#oh boy am so late in to this

[saltiestbread]

Honey coated

[hinamie]

so just know, I'm healing / even though it don't feel like it

insp

[lasagoofs]

award winner for worst father in the history of television

[heybiji]

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[synth-ab]

Some Izutsumi Fanart (based on various cat pictures)

[ceruleanfuckup]

I'm DRUNK

[avirael]

The Frozen Lake

It was the third day since he had stopped feeling like dying.

About a week ago he had woken up from his far too lifelike fever dream and a few days later the last spikes of the fever itself had been gone too just like the hallucinations it had brought in his sleep.

He still had been sick though and welcomed Rael telling him to stay in bed until he was perfectly healthy again all too eagerly.

While he still sneezed every now and then, it was at least tolerable now, still annoying but he didn’t feel incredibly uncomfortable anymore.

That day, just like the last and also the ones before that, he had awoken late. Against Rael’s order to stay in bed he had found the courage to get up and take a look out of the window. It was a sunny day, which in Coerthas still meant that it was bitterly cold though. But the sun was shining brightly and already high in the sky too which meant it had to be almost midday. He had slept way too long again, way to many hours for a surprisingly dreamless sleep. Or maybe it was exactly the lack of dreams that allowed him to finally rest, after all in the past there rarely had been good ones…

For a moment he considered to go downstairs and ask for a late breakfast if that wasn’t too insolent given the late hour but then a knock sounded from the door.

Quickly he hurried back to bed, just in case it was Rael, but the person who carefully peeked into the room a few seconds later wasn’t a viera.

“Ah, you are awake! That’s good!”, Haurchefant exclaimed happily and brought a small tray with hot soup and also something warm to drink. “It is so late already, you must be horribly hungry. Alphinaud checked in on you earlier but you were still fast asleep and he didn’t have the heart to wake you.”

A little uncertain on how to answer to that, A’viloh just nodded. Haurchefant grinned, put down a mug on the bedside table and handed A‘viloh a comfortingly warm bowl filled with some rather delicious smelling stew.

Instead of fetching the chair from the small desk by the window, Haurchefant sat down at the lower end of the bed balancing the tray with his own lunch on his knees. Rael once told him that ishgardian society had an absurd amount of strict and antiquated rules and so A’viloh couldn’t help but wonder, that although it seemed like a very appropriate distance to him, in Haurchefant’s hometown the fact alone that he dared to sit on someone else’s bed was probably scandalous.

“I hope you don’t mind me having lunch with you.”, the Elezen asked as he noticed A‘viloh staring.

Quickly the Miqo’te lowered his gaze to his bowl of soup. “Not at all.”, he muttered and tried a spoonful of the food just to change the topic. “Mhh, this is very good!”, he mumbled, still chewing, surprised by how good this really was compared to the bland food and bitter teas Rael had usually brought him these last few days. It must have been the Viera’s way of punishing him for running away.

Haurchefant laughed and then for a while they ate in silence.

“You look a lot healthier already.”, the Elezen stated after a while with an amiable smile on his face before taking a sip from his mug.

A‘viloh shrugged a little embarrassed, since it had been his own fault that he hadn’t been well in the first place. “Only because all of you took so good care of me.”

Haurchefant nodded. “You know, you had us all horribly worried right?”

“Sorry about that.”, he said and guitily looked into his mug.

Curiously Haurchefant eyed him for a moment. “Why did you do that anyway? Run out into the storm.”

A bit surprised A’viloh looked up. Had they all thought he had done this on purpose? “There wasn’t a storm when I left! What do I know about weather? I didn’t expect it to start snowing, let alone that much!”

That made the Elezen chuckle again but he still looked at him expecting an answer.

“Still… why did you leave?”

“I assumed Rael told you…”, A’viloh replied not sure what Haurchefant wanted to hear exactly. He nodded. “Rael did. But maybe I want to hear it from you…”

A’viloh sighed. His plan hadn’t been very smart and he felt a little uncomfortable having to explain his reasons to someone else, when in retrospect it didn’t make much sense even to his own ears.

“You know the… circumstances under which we fled Ul’dah… I couldn’t… um… the fact that we didn’t even know what happened to our friends… I wanted to find out, because it doesn’t seem fair to me that we escaped while all of them didn’t…”

“Mhh…”, Haurchefant nodded thoughtfully but let go off the topic for now. Instead he asked, „And how are you feeling today?”

Somehow that question confused A’viloh even more.

“What do you mean?”

“It’s a simple question, isn’t it?”, he said still smiling politely.

Of course it was a simple question. Just the answer felt unreasonable complicated to him. To make things even more difficult people who asked such a question usually wanted to hear “I‘m fine, and you?” or “Very good, thank you.” for an answer and rarely the truth. They certainly didn’t want to hear “A few days ago I was convinced I was going to die and honestly it wasn’t that bad, so now I‘m still not sure wether I am happy to still be alive or not”.

“Alright… I guess.”, he mumbled instead. He had never been a good liar and could only hope that this fact wasn’t too obvious for the Elezen.

“You know what?”, Haurchefant proclaimed after watching him thoughtfully for a second. “Today is a wonderful day. We should go for a walk.”

“A walk?!”, A’viloh exclaimed wide-eyed, as if he had just asked something unreasonable of him.

“Why not?”

A’viloh couldn’t think of a good reason why not, other than that he was supposed to stay in bed, so he shrugged.

“Where’s Rael?”, he asked instead.

Haurchefant smirked. “Do you need Rael’s permission to go outside?”

“Of course not.”, the Miqo’te protested. “But Rael will be mad if I run off again, especially against their orders to stay in bed.”

“Rael and Alphinaud went to the observatory earlier.”, Haurchefant explained. “We’ll be back before they are, I promise.”

