#neptune perkins

[doctorslippery]

Kerry Callen

[nerds-yearbook]

After 31 issues the first run of The Young All-Stars came to an end. The final issue had a cover date of November, 1989. ("Sons of Dawn pt IV... Men and Supermen", The Young All-Stars 31#, DC Comic Event)

[fancyfade]

RIP neptune really has water-esque powers and needs to be in the water for health but can't breathe water

Young All-Stars #6

[ufonaut]

To be fair, there’s hardly anything written about any of them anywhere. It’s like they were erased.

Stargirl: The Lost Children (2022) #1

[evilhorse]

If you follow this blog, you know I absolutely love everything Earth Two written by Roy Thomas at DC in the 1980s, from All-Star Squadron to Infinity Inc to Young All-Stars and beyond. So when this issue of Alter Ego magazine arrived in the mail yesterday, I was pumped and read it from cover-to-cover in one afternoon. Such fantastic stories about an amazing series that didn't survive very long. I particularly have always been taken with Thomas's theory about the Crisis erasing the big Golden Age heroes but not their energies. I thought replacing the DC trinity with brand new heroes and adding in a few other young guns was an ingenious solution. That's something I miss in today's comics; a commitment to continuity and the clever retcon to solve a continuity problem.

[superherobriefings]

Neptune Perkins

Creator(s): Gardner Fox, Joe Kubert

Alias(es): Neptune Perkins

1st Issue w/Uniform: Flash Comics #66

Year/Month of Publication: 1945/08

dc.fandom.com/wiki/Neptune_Perkins_(New_Earth)

[donnatroyprincessofthemyscira]

[dccomicsnews]

Review: Stargirl: The Lost Children #1

Review: Stargirl: The Lost Children #1

Review: Stargirl: The Lost Children #1[Editor’s Note: This review may contain spoilers] Writer: Geoff JohnsArt: Todd NauckColors: Matt HermsLetters: Rob Leigh   Reviewed by: Matthew B. Lloyd   Summary Stargirl (Courtney Whitmore) and Red Arrow (Emiko Queen) are on the search for Wing, the supposedly deceased “eight” Soldier of Victory.  Their trail leads to the very-much alive Daniel Dunbar,…

[missplayer30]

SpongeBob - Dating Sandy Cheeks (PART 2)

1. Watching sunris with Nosferatu

2. Going on a picnic with Nobby

3. Biking with Craig Mammalton

4. Making out with Tony the turtle

5. Going to the zoo with Manray and the Dirty Bubble

6. Going on a ride with Perch Perkins

7. Playing games with Kevin C. Cucumber

8. Shopping with Flats the Flounder

9. Meeting Triton's parents

10. Chaperoned by Dennis

11.  Ghosted by the Flying Dutchman

Sequel to this

[spongebob-connoisseur]

There should be a bald support group in Bikini Bottom. Too many characters live in denial of their glistening globes. They need to learn to embrace it.

I think in general, Bikini Bottom has a bald stigmatization problem. Too many characters would rather walk around in wigs then embrace what they already have.

I mean, why would they? When considering the abhorrent treatment they would receive from their equally bald comrades? They need more bald positivity.

[focsle]

Music on Whaleships

Because how else will you power through the boredom AND the horrors!?

Two men aboard the Wanderer, photographed by Pardon B. Gifford in 1906 (New Bedford Whaling Museum)

Music featured quite frequently on whalers, though not necessarily in the same way as it might on a merchant vessel. The quintessential musical contribution of sailors—the sea shanty—didn’t hold as prominent a place aboard a whaler as it did on other types of ships. Some captains were particularly strict about keeping noise down while cruising to prevent gallying any nearby whales. Shanties were also less necessary for performing the work: Whaleships tended not to carry a great deal of sail, had a lot of hands aboard available to handle it, and were quite leisurely in their pace as they lolled around the globe for years at a time. This was unlike merchant ships that tended to have smaller crews, larger ships, and tighter schedules, all for which shanties were used more often to coordinate that work effort. However, music was still vital to maintaining good morale during a whalers' work that was, in turns, extremely demanding and dangerous, and extremely dull and mind-numbing. Both of which could really plague a fellow's soul if there was no relief. A panacea for a whaleship's ills, music rang out in the fo'c'sle during idle hours, was sought out during shore leaves, was copied down in remembered songs in the backs of men's journals, and any fellow who hazarded to pick up an instrument or lift his voice was a prized member of the crew.

