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sokoviansimp · 1 year

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hi! I absolutely love the package au series you have going on, it’s so cute and one on my favourites on here 🤫

if you’re taking requests maybe we could see reader running around the compound causing trouble and wanda (and/or nat) trying to stop them causing mischief??

ps hope you’re having a good day 🥹

In Your Corner

✒ Pairings : Wanda Maximoff, Natasha Romanoff, Tony Stark x Child!Reader (platonic)

✒ Summary : As reader becomes more comfortable, things become harder for Wanda.

✒ Tags and Warnings: tantrums, embarrassment, lmk if I missed any.

✒ Author's Note : I really appreciate the request, I am so sorry that this took so long, hope you enjoy

✒ Word Count : 2252

✒ Read Time: 11 minutes

Masterlist : The Package AU

Now that you were starting to get comfortable around the compound, you had the itch to explore every inch of it. It was natural for someone your age to seek out their environment and try to discover what the world holds around them. Most kids your age, however, are not surrounded by multi-million dollar science labs housing tech that could quite literally destroy the world.

Until recently, you never felt the need to go out of your way and seek new things, it was stressful enough for you to just find solace in the fact that you were safe here now and no one had any sort of hidden agenda. You had grown accustomed to trusting no one during your time at Hydra; it was hard for you to believe that anyone would want you without something in return, but Wanda made you feel safe again.

The more your worries melted away about this place, the more you became more curious about your surroundings, wanting to touch and feel anything you could get your hands on and know why and how anything and everything came to exist. Up to this point, you’ve had no boundaries throughout the compound. There was no need really, you mostly followed Wanda around like a lost puppy, attached to her hip, never venturing to somewhere she didn’t lead you to.

This morning, however, Wanda left you in the common room to watch tv while she made you breakfast. This gave her a clear view of you when needed, but ultimately the freedom to whip up your meal quickly without interruption. You sat there facing the cartoons on the television, but your mind couldn’t help but wonder what lays down the hallway by the stairwell. You’ve seen plenty of people go in that direction, but you’ve never been down it yourself. No one had specifically told you that you weren’t allowed down the hallway, so why haven’t you explored it yet? What are you waiting for? Nothing, there’s no reason for you to be left in the dark about it at this point, so you get up from the couch in the living room and head down the mysterious hallway.

The corridor had a few twists and turns; but not too long after venturing down, you came to an elevator plastered with a warning sign that read Authorized Personel Only underneath a red exclamation point encased in a triangle. This didn’t phase you much though because those are big words and you barely know how to read yet. Sure, you could sound it out, but even if you got that far, you wouldn’t know what it meant. To you, the exclamation point just screamed fun.

On the next floor up, there was a room with large blurred glass windows and a set of automatic doors. You walk right in with ease, wondering why the lights are so bright in there. The room is littered with every kind of tech you can imagine, you curiously examined all the different gadgets and machines that were strewn about. One of the items on the counter was a remote, it held a couple of buttons on it, but there was one large blue button housed by a glass door that had you intrigued.

“Y/N, do you want me to put syrup on your waffles?” Wanda called out to you from the kitchen. She knew that you would ultimately want syrup on your waffles, but she made it a habit to give you as many decisions as she could. This way, you can have her put the syrup on for you or you could do it yourself. Either way, it was a part of your life that you could control and after growing up in similar circumstances to you, she understood how important it is to feel in control of your own life. “Y/N?” She follows up after not hearing a response as she makes her way over to the couch. Once she's met with empty cushions staring back at her, she starts looking around in areas that you frequented. Like the bedroom, movie room, and bathroom; but when she comes up empty in each spot her nerves began to rise. It’s not like you to just walk off.

Without thinking of what the button could be controlling, you lifted the glass housing and pushed both of your thumbs down onto the blue piece of illuminated plastic. Suddenly, the lab was filled with a bright red light, and one of the machines in front of you started to shake violently. F.R.I.D.A.Y. immediately alerted the compound that one of the machines was malfunctioning. Tony and Nat rushed in, trying to figure out what was happening. And then, out of the light emerged a giant robot, towering over them all.

Your eyes widened in awe as you saw the robot come to life. "Woah!" you exclaimed as you stood still in shock.

Tony was not amused. "Y/N, what did you do?" he began raising his voice.

You shrunk at the sound of his tone. You didn't know what to say. You had just been exploring and didn't mean to cause any trouble. You didn’t mean to make anyone upset with you, especially Tony. Men already scare you a bit, so an angry man was surely not something you sought out.

Wanda quickly came in and saw the commotion. She took one look at the robot and quickly realized what was going on. With a flick of her wrist, she used her powers to shut down the machine.

“Y/N, what are you doing in here?” she asked kneeling down to your level.

“I was esploring” you stated honestly.

