this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it
and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?
anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode
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How’s Fields of Mistria? You mentioning it was the second time I heard of it, the first time being in passing, so I’m not too knowledgeable about the game.
AWWW THANK YOU SO MUCH FOR ASKING!!
Fields of Mistria is SUPER fun, since there's not much to do in it after you've completed the first year right now, I've dedicated myself to breeding and collecting all the seasonal variants of horses so I can name them after the four Horsemen of the Apocalypse!
I also named all my barns after metamorphised lovers in greek myth because I have exactly one thought running through my head at any given point in time (Currently there's Crocus Coop where I keep my (gorgeous wonderful lovely adorable ouugh I LOVE THEMMM!!) blue chickens
Cypress Barn where I keep my wonderful cows (who have been with me the longest and whom I cherish immensely! I'm not sure if Autumn cows are possible but I'm definitely aiming for a barn of all red and autumnal cows for obvious reasons)
Minthe Barn where I keep all of my other large animals like sheep, alpacas and my very first beloved Chiron (black and white) and Iris (brown with spots) (the foal is Rigel) 🥺
And Hyacinthus Barn where I have a collection of small animals like rabbits, capybaras and my PRIZED DUCKS LEDA (the pretty blue and green duckie) AND CYCNUS (the pure white duck meant to mimic a swan!!) Even though it's technically a coop, I mistakenly labelled it a barn when I was inputting the name and I never changed it LOL
My farm is also named after THE metamorphosized lover, Daphne herself, so it's called Laurel Farm
And I'm planning for my Seasonal Horse barn to be named after the poplar since I quite like Leuke's story and I think she's fitting of housing the horses that will be the steeds of War, Pestilence, Conquest and Famine :)
Bonus: My house is still small and eclectically decorated, but keeping in theme with my farm, I do hope to go for a flower/garden theme
<33
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One of my favorite things about writing Shiro is I can always, always make him kind.
He’s not perfect or flawless, but if I need him to be gentle, he will be. If he needs to be patient, compassionate, soft, anything, I can always write him that way.
What’s more is his kindness is not weak. If he needs to be brave enough to say “I love you”. To say “I’m sorry.” To put aside his own anger or hurt or pride to help someone else. To take a hard look at himself and decide he needs to change—He will do that.
If he has to brutally fight someone to protect the innocent, he’ll do that too.
Shiro’s kindness is not always the same what is nice. More often than not, it requires an incredible amount of determination and bravery to be possible. But he will always find that strength when he has to.
Don’t get me wrong, I love me some deeply flawed, messed up, mean characters. Variety is good in your diet.
But there’s also something so unique and refreshing about Shiro. He’s fierce enough to fight god and gentle enough to soothe a child. He has the confidence to lead the scared and the weak, but none of the ego to domineer over them. He cares and he tries and he tries, and even at his worst, he’s still kind.
I just—I just really love Takashi Shirogane, ok?
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List of Things in the Back to the Future Musical That Have Made Me Cry (for one reason or another)
First off: if the title alone doesn’t imply it, this post will contain some spoilers for the minutiae of the Back to the Future musical! If that doesn’t bother you, cruise right on ahead, but if it does then you’d best hit the brakes here!
As of writing this, I have been lucky enough to see the BTTF musical three times (!!)—once on Broadway and twice on the North American tour. Each show has been different, with little quirks and interactions changing night to night, which makes it even more enjoyable to rewatch. There’s so much heart to this show, and so many moments that add to each character. Some things have moved me to tears, and others have made me laugh so hard I’ve actually cried. Below is a collection of moments that have had me tearing up, in no particular order or organizational format:
(Musical spoilers below the cut!!)
Doc talking about how people took advantage of him and actually getting choked up
Doc holding up the model car at the end of For the Dreamers, like it’s flying amongst the stars
Marty handing Doc the ‘thank you note’, and Doc being incredibly touched and going on for several moments about how kind of Marty it was to write him a thank you note (to the point of sounding teary) before pausing and his expression dropping when he realizes it’s actually future information
Doc’s side table getting destroyed (unintentionally) at the tail end of Future Boy, and Doc only noticing it about thirty seconds later and staring at it before howling “THAT’S AN ANTIQUE! THAT WAS MY GRANDMOTHER’S!”
and then “I know times are hard on dancers, but there’s no need to steal furniture!”
in the same show, following the table’s untimely demise, Doc waking up (after 21st Century) and being startled by Marty’s presence and responding with “oh, hey, Marty, I—I was confused ‘cause there was a table there” to roaring audience laughter (plus Marty’s follow up of “you can buy a new one when I leave”)
Doc hugging Marty in the square after Marty returns to 1985, and Marty beginning to cry, and Doc comforting him and gently patting his back and holding onto him for a few moments longer than usual
Doc and Marty tapping their microphones together during Back in Time like a microphone fist bump
Doc and the flyswatter. Truly the only valid reaction to watching your (new) friend be hit on by his mother, retching and slapping a flyswatter back and forth and then managing a “there’s a—a bug, I’ll get it—“ while you continue to smack the flyswatter back and forth, and eventually going “got it” because ya gotta at least pretend there’s continuity and you can catch a bug
The fire extinguisher flavors!