What was A’viloh supposed to say against that and also against the expectant look on the Elezen’s face. He took another glimpse towards the window and decided that it looked nice enough to go outside.

“Fine.”

“Good!”, Haurchefant exclaimed happily and collected their empty bowls and mugs. “There should be warm clothes for you in the wardrobe. If you need anything else just ask someone. I’ll wait for you by the northern gate.”

After Haurchefant had left, A’viloh remained sitting in his bed for a moment longer contemplating on the Elezen’s question. Yes, he felt better again. But better in what comparison? Better than a few days ago when he had felt and also been half-dead? Though he didn’t feel sick anymore now, there still was a weigh on his heart. From his plan that had failed so spectacularly and even more so from the dreams he wouldn’t have minded to keep on dreaming forever.

Vehemently he shook his head and decided not to think about that now or he would just crawl back under the blanket of his comfortably warm bed again. Instead he got up and took a look into the wardrobe. Almost none of these were his own clothes of course since all he possessed were the ones he had worn on his body that day they fled Ul’dah. Very unsuitable for this climate. But neither did he see the borrowed clothes he had worn that night when he had tried to run away. Everything in here looked even softer and warmer like someone had wanted to make sure he was feeling comfortable. To his surprise the things didn’t look that much too big for him either, unlike his last set of clothes. Besides a few Hyur most people here at Camp Dragonhead were grown up Elezen but these clothes looked like they belonged to neither. Maybe it were clothes for Elezen children, he wondered and also thought that in that case someone must have brought them here just for him.

Grateful for so much effort he picked a few pieces and got dressed. Lazily he ran his fingers through his hair to get rid of the worst knots but the look into the small mirror at the washbasin, where his tired face stared back at him reproachfully, just made him sigh. Once he was ready he took the warm coat out of the wardrobe too and went out to look for Haurchefant. Just as he had said, the Elezen was standing by the gate that led to the north-east, towards the ruins of the Steel Vigil.

From afar Haurchefant already recognised the Miqo’te, his bright red hair a singularity among all the people living here. Pleasantly smiling as always he waved at him and A’viloh couldn’t help but smile a little too and wave back as he hurriedly walked towards him.

“There you are! I see the clothes fit you nicely.”

A’viloh nodded.

“They do. Thank you very much for these.”

Haurchefant dismissively waved with one hand. “It’s the least I could do…”

But he had done a lot more than that, A’viloh thought. “I think there’s more I need to thank you for. Rael told me it was you who saved my life.”

“Mhhh…”, Haurchefant tilted his head as if he wasn’t sure if this statement was entirely the truth. “Rael is too humble. They played a bit of a role in that too. After all it was Rael who noticed you were gone. And it was also Rael who didn’t leave your bedside and tried their best to heal you.”

A’viloh remembered waking up and finding the usually quite touch-averse viera cuddled up to him with a look on their face so horribly sad like he had never seen on them before. Rael had pretended it was nothing but it had been a very unconvincing performance. Asked about it Alphinaud had only offered a few sentences about how worried Rael had looked and how they had used all kinds of spells he himself had never seen or heard of before, all of it to try and save him. It had made him feel even more guilty for his stupidity.

So maybe Haurchefant was right. But still it had been him who had risked going out into the storm to find him.

“Anyway. I still want to thank you! Honestly.”, he insisted. But how honestly was it really?

Sure, he was glad to still be alive. After all his plan hadn’t been to run out into a blizzard and freeze to death, although some of them seemed to think that was the case. But once he found himself in this situation he had to admit that he had welcomed his fate rather willingly. A fact that shocked even himself a little looking back at it now.

“You’re welcome. After all you wouldn’t be any help to your friends frozen to death out there.”, Haurchefant joked with a wry smile on his lips.

“I guess not...”, A’viloh muttered, the topic of his friends making his mood visibly sink again.

Of course the Elezen noticed and his smile turned into a playful grin. “But I acted a little selfish too, you know? I think Camp Dragonhead is a lot friendlier with your company and I would like to have you and your pretty smile around a little longer.”

For a moment A’viloh’s eyes shot up to look at the others face before he quickly pretended that something somewhere a little bit to his left was a lot more interesting. Sometimes Haurchefant randomly said things, A’viloh hadn’t had the slightest idea how to react to. Not because he was that oblivious but simply because it puzzled him. Nonetheless the air suddenly didn’t feel that cold anymore on his face.

Haurchefant was always very kind to him. Well, he mostly was kind to everybody but sometimes he seemed to admire him especially. Him of all people, although there was nothing special about him. Haurchefant sometimes spoke of him like he was one of the greatest heroes of all time and it felt so ridiculous to him. He was just silly, cowardly A‘viloh! What had he ever achieved in his miserable life to justify such admiration? The people called him a Warrior of Light but wasn’t that some grand overstatement? Some days he thought all of this had been a horrible mistake. A great misunderstanding! Then he wondered how he had ever gotten entangled in this madness in the first place and also if he ever would get out of it again. But what else should he do with his life anyway...

While A’viloh’s brain still screeched in desperate search for a proper response, Haurchefant seemed to realise he had flustered him and glossed it over by gesturing to the gate.

“How about we walk a few yalms? There’s something you need to see!”

Still too dumbstruck to speak or to even wonder what the Elezen was talking about, A’viloh nodded and then proceeded to follow him out into the snowy landscape.

After a few minutes Haurchefant paused and took a deep breath. “Isn’t the air wonderful today?”

A’viloh followed his example, breathed deeply and let his gaze wander over the snow covered landscape with a few pines here and there and the mountains and ruins of the Steel Vigil in the distance. The air was cool and fresh, still cold enough that the warm sun couldn’t melt the snow. Instead the rays of sunshine made the scenery shine and sparkle as if everything was covered not in ice but in millions over millions of tiny diamonds.