“You were?” Wanda was surprised, that’s not something you ever cared for before now and she wanted to tread lightly on the topic so that she didn’t completely kill your spark.

You nodded in return, “Sweetie, there are some places in the compound that aren’t safe for little ones”

“Der is?” your embarrassment began to build up, you didn’t know that you weren’t allowed here.

“It’s ok, you didn’t know. There are plenty of places you can explore, I can show you,” she states as she reaches out for your hand, which you take.

Throughout the day, Wanda took you all over the compound to show you places that you could go at anytime and other places that you can go with adult supervision. You were grateful that Wanda took the time to show you all over. Most of these places, you only needed to see once to be sated, but having never known what lay behind the doors may have driven you mad.

The next couple of days, you began breaking out of your innocent shell. With the itch for exploring scratched, you were still feeling more comfortable around the compound. Wanda felt like everywhere she went she was cleaning up after you. You began to play more with your toys in different areas, leaving them around for her to pick up. Nat found marker scribbled along the walls this morning on her way to the kitchen. Luckily, she found it before Tony and was able to show you how to clean it before he caught sight of the damage.

Wanda was grateful that Nat was there for you, not only to help teach you where the proper spots to use markers are, but also to teach you how to clean up your mess and take responsibility. This past week has been stressful for her, it almost seems like a flip just switched in your brain and you became a completely different person. Of course, there were parts of you that were still the same, but they seemed overshadowed by all of the mischief you’ve been causing.

“Put your plate in the dishwasher and we can go upstairs for your bath” Wanda explained in a gentle tone. Your eyes widened at the mention of bathtime. As quickly as you could, you placed your plate into the dishwasher and darted into the common room to delve into your toys. Confused, Wanda turned her head to watch you blatantly disobey her. Maybe you didn't hear her, “Y/N? Time for a bath, come on” she waved.

“NO!” you yelled as you continued on with your legos. Surprised by your response, Wanda had to take a deep breath before continuing, “No?” she replied in a stern tone.

“I don’t want to take a baf!” you cried out as you began smashing the legos you had in your hand down onto the floor. Unbeknownst to you, in your intense emotion, Wanda could feel the floor begin to rumble as the items that hung on the wall started shaking.

Wanda's fingers illuminated as red seeped into the air, causing all of your building blocks to vanish until you were left sitting in the middle of an empty floor. The shock of everything around you disappearing caused you to still for a few moments.

“What’s going on, Y/N? You love bathtime.” Wanda stated as she came to squat down at your level, trying to prevent the situation from escalating.

You looked back into her eyes, and instead of being mad at you, she was curious. Tears immediately began building in your eyes, and you broke under her soft gaze. Here you were causing trouble and acting out and she was nothing but gentle with you. Once your tears started to fall, she immediately wrapped you tightly in a hug, “Oh, come here detka”

“I- I sorry” you choked out before uncontrollably sobbing.

“It’s ok, let it out malyshka” she said and she gently rubbed circles into your back.

During your crying fit, Wanda scooped you up and carried you upstairs to your shared room, all the while holding you tightly and whispering reassurances in your ear.

She stood there swaying you back and forth in her arms. After a long and intense crying fit, your sobs had become quieter, and your body movements had become slower as you hesitantly began to calm down. Your cries eventually turned into sniffles as you tried to regulate your breathing, and the sadness in your expression shifted towards neutral as you relaxed into her neck. Your face was still wet with tears, but your breathing had begun to even out. As you tired yourself out, your body felt heavy in Wanda’s arms.

You took to sucking your thumb as a form of comfort, something to focus on, and as much as Wanda had been trying to nix that bad habit, she didn’t say anything in this moment, she just continued to sway her hips as you settled down in her arms.

Your eyes would occasionally flutter open and closed, struggling to stay awake as your body relaxed. Every now and then, you would let out a deep sigh as if trying to expel all the leftover sadness and frustration from your body. Wanda gently rocked you back and forth, whispering soothing words and running her hand through your hair.

Despite your exhaustion, you still had a hint of sadness in your expression and your breathing would occasionally hitch, indicating that you weren't fully over your emotional outburst. However, as you grew more tired, your tears dried up, and you became more and more at peace, finally dozing off in Wanda’s arms.

Wanda continued to hold you in her arms as she rocked you back and forth to ensure you would continue to doze off deeper. As she sat there mindlessly running her hand through your hair, she thought back to what could’ve been the cause of your outburst. It seemed like you were certainly coming out of your shell more lately but you never behaved like this. The past few days have been rough for her just trying to keep up with you. It seemed that you were extra hard to keep up with.

It could be that, like her, you were just exhausted. You weren’t used to going through so much energy at once and your body just needed its rest and you didn’t know how to interpret that so you became irritable.

