#noisetrade

[call-me-overcomer]

Trying to look up a song to share with the Bible study ladies and Google has nothing. Spotify has nothing. I'm going to literally have to send them the audio file because this is what I get for being a Noisetrade junkie in 2011.

[bigfatmusicblog]

THE STATE OF PUNK

FIDLAR vs. Alien Nosejob

On Friday September 20th two punk albums were released - I’m sure in the grand scheme of things a lot more punk albums were released on that day, but for the sake of this article, TWO PUNK ALBUMS WERE RELEASED. Both albums are very different in terms of sound and production quality, as well as lyrical content and what each artist was trying to say with this collection of songs. On the surface, other than the fact that they are both punk albums released on September 20th, there is absolutely no reason to compare these two records. They are both so far on different ends of the entire punk spectrum, picture the Sistine Chapel except God and Adam are each in completely different time zones, still they reach out for each other. I will try to bridge this seemingly insurmountable gap between the two with this article, and maybe by the end we’ll see that we aren’t so different, you and I.

FIDLAR is a band I have been into probably since their inception. I remember hearing/downloading Awkward from a music sharing site in the 2010’s (I think probably Noisetrade, which, rip Noisetrade forreal) and since then I was hooked. I was drawn to their painfully honest lyrics about not feeling like yourself in your body and getting fucked up with their friends. The latter of which I had absolutely no experience with at the time, and still don’t have exactly the experience to relate to lyrics like “I feel like a cokehead” or “Cocaine keeps running around in my brain”. I think the taboo nature of what they were speaking about in their early songs, especially to me as a straight edge Christian kid by nature, is what kept me listening to their self-titled debut even years after its release. Shit, I almost made my senior quote ‘FIDLAR’ (meaning Fuck it Dog, Life’s a Risk), but was too afraid to explain to the principal what it meant. I won’t go as far as to say this band changed my life, but they did get me through High School that’s for sure.

ALIEN NOSEJOB is a band I have been familiar with since September 20th 2024. In fact I was so unfamiliar with them while listening to this album I didn’t even realize Alien Nosejob isn’t necessarily a band but rather the “anything-goes solo project of Jake Robertson.” A project that has spanned seven albums as well as several EPs since 2018. The genre is as fluid as the (clever famous Australian River here) going from hardcore punk to 60s influenced garage rock. Doing research on this artist has been a delight and I encourage you to do a deep dive on Alien Nosejob if this is the first you're hearing of them too.

I feel like we can all agree that both of these albums are punk albums. Leaving specifics and subgenres out of it the very core to both of these albums is punk. For me if you're unsure if an album is punk I'd say ask yourself if the lyrics, or music, or attitude behind that album is one that a shithead kid might utter or exude. Both of these albums OOZE shithead kid energy, however they are posed in different ways. 

The biggest way that SURVIVING THE DREAM presents itself as bratty is within the lyrics. From the very beginning in FIX ME as he yells over anthemic single strums on the guitar, words that could’ve easily been nabbed straight from a middle schoolers diary. “It’s too hard to fix me/I know you’ll try/… cause I’m the type of crazy that’s not the cute type” creates the feeling of a bang cut emo girl screaming these lyrics to herself in her mirror as she got ghosted again. This theme of being sad, unfixable, and a general piece of shit continues throughout the album coming to a head in I DONT WANNA DO THIS - a song wherein Zac of FIDLAR continually repeats simple but relatable sentiments such as “I don’t wanna do this/I don’t wanna be here”. I will say as a general note I found myself relating to a lot of the lyrics on this album, more so than I have on any of their past albums. If you spent a lot of time listening to emo and pop punk in your mid to late teenage years like I did you won’t have any issue feeling understood by the general thesis of the album let alone the broad, often melodramatic emotions FIDLAR portrays in this album. We all feel that way sometimes.