“It is.”, he answered and smiled, surprised how beautiful this inhospitable landscape could be, before with a sudden spark of curiosity he finally asked. “Where are we going?”

“It’s not far anymore.”, Haurchefant said with a grin on his face and pointed into another direction. Shortly after and only a bit further ahead they reached a small lake.

As they got closer A‘viloh noticed that it not only was covered in a layer of snow and ice but also that quite a few off-duty soldiers, given the proximity to the camp he assumed they had to be, were standing right on top of the frozen lake. No, they were not quite standing. It looked more like they were dancing or flying maybe. More or less gracefully they moved over the lake‘s surface in fluid swift strides, some just moving in wide circles and other swirling around this way or that. A’viloh had never seen something like this and it looked strange and impossible but at the same time very beautiful to him.

The two of them had almost reached the lake by then, A’viloh a few steps ahead to get a better look at the wondrous people on the ice and he already wanted to ask how they did that, when his attention was drawn elsewhere by a curious squawking sound.

“Oh! Look at them!”, the Miqo’te exclaimed, his fascinated smile still turning a little brighter, as he gestured to a small flock of wild geese resting at the shore of the lake. With ruffled feathers they sat closely huddled together at the edge of the ice and suddenly A‘viloh couldn’t help but worry about them. They looked so unbothered by his presence, sleeping through the day and all the hubbub around them, looking all exhausted and frozen with their puffed up feathers. Like anything could happen to them and they wouldn’t even mind.

Strangely he wondered what he himself had looked like when Haurchefant had found him unconscious in the snow. He must have been a pitiful sight. Had the Elezen thought him beyond saving too, just like he himself had. What if he had found him a little later or not at all? Maybe that would have been better, a voice murmured to him just like it had so many times before and for a moment, tempted by the grief heavy on his heart once again, he almost believed it.

But no, he would be dead then and while he would have liked to imagine that this would mean he could be with his loved ones again, it was not exactly what either of the tribes he had lived with believed.

Vaguely he remembered his father working for hours, digging a grave at what used to be Wellwick Wood. An elderly woman too exhausted by their long journey, his grandmother if he remembered correctly, had died shortly after they had arrived there. With a sad smile on his face his father had explained to his children, who had stared down into the hole in the ground with confusion in their eyes, how by returning her body to the earth there could still grow new life from this death.

Or the drake tribe of the Sagolii Desert, who always burned their dead and left the ashes to be carried away by the desert wind, believing that it would make it easier for the deceased‘s aether to return to the Aetheric Sea and create something new elsewhere.

With a sudden sharp pain in his heart A’viloh realised that neither of the people he loved had gotten the burial they would have wanted for themselves. And neither had A‘viloh himself wanted to die in the coldness of Coerthas and be forever forgotten under a thick layer of snow and ice. He had thought about dying before but never had he been this close to it. For a second he wondered if this was something worth speaking to Rael about, but he wasn’t sure they wouldn’t misunderstand and get mad at him again.

“Why do you make such a sad face now?”, Haurchefant asked having noticed the smile slip from the Miqo’te’s face. But A’viloh just vehemently shook his head and focused on the geese again.

“They must be horribly cold.”, he wondered in a voice that suggested he already planned to take all of them to the safety of his comfortably warm room.

Haurchefant chuckled. “Don’t worry, they survived the storm out here after all. They keep each other warm, that’s why you‘ll rarely see one of them alone. A bit like you and your friends.”

“Maybe…”, A’viloh answered thinking about this comparison for a moment. “I just wish it wouldn’t always be me who needs to be taken care of. But as proven in Ul’dah and now once again I am simply too weak and useless to keep myself alive, not to mention anyone else.”

The Elezen’s face got a little stern as he folded his arms in front of his chest. “Don’t say that, I am sure it’s not true! This was just bad luck! You are neither weak nor useless!”

A’viloh shrugged. “But that’s how I feel right now...”

Slowly Haurchefant nodded before speaking again with a silent but determined voice. “Listen. I‘ll never forget how bravely you fought for Francel although you barely knew him. You could have gotten yourself in trouble with that and you helped him anyway.”

“It’s not like I did that on my own -”, A’viloh tried to protest but was immediately interrupted. “But you still helped! And I’m sure even without Rael you would have done so!”

Another shrug was all Haurchefant got in response, so the Elezen thought for a second before making an offer. “You want to make yourself useful, right? Get stronger? I could teach you how to fight like a real ishgardian knight, with sword and shield. Or we have some dragoons at Camp Dragonhead too! I’m sure there’s a lot you could learn from them.”

A‘viloh‘s face turned to disbelief. “I really don’t think I could fight with armor and weapons this heavy…”

“You can’t say so if you don’t try! And I have you know that dragoon armors are surprisingly light. How do you think they could still be this agile otherwise? Promise me to at least try training with them a little!”

He didn’t really want to agree to that. He knew he would make a fool of himself. But how could he say no with Haurchefant trying everything in his power to cheer him up. Weakly he shook his head and muttered: “Fine…”

“Perfect!”, Haurchefant exclaimed with a bright smile on his face. “I think an early reward for your efforts is appropriate then!”

Confused A’viloh watched him take a small bag off of his shoulders, which he hadn’t even noticed until now. For a moment the Elezen was busy undoing a knot before he opened the bag and presented to A‘viloh a set of two weirdly shaped blades attached to pieces of wood with leather straps. He had no idea what these constructs were meant to do and that was plainly visible on his face. “What’s that?”