Read on, under the readmore, since this is also quite a long one with many a photo, journal entry, recorded music, and whalers' original written songs! I really REALLY enjoyed pulling this one together.

Even though they weren't as utilized, there were still occasions when shanties burst out on deck. Greenhand William Abbe of the Atkins Adams (1858) recalled them first being used several months into the voyage. This speaks to the fact that shanties weren't a regular part of whaling work, but rather an instance of one shipmate finally venturing to include them:

“We began to sing shanties last night in hauling aft sheets or bowsing on halliards — Jack leading in 'Johnny Francois' + 'Katy, My Darling' and all hands taking up the refrain + pulling with a will. This pleased the Mate who told us that pretty well for the first time that he liked to hear us make a noise—as it showed that Jack —not Allegany [surname of a crewmate on board] — but any one of us was awake. He laughed—waved his hands— + cried out 'that’s the way sailors'.”

Johnny Francois, aka Boney

They were later "obliged to avast singing + haul away without the "Shantie" as the crew’s singing was so "ludicrous" that they were all laughing over it rather than effectively hauling. But even if shanties weren’t often used aboard the Atkins Adams to set the pace of the work, they still featured during downtime in their watches:

“Jack leading sung the watch out in Shanties 'Johnny Francois' 'Santa Anna' 'Katy, My Darling' +c. Mr. Gorland + Tripp came forward and joined us. It was very cold and wet — but our singing warmed our hearts while we were free from the spray and warm from mutual contact.”

On whaleships, shanties were more frequently employed—though still inconsistently—during more demanding tasks such as weighing anchor or working the windlass to haul up blubber.

While greenhand John Perkins’s ship, Tiger, was lying at anchor at the Hawaiian islands in 1845, he mentioned hearing another whaling crew strike up a shanty upon leaving:

“When called this morning we heard the Neptune’s crew weighing anchor to the tune of ‘Tally hi o you know.’ After breakfast our watch went ashore on liberty”

Tally-I-Oh

Music was also greatly sought out during whalers’ shore leave. Thomas Nickerson, cabin boy of the ill-fated Essex, 1820, wrote about a dance hall in Talcahuano that he was quite unimpressed by, but his other shipmates enjoyed tremendously.

"There we found a few young women seated around the hall on wooden stools, and playing off some Spanish airs upon their guitars to dance by. There did not seem to be either melody or music in their touch, but after such an interval of confinement our men were ready to dance to anything had it even been a corn stalk fiddle. With their guitars were an accompaniment of an old copper pan used as a tambourine. To this music did our men dance apparently with as much satisfaction as though it had been the finest music in the world.”

Music was also one of the first ways whalers and locals at various ports of call built camaraderie between each other, where potential language barriers were no object if someone had along with them a fiddle (and maybe some alcohol). Such an interaction was recorded by Albert Peck, greenhand on the Covington that stopped in Guam in the 1850s:

"Having our fiddler with us, we went from one hut to another giving them a tune at each, which would please them very much, and to show their appreciation of it they would produce a bottle of aquadiente [Aguardiente] or brandy, and treat us to a glass which would consist of a coconut shell, until it became evident that this would not do if we intended to walk to the town, as before long we should be incapable of walking anywhere. So we started for the town."

Whaler-made fiddle c. 1835-50, inscribed with the name Daniel Weeks. (New Bedford Whaling Museum)

But liberty always came to an end. When the Tiger departed Hawaii 10 days later, Perkins noted that they were too glum to accompany their leaving with a shanty:

“We weighed anchor without a song all feeling to bad at departing from summer islands to the cold Norwest sure of hard labor, absolute suffering & danger.”

Amidst that hard labor, absolute suffering, & danger, music served an essential function of bringing in levity and acting as a pressure release valve aboard.

Clifford Ashley, who joined the bark Sunbeam in 1904 on part of her voyage for research, described the music of his dog watch:

"Two misfit concertinas every night sent up their dismal wail to a tune that never varied, often keeping time with the strokes of a couple who pounded up hard bread in a canvas bag to be mixed into a molasses mush for their watch."

