#niðurlút

[coppercope]

🎶✨when you get this you have to put 5 songs you actually listen to. then tag 10 people 🎶✨

i was tagged by @spikeys. hiii, thank you so much 🖤

five songs i listen to a lot:

niðurlút - hatari

sapne/patalpoje - ba.

metanoiia - abii

ptolemaea - ethel cain

no care - daughter

tagging (only if you want to!): @motherof-chaos, @karathraces, @capuletnotes, @pastel-bun-bun, @advictoriams, @absolute-brain-vomit, @sundownridge, @the-villagewitch, @soviethorror

[onthebirdroads]

Music tag game, tagged by @yanderemika

rules: shuffle your 'on repeat' playlist & post the first ten tracks, then tag ten people 🎶

I just use VLC so I don't have an "on repeat" playlist, so I'll just shuffle ALL my music and give the first 10 that I've listened to recently or a lot over the past while

Niðurlút (feat. GDRN) by Hatari

CURLED IN by Jaguar Jonze

Rabbit Hole by Jaguar Jonze

Colours by Voyager

The Best Intentions by Voyager

Two Weeks by The East Pointera

Biðrüð Mistaka by Hatari

D'equi a Somió (live) by Felpeyu

Pound a Week Rise by Austral

Thylacine by Austral

So that's.. Icelandic techno-industrial (Harari), Aussie indie rock (Jaguar Jonze) and prog (Voyager), and Celtic traditional (The East Pointers—from Canada, Felpeyu—from Asturias in Spain, Austral—Australian). Which is a pretty good overview of what I have on high rotation. I've also been listening to some Angelique Kidjo, Inn Echo, Käärijä, and Noriko Tadano.

I'm gonna tag...... @vienna-salvatori @tiedpawslikeheraklescloak @thejadefwa @carrotsofthepirabbean @greenbeanssssss @kaoinim @boopbeep @partybarty @bee-of-swords @satanicspeaks (plus anyone else who wants to, no pressure of course)

[vetustamorla]

i might sound like an emo boomer rn but the transition between 'may the noises startle you in your sleep tonight' (which, btw, what the fuck kind of title is that) and 'hell above' is unparalelled*

*or on par with the one between 'nunquam iterum' and 'niðurlút'

[rat-bellamy]

Is there any way of not crying over Niðurlút?

H E L P

[viahhapocalyptica]

Lockdown has gotten to a point where @buckdichenergy and I got into hysterics over the phone because she changed the lyrics of Niðurlút to “Penis flute”.

Are Hatari proud of us yet

[anastasiasoboleva]

Þú tæmdir allt þitt traust á mér ⠀

Þó tórir enn mín ást á þér ⠀

Sagan endar allt of skjótt ⠀

Þú bauðst mér aldrei góða nótt⠀

«

Mig óraði ekki fyrir því ⠀

að aldrei sæjumst við á ný

»

[idridian]

(Some) Hatari Songs As John Mulaney Quotes

Hatrið mun sigra:

Klámstrákur:

Hlauptu:

14 ár:

Ódýr:

þræll:

Spillingardans:

X:

Engin miskunn:

Niðurlút:

Klefi/Samed:

Ógleði (and also most if not all of their other songs lol):

-

Bonus:

Hatari: *hold up Palestine banners live on camera at Eurovision*

The audience:

[panzertron]

Hatari feat. GDRN -- “Niðurlút“

[samuraiwithachicken]

I am actually somewhat surprised by this top 5. I didn’t think I listened to Klámstrákur and 14 ár more than Niðurlút and Engin Miskunn is not even in my top 10 favorite Hatari songs.

[likeappletrees]

niðurlút feat. GDRN – neyslutrans release concert

[hatari-confessions]

Idk what it is about the Niðurlút act between Klemens and GDRN, but it exudes such a lesbian vibe... I love that

[tinyriver]

engin miskunn: to be perfectly honest, i sort of slept on engin miskunn and 14 ár until hearing the album. i was never a big fan of those two, but man, hearing a good version really fixed that. this is such a good song to start an album, and the beat drop? damn. klemens’ part is great, wasn’t expecting his lower register to be the first of him i heard, and i love it.

spillingardans: nothing’s different here? right??? still, even thought i’ve heard is lots, right around 2:27 when klemens is doing the soft angelic thing, and einar’s drums come in???? holy shit. and then when it goes back to matti at 2:54 and there’s the lingering haunting tone from klemens in the back. that’s good shit.

klámstrákur: i’m still not over this release. i was sort of disappointed with the official release, since there was a solid amount of very light but still noticeable autotune or something on klemens voice that i didn’t like and i was worried the rest of the album would be like this. pleasently surprise this isn’t the case. still, all the harmonies on the official vision of this are gold.

klefi / samed: still slaps sooooo hard. i almost thought to skip over listening to the already realeased songs, but like, you can’t??? and they’re so good.