“Doc!” “Aah!” “Whoa, whoa—are you all right?” “What?” “Are you all right?” “Left?” “What??”
George waving goodbye to the bird
Doc waking up startled and immediately calling for his mother 😭
“Sirius is the brightest star in the night sky, why are we talking about astronomy??”
“Profanity not necessary.” “The hell it isn’t!”
Doc on the clock tower genuinely panicking and hyperventilating but giving it his all (look I don’t blame him for wailing I would not want to be up on a collapsing edge especially with a fear of heights!)
“Safety first, Marty, it’s so important, I always say that!” “When do you say that?” “I say it every time!” “Do you?” “Remember the time you burned your eyebrows off…”
“We’ll put the red one here like Rudolph—aw, he’s so cute!!”
The entire fire extinguisher bit. Every time. The perfect cut into yelling and the cut back into the same exact word. Gold.
Doc revealing the model, Marty complimenting it, and Doc putting a hand to his chest and then leaning his head against Marty’s, clearly incredibly touched
“you’ll be fine, you’ve had coke” *incredibly loud sniff*
Doc struggling with the projector screen, turning (with one arm still up) to see Lorraine, extending a leg and bowing with an “enchanté”
Doc’s German accent!! Truly a moment
Every *single* time there’s a “you mean the future” type joke, the note of suspense from the brass section and the double fourth wall break look by Marty and Doc out at the audience (especially when they look back at each other and then look out again, often multiple times)
“Brown.” “Strickland.” “It’s…been a long time.” “Not long enough. BYE!” *featuring Doc well and truly sprinting away*
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It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo
Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j
Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.
Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)
-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.
We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.
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Tfp gijinkas (2/4) The besties :]
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[Image ID: A character sheet with two characters on it. On the left side is a human version of Arcee from Transformers Prime, who is drawn as a middle-aged asian woman. She is muscular and has a haircut that is somewhere between a mullet and a mohawk, with shaved sides. Her hair is black with blue and pink streaks. Her eyes are brown and she has some eyeliner and lipstick, but not a lot. Her face is scarred, as are her arms and upper chest. She's standing with her hands on her hips with a determined but smiling expression. She has simple metal earrings and is wearing a blue cropped leather jacket with rolled up sleeves and the autobots logo on the left shoulder, a dark gray shirt, black biker gloves, black trousers with blue and pink geometric stripes and black boots. Her right arm has a tattoo in the shape of abstract stripes. The design notes placed around her read as follows: "Biker gloves", "cropped jackets seem to be this team's thing", "she can have hairstreaks and eyeliner, as a treat" "I made her look about late 30s to early 40s, I redid all the lineart for her face a few times when I wasn't happy with it", "I tried to give her a tattoo in the shape of the Autobots logo but it didn't look good. I still wanted to give her some tattoos, hence the stripes". On the right side of the page is a human version of Bumblebee from the same franchise, who is drawn as a young black man. He's also standing with his hands on his hips and smiling pleasantly. The sides of his head are also shaved, and he has a single dyed yellow streak in his hair. His eyes are brown and he has a little bit of gold eyeliner. There are two distinctive scars by the side of his mouth, and one surgical scar on his throat. He's wearing a yellow bomber jacket with black lapels and the autobots logo on the left shoulder, a white shirt, a black belt with a gold buckle, black cargo trousers with yellow stripes running down each side and black shoes with yellow stripes and shoelaces. The shoes are somewhere between high-top sneakers and hiking shoes. His nails are painted black and he has a silver dog tag and a necklace in the shape of a bumblebee. The design notes placed around him read as follows: "He can have a little bit of eyeliner - as a treat", "probably around 25", "never before has there been a guy who listens to Imagine Dragons as unironically as this one", "I combined hiking boot soles with high-top sneakers for traction, mobility and ankle support". Placed next to him is a picture of Buffins, the cat with the most appealing expression. Below the picture is the text "The resemblance is uncanny". / End ID]
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