more cfau miscellaneous things because Childhood Friends Danny and Jason have my head and heart always and I need to finish rewriting chapter two dammit (and redo the half-finished chapter 4 because its just Not The Vibes). i'm almost through I need to get through the graveyard scene. (i just stubbornly refuse to have it be shorter than the original chapter and thats the little death. that is the mind killer.)
Danny and jason’s ghost forms both smell faintly like burnt flesh and cigarettes. However, Jason has a more smokey smell while Danny’s smells almost,,, electrical? In a sense? Like he just straight up smells like burnt flesh and sulphur while Jason smells like someone put him in a smoker first.
It’s very much an unpleasant smell but Danny finds an odd comfort in it just as much as he finds a comfort in the smell of nicotine.
(Jason post-revival smells burnt flesh once and is immediately offput by the fact that it brings him an instinctive comfort. He doesn’t realize its because it reminds him of Danny, and is uncomfortable by it.)
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In an au of an au, Danny’s altercation with Rath ends with Rath regaining enough of his sanity to snap out of the grieving state and ends with him breaking down. Instead of being souped and imprisoned, Rath, who is permanently 14, decides to Move On into the unknown. He’s exhausted, heartbroken, and tired.
(Is this influenced heavily by the ParaNorman scene where he talks to Agatha and helps her move on? Yes. But it doesn’t fit with the Original Storyline so im shoving it into an Au of an Au.)
Rath tells Danny that Jason lied to them (which he genuinely believes), and that he’s tired of waiting/looking for him/grieving. Jason is gone. He isn’t coming back, he abandoned them. And he wants his mom and dad, and his sister, and his friends. And he’s ready to join them.
He leads Danny out to Gotham, which other than Amity Park might’ve been the only city left untouched due to Rath’s own mental block on the place. They go out to the park he and Jason used to frequent or up to one of crime alley’s rooftops, and there Rath lies down and goes to sleep. Only to never wake up again, materializing into nothing as his soul moves on.
Before Rath leaves, he forces Danny to promise him that he’ll only wait for Jason for ten years. After that if he doesn’t find him, or if Jason doesn’t show, then Danny has to move on. Whether that be like how Rath does, or if its inly mentally/emotionally, doesn’t matter. He has to move on. Don’t wait for him. Don’t waste his time any more.
(“Oh, and if you find him, kick his ass for me.”)
Danny reluctantly agrees, and Rath lies down. Danny sings to him as he falls asleep.
(Angsty points if the vigilantes including Red Hood caught wind of their presence and were silently watching from the shadows. Rath might know they’re there, but Danny’s too focused on Rath to notice.)
(If only so that Red Hood realizes that this is what happened to Danny, and that Danny is gone before he can make things right. The tragedy, folks. The angst. The initial realization that Danny was Rath, and then also that Danny was dead and has been dead for years, and that before he moved on, he moved on believing that Jason abandoned him.)
(like i said it doesn't fit in the original timeline/storyline hence why its an au of an au and isn't nearly a fleshed out, but i was largely just focusing on the tragedy of Rath moving on and Jason being alive to see it and realize just who Rath is.)
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Just like how the Lazarus pits shot Jason's twiggy 4'6-5'4 (depending on what you find) feet tall and 86lb ass up like a tree an essentially fixed his malnutrition, the portal did the same thing for Danny.
(granted i forgot about malnutrition and danny's likely stunted growth at first -- his family lived in crime alley and despite both his parents working, I don't think they had enough food all the time. He probably wasn't as badly malnourished as Jason was, but he wasn't healthy either.)
Granted his ghost in its "natural" state (14) is short, and his growth spurts were slow at first, it did result in him reaching his dad's height. There were points where it just happened overnight, like a baby. He went to bed one night 5’6 and woke up the next day 5’10.
Jazz is shorter than him. Although I have't decided if she's even liminal at all (and if she is, it didn't cure everything because she would have also suffered childhood malnutrition, and since in au canon their parents didn't get their hands on physical ectoplasm until after they got to Amity Park. So the exposure is less.)
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Danny's voice absolutely sounds like canon Dan's. It kinda just dropped one day when he was 16-17 and never went back up. Sam and Tucker sometimes ask him to just talk about anything because they find his voice soothing.
