with the viewer.

Similarly, when delivering the most potent fantasy – only you and me – we get reminders that it can’t be true. The line gets delivered as we travel through shots that are filled with back-up dancers and multiple iterations of the Jus2 members – hardly a private setup – creating a long-take shot that ends with JB reflected in mirrors that also show us the camera. Despite the high frequency of mirrors in this video this is the only time we actually see the camera, and it immediately dismantles the idea that this song is dedicated to a singular you listening.

The attention given to the camera by Jus2 makes this song feel intimate for the watcher. But the way that the camera disobeys the lyrics, and the brief reality check that there is a camera between us and them reminds us that we are only one of the you’s and that there is much more distance between us and them than we like to think.

Turning to the fantasy surrounding the idol the video shows us that just as we are not the “you” that’s being sung about, the idols are not exactly the “I” either.

In this song most of the lyrics focus on the person they’re singing to rather than themselves. Even so, the video still gives many hints that these two idols aren’t quite what they present themselves as. For example, the video features many shots populated with multiple JBs and Yugyeoms, all appearing to exist within the same space. The multiple versions of them remind us that these idols have many personas ready to be presented, while also showing that picking out which version is real is an impossible and futile endeavour.

These many selves take the stage during impossible long-takes that demonstrate that this video has been edited and crafted to appear perfect. Just in case the illusion is too seamless for us to catch onto, the video is also interrupted with jarring digital edits that feel that we’re watching the video open into another reality.

After taking many close (frame by frame) looks, I’m quite sure that this teal interruption is actually a shot of the same room again, just empty. It feels like we’re getting a peak at the truth, a reminder that this is just a set, that it doesn’t stretch nearly as far as they’ve suggested, and that in a way the idol isn’t really there. The video actually begins with a tour of the sets that will be featured. They feel especially cold when we see them without anyone in them, and serve to remind us that all of this has been constructed with a purpose in mind.

If we consider the audience, the 3D glasses play into this fantasy as well. 3D glasses are designed to create an illusion. They combine two 2D images and give the impression of something 3-dimensional. Similarly, much of what we see from idols creates the illusion of something deeper. There is an inevitable degree of separation between us and them and so we need our glasses to create a fuller picture. We piece together what we’re given to create something that feels more tangible. But the final 3D image is entirely dependant on the pieces provided and is ultimately just a clever trick.

Similarly, when watching this video we are dependent on the camera. We want to move towards Jus2, do as they ask, but we can only go where the camera lets us. And throughout this video the camera is backing away. We move further and further from the idols in every shot, creating extra distance between us and them.

Throughout this song we are presented with the fantasy of having a real and personal connection with these idols. The video shows us these illusions and then points to their cracks to remind us of the truth: that no matter how many times they ask us to focus on them, we’ll never know if we’re focusing on the real thing.

It would be easy to end this little (little?) essay here. But there’s an interesting twist that happens at the end of the song that suggests these illusions can maybe be overcome. As I’ve said, all through the video the camera is moving backwards, constantly away from JB and Yugyeom. There are only two parts of the video where this isn’t the case: the very beginning and the very end.

In the beginning it feels like we’re winding up. Moving deeper into the set so that we can make our long trek back. But in the final shot of the music video we are told, don’t hesitate, and we don’t. The camera zooms forward, passing several aloof clones, working through multiple rooms that seems to be separated by out-of-focus barriers, and after breaking through the final “wall” we find the last versions of JB and Yugyeom. And finally, they make real and direct eye contact with the camera.

In the camera’s final resting spot all extraneous details are gone. The background is close and plain. The lighting in this room feels more real as well, casting shadows on their faces and giving them a bit more warmth than we’ve seen before this. At last we are able to focus on them. This final moment feels like we’re given a look at what we were promised, and what we could have if we knew how to break through to them.

Interestingly, the other shots that are shown with the camera moving forward are of the empty sets at the start and a lonely shot of Yugyeom where for once he doesn’t appear to be performing. Since it is with the start of the lyrics that camera begins its retreat, it feels like these moments, when we are moving closer, are more honest. They are before the fantasy has started, they’re before the sets have been filled with dancers and perfect clones, and before Yugyeom feels he’s being watched. To me these create the impression that they are trying to tell us that they feel just as separated by these illusions as we should. By putting on their idol personas they create a separation that pushes them as far from us as us from them.

With this opening in mind much about this video feels different. The crowd with their glasses who are always watching but never able to really see them feels worse for the idols than for us (so close to others wanting to give them attention, but not being able to engage). The commands from Jus2 to focus on them and to come closer sound more like actual requests, except they don’t know which “you” they’re talking to either. And the very last shot feels like they might be playing out their own fantasy instead of ours.

It may be worth ending this by mentioning that when describing the visual impressions each song on the EP gave the members of Jus2, Focus on Me was described by JB as “fog”, and by Yugyeom as “like a smoke, fume”. These descriptions fit nicely with the ethereal, pulsing music, but they also fit nicely with the video. Though the visual quality is crystal clear with its stark lighting, high contrast, and sharp choreography, their descriptions feel at home with the murky realities.

thanks for reading!

MUSINGS MASTERLIST

#my.musings #jus2 #got7 #focus on me #jaebeom #jaebum #yugyeom #kpop essays #explained #analysis #my.got7

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