Once Wanda feels confident that you’re sound asleep, she gently tries to lay you down in your bed and tuck you in. However, as she pulls away from you, your grip tightens as you whine for her.

“Shh- sh,” she coos as she tries to comfort you enough to pull away.

“Mama cuddewls-” you whined again as you tried to pull her closer, still on the edge of slumber.

The title took Wanda by surprise, her eyes immediately widened, “What did you say?”

Not completely conscious, you didn’t answer. Instead, you tried to seek comfort from her.

Giving in without hesitation, she climbed into your bed along with you to cuddle. Your body immediately molded to hers as you tried to get as close as possible for comfort. She held you with a goofy smile on her face, elated to know that you think of her as your mother.

The feeling of you being her daughter came to her the moment she laid her eyes on you through the cell door, but she never wanted to push or pry to be that for you. She wanted you to keep the memories of your birth mother and instead of replacing her, she simply wanted to exist along with her. To be there for you no matter the circumstance, to teach you that good really does exist in the world, to simply be in your corner.

Taglist: @mymommawanda @livslifeonline @reggierizzoli @mythixmagic @lesbicentism @marvelogic @katethewriter @inluvwithfictionalwomen @spooky-reader1 @marvelogic

Lmk if you ever want to be removed or added <3

#wanda marvel #wanda maximoff #the package au #the package #wanda x y/n #wanda maximoff x child!reader #little reader #wanda maximoff x reader #wanda maximoff x you #wanda maximoff fanfiction #wanda mcu #mcu #wanda maximoff x little!r #mommy wanda #mama wanda #natasha romanoff #natasha romanoff mommy

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minobe-household · 26 days

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i never posted the spirit breathing thing, did i

(under the cut because holy FUCK the old lady just LOVES making up shit)

(last updated 03/04/2024)

breath of spirit is a technique bearing several forms in two separate series. the first series, established when its founder was first employed, serves to support and defend allies through creating openings for others to attack through distracting or disorienting the opponent while blocking or evading oncoming offense. although there is only one known user, certain forms of spirit breathing's first series can be seen in use by other slayers in practice of other techniques.

on the other hand, the second series, more recently established, has more of an independent offensive focus, likely due to the founder's isolation during the time of which it was developed. they are based on the use of a polearm as opposed to the usual katana, and thus the forms are considered unusable to most except its creator. it is only used by the founder, minobe yuuto. though uh... cough cough.... feel free to change that..... cough cough cough...

it is considered to be quite a difficult technique to master due to the extremely small window for error it allows - most notably so in the second series. almost all forms require incredible control over the body for its strict need in precision and quick deduction. additionally, a crucial element to succeed in its uses relies on the flunctuation between both normal physical prowess and the enhanced performance that comes with total concentration, as well as switching between several different general methods of action - something that can take a lot of conscious processing and strrss on the body by extension.

also, fun fact. breath of spirit is not an actual breathing style; it is moreso a strategy of movement. it was developed off of what its founder, minobe yuuto, observed in the ways of various other demon slayers to complement their respective manner of combat, therefore lacking a direct derivative. the nichirin steel of her blade appears to be a mute silver, and lacks the luster seen in the weaponry of other breathing style users.

goes without saying these forms are subject to change, they've shifted around and i've added/taken stuff out all the time. the small text serves as notes, just to give extra context to visual and function :-)

first series

first form: corporeal passing - similar to mist breathing's "obscuring clouds". user fluctuates in speed, repositioning constantly between their current location and surrounding area to give off the illusion that their body cannot be hit.

revised: corporeal passing, reappearance - same prospect, but another step is added to reposition the user.

looks like the user just goes away and reappears usually, but yuuto dodges at such a short increment from a strike that it quite literally makes it look like she's incorporeal and the attack just phased through her. also revision form visually is pretty much just teleportation. "*teleports behind you* nothing personell... kid...." type shit

second form: exorcism seal - the user moves their blade in an upward-circular motion to build momentum and performs a powerful slash, capable of deflecting or severely weakening oncoming attacks.

revised: hands of onusa - the user incorporates multiple slashes into their movement for a wider range.

still entirely possible with a katana, but it's naturally a little more risky in terms of keeping the weapon in one piece due to the higher blade ratio. important note that a lot of the blockage is done with the base rather than the blade with the polearm specifically.

third form: immaterial anguish - the user feigns an offensive move, charging towards the target only to avoid their body and land behind them or elsewhere. initial use was to temporarily disorient an enemy for a window to escape, but is most often presently used as a lead-in for an actual attack.

when yuuto does it, it makes it seem like the user phased through the target. if you couldn't guess, practically all demons refuse to take yuuto's bullshit seriously but with some of these forms, her words might just come off as truth.

fourth form: body-exit delirium - the user assumes a lower stance and uses either side of their blade to sweep or otherwise throw off their target. used in means of both moving the target and the user themself, dependent on the situation.