Now, TURNS THE COLOUR OF BAD SHIT by Alien Nosejob isn’t necessarily devoid of shithead kid lyrics. As opposed to the introspective and emotional nature of SURVIVING THE DREAM this album focuses more on the outer. Sometimes this album feels like the Burn Book of someone in a local band - usually using the opportunity to talk shit about punk bands like FIDLAR. These lyrics are probably a bit more niche but anyone who has spent anytime in any sort of local music scene will find themselves laughing along to phrases like “45 year olds with guitars/Living out their teenage dreams“ in the song Another Uniform. One of the biggest ways this album finds itself within that shithead realm is through the instrumentation - a lot of chord based riffs often reminiscent of late 70’s proto-punk, there’s a certain grunginess to the whole sound. That’s not to say the instrumentation on this album feels one note, something that’s a fun side to producing solo projects like this is the ability to sort of put any instrument you want to in it, or at least any one that makes sense and is readily available. Randomly on this album you can hear glimpses of various synths and brass instruments, adding the right amount of sprinkles on top of a melting ice cream cone.

Because FIDLAR has spent more time in the limelight, term used loosely, the instrumentation on their album is a lot more polished. Even when they go especially HARD in songs like NUDGE and GET OFF MY WAVE there is still a good amount of squeaky clean feeling behind it, though you don’t really notice it unless you listen to an album like Turns the Colour of Bad Shit immediately after. Something that you can’t exactly produce at different levels, no matter how fancy your equipment is in comparison, is vocal performance on the album. 

In my opinion a defining characteristic in truly good punk music is good vocal performance. From the wavering built in flange of Jello Biafra of The Dead Kennedys to the dead pan dry british vocals of IDLES if you want to stand out you need to, well, stand out. Both of these albums have impeccable vocal performances and that’s sort of the biggest driving force behind my immediate infatuation with them. Zac Carper of FIDLAR has had fairly consistently good performances throughout their discography. His half yell that comes from the back of his throat will have a true empath going for the throat coat tea. SURVIVING THE DREAM is no different, he has his classic vocal style still prevalent throughout the album, going harder than he has in quite some time. Jake Robertson of Alien Nosejob has also had a consistent voice in all of his previous projects - however I think his performance on this is probably his best. I genuinely thought upon first listen that there were two separate vocalists in this band. He seamlessly goes between the dry flat desert that is a typical Aussie vocalist, a la Courtney Barnett, into an almost Mike D of The Beastie Boys impression to place emphasis wherever necessary. The latter affectation is a stand out point as Jake seems to reach into that bag way more on this album versus his previous. These vocalists and their way of approaching the art of punk vocals I think is the thing that will give these albums lasting power, at least it’s kept me listening.

OVERALL:

I wrote way too many words about two probably insignificant punk albums in the grand robust history of punk rock. Both of these albums are definitely flawed and in a way that’s to both of their benefit. I don’t know what else to say.

GRADES:

SURVIVING THE DREAM - B+

TURNS THE COLOUR OF BAD SHIT - B- (I absolutely cannot stand Bird Strike srry)

[goose-girl]

It's been almost a decade since I really made an effort to dig my hands deep into the muck of underground music. When I was a seventeen and slowly crawling out of the delusion of academic perfectionism I had imposed upon myself for my entire life, I used to go to the all women's gym near the train tracks in my hometown. Sometimes, it was empty. I always was the youngest one there. I'd fuel my elliptical workouts with music I had found on two now defunct platforms: an app called "Band of the Day" or on a website called NoiseTrade. Now, those downloads in my iTunes library have evaporated. They're gray, lifeless and soundless. I can't listen to them anymore. Those gray song titles are like gravestones: monuments to dead friends. All I can do is close my eyes, bring up the muscle memory of winding my legs around the elliptical, and try to remember the melodies. Read more.

