I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.
Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.
Himiko is a really interesting subversion of her trope for two reasons:
She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)
She’s not possessive. Like at all.
I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?
You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?
You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?
Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.
But Izuku… ohhhh Izuku…
He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.
Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.
So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.
Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.
I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.
So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.
A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.
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IZUKU MIDORIYA.
I LOVE YOU SO MUCH.
BUT I SWEAR TO FUCKING GOD.
THIS BETTER BE HIM RELATING HIS FEELINGS ABOUT NOT BEING ABLE TO SAVE TENKO OR PROTECT KATSUKI TO HER FEELINGS ABOUT TOGA OR IM GOING TO S C R E A M.
I DONT EVEN HATE THE SHIP I USED TO SHIP IT BUT DEAR LORD MY GUY NOW IS SO NOT THE TIME AND YALL HAVENT REALLY SPOKEN IN LIKE A W H I L E LET IT COOK AT LEAST?!?!
ANYWAYS BKDK. IDC. DOOMED LESBIANS APPARENTLY. LEAVE ME ALONE.
I DONT EVEN KNOW ANYMORE MAN.
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❗️Spoilers for the last two chapters of MHA❗️
Okay I was also very urked by Toga dying of BLOOD LOSS compared to what others survived (Bakugo, Lady Nagant, Edgeshot) at first, but upon some reflection I can get behind the poetry of it. And for the record, Toga did almost die of blood loss one before when Twice saved her, so perhaps that was a form of foreshadowing right there.
But it really is poetic that Toga, who loved by taking blood, finally loved someone enough to actually GIVE all of her blood. That is the first and last time Toga ever shared her blood (that I can remember). And it was for someone who actually loved her back, someone who was wanting to understand her and let her love in the way she knew how, who offered her blood to be taken. And Toga ended up being the one to share with her instead, to give all of herself to make sure that love stayed with the world, even if it meant Toga wouldn’t get to keep experiencing it too.
Do I wish she’d lived? Absolutely. But I am also a sucker for beautifully tragic ends.
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