also used as a lead-in.

fifth form: scavenger's hidden corpse - the user backs away at high speed before halting their breathing, temporarily rendering their disposition much weaker in order to force the target to change their course of action.

often paired with recovery breathing as a temporary retreat.

sixth form: all in soul's wake - similar to water breathing's "splashing water flow, turbulent". the user adjusts their footwork and breathing to reduce their time on surfaces to a minimum while maintaining momentum.

may allow landing on objects otherwise impossible to use as a ledge, though it is difficult to pull off in such circumstances.

seventh form: subject to the misaki-wind - the user uses the rotational momentum of their weapon to land several smaller-scale slices covering a wide area of the target, while building up for a stronger attack.

meant to serve as distraction or mislead, but in my little headcanons as to how demons work biologically, it's also used to divert regeneration to an extent through primal instinct. move name is based off of an actual saying that essentially just refers to catching illness!

eighth form: holy elixir - the user performs a heavy blunt hit, thrusting an infused wooden dagger into the target from the opposite side.

revised: drunken arrows - in the instance of which base form is unreasonable to perform, the user only grazes the target, typically causing paralysis or disorientation within the target depending on its blood intake.

this is the only form that explicitly required the use of the dagger, which otherwise is used interchangeably with a detatched blade. also the only move in the first series that is actually purposed towards the kill.

second series

curse of bakemono: dance among shifters - the user focuses their energy entirely into their movement, flunctuating in speed sporadically as they approach the target in a manner that makes it hard for their location to be pinpointed. once seen fit, the user makes a single, high-power cut.

visibly, comparable to afterimages. sort of a modification of the first form except offensive. may incorporate multiple strikes in some situations.

curse of mitama: reunion of the vessel - the user quickly circles about the target and pivots their weapon to perform four consecutive slashes that weave into one another, all varying slightly in trajectory.

forces the target to remain still for a few moments to minimize injury. typically used with highly mobile/evasive targets.

curse of tsukumogami: the user throws part of their weapon towards their target and charges towards them, still armed with a detached end.

firstborn to the earth - should the handle be grabbed or implanted within the target, the user weaves beside it, using the handle as a safe ledge to grab as they attack from behind.

inevitabilities through one hundred years - should the handle be deflected, the user will swerve directly towards it, combining the use of the seventh form to twist their body and perform a single powerful strike.

this one is a bit weird since that the two moves aren't really revisions, as neither serve as the original form. it's like curse of kodama in the sense that what the target does is what determines the move. usually yuuto's too busy being yuuto and only says part of the move name (# form/curse of x) though so it doesn't really matter anyways

curse of ikiryō: fate's eye - the user unleashes a small sequence of predictable attacks in order to prompt the target to dodge, to which they put themself in place of a deviating slash strengthened by the built up momentum.

the duration of the sequence can vary a lot. if what would be the hit to land fails, she usually just continues. it's just an ongoing barrage until either she makes a blow or sees an alternative.

curse of kodama : song of whispering leaves - the user, either stationary or mobile, utilizes the cut-off momentum of a defensive block or parry to propel themself upwards, unleashing a flurry of circular slashes from above.

revised: shimenawa, untethering - rather than move themself, the user rotates their blade around the opposing force as a pivot to strike from the other side. typically seen if the user fails to cut off target's attack as intended.

based on target initiative. also not a form variation but if her weapon is ensnared or grabbed sometimes she kind of just does a stick suplex lmao

curse of onryō : slit-mouthed demon - the user uses their weapon as a hook, typically piercing through the face of its target to move them either in defensive or offensive lead-in. (alternatively possible with the spiked end, though not as well carried out due to its structure.)

revised: nails to the elder tree - same prospect, but targeting the body or oncoming attack.

typically a follow-up to a target's predicted movement, but can be used in initiative. note that the base form is not as effective with weaker demons, as their flesh isn't yet as dense; the revision form is the alternative for such a case. this one's the easiest in terms of japanese names - it's quite literally '"kuchisake-oni"... as opposed to "onna"... i'm so good at naming you guys /sc

final form: izanami no mikoto, the thousand destined dead - a last resort attack. the user heavily adjusts their footwork as well as general course of attack, switching from evasion to full offense imperceptibly to make one thousand strikes in a rapid succession.

induces a lot of stress on the lungs and body, and is likely to cause severe exhaustion and/or damage to the user. as a last resort, this is typically only used when yuuto sees she already has to withdraw at some point. however... there comes a time when things end up working a liiiiiittle differently due to the nuances of a certain ailment of hers..... :^)

#BWAAH blasts you with my obscenely long text vomit #demon slayer #kny #kimetsu no yaiba #kny oc #i have accessed the media. (oc tag)#minobe yuuto (senei)#sen's...writing??

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