“Ice skates of course!”, Haurchefant said as if that would explain it all but the Miqo’te‘s face remained clueless, so Haurchefant gestured to the lake behind them. “You attach them to your boots so you can walk on the ice like this!”

“Oh!”, A’viloh exclaimed as he understood what Haurchefant was planning. “I don’t think-… I mean I‘ve never-… You don’t really want me to step on that lake do you?” The idea somehow scared him.

“Why not?”, Haurchefant asked for the second time today with this smile that made the question sound like a challenge.

“It’s just a bit of ice!”, A‘vi objected. “What if it breaks?”

The Elezen shook his head and proceeded to fasten the metal blades beneath his boots. “Ah, don’t worry. The ice is thick enough, it will take at least a few more days to melt.”

“I don’t know…”, was all A’viloh replied as Haurchefant pressed another pair of skates into his hands. But the Elezen remained determined and took a few wobbly steps through the snow and onto the ice. “See! I can stand on it and it doesn’t break! You are a lot lighter than me, so why wouldn’t you be able to?”

Oh, you don’t know my bad luck!, A‘viloh thought but Haurchefant didn’t look like he would take that for an excuse. Instead he stretched out a hand towards the Miqo’te. “Come one! Believe me, this is going to be funny!”

For a second A‘viloh pondered his options. The idea of nothing but a little bit of ice between him and the water still terrified him but Haurchefant seemed so excited about this and the other people actually seemed to have fun too. Maybe he should at least pretend to try... Reluctantly he sat down on a rock and tried to put on the skates just like Haurchefant had done a moment ago.

“The clasp on the back too. Make sure none of them are loose… Yes, that looks fine!”, Haurchefant helpfully explained. As A’viloh got up, he almost flopped right back down into the snow. It was a weird feeling to balance his whole weight on only two thin pieces of metal. As he carefully took the first few steps towards the lake Haurchefant reached out for him once more. “Here! Take my hand! I don’t want you to fall…”

Hesitantly A‘vi stepped onto the ice and immediately felt like the ground was being pulled away beneath his feet. He struggled for balance, feeling himself falling backwards, so Haurchefants arm was a very welcome thing to hold on to.

With a chuckle the Elezen tried to loosen A‘vi‘s desperate grip on his arm and instead took each of his hand in one of his own before carefully making slow steps backwards pulling A‘viloh over the ice, which A’vi could swear was making suspicious crackling sounds below them. There was no way to tell the blades beneath his feet not to move, so all A’viloh could do was try not to fall and plead to Haurchefant with ears flat on his head and panic in his eyes, as he slowly was pulled further onto the lake. “No, no, no. Take me back, that’s a horrible idea!”

“Calm down. There’s nothing to be afraid of. I promise.”, Haurchefant said soothingly and continued to explain to him how to move on the ice skates. And in fact the Elezen’s calm voice slowly made A’viloh feel less anxious. His hands, frantically clasping at Haurchefant’s, relaxed along with his legs. It was still a weird feeling to be standing on the ice but now it felt a lot easier to remain balanced. He glanced at the people around them while remaining as still as possible, studied their movements for a moment and then tentatively tried to mimic the way they slowly pushed their feet above the slippery surface. To his surprise he really moved forward without much effort and also without feeling the sensation of falling again, closer to Haurchefant who had steadied him with his outstretched arms so far.

“See! It’s not that difficult.”, he said while making another step backwards so A’viloh had to follow with another step forward. The Miqo’te, strangely excited about the fact that he was actually moving on these weird ice-blades, laughed happily. “You are even going backwards!”

Haurchefants laughed. “One step after the other. Let’s teach you how to go forward first, hm? I‘ll let go off one of your hands but don’t worry, I still got you. One feet after the other just like you did before…”

In fact it almost felt easier now that he could use one of his arms to balance himself. Very slowly at first they floated above the icy surface of the lake but soon A‘viloh got braver. Once he almost lost his balance but for a comparably tall and strong person like Haurchefant it seemed like a very easy task to keep a small Miqo’te on his feet. Almost falling had felt like a shock for a second but only moments later they were laughing about it and in the end A’viloh was surprised and also a little proud how quickly he had learned and how much fun this was.

He wasn’t sure how much time they spent there on the frozen lake but at some point a bell sounded from the nearby Camp. Startled A’viloh looked up (and almost lost his balance again). “How late is it? I’m sure you have more important things to do than this! I’m sorry if I’m keeping you from doing your work.”

But Haurchefant just laughed and teased, “What could be more important than prove to you that not all of Coerthas is a deadly wasteland trying to kill you? But I think we really should return soon. I don’t want you to get cold again and after all we also don’t want Rael to find out about this little excursion, do we?”

For a second A’viloh wished the viera could see him now and wondered what their reaction would be like. The thought made him chuckle.

And as they floated, one last circle around the lake, A’viloh couldn’t help but wonder that maybe it was happy moments like this. The reason he was still here. Moments that made his life worth living.

---

inspired by the poem The Reversal by Leila Chatti

[running-in-the-dark]

I am now watching Baa Baa Black Sheep/Black Sheep Squadron.

the things you do when you like a silly old man...

[faithfromanewperspective]

just wondering, for people outside of Australia because everything I’ve studied at University for both of my degrees has been, while imperfect and still stained with colonialism, regularly interspersed and applied to Indigenous inclusion and reconciliation. do you have this experience too?

and btw. as much as we SO BADLY NEED TO have conversations about the treatment of African American people that’s not what I’m talking about. I’m talking about Indigenous peoples im asking if your University made that a focus too

[devotedlystrangewizard]

the school arc to me is so good because it drags ciel out of his position as a powerful figure and literally places him in the shoes of the person he could have been. the circus arc ALSO drags him out of his position as big bad queens watch dog/head of the phantomhive estate but the school arc feels like a mockery of a future that never was. this is what he could have been had his parents not died. and even then its NOT because he will never be that kid.

he never was.