[dangerousnerdvoid]

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[erstwhilesparrow]

SPARROWWWW HELLO AND HAPPY HOLIDAYS :D

haven't sent you an ask in a while, but a good one occured to me today - have you encountered and interesting/recommendation-worthy music on noisetrade since you started exploring it this week? i am Very Interested ™️

hi reyniiiiii :D happy holidays!

hm, i've mostly just grabbed all the artists i know i enjoy and been listening to them on repeat, but this does remind me i should explore a little more! as always i think shakey graves is great, and this one's a bit of a basic answer but i like the version of Bitter Water by The Oh Hellos that's on there? Salt Lake City by Motherfolk, Mineshaft by Dessa... this is just me telling you what artists i like, at this point :P

[lesdupont]

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[iputahexxonyou]

i have a strong addiction... . . . . #GoodBoysFinishLast is live on #NoiseTrade which is now apart of @pastemagazine ! #linkinbio #LGBT #singersongwriterproducer #singersongwriter #singer #songwriter #producer #songwriting #LGBTsinger #LGBTproducer #blackkpop #kpop #urbanpop #musicproducer #NOLA #ATL #HTX #needbeats? https://www.instagram.com/p/Bw_H6eAFB7v/?utm_source=ig_tumblr_share&igshid=1qol48mtsstm9

[calilili]

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[adamwedd-official]

I love what I do and I've always worked incredibly hard no matter what job Ive had over the years! Did you know I've released all these singles and EPs ? (That includes 3000 physical copies on vinyl and CD! Not bad for an indie artist with zero label backing 🎈 If you come time a live show of mine in the next few months you can collect a limited edition business card with an exclusive link to download some special content. I've never understood how to be fully myself on streaming services so I'm going to keep on playing live.. the only thing I know how best to do! Apart from making a mean mojito ! I'm close to announcing my next chapter, which involves an album, patreon and probably more terribly brilliant dad jokes! I've got my first ever shows in Germany, Italy , France , Switzerland, LA, Bulgaria and beyond so keep an eye out if I'm playing a town near you and it'll be a pleasure to sing for you. Enjoy your weekend whatever you're up to! Raise a glass of bucks fizz wimmay All my ❤️😘 Adam xx #journeysofar #mojito #bulgaria #sofarsounds #bbcintroducing #berlin #florence #paris #vinyls #la #patreon #noisetrade #dadjokes #saturday #touring #indieartistmusic # https://www.instagram.com/p/Ce742uLjAZZ/?igshid=NGJjMDIxMWI=

[goose-girl]

Age of Discovery

It's been almost a decade since I really made an effort to dig my hands deep into the muck of underground music. When I was a seventeen and slowly crawling out of the delusion of academic perfectionism I had imposed upon myself for my entire life, I used to go to the all women's gym near the train tracks in my hometown. Sometimes, it was empty. I always was the youngest one there. I'd fuel my elliptical workouts with music I had found on two now defunct platforms: an app called "Band of the Day" or on a website called NoiseTrade. Now, those downloads in my iTunes library have evaporated. They're gray, lifeless and soundless. I can't listen to them anymore. Those gray song titles are like gravestones: monuments to dead friends. All I can do is close my eyes, bring up the muscle memory of winding my legs around the elliptical, and try to remember the melodies.

Recently, I dove back into label-less underground music via Bandcamp, and I've met a new little friend. I had forgotten how deep smaller bands can burrow into your heart. After a few listens to this album, it feels like whoever is behind the band and I have known each other for years.

"Age of Discovery" by The Grass Harp

[dangerousnerdvoid]

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A Star Is Born (Or Perhaps Not)

A Star Is Born (Or Perhaps Not)

Something happened on my blog yesterday that has never happened before. This week’s Tuesday Tunes was the 107th in the series and I must have played upwards of 500 songs across the duration. Many of you have been kind enough to ‘like’ these posts and share your thoughts on them, but not until yesterday has one of the artists whose song I played got in touch. But now one of them has. I was hugely…