A whaler's concertina, c. 1850 (Nantucket Whaling Museum)

Any man who had a bit of a voice or could play a bit of an instrument quickly became a favorite among the crew, even if he only knew one song. Foremast hand William Stetson, of the Arab (1850s), was delighted when a new man they shipped aboard during a provision stop had some faint musical inclination.

“in the dog watches we enjoy ourselves very agreeably by stepping off a lively measure to the tune of “roads to Boston” as performed on the violin by Moody, one of those lately shipped at Lahaina. This is about the only tune he can saw off decently, but he is the first that has belonged to the bark this voyage who has made any pretensions to being a fiddler, and consequently the ‘doleful music’ of the skipper’s cracked violin is usually heard in the evening between the hours of five and seven P.M"

Moody's go-to, Road to Boston.

Even in the absence of an actual musical instrument, crews made do with whatever they could get. William Abbe writes about one such time on the Atkins Adams:

Last night while gamming with F. Willy in the forecastle I was called on deck to help make up a set for a cotillion — being honored as the lady of Curly — we were at a loss for music + were stepping to the hummed air of Johnny the Boatsteerer + the orders of the dancing master — Jack — when Shanghai rushed up from the forecastle + jumping up on the oil cask looked forward of the windlass + squatting his long legs on the cask head began a toot toot on an old tin funnel, followed by Johnny Come Lately on an old tin bread pan for a drum — We greeted our band with shouts — + to the music of our mimic french horn and kettle drum chased up + down + joining hands by partners promenaded with double quick steps round the forecastle deck making the deck ring with our laughter — + the rattling music — both music and steps getting quicker + quicker till Tarpsechorz [Terpsichore] herself would have fled agast — + home belles and beaus would have fainted at the sight —our fun was suddenly interrupted by the order to shorten sail — + our quick stepping was only rivaled by our agility aloft for we reduced sail in unusually short time.

The captain, enjoying their sense of play but finding their makeshift music particularly disagreeable, then came up on deck to give them something to better it:

“Old Man liked the fun but didn’t like the music for Old Woman — brot up on deck a new accordion + calling Charley aft consigned it to him with the injunction to use it well — Charley came forward — delighted— + mounting the spars struck up Fisher’s Hornpipe + the strums sounding through the calm evening animated us till Jack or Molly [a crewmate currently crossdressing for the role] + our barefooted stepping got the whole Ship’s Company in a roar — from the Old Woman to Cabin Boy.”

Crew members of the Charles W. Morgan, 1906, taken by Pardon B. Gifford (New Bedford Whaling Museum)

Sometimes music was a little less favorably received. J.T. Langdon, greenhand on the St Peter, 1840s-50s, had brought his fiddle aboard to entertain himself, and at one point taught the Captain how to play it. On the homeward bound stretch--with his patience with the job and everyone on board strained to the limit--he grumbled about music-making halting getting home quickly:

"There seems to be an little disregard to sailing the vessel on the part of the Captain and the Mate. The 'Old Man' will saw away on his 'old fiddle' and the mate will tinker and the ship goes where she likes. I have sometimes almost cursed the day that I learned the Cap'n to fiddle."

Sometimes, sailing be damned, it was time for an entire musical production, as on veteran whaler John Martin's ship, the Lucy Ann, 1841. He wrote out the Program along with the nicknames of the performers.

"We finished this day with a grand concert given by the whole crew. The audience were sea gulls. The following is the programme of the concert. Programme Part 1st Song. One eyed Riley With chorus by whole crew. - By Chub. "There was a Sheppards daughter, Kept sheep on yander hill" - by Lightning Song. I hit her right on her stinking Machine - by Hominy Head Solo. On Kent Bugle by - myself Part 2nd Song. Cant you wont you stay a little longer - by Turpin "Turkish Lady - Black Leg Duette with Drum & Fife - Chub & [left blank] Part 3rd Song. My dogs eyes makes mince pies - Steward "Morgan Ratler - Spunyarn "The Meremaid in three parts by - Hardy "Trayum with chorus by crew Part 4th Song. Kelly the Pirate - King David "Tally ho - Spunyarn "Lord Lovell that went strange, countries for to see - Hardy Solo. on flute by - Young Norval Part 5th Song. Fanny Blair - Turpin "French Lady - Mizen "All the girls in our town - Steward Part 6th Song. So early in the morning, the Sailors love the bottle O. - by Mocho a color'd Gentleman "Milkmaid - Hominy Head "Two little sisters walking up the street" - Jersey Grand Chorus by the whole Crew on Bugle, Drum, Fife, Flute, Violins, Triangles, &c. & wound up by The mate telling us if we did not quit making such a damned noise he would heave a bucket of stinking water over us. Ends the same.