Þræll: aaaaaaaaaaa the lower register. brings me back to kjurr. and we all know i love kjurr. and like, this works so well lower. klemens sounds so good. the little moans. the percussion. just lovely. all around lovely.

hlauptu: cyber needed to do this to knock it into y’all’s heads how fucking fabulous they are. all the little bits with amazing singing during the ‘skeri, skeri, skeri’ refrain part were, just, perfect.

hatrið mun sigra (xtended): “xtended” means you’re ready to go hard like 5 seconds before you should. i could go on and on about how much this song is incredible. i love matti in this, and klemens part really triggers my syntesthesia so it’s super pleasant. and the key change??? i was in a pretty good place in may and this just puts me back there and reminded me how much i love this song

spectavisti me mori, op. 8: i know we were all surprised, but after about 5 seconds i remember some interview or video or something where they were saying how the great thing about hatari is the overlap of creative fields in iceland, and they mentioned something about a violinist, idk if it’s the same one, but having this on the album makes a lot of sense to me. and it’s stunning. i have now gone on two walks where it’s been right after the rain, super cold, and cloudy, and this song has just been a fucking vibe.

14 ár: i know i didn’t give this song enough credit before. it’s good. still not my fave or anything. i can’t say i’m a big fan of it, just cause nothing super stands out or anything to me, but the matti bit at the end is really nice, and idk, i like it a lot more than i did before, so that’s a thing.

ógleði: y’all know this is my fave song. the train whistles were a great touch. the rolled rs. the moaning. it’s just such a good song to cry to or just angst over. it’s really beautiful, and it kind of makes me feel like i’m floating and i love it.

helvíti: we hadn’t heard much of this, but let me tell you. it’s my new fave. helvíti is sexy. svarti laxness is great. enough said.

nunquam iterum, op. 12: other than the first 10-15 seconds of the intro, this is all new, and like, i ain’t mad. it’s really good. but honestly, my fave part is the drums at the end. it’s so powerful. i just feel so ready to like go to war or something with the synth and the deep drum beat.

niðurlút: i like having  new song on this album. i honestly hoped for maybe a bit more new stuff, but this is really good. i fuck with gdrn’s vocals.

[hatari-translations]

Iceland Music News commentary on Neyslutrans - translation

In February 2020, Neyslutrans was featured as Rás 2's Album of the Week on the radio. The format of the show would usually involve playing through the album, with the artists commenting on each song before it starts; however, in true Hatari style, instead of commenting on their own work, Hatari instead sent Iceland Music News to do the commentary. The result is pretty hilarious, in the usual dry, sardonic style of anything associated with Hatari. Full translation (of their bits) below.

Introduction

DÍSA: We are media outlet Iceland Music News, the country's most honest media outlet.

GUÐMUNDUR: Yes. And possibly the entire world's.

HÁKON: And thus probably the most honest media outlet that's stepped into the RÚV studio.

GUÐMUNDUR: It's a sweet duty for us to present Rás 2's Album of the Week, which is Neyslutrans, by award-winning band Hatari.

HÁKON: To wit, my name is Hákon and I'm the editor for Iceland Music News; Vigdís is the assistant program director and thought the album was called Neysludans [Consumption Dance] but I corrected her just earlier, it's actually called Neyslutrans.

GUÐMUNDUR: And I'm Guðmundur Einar and I'm the CEO of Iceland Music News.

DÍSA: It should be mentioned that I'm usually called Dísa and I'm the program director and handle all published material. Well, the members of Hatari declined to present this album, and thus we were recruited for the job.

HÁKON: Right. As we understand it, they weren't offered enough money to introduce the Album of the Week, and therefore we were asked to come, and of course we jumped at the opportunity as soon as we had the chance.

DÍSA: Yes.

GUÐMUNDUR: Yes. It's of course amazing to get to introduce a masterpiece of this kind. The foreign media are tripping over themselves to declare this album the best album of all time.

DÍSA: Yes, exactly. It's a great honour for us as a nation that the songs will be performed at Hatari's release concert in Austurbær on February 22nd-23rd, and to perform such a masterwork live, as you say, is just... there are no words.