[ruthlesslistener]

listen I am about as pro-abortion as anyone can be, but aborting a baby just because they have Down's Syndrome should be fucking illegal. If you're someone who actively wants and is trying for a child, then you should be mentally, financially, and emotionally willing to provide for that child for the rest of your life if something goes wrong- because that is what being a good parent takes, and many many things can go wrong. Down's Syndrome is not at all close to the worst thing that can happen to a baby, and people with it can grow up to be happy, healthy, content adults- they just need a little bit of extra help and a different approach to raising them. If you just want a 'normal' child so that you can boot them out of your house when they turn 18 and have them around to take care of you when you're older, then you don't actually want children, you want an investment. A doll, not a family member. Not a person.

[7-7-cherry]

Ichiro day!!

[will-o-wips]

It is 4 am. I'm staring at the ceiling of my bedroom, coincidentally having my phone right in my line of sight, and write this with the exasperation and intense focus that I probably won't ever have again. I'm about to attempt to make any sort of sense of the latest Hayao Miyazaki movie, The Boy and the Heron (or rather, How do you live? in Japanese), that I watched for the first time in theatres a day ago.

I cannot claim to be right, or to know everything about this movie. Actually acclaimed critics and people with obviously more braincells than me have probably better takes than I do. But I must speak, lest the insanity truly take over my brain, lest I really end up combusting because of how much I want to talk about this.

Prepare yourselves for the most incoherent train of thought and line of consciousness you will ever experience.

FILLED WITH SPOILERS READ AT YOUR OWN RISK. YOU WILL NOT UNDERSTAND UNLESS YOU HAVE SEEN THE MOVIE.

Before I start with my actual thoughts, however, I'll state my personal feelings about the movie, because I feel that matters too, and this is my post anyway so! But I personally left the cinema feeling somewhat mellow. I was not insane about it yet. It was,,, "meh". The impression of the ride was great; I was giggling along with the funny and even sometimes not purposefully funny moments, I enjoyed the animation to the point I would genuinely flap my hands in excitement at how good it was, I understood the story in great lines by noticing small details and going "oh so does this mean x?". But I did not cry. Not a single tear during or after or before the movie. I did not waver with my opinion on it as I rambled about it to my friends online and irl, much to their annoyance. I did not hesitate when I put it in my silly little Studio Ghibli movie tierlist maker that I update whenever I watch another one of these films together with my friends, categorized (in)discreetly under "all vibes no plot but there's a witch/wizard". I still don't, in fact.

So, given all of this, you'd probably say that I disliked the movie. That I would not have so much to say about it, after doing my mandatory ramble and update. Wrong. I still have more to say, somehow.

Despite that, I didn't rewatch the movie itself. I read an entirety of one (1) review of it, together with one (1) random video essay of 8 or so minutes, covering the basics of it. I reblogged one (1) post about its protagonist on tumblr and otherwise kinda read through the rest of the posts on here. I did not re-experience or re-examine this movie again. I cannot (again) accurately reference anything besides that what I vaguely remember from watching it a day or two ago. It's not playing anywhere near me anymore/not out anywhere else yet, so really, I don't even know what possessed me to write about this, or even say anything. The most fascinating thing (to probably all of us here) is; what made me change my mind about it?

It might've been the review on IndieWire. David Ehrlich and his well-written review, bringing things into much needed context as to why this movie was created. It could've been the fact that I've actively processed the movie better, now a little bit of time has passed. [Honestly it deserves a second watch/view for something more concrete, but I'm repeating myself with this, you get it.]

But I don't even really understand it myself. I felt and still feel so detached from this movie in a sense. I appreciate the artistry that went into it, and I adore the way it simply tells the story and leaves it up to interpretation. It references every single film Hayao Miyazaki has ever made before, and elements of other Ghibli films can probably be found in there too, if you looked hard enough. The vibes were similar to those of Spirited Away, and Howl's Moving Castle, given how inexplicably fantastical the world was. It just existed and breathed, and we as the audience jumped straight into it. We never got more exposition than what was needed; honestly I have a feeling that the second half of the movie was the vaguest piece of media I have ever consumed in my life. But it also had this perfect balance of the more drama-focused Ghibli films. The Boy and the Heron, in my opinion, is like the golden middle between reality and fantasy, both in terms of its narrative as well as comparison between other Ghibli movies.

This might also be the reason why I felt confused. The lines between reality and fantasy were so effortlessly blurred, that you could only process a singular picture. And when things are vague to me, I constantly need to pick them apart and analyse them, simply to satisfy my own curiosity.

The moment before I stepped into the movie theatre, my friend who watched along with me told me they heard it was a film about grief. I nodded along and said "yeah, okay, that just means it's another one of many Hayao Miyazaki and Ghibli films. Most of them are about some kind of loss, and dealing with it, either way." I sat down together with them; row 9, chairs 17 and 18, with my two bottles of water (one carbonated, one stilled) and the bag of terribly sour packaged chocolate pretzels I bought at the theatre itself. Horribly overpriced for the quality, I must say. My friend held onto the popcorn, and we sat through the ads, talking and laughing, anticipating something that was supposed to blow us away.

I cannot speak for my friend, but I think they really liked the movie regardless. They didn't cry at it either, even though we both know of each other that we always cry at such things. Somehow this movie evoked a certain stillness in us both; a stalemate between emotions and confusion. Maybe delayed processing. Maybe something else entirely. We both, or at least I, hid it until later.