An excerpt of John Martin's above program:

Often, in the backs of journals whalemen would write songs that are still known today. Rolling Down to Old Maui, Blow Ye Winds, Coast of Peru, Homeward Bound, Saucy Sailor, etc. These were learned on the job, or exchanged between crew mates. From the journal of William Buel of the Wave, 1856, the lyrics to Saucy Sailor which he learned from a fellow greenhand:

"I am young my love and I am frolicsome Good natured kind and free And I don't care a single toss my boys What the world says of me ~~~~ Learnt from my friend Joseph F Horan"

There's something quite lovely to having a shared thread from their lives into the present. We might be separated by a gulf of over a century, but we know the lyrics to the same songs.

Some whalers composed their own songs, too. I'll close with one written by career whaleman Joseph Dias, when he was captain of the St. George in 1853. He ended his lyrics with the note 'Read and Circulate', so I see it as my duty to do him a small kindness 170 years later by circulating it now.

Paradox Come all ye shipmates lend an ear And the truth you soon shall hear Of the Ship St. George in the zealous sea Who is raiseing hell it seems to me — The way we try to get our grease So to strike three whales and save a piece Beside two whales of india ruber The boatsteerer swore to be slack blubber — Very poor advice I freely lend Of a way I highly recommend To take a crowbar and punch a hole Drive in the iron and the pole — Hang to your line till all is blue Either kill him or he kill you We want a man upon the docket To go ahead like david Crockett -- Promoting men at our expense Takes our dollars with our pence Besides it throws our work away This thing For sure will never pay — To see the whales was once the cry They are here where e're you turn your eye They have raced for rise to sitting sun Been on a dozen and killed but one — To man that’s taught in a bowhead school Will find himself here but a fool Read and Circulate

[the-rat-wins]

Does this frog make you feel calm?! Or perhaps like you have been mildly poisoned with henbane?

Please enjoy these extra notes regarding things that appear in my Shameless Big Bang fic Last Night at the Verona Grand Hotel, in order of appearance. Also now listed in the work endnotes on AO3 (but without the pictures).

This post contains lots of spoilers for the fic.

The train that Mickey takes from Chicago to Los Angeles is an Amtrak route called the Southwest Chief.

Mickey reads Treasure Island as a reference to Loftec’s fic Take this waltz.

The green popsicle is Melona.

I went for fictionalized geography around where exactly the hotel is, but the descriptions of the view on the drive up are based on pictures of Los Liones Trail.

The Verona Grand is, of course, inspired by the early years of the Chateau Marmont, but also crossed with a creepy old hotel I’ve stayed at in Colorado. The name is a reference to the setting of Romeo and Juliet plus the Neptune Grand from Veronica Mars (for that sunshine noir energy).

The Mark of Zorro (1920): Full disclaimer, unlike Mickey, I didn’t watch the whole thing (I didn’t have the good incentive of looking for my crush), but the moments I referenced are here and here.

(About ten years ago, I went to an outdoor movie screening that had been advertised as The Mask of Zorro but turned out to be The Mark of Zorro; after about 30 minutes, we all gave up and went home. Sorry, Douglas Fairbanks! We wanted Antonio.)

Hunter’s name is a reference to 1950s actor Tab Hunter, who came out as gay in 2005. (One of his long-term relationships was with Anthony Perkins of Psycho fame, after they met at the Chateau Marmont.)

KY Jelly has been around since the early 1900s (!). Here’s some of the vintage packaging. We’ll just assume Mickey was distracted and didn’t look too closely at the tube (or thought it was pretentiously packaged hipster lube; thanks for that idea, Deanna!).

Mickey calls Davie “Nurse Ratched” as a reference to One Flew Over the Cuckoo’s Nest; the actress who played her in the original movie, Louise Fletcher, played Frank’s mother in season 2 of Shameless.