HÁKON: None. And we furthermore want to underline the great honour that it is to present this album. It's a masterpiece, and honestly I think masterpiece isn't a strong enough word to fully encompass the quality of it. But without further ado, here is the album of the week.

DÍSA: Neyslutrans.

HÁKON: Enjoy.

DÍSA: The band known as Hatari is composed of Einar Hrafn Stefánsson, Klemens Nikulásson Hannigan and Matthías Tryggvi Haraldsson, who composed and arranged the songs and lyrics on the album.

GUÐMUNDUR: But of course, in creating a piece like this, a multitude of other artists come into it as well. And what a list of magnificent artists. It will become clear when we play the songs. We should add that the album was recorded by publisher Svikamylla ehf.

HÁKON: In Panama.

GUÐMUNDUR: In Panama.

Engin miskunn

HÁKON: The first song on the album is called "Engin miskunn" [No Mercy], and the title really says everything that needs to be said. There is no mercy from the greatness of this song. The quality exceeds all measurements, and the listener is shown no mercy as it is played.

DÍSA: No.

GUÐMUNDUR: As the lyrics say, "Glory will descend upon the earth / All the Earth's children's doomsday drawing near". That's the feeling I felt when I heard this song.

DÍSA: Absolutely. I completely agree. You could just feel the glory taking over your...

GUÐMUNDUR: Body.

DÍSA: Body. It's worth noting that it was Magnús Leifsson who directed a music video for this song, one of the most respected directors in Iceland.

HÁKON: "Most respected" doesn't even cover how revered he is within the industry.

GUÐMUNDUR: Yeah. And this song is what's called the 'single' of the album, and is, so to speak, the outward face of the album.

HÁKON: Yes, exactly. And the glue that holds the album together.

DÍSA: Yes. We said the listener is shown no mercy in listening to this song, but of course that applies to the entire album, even though it's unusual for an album to begin with such a... really the best song.

GUÐMUNDUR: Yeah, this is the best song.

HÁKON: Yeah. We could say it applies to the entire album but perhaps especially this one, "Engin miskunn". There's no mercy in this, and this is really the song on the album.

Spillingardans

HÁKON: The next song on the album is called "Spillingardans". This is a magnificent song, and it's of course a special honour for Iceland Music News to have been the media organization present interviewing Hatari when the first clips from the music video for the song had yet to be released - so Iceland Music News was the first media outlet in Iceland to publish a clip from the video for "Spillingardans", and it's a really special honour because this song is, in most people's opinion, by far the best song on the album. If you were to apply some kind of adjective to it, there would be a lot of them, but this song is very barbed. Yet at the same time, the end of the barb is soft. The song says, "The watchful hand of the oppressor", and the oppressor in this case is the dishonest media, for instance, and, um, a lot of other things. But the song is called "Spillingardans", and I ask you to listen well, because this is the best song on the album. It could be mentioned that "Spillingardans" was originally released as a single, as one individual thing published by itself, in 2018, and the song is based on a song of the same name by the duo Plató.

Klámstrákur

DÍSA: It's a great honour for us at Iceland Music News to present the album Neyslutrans by Hatari, and especially for me to present the song "Klámstrákur", because if you listen to this song, I think most people can hear the lyrics and think, "Yes. Yes, I am a filthy boy." And it's especially an honour because this is, without a doubt, the best song on the album. It was released as a single last year and it only gets better with each listen. Klemens gets to come out and play in this song, where he kind of raps in parts, and I can only speak for myself, but my image of Klemens changed greatly. You could say something deepened there. This is the song "Klámstrákur" by Hatari.

Klefi/Samed

GUÐMUNDUR: The next song is the song "Klefi" or "Samed", by Hatari and Palestinian musician Bashar Murad. We at Iceland Music News have been lucky enough to meet Bashar a few times and interview him, and I can state for the record that he is one of the most magnificent artists to ever set foot in Iceland.

DÍSA: Can I add that he is also very polite?

GUÐMUNDUR: Very polite.

HÁKON: Unique.

GUÐMUNDUR: And a good boy. Samed means to be steadfast, and is widely used in the struggle for Palestinian rights. It's a special honour for me to introduce the song "Klefi/Samed" because this is in many people's opinions perhaps the very best song on this album, and thus in the history of Icelandic music. "I walk barefoot in the clouds," sings Bashar, "worthy," but when I listen to this song, I wonder if I am worthy. Either way it's a great blessing to be able to enjoy music of this caliber. "I am whole, and I am warm," and that's how you feel when you listen to this song.