It was midnight, and right before we stepped on our train home, I was excitedly going on about the references and animation, the things I did appreciate. I bragged a bit about how I recognized Kenshi Yonezu's voice in the final credit song that we didn't get to listen to entirely, because it was so late and we had to rush to get home. They laughed at me and told me to take some time to actively formulate any coherent thoughts on it. I disagreed (lovingly and jokingly of course), and we left it at that.

In the train itself, the same high dimmed into a simmer, the excitement replaced with contemplation, and I kept talking.

I told them: "I believe that this truly is his last film. This felt like a goodbye." And in return, they replied: "It's crazy how this is the last time we'll ever get to live in such a moment. The release of the final Ghibli movie in theatres.

"I'm glad we got to go."

I was too.

I got home, rambled about the intrinsic way The Boy and the Heron referenced other Ghibli movies to my online friends who had yet to see it. Followed by a heated tangent about how When Marnie Was There truly could have had better direction in regards to the narrative, as well as how Only Yesterday was the most boring out of all Ghibli movies. It was a nice night. I didn't think about the movie again.

The following morning, I contacted other friends, who told me about how Robert Pattison voiced the Heron in the English dub, which I hadn't seen or heard at all. He did a great job, judging by the trailer. This led me to another opinion, namely the video essay (I will try to find it and put it in the notes later if you are curious), which claimed something similar to this (of course, paraphrased):

"This is a farewell. The one true movie to tie such an expansive career. It is another movie where you are allowed to explore the magical together with the main character, while sticking close to the processing of it all."

The review I read said it was a swan-song, that it was the question and title of the movie in Japanese, posed at us, after The Wind Rises left it open to interpretation at the end of its run. That this was a story about the legacy that Miyazaki is leaving behind, how reality and fantasy coexist together, possibly influencing each other (not explicitly said but what I interpreted that review saying, so no this is also not completely like this).

Other tumblr posts I've seen on here say it was a film most likely dedicated to his son, Goro Miyazaki. That it was a gentle "I'm sorry, the shadow I leave behind is huge. I know that you will try and fail to fill it. It's okay; you don't have to. You can leave it behind. It's alright if this legacy dies with me."

Some other sources I've seen compare the main protagonist to Miyazaki himself, trying to grapple with the ending.

Yet somehow, all of these interpretations seem to fail to explain the entirety of this movie. The bigger picture if you will. These themes and moments and interpretations are not wrong, but to me, they're not satisfying enough.

Because maybe I am the only one who actually was insane about this moment, but I will never forget the delivery room scene between Mahito and Natsuko. How Himi addresses the magic stone, pleading to let the two go, saying "Natsuko and the boy who is to be her son". (Again, paraphrased, I cannot remember the exact line.) Maybe I am the only one who witnessed the whimsical fire witch and the going back in time plots and the fact that a younger Kiriko and Himi were there, already part of an ecosystem. How we already know from the other grannies in the house that Mahito's mother disappeared once for a whole year into the tower, and then came back the same as before. How the pelicans were BROUGHT there, that they did not belong there, and yet were forgetting how to fly. How they ate the Warawara, these creatures that were rising above to be born in the upper world. How the Heron's weakness was his 7th tail feather (or something along those lines), and how the fish and the frogs chanted for Mahito to join them in the tower. That the great-great-uncle was hoping for Mahito to succeed him and build a new tower, yet the king of the parakeets butted in and haphazardly did the job, resulting in it immediately toppling over, as well as the stones getting cut.

I think about the final scene where the Heron says "It's best to forget. Do you have any keepsakes?" And Mahito shows not only older Kiriko's figure, but also a piece of the stone paths they walked upon in order to get to the centre, the beating heart, the magic stone and his great-great-uncle.

How this is taking place during a war, that the timeline goes from his mothers death that Mahito cannot get over, to the welcoming of his stepmother and his new younger sibling. Them moving back to Tokyo. The way the tower completely collapsed. Completely and utterly collapsed and perished; not even a trace of it left behind. The way that older Kiriko keeps yelling it is a trap to Mahito in the beginning, but that both he and the Heron know. That it is inevitable to tread this specific path. That he must see for himself, whether his mother is truly alive. The way she both was and wasn't; first a mirage of her older self disappearing into a puddle of water, and second a firey spirit of her younger self coming to help Mahito. The way that he reads and cries at the book she left him, the way he hits himself with a rock after his big fight with his classmates; the way Mahito in general drowns consistently in the beginning of the film. He drowns in the fire that he lost his mother in. He drowns in the mud and the dust when he tries to enter the tower at first. He drowns in his dreams, in his tears, drowns right into his quest to find Natsuko (straight through the floor, by behest of his great-great-uncle), drowns in pelicans trying to eat him, nearly drowns in the actual sea until younger Kiriko fishes him out.

Now these things may seem like me just randomly naming shit that happens in the movie. Hopefully in a slightly poetic way, possibly. I could go on and on about the imagery, truly. But my point is, this movie may have been Miyazaki's last movie, his way of closure, his way of speaking to his son about his legacy, his way of describing the grief of losing his mother (idk if this is autobiographical or not. It very well may have been), yet...

Even so, it doesn't really fit the entire picture. It feels incomplete. The analyses always focus on the true meaning behind this movie, what happens behind the scenes, this one key climactic moment between Mahito and his great-great-uncle. But that's as if you would ignore the rest of the movie in general. As if the fantastical aspects weren't there to abstractly tell a story besides just being a symbol of closure for the person that directed it.

Personally, this is a tale of rebirth. Of losing yourself, and then rediscovering yourself in a way. I associate it with my own personal loss of my grandfather; the family member I felt closest to out of everyone.

The way you look back at such a traumatic stage in your life, something that irrevocably changed you for good, something that you probably don't ever want to relive again, but also mustn't forget. The way you instinctively are afraid to learn about who the person you love and grieve was, before you were in their life.