Nerve pills: These are fictionalized (I don’t know how well they worked or what they tasted like; probably not nice!) but they’re based on Carter’s Little Nervine Pills, the active ingredient of which was extract of hyoscyamus, which (if my Googling is correct) is henbane. Henbane is quite toxic and can cause hallucinations. It was commonly associated with witchcraft, since ointment made with it could cause people to see things and feel like they were flying. Never change, early 20th century medicine.

Another one of the compounds in henbane is scopolamine, which can be used to treat motion sickness. This worked well for my purposes because I had decided that the sickness Ian and Mickey experience when they stay in the wrong time is a cousin to motion sickness (if traveling through space too fast can make you feel sick, why not traveling through time?).

The concept of quantum entanglement is the other one in my mind when I think about what “connects” them each to their own time, but don’t ask me any follow-up questions on that, because honestly I’m not great at physics and I don’t totally understand it. Storytelling-wise, I just like the idea of things being connected to each other on a submolecular level. I refer to this in Two of Your Earth Minutes, as well, for the same reason.

Mickey also makes a reference to the idea of the observer effect. (Lotta quantum mechanics in this dang ghost story!!)

The new movie Ian is going to audition for is A Woman of Paris, directed by Charlie Chaplin.

I think he would have gotten it, don't you?

[marine-indie-gal]

I felt a bit bored so I was in an MLP mood and then my brain thought why not bother to do an My Little Pony AU of SpongeBob where if all of the Fishes were different types of Equines and that they'd all be living in Ponyland rather than the Ocean Floor.

Section One:

Patrick - Donkey

SpongeBob - Earth Pony

Gary - Cat

Mindy - Hippogriff

Squidward - Unicorn

Salacia (OC) - Hippogriff

Poseidon - Hippogriff

Chancellor - Earth Pony

Section Two:

Spot - Dog

Plankton - Changeling

Mr. Krabs - Earth Pony

Mrs. Puff - Earth Pony

Sandy - Pegasus

Pearl - Dragoness

Squidina - Unicorn

Larry - Pegasus

Karen (and Chip) - Cat

Section Three:

Nobby and Narlene - Deer

Slappy - Earth Pony

Nosferatu - Alicorn

Flying Dutchman - Draconequus

Tony - Yak

Squilliam - Unicorn

Bubble Bass - Earth Pony

Perch Perkins - Unicorn

Neptune - Hippogriff

Amphitrite - Hippogriff

Triton - Hippogriff

SpongeBob SquarePants (c) Stephen Hillenburg and Nickelodeon

My Little Pony (c) Hasbro

[fancyfade]

TF do you mean "From the days I was Neptune Perkins"??? Is that not still your name?

Aquaman #23

[the-indie-owl]

SpongeBob SquarePants Shipping Chart (FEEL FREE TO USE)

MAJOR UPDATE (10/14/2023): Added More Characters from the Musical

For the record, I've decided to create my own official blank shipping chart of one of my Fandoms for the very first time (since there isn't much SB Shipping Charts all over online so I created my own).

I've created Two Versions in case for Half of the Fandom's POV on the Two King Neptune characters (rather if you believe they are the same Character or Not).

Here are the Two Links for Full Versions in case to use for the Better Quality.

In case if you are confused of what each of the Ship Terms for what each of the Color represents...

❤️ = OTP (A Ship that You Love so Much and it is your own Main Favorite One out of all of the Other Ships) 🧡 = Platonic (A Ship that you prefer to be more than just Personal Friends rather than a Couple) 💖 = Crack (A Kind of Ship that is meant to be either Bizarre or Funny as in a Joke) 🩷= Love (A Ship that you also Adore but not that much of a Main Favorite) 💛= Like (A Ship that you do Enjoy but rather in a More "Causal" way to say the least) 💚= Neutral (A Ship that you have Mixed Feelings or Indifferent with) 🩵= Ok (A Ship that you're completely Fine with, but don't have any strong feelings towards it) 💜= Meh (A Ship that you just don't completely care nor pay any attention to) 💙= Dislike (A Ship that you just don't agree with or just not a personal fan of, if you don't have any too much Hate of it) 💙= Hate (A Ship that you just CAN'T STAND no matter how much that you despise) 🖤= Crash and Burn (A NOTOP that you Hate so much and is your own Main DEPISE One out of all the Other Ships)