Þræll

DÍSA: The song "Þræll" by Hatari is a new song on the album Neyslutrans by Hatari. In this song, Klemens presents a lovely contemplation on submissiveness, which I think will touch most people. This is without a doubt the best song on the album. It has been very well received, both in Italy and Poland and other places, and when I say well received I mean a lot of people sing along, and of course it has been widely praised. There is a piece of the lyrics that speaks to me; it's "You yank me, throw me around; you slap me on the cheek." I think this song does that to me. It yanks me, throws me around, slaps me on the cheek, and after listening, I come out of it a slightly better person. This is the song "Þræll" by Hatari from the album Neyslutrans.

Hlauptu

HÁKON: The next song is called "Hlauptu" by Hatari. I feel a little bad to be presenting this song, because to present a song like this in a time like this is really more than I am capable of. This song is, by every measure, by far the best song on the album, and there's just no way around that. The song "Hlauptu" is an incredible work of lyricism, an incredible song in every way, incredible artists working on it along with Hatari, it's Cyber that wrote it with Hatari. Cyber and Hatari traveled around Europe on the "Europe Will Crumble" tour where they conquered not only Europe but the entire world with this song, and if I just Google "Cyber" [typing noises] and press Enter, I get a lot of varied information about this song, which, uh, shows how big this song is. "Hlauptu" by Hatari!

Hatrið mun sigra

GUÐMUNDUR: So, the next song on the album is a decent song.

HÁKON: Yeah, it's a decent song. It's... you can debate its merits, as people have. But a decent song, sure, we of course are a media organization and must be fair and honest in our reporting, so, decent, I don't know.

GUÐMUNDUR: Fine. It's fine.

DÍSA: I'm - if we're going to have honesty as our guide I just have to permit myself to say that the lyrics of this song... I just don't know. I think it's too dark.

HÁKON: I kind of have to agree with that. See, I'm just going to read a bit...

DÍSA: I just had to say it.

GUÐMUNDUR: Perhaps it should be mentioned that the next song is "Hatrið mun sigra".

HÁKON: By Hatari.

DÍSA: Yeah - I can't even say that title.

HÁKON: And, and... let's see this, "Hate will prevail, Europe will crumble."

DÍSA: No.

HÁKON: I think it's distasteful. This is not in any way appropriate for our children to hear.

GUÐMUNDUR: No, that's the question.

HÁKON: Because you can say whatever you like about Eurovision, and reversing it, and that really they mean there should be peace and so on.

DÍSA: Yeah, blah blah blah.

HÁKON: But they're saying that hate will prevail and Europe will crumble. Under no circumstances is it healthy for children to hear that.

DÍSA: No.

HÁKON: And now the coronavirus is coming, and this is not a joke!

DÍSA: Hákon, I - sure, we are here to present the album of the week on behalf of Hatari, and I think we've entered a gray area, but we as the media outlet Iceland Music News, we just have to tell it like it is. We speak when others are silent. And I'm glad this has been said.

HÁKON: Nonetheless...

GUÐMUNDUR: Nonetheless, this song is... fine. And it will be performed, along with every other song on the album, at Hatari's release concert in Austurbær.

HÁKON: Yes, February 22nd and 23rd, for those who are interested. This song will of course be performed there, and who knows, perhaps if the audience shouts "Again! Again!" loudly enough, they'll perform it for a second time. Who knows?

GUÐMUNDUR: It should be said that the version on the album is a bit longer than the one performed in the Eurovision Song Contest, and this improved it significantly.

DÍSA: Yeah, that's true.

HÁKON: Yeah, it did. One thing to say for this song, and the band Hatari, it got a lot better when it no longer had to obey the strict rules of Eurovision.

GUÐMUNDUR: We are Iceland Music News and the next song is the song "Hatrið mun sigra", by Hatari.

Spectavisti me mori/14 ár

GUÐMUNDUR: Next we're airing two songs in a row, first "Spectavisti me mori, Op. 8", which means "You watched me die", and is a reference to the song "X" by Hatari. Pétur Björnsson composed violin for this song. And directly following this incredible musical experience is the song "14 ár".

DÍSA: Yes. Which is also new on the album. There is a lot of desperation in that song; there is a kind of Stockholm syndrome in the lyrics, our coercive relationship with capitalism. There are many connections to be made, and, really just a classic Hatari hit in terms of structure and so on, which flows extremely well from Pétur's melody. He studied the violin in Leipzig.