To this day, I still cannot speak to my mother about whether my grandfather had a favourite song before me forcing him to sing along with my favourites. A favourite book before he read out bedtime stories to me tirelessly. Who the boy in him was, and what wisdom and life lessons he carried on, into his grave, into the hearts of his children.

This movie depicts so much more than just grief, it's so much more than just legacy, even. It directly reflects the way I know I would have felt had I dared to actually see things for myself. If I actually dared to go through my grandfather's old things; the books he wrote and dedicated to me, the books he read when he was young. This movie depicts not how to live, but how to live on.

And the only way to live on is to move forward. To look at the foundations upon which it was built, to evaluate whether you truly want to have this be your burden to carry for the rest of your life. Mahito's abstract grief in regards to his mother, and the solace he finds in the fact that he at least knew who she was; that he at least had her in his life as both his mother and the girl that his stepmother knew, that at the very least he knows his mother would do it all over again, if she could. That despite everything, she did not regret a thing, and that she was not afraid. That somewhere, in the past, she lives on, happily marching toward this fate, because she knows that Mahito will be there to meet her again in the future.

And Natsuko, god, she worries relentlessly about whether Mahito will accept her. She worries to the point she yells at him, telling him that she hates him and his existence, because he rejects her so coldly and yet still bothers to show up in front of her during her most vulnerable moments. That he only takes and takes and takes; he steals her cigarettes in order to learn how to sharpen a knife from one of the servants. He uses those techniques to create a bow and arrow, a weapon. He gets into fights at school, he gets gravely injured on the side of his head, leaving a lasting scar.

If I were in her shoes, I would be furious at him too. Especially if he walked straight into the delivery room, trying to drag me out of bed while I was doing my damn best to keep the other child in my belly alive.

That scene, that sheer rage, and the way it ALL FUCKING SUBSIDES the MOMENT Mahito accepts her and calls her mother. The moment Mahito understands that through the literal whirlwind of plasters, things used to tend to wounds, none of those pleasantries/guards will truly allow him to reach her. The way he tries to nurse his own wounds, as well as try to nurse hers, over the loss of their shared connection (Natsuko's older sister, Mahito's biological mother), will NEVER allow him to make a connection with her. By being careful, by being polite, he will never get to be her son.

And he realizes, in that moment, that he wants to.

The magic stone tries to stop this. The magic stone dislikes disruption; dislikes things changing, dislikes breaking traditions (the taboo of entering the delivery room). The parakeets in the tower flourish because they follow the magic stone's whims more or less. They agree to follow its rules, even if it means they are prone to its abuse, because it gives them an advantage, a place to stay. The pelicans have to eat the Warawara, because there is no other food available to them.

The way younger Kiriko says "you reek of death", and how they establish this place is mostly made up of death and dead people. Dead people, or dying people, creatures that are begging to survive another day. Creatures that are begging to be reborn. That want to change, that wish to fly once more.

My mother once gave me a poem dearest to her heart. We have always been a family filled with literature and stories, but my mother was always the best at both writing them and reciting them. She used to read them out to me, back when I was in a particularly bad spot mentally, to the point I could not get out of bed for weeks on end, to try and reach me. She read with the sincerest passion in her voice, a small plea to get me back to the girl I was before.

I cannot explain or remember the poem by heart, but once I was at my true rock bottom, she told me to look it up. A Serbian poem, written by Miroslav Antić (I will add the name of it later), that was about growing up and growing into your own person. It made me weep, for it had a phrase I think I can only translate to this:

"Run and don't look back."

Somehow, whenever I look at all of these birds and creatures in this fantasy world, trying to fly desperately, trying to get to the skies, trying to get to even live, and think about the fact that the only way they can is by leaving this place. That the only way they can fly and survive as themselves is by leaving this tower, this stone, this foundation. By leaving and being born, by leaving and being reborn.

And, after all of this. Somehow I'm not even done yet. I haven't talked about the great-great-uncle in depth, nor the king of the parakeets, nor the heron whatsoever. I have not yet even touched upon what I might think the magic stone is, and the sheer amount of like symbolism I picked apart in my brain because of my insanity.

I'm probably not the only one who noticed these things. But so far I haven't seen anyone actively share these things, so, I will do my best to continue and genuinely wrap it up as best as I can. So that this can also bring the same amount of closure as the movie does.

The magic stone is like a shooting star that came onto the earth. It realizes dreams and worlds of whoever dares to walk into it and claim to own it; like how Mahito's great-great-uncle got obsessed and built a tower around it, caging it, taming it. And yet he still had to play to its whims, consistently making sure his own tower of blocks did not fall, that all of his work did not amount to nothing. Personally, I do believe the great-great-uncle could represent Miyazaki himself. That Miyazaki is trying to express how he built Ghibli and that now it has been going on for so long, and it has become unmanageable to continue upholding it. That it is time to retire.

A thing I find interesting and remember pretty well is the conversation between the parakeet king and the great-great-uncle. How they talked about Mahito's transgression, breaking into the delivery room (side note: he broke in and broke through to Natsuko with his mother's spirit. Mahito became Natsuko's son with the blessing of his mother; with the sheer love she had for him being carried on and through), and how the great-great-uncle says something akin to this:

"It is why I wish for him [Mahito] to succeed me."

"I cannot overlook such a transgression."

I feel this is important. It is key to how the great-great-uncle views Mahito in this. Because Mahito was not sent out on this quest to find Natsuko out of pure selfishness. Sure, his uncle would have wanted him to succeed him, but the entire reason WHY he believed in Mahito to begin with, is the fact that this boy was able to break the foundation and the traditions in the first place. Mahito inherently disobeys from the chosen path. Mahito inherently does not believe the Heron when he says that all herons lie. Mahito doesn't waver when the heron flies straight at him, he doesn't sway when the frogs or the pelicans overwhelm him. Mahito stands firm in who he is, even if he is trying to deal with new circumstances. Mahito inherently goes to places he should not be in (his curiosity for the tower). Mahito has enough power on his own to create a new tower, but only by rebuilding it from scratch.