Bonus Option: 💗= Ship with OC (A Character that you personally prefer to ship with Any of Your Own Persona/Mutuals' OC) 💚= Ship in Crossover (An X-Over Ship that you prefer to ship with Any Canon Character in the Franchise with a Different Character from Another Media) 🟤= Stay Single (A Character that you don't have enough ships and would just leave the Character to be Single without being shipped with anyone)

Characters in the Chart:

(Main Show)

SpongeBob SquarePants

Patrick Star

Gary The Snail

Sheldon J. Plankton

Squidward Tentacles

Sandy Cheeks

Mr. Krabs

Pearl Krabs

Karen

Mrs. Puff

Mermaid Man

Barnacle Boy

Larry The Lobster

The Flying Dutchman

Man Ray

Dirty Bubble

King Neptune

Queen Amphitrite

Prince Triton

Squidabeth

Barry Blobfish

Nosferatu

Slappy Laszlo

Slippy

Squidina Star

Chip Plankton

Tony 

Squilliam Fancyson

Squilvia

Patchy The Pirate

Spot

Snellie

Kenny The Cat

Perch Perkins

Bubble Bass

Old Man Jenkins

Kevin C. Cucumber

Flats The Flounder

Lady Upturn

Stanley SquarePants

Sam Star

Flapjack SquarePants

Bubble Buddy

Rube Goldfish

Gale Doppler

Plankrab

Charlton Hawkfish

Boat Salesman Shark

Hieronymus Glove

Karen 2.0.

Nurse Bazooka

Lord Poltergeist

DoodleBob

Don Grouper

Sticky Fins Whiting

Dorsal Dan

Dylan

Fred

Tom

Archie

Harry

Francis

John

Nancy Suzy Fish

Nazz Mimi

Tina Fran

Henry Bart

Franco

Sheila

Vera Fishbowl

Medley Fishbowl

Evelyn

Mevis

Buddy

Perry

Horace

Sheldon

Halbert

Jennifer Millie

Charlie

Frank The Goldfish

Jimmy Gus

Phil

Molly

Clay

Don The Whale

Harold (Red Fish)

Gus

Martin/Wobbles

Scooter

Lou

Harold "Bill" Reginald

Nat

Shubie

Dave

Sadie

Abigail Marge

Patty Rechid

Norma Rechid

Nathiel

Martha Smith

Thaddeus

Billy Lime

Harv

Frank (Lifeguard Guy)

Lloyd-Rich

Cara

Paco

Sylvester

Mabel

Old Man Walker

Lonnie

Mary

Sandals

Dennis

Miss Shell

Norma Edna

Debbie

Frank

Pilar 

Frankie Billy

Dale

Lenny

Mable-Monica

Purple Doctorfish

Norton

Richard

(Movies)

-1st Movie, "The SpongeBob SquarePants Movie"

Princess Mindy

Dennis

- 2nd Movie, "Sponge Out of Water"

Burger Beard

-3rd Movie, "Sponge On The Run"

King Poseidon

Queen Salacia (For those who don't know, in Roman Legends, Salacia was the Goddess of the Sea as well as the Actual Wife of Neptune (her Counterpart was Amphitrite, a Greek Goddess who was Poseidon's Wife). However, considering that the Franchise has secretly done an Alternate "Wife Swap" idea between the Consorts of the Greek/Roman Sea Gods, Salacia did appear in a Cameo of the Third Movie, regarding if it could be truly her or not. There was also a Semi-Design of Her through Concept Arts behind the Third Movie that I did found through ArtStation by 3D Developer (Michael Defeo). For those who are curious to know about the concept design behind King Poseidon's Wife in SB, here's the link that you can click on.)

Sage

Otto

Chancellor

Tiffany Haddock

(Spin-Offs)

-Kamp Koral

Narlene Narwhal

Nobby Narwhal

Kidferatu

Preda Tory

Roxy

Jimmy Blobfish

-The Patrick Star Show

Ouchie

(Musical)

Mrs. Mayor

Merlina Mermaid

Entity Punkfish

Goldfish

Fred Blutang

Bubbles

Bitsey

The Eletric Skates

(Other Media)

- Games 

Prawn ("Battle for Bikini Bottom")

Madame Kassandra ("The Cosmic Shake")

- Books

Princess Neptuna ("SpongeBob and the Princess")

Feel free to use if you like to use any version you want, either if you'd want to credit me or link my own charts in the descriptions/texts.