HÁKON: We at Iceland Music News of course recommend that listeners listen to these two songs together in one stew, so to speak, so that the former song precedes the latter. By Hatari.

DÍSA: Yes. I think it's very original to have two songs go together like this, and I think it's the unanimous opinion of the editorial board that this is the best song on the album.

GUÐMUNDUR: Yes.

HÁKON: Yes. It's the best piece.

GUÐMUNDUR: Best piece.

DÍSA: Piece of music.

HÁKON: This part of this work of art is really what glues it all together, what gives it life as art that we can benefit from, not just us, the individuals of Iceland Music News, or us the individuals who work at Iceland Music News as news reporters working in a difficult environment, but also we who love Hatari.

GUÐMUNDUR: Yes.

DÍSA: Yes.

HÁKON: And have listened to Hatari. And we who love music, we can say that too. And that's why there's no way around why this piece is the core of the piece of art that is the album.

DÍSA: These are the songs "Spectavisti me mori" and "14 ár", by Hatari.

HÁKON: And we thank Hatari for this.

Ógleði

GUÐMUNDUR: We are Iceland Music News, and the next song is "Ógleði" [Nausea]. But nausea doesn't have to be a bad feeling.

DÍSA: No.

GUÐMUNDUR: Sometimes you experience nausea when emotions overwhelm you and the art overpowers the body.

DÍSA: Exactly. That said, it is right to present this song with a disclaimer, as if you have acid reflux, it has been known to cause the acidity or Ph value of the stomach, which should be around 3 - it has been known to raise it to around 3.333, which can cause a certain illness. It should be stated; we won't sugarcoat it.

HÁKON: Yes. We at Iceland Music News must state this. We're proud of it.

DÍSA: Yes. It's important information. But it's an amusing coincidence nonetheless that 3.333 is not unlike 3,333 ISK, which happens to be the ticket price for children under 18 for Hatari's release concert, which will take place on February 23rd.

HÁKON: In Austurbær. And Iceland Music News of course wants to use this opportunity to express our deepest gratitude to our sponsors. It's a variety of sponsors, such as... many, who have taken part in supporting us with various grants that we have accepted, and we are grateful to be able to accept such grants, to make it possible for us to sit here and talk about the song "Ógleði" by Hatari, which is indisputably the most important song on this album.

GUÐMUNDUR: As the lyrics to the song say, "Everything that trembled shattered like glass; what was inside me, it wasn't me." Dear listener, let the music shatter your soul like glass, so that a more perfect self may be rebuilt from the ruin.

Helvíti

HÁKON: We at Iceland Music News are very proud to present the next song, the song "Helvíti" [Hell] by Hatari, and this is, as the title suggests, a hellishly good song, if you'll indulge me. And of course, to say something is hellishly good really means it's so good you need to curse to emphasize it. I'd rather not curse, I did it just now for the sake of the example, but I won't do it again. We at Iceland Music News are thus saying that it simply cannot be emphasized enough how good this song is. The song is called "Helvíti". And the lyrics can be quoted - it should be noted that Svarti Laxness is part of this song, also known as Stinni Steins. The song says, "a constant hardon". This is something that's not good for anyone, to have a constant hardon. I've heard that four hours is a very long time, but constant is something I cannot even imagine, and that probably happens only in the purest of hells. And no one wants to be there.

DÍSA/GUÐMUNDUR: [suppressed chuckling]

HÁKON: These are very explicit descriptions of what happens in the hottest of hells, which makes it incredibly evocative, and it really touches people deeply, and perhaps even cuts them.

GUÐMUNDUR: That's right, Hákon. And we should mention that we are approaching the end of the album, the end of this great journey that the album has been. And at this point we've reached Hell. The destruction of capitalism has here reached its peak, and the album describes in great detail the environments and experiences of Hell.

Nunquam iterum/Niðurlút

DÍSA: We've come to the end of the album Neyslutrans by Hatari.

HÁKON: Iceland Music News, here with you.

DÍSA: Well, an end but also a new beginning, you could say. Or a kind of...

HÁKON: Lullaby?

DÍSA: Yes, it's a lullaby; we're being led into a new world. These are two songs strung together, which is extremely original. It's "Nunquam iterum, Op. 12" - Nunquam iterum means "Never again".

GUÐMUNDUR: Yes. And it's fun to note that the members of Hatari are great academics and speak fluent Latin, just like us at Iceland Music News.

