I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question.
and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost.
Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half."
All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
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Felix + focus
(this is actually written by @keepswingin, who gained access to my blog for five minutes and decided she wanted my prompts list)
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It's bad luck, and you know it's bad luck, but you can't stop yourself from sneaking across the hall as soon as nobody is looking. You close the door as quietly as possible behind you and turn around, fully prepared to tease your husband to be, only to find him standing before the mirror, shakily adjusting his tie.
Felix is muttering to himself as he struggles with keeping his hands steady, smoothing them down the sides of his pants, once, twice, three times, and then he catches your eye in the mirror, and he freezes, and something about it reminds you of a deer caught between bright headlights.
"Sorry," you giggle, approaching him with your heart thumping wildly in your chest because this is actually happening, and he's going to be what you wake up next to every morning, and those hands will help you cook dinner and those eyes will look at you and call you beautiful and - and you're getting carried away. "I couldn't wait."
You reach out for his hand as soon as you're close enough, twining your fingers together. You can still feel him shake despite it, and the small smile he gives you is wobbly at the corners, and his eyes are crinkled in that anxious way that he claims he doesn't do, and you tug him closer, reaching your other hand up to curl around his cheek.
"Hey," you whisper, his eyes catching yours. "You're okay. Everything's okay. Focus. Focus on me." You press your forehead against his and hear his chest stutter with a long exhale. "I'm right here."
"I'm sorry," he says as soon as he's able to, blinking fast. Leave it to him to apologize over things that don't require one. "I was just - my mom left to go find something, and I was standing here alone and I just got to thinking and then I - " Another breath, this one calmer than the last. "I just don't want to mess anything up. On our day."
"You could never ruin our day," you tell him, and then your smile grows because you can't help yourself and he knows how you are. "Even if you did, I'd still treasure it all the same."
It does work in dragging a laugh out of him, genuine and carefree. "You're going to make me worry all over again," he throws back gently, tucking a loose strand of hair behind your ear. "You're beautiful, by the way."
"Can you still act surprised when you see me walk out? My mom already threatened me," you ask, and then his lips pull into a smile you'll never forget as he moves closer, lips brushing lightly against your own.
"My mom threated me too," he admits quietly, and then he's kissing you, and you can't help but wonder how any of this could ever be bad luck when it's the luckiest you've ever felt.
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Can I be real for a second? I don't think L giving a foot massage to Light was very in-character of him. Like manga!L would've totally scoffed at how pathetic anime!L appeared when he did that.
I like the rain scene bc it's really pretty (also Light MOANS bc of L? *sighs* yeah i ship lawlight) but I'm always so ?? at anime!L's behavior? The anime made L way too melancholic and y'know self-deprecating kinda guy. In contrast, manga!L (whom I love to death) is so so confident in doing what he's doing and has the time of his life during the Kira case as he's intellectually challenged (by Light) as he figures out the case little by little.
I don't get where the anime creators got the idea that L is a very sad character who cares about justice so much so that he's actually Justice itself? Manga!L enjoys solving cases. I'm not saying that L doesn't care about justice at all- just that he cares more about winning.
So, the anime creators looked at a character who cares about winning (& his own ego) than everything else and decided to... make him give a foot massage to his nemesis (surprise surprise bible symbolism featuring L as Jesus *🤮* coming up) apparently due to accepting Light's (boy's first debut as Judas) 'betrayal' how can there be betrayal when there was no trust between them in the first place and saying "It is the least I can do to atone for my sins"...
The only way I could've made a little sense of this is if L was mocking Kira with that line but the anime just had to go above & beyond to make it (L's actions) seem too genuine for that to be true. which is. so. FRUSTRATING
Manga!L wouldn't have done anything like that. Not even ironically (he'd have thought it to be below him for pretending to be accepting his defeat mockingly to Kira). Even Manga!L's not enough of a bastard to try to compare himself with Jesus (and just after knowing (god knows how) that he's going to die)- like that's too stupid omg: even for a mockery.
Does he actually think that Light would pick up on the (him as Jesus) symbolism and be like 'oh no! L is too noble like Jesus to die by my betrayal i'm such a bad judas how come i NEVER NOTICED THIS BEFORE'... and decide to spare L's life? Or embrace his inner Judas like the bad bitch he is and finish L for that godawful mockery of Jesus?
Whenever I think about Anime!Light's in-character reaction I crack up as it would be smth like 'wow this guy who graduated summa cum laude from torture university is pretending to be Jesus? lol what a real piece of work. would've expected better from you L: so pathetic lmao i hope rem kills you soon i'm so done with you rn- rip 💀'
Manga!L (if he knew he were going to die (don't know how that's possible in the anime; still we're talking about how the anime creators seem to see L as Jesus so ~anything is possible~) that is) would never go 'guess i'll die' accept his defeat offering a foot massage to his enemy and inwardly throw a pity party being all "… It'll be lonely, won't it?" GIRL you were the one going on & about how you'd EXECUTE Kira once you catch him on live tv (also saying that you'd bring Kira's head to the task force) I REALLY doubt you'd feel lonely if either one of you were to die- that (killing each other) was the point!!
Manga!L is a selfish character: he values his victory above all else so the anime making him accept defeat that easily + gracefully doesn't sit well with me.
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i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
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