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#oils for children
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Albert Anker (1831-1910) "Knitting girl watching the toddler in the cradle" (1885) Oil on canvas Currently in a private collection
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thetidemice · 3 months
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timewindow beast
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mythical-art · 7 months
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A section from the second version of 'The Morning', 1809 by Philipp Otto Runge (1809, Öl auf Leinwand)
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lionofchaeronea · 10 months
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The Umbrella, Marie Bashkirtseff, 1883
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phopollo · 2 months
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You guys ever think about how there's currently 2 productions of Starlight Express happening at the same time with two separate groups of characters who fill the same roles
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Aofjsod this reminded me why so far I've only been drawing the 2024 cast, I did not pick a good style for my first time drawing the Bochum cast
Anyways, here's the separate drawings too that aren't all squished
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thepaintedroom · 8 months
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James Tissot (French, ) • Hide and Seek • c. 1880-c.1882
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artemlegere-art · 24 days
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Abundance
Artist: Peter Paul Rubens  (Flemish, 1577–1640) 
Genre: Allegory Painting
Date: circa 1630
Medium: Oil on Panel
Collection: National Museum of Western Art
Description
The young woman in the center of the composition represents Abundance, and the cornucopia, symbol of abundance, is placed on her lap. The fruits that spill forth from the cornucopia symbolize the goodness of nature for mankind. Two putti are shown gathering the fruit that spills forth. The purse under the woman's foot represents material treasures in contrast with the natural treasures of the cornucopia. This is a superb preparatory work in oils by Rubens's own hand.
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Luis de Madrazo y Kuntz (Spanish, 1825-1897) María Teresa de Madrazo y de Madrazo, 1870 Colección Madrazo. Comunidad de Madrid
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solcattus · 10 months
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Admiring the Baby
By Johann Georg Meyer von Bremen
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soath · 2 months
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A fact I think many highhorsers (which, love a high horse, love generalizations, love dramatic hyperbole, love a bit of godkilling ambition, do not let me stop you) have underrated is that the gods are not weighing Kill Their Siblings vs Kill Their Children. The “deaths” on menu are wildly different! One is an oblivion, a total absence of being, true death as promised even for a god. Meanwhile the other is fear, yes, and unspeakable pain, but then transmogrification. There’s an afterlife on tap for one group but not the other. If I had to choose between throwing my siblings into the black hole of nothingness that has terrorized us since we first learned what terror was…. or shifting a bunch of our beautiful creations messily from one state of existence to another—
I think I’d make the same choice. It’s not about who’s worth more, it’s that they’re two incomparable types of destruction.
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Viggo Johansen (1851-1935) "Silent Night" (1891) Oil on canvas Located in the Hirschsprung Collection, Copenhagen, Denmark
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thetidemice · 3 months
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in the long grass.. cant decide whether i like this one or not..
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tygerland · 2 years
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"First Steps" and "Noon; Rest from Work" (both January 1890, oil on canvas) by Vincent van Gogh.
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lionofchaeronea · 4 months
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A Corner of the Apartment, Claude Monet, 1875
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Art Details Series: By the sea
|| details taken from paintings and art prints by Russian impressionist, Alexander Averin(1952) ||
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fine-arts-gallery · 2 years
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Children's Concert (1884-1890) by Georgios Jakobides.
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