HÁKON: Behind the masks, there are voracious readers and bookworms.

GUÐMUNDUR: And this is followed by the song "Niðurlút", which is the final song of the album. Both of these songs are written to the same lyrics.

DÍSA: Different artists worked on the songs; the former is a melody by Friðrik Margrétar who arranged it for the choir of the Iceland Academy of the Arts, and then it's GDRN, one of our foremost singers, who worked on the song "Niðurlút."

HÁKON: Both of these artists are of course great friends of Iceland Music News and have of course boosted our reputation.

GUÐMUNDUR: This song is no less than magnificent.

DÍSA: No. I'll permit myself to say this is the best song on the album. A subjective opinion, some would say, but I am basing this on my education and experience in the music business.

GUÐMUNDUR: Yes.

HÁKON: This song being the best song is just not up for debate.

GUÐMUNDUR: This is the end of this incredible journey.

[erizee]

Neyslutrans comment (aka me pretending i know shit about music)

- Engin Miskunn is an entire masterpiece. the instrumentals make me 🥜 and klemens' part is so amazing, and the rythm of the whole song is so good (especially at the end)

- þræll just fucking blew my mind lol i did Not expect to love it as much as i do now

- i really prefer this new version of hlauptu because it sounds less sexy and more creepy and it works extremely well i think

- calling 7 extra seconds an extended versiom is hilarious to me

- spectavisti me mori is extremely pretty and i really like that it still feels very hatari-like even though its just a violin without a background beat. also, klemens is breathing in the background

- 14 ár is SO good holy shit. i already loved it when i could only listen to the shit quality of phone live recordings but this is just on a completely different level. the harmonies in klemens part and how desperare matthias sounds just kills me

- ógleði is still not my favourite song but it sounds like words finally and that just makes it much better

- unpopular opinion but i l o v e helvíti!! no idea what hes rapping but it slaps extremely hard and so does the beat. watch me quote velkomin til helvitis (im sorry @ people who speak icelandic) every day from now on

- nunquam iterum is amazing too, especially the end where the beat comes in

- fucking. niðurlút!!!!! i love this song even though i have no idea yet what its about, i love the melody, i love how well klemens' voice and the other singer's voice fit together and i just really like this song

criticism that is very lowkey and doesnt matter honestly: dansið eða deyið is not on it and matti wasnt in all the songs and i miss him lol

[thecrowss]

Anyway. Congratulations to Hatari for winning 2 Iceland Music Awards! Now I'm going to rewatch their Niðurlút performance( Andrean and Ástrós looked super good, so did Klemens).

[star--stones]

Íslensku tónlistarverðlaunin / Iceland Music Awards 11.03.20

HATARI-RELATED TIMESTAMPS

PART 1 ( RÚV2 ) : [ l i n k ]*  runs from ( 2:15 – 1:12:25 )

EINAR AND MARGRÉT OF VÖK PRESENT 4 AWARDS ( 8:25 – 18:19 ) Bonus proud Matti ( 9:24 ) Skip to the following times to see Margrét or Einar speaking: ( 8:25 )  ( 10:17 )  ( 11:49 )  ( 12:48 )  ( 13:59 )  ( 15:24 )  ( 16:11 )  ( 16:50 )

HATARI IN EUROVISION WINS MUSIC EVENT OF THE YEAR ( 25:49 – 28:11 ) Award Intro ( 25:49 ) Winner Announced ( 26:54 ) Matthías�� Acceptance Speech, with Einar ( 27:20 )

PART 2 ( RÚV ) : [ l i n k ]*  runs the whole ( 1:44:08 ) of video

LIVE NIÐURLÚT PERFORMANCE ( 0:10 – 5:50 )

HATRIÐ MUN SIGRA WINS MUSIC VIDEO OF THE YEAR ( 41:07 – 44:30 ) Award Intro ( 41:07 ) Winner Announced ( 42:46 ) more Bonus Proud Matti ( 43:14 ) Directors Baldvin and Klemens’s Acceptance Speeches ( 43:33 )

EINAR’S TURN FOR A SPEECH, IN THE DARK BY VÖK WINS POP ALBUM OF THE YEAR ( 1:33:22 – 1:36:00 ) Award Intro ( 1:33:22 ) Winner Announced ( 1:34:13 ) Margrét’s Acceptance Speech ( 1:34:45 ) Einar’s Acceptance Speech ( 1:35:31 )

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