This ready acceptance that the great-great-uncle has towards Mahito's decision NOT to inherit his legacy, is what makes me believe this is what this movie is supposed to represent. Break away from the old, off into the new. Closure. Moving on.

This is also reflected in the sentiment that Mahito truly DOES move on. He goes back to his family, his father, school, he goes back with Natsuko as his mother and a new younger sibling to Tokyo. He returns there where he came from, but he is not the same anymore. He is reborn into a new Mahito.

And god I feel like I'm repeating myself to death here; I really should have thought about the structure of this, but give me some slack okay. It's like 6:30 am already and I'm still not done, despite continuously writing and labouring at this.

So, the tower that immediately falls apart by someone who always follows the whims of a dream (the parakeet king and the stone respectively). God it is just such a momentTM. Because in the end even this shows that the parakeets, too, even though they by far had it the best in that goddamn tower, had to leave. For they could not build something on their own without learning who they were outside of the already established. Outside of just following the rules and all.

They had to leave, my GODDDDD.

As I'm getting progressively more unhinged, we shall move onto the most unhinged character in this entire fucking movie. The Heron himself. God there's too much to unpack here, really, but the truth is, the Heron was supposed to be the guide to Mahito. The Heron was supposed to be Mahito's biggest, most aggressive enemy, the direct antagonist to Mahito's protagonist. The Heron doesn't want change. The Heron tries to bribe Mahito with the fact that his mother is still alive, that he need only enter the tower, and lose himself to illusions and dreams. That fantasizing about his mother being alive won't only drown him more, that it won't just let Mahito sink into the deepest pits of his despair and anguish about such a death, that losing yourself to the belief that something is there when it is not wouldn't only be counterproductive. The Heron masks himself consistently; he says that all herons lie. He says that he only has one weakness, his own feather, that allows the arrow to automatically target him. In essence, the Heron shot himself in the foot beak. He himself slipped up in his mirage world, and came out to be who he truly was, this weird little man with a huge nose and a conniving demeanour. He adamantly cannot disobey the dream, for then his true nature comes peaking out (a small detail I absolutely love is the fact that the Heron's feathers also disappear out of Mahito's hands when Mahito is called back to reality by the grannies. The grannies protect him in the dream world too, by being his tether and support system while he gets over himself and starts trusting Natsuko). The Heron doesn't WANT to be a guide, for in order to be a guide, you must tell the truth. You'd need to know some facts about the world around you and share this information with the ones seeking guidance. This is how I believe Mahito understood the Heron before we did.

It's not that all herons lie; it's just that this particular one does not want to face the truth/reality.

Another interesting detail: the whole reason why only Mahito was able to cover up the hole in the Heron's beak was reminiscent about how only those that called you out can really patch up your old image. Only those that have poked holes in your false narrative are able to fill them back up again, and even then it is not the same, and even then it will not always be comfortable/reliable.

Either way, the Heron, after this wings partially turn into hands, his true nature, is unable to fly all that well for a while. He relies on Mahito's corkscrew thing in order to relish in his comfort zone of lies again. But throughout the movie, the Heron slowly starts to ignore the corkscrew completely; simply opting to stay in his (frankly, freakish) half gremlin man half heron costume form. The Heron changes because Mahito inspired him to change. Even though his image used to be spotless before, and he tried to deceive Mahito, after a while, he stopped doing that. The mutual trust both Mahito and the Heron had grew. The Heron became a person, although his heron-ness would never go away.

The Heron thus warns Mahito that he should want to forget. That he will forget, either way. That this struggle of his to grapple with the reality of his situation, and the fantasy that he was delving into, will become a far-off memory that Mahito should not revisit. The Heron, I believe, is genuinely trying to look out for Mahito.

"Don't dwell in what you have already overcome. Don't revisit the things you have already outgrown."

And this is where the movie more or less ends. Mahito still keeps that stone, and his mother's book, and he goes back to Tokyo; the only crucial difference is that he has overcome his own grief.

Now, I've said this like a billion times now, but this is the rebirth. This is what I think this movie stands for. What it means, at its core. This is what it means to live; to move on and to cut ties with that what has no place in your life anymore. Miyazaki, I think, is trying to give us closure, a final farewell to Ghibli altogether.

Now I don't know about any speculation that he might come back again, and personally, I don't think it really matters. If he does come back, good for him. I just don't know enough to say anything for sure, so I'll just say I cannot say.

Either way, I think, even though Miyazaki conveyed the need for a new start/a rebirth, he didn't really end on the complete abolishment of all that used to be. You are allowed to keep mementos of it; even though the Heron advises not to. Mahito is allowed to reflect upon this experience, to see it as another stone in his foundation/formation, to say that, yes, the spirit of this change will always stay with me, although it has passed.

Just like how Mahito's mom was someone who returned to the past without regrets. She never came back. She was a spirit that pushed Mahito forward, and he will always remember her, but it's better that she stay a memory than become a fantasy.

This is why I'm so impressed by this movie in general. I'm so thankful that I was able to witness this with a friend of mine. I'm glad that I was able to see this, even though my insanity knows no bounds, and the fact that I didn't even think about any of this until I really sat down to look through the options of interpretations.

I'm so glad I got to go. Now it's time to run towards the future, and never look back.

[sunshineler]

.

[blujayonthewing]

[gazing into the middle distance] he was flirting with me.......