#not an interior

[unteriors-in-house-flipper-2]

One day, I fear you'll start making rooms that aren't from unteriors, and instead, they'll be original creations. However, as time goes by, they'll start to be rooms that I recognize, and slowly, you'll get closer to places I have lived until one day it'll be the room I'm in right now.

this ask is killing me i cant stop thinking about it

[zegalba]

Bed of Lettuce by Paul Octavious

[mcmansionhell]

we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

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[lamahourani7]

📍Helping Lama & Mohammed to evacuate from Gaza 🍉🇵🇸🇵🇸

I'm Lama Al-Hourani, 24 years old, administrative assistant from Khan Younis in the Gaza Strip and my husband Mohammed, 30 years, an accountant for Elites Centers Group in the Gaza Strip.

We married in August 2022, our lives are filled with love, happiness and comfort in a beautiful, quiet, spacious and warm house that has never lacked anything of all the requirements and luxury and this house was like everything we had. Life turned upside down in Khan Yunis ground war.

My husband's family of 12 people and I had to be forcibly displaced to the city of Rafah without anything in a tent that does not accommodate five people in a cold and harsh winter with the difficult possibilities of life without income and all the necessities of life are 20 times the price of more than its normal price.

On the 120th day of the war, our beautiful house was bombed, which I did not live in for more than two years. The family house of six floors has settled on the floor and we only have some beautiful memories and some pictures left.

My husband lost his job because of the occupation blowing up the centers in the Gaza branch and Khanyonis, and we lost the beautiful family car as well, and I stopped working as well because of this grinding war.

We became homeless and jobless. Help us get out of Gaza. Every dollar makes a difference and saves our lives.

[389]

Fossil sink

[ai-dream]

[millidew]

his change in career has captivated me

bonus:

[gentlemanmotorslifestyle]

[eyesaremosa1cs]

[theclassyissue]

[homelover7]

Amazing House.

[unteriors-in-house-flipper-2]

this is so cool i’m blown away by how accurate you get the builds to the reference!!! i didn’t even know you could do stuff like this in house flipper! also i’m imagining all of these rooms being a part of one huge nightmarish house haha

funny you should say that actually

[zegalba]

Sushi Bedroom by Daisuke (2023)

[89cats]

(by my_tiny_jungalow)

[53v3nfrn5]

The stone floor of a church in Brittany, France comes alive with color as morning sun filters through stained glass. photo: Jim Richardson

[389]

One of the iwan ceilings of Fatima Masumeh Shrine in atabki sahn, Qom, Iran