I'm not sure yet how Danny would feel about it at first considering Rath, but I imagine that Rath, when he did speak, would have had a quieter and scratchier/weaker voice considering he's spent the last decade shrieking and crying.
(and i suppose technically that shouldn't have any effect on his throat considering he's a ghost and idk if that would actually affect him, but i like the idea so im keeping it)
In the beginning you could hear him from a mile away by the sound of his loud, echoing wails, but ten years later you can only really hear him by the soft, shuddering sobs he makes. Like he's gasping for air that isn't there. The future is full of very quiet survivors.
And it's much easier to speak when you pitch your voice upwards (especially when whispering/speaking quietly) so he might've spoken in a higher, airy pitch in order to be heard. So Danny might actually find a comfort in having a lower voice.
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My completely self-indulgent list of things I want with nalu in 100yq that will most likely never happen:
-future Lucy/Lucy’s fakeout Alvarez arc death mention or flashback
-reunion hug
-forehead touch
-natsu being worried for lucy when shes not with him
-lasting effects from lucy re-writing the book of END
-either one of them protecting the other
-someone teasing natsu about his feelings for lucy
-nalu duo battle team-up
-natsu pining for lucy (honestly both ways is fine but we’ve already seen lucy pine quite a bit)
-jealous natsu....
-some insight on natsu’s feelings
-lucy spotlight + cool looking star dress mixs
-more natsu resting his head on lucy’s lap
-old nalu banter
-some sort of kiss... (lips, head, hand, cheek i want any/all of it)
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How do you sketch and draw so well?!
I wanna reach your level of skill, are there any tips or videos/guides that helped you a lot?
FIRST OF ALL THANK YOU FOR THE COMPLIMENT?? RAAAAAAWRRRG IT MEANS A LOT
erruh ill try my best ta give advice (although i still feel like i have a lot ta learn) i wrote more than i thought i would so its under the cut ^v^!
ermm i mean im entirely self taught (if it wasnt obvious) so my artist journey has basically been me looking at other artists artstyles, methods of coloring and drawing, etc. and adapting them in my art when i see something i really like.
i used ta watch a lot of speedpaint videos as a kid and those are honestly really helpful for figuring out how artists do specific things. for example: when i was 14 i watched a speedpaint done by an artist i looked upta and noted their use of layer settings ta make certain colors pop and i have used their method ever since! dont be afraid ta experiment and draw inspiration :]
i have watched a lot of videos and followed tutorials on how ta do specific things such as anatomy (lots and lots of anatomy...), shading, perspective, etc. although i mostly look at those when things dont quite look right and i wanna improve. i dont really have any specific recs for tutorials? for me tutorials can be a hit or miss (seems like a 10/90 hit or miss instead of 50/50 sometimes ._.). my most basic advice is ta break things down inta shapes! cubes are the easiest shape for me ta understand so breaking things down like that has helped me a lot! ALSO REFERENCES. USE REFERENCES THEY HELP SOOOO MUCH FORREAL ONG BRAH. DONT BE AFRAID TA TRACE OVER SOMETHING TA FIGURE OUT THE SHAPES IF YOU CANT JUST SEE EM AND PULL EM OUT (but also only do this for practice, dont trace over things and then post em and say they're yours thats theft) AND LOOK AT LIGHTING TOO AND HOW IT TOUCHES CERTAIN OBJECTS DO SOME STUDIES ITS GOOD FOR YA (<- sucks at doing studies b/c he gets bored of doing them really easily)
a note about sketching: something i know a lot of beginners struggle w/is using too many strokes. it happens when you're unsure of a specific thing you're drawing and i do happen ta fall inta this from time ta time, although i try not 2 as much as possible. an example of me on a good sketching day is this rabbittrap i drew:
i use very few strokes here! and am not afraid ta overshoot my lines. compare it ta this drawing i did months ago:
and you can tell i was having trouble in certain parts b/c of the heavy amount of strokes i used. it takes practice but sketching w/out using as many strokes is a surefire way ta make your art seem more dynamic and less ridged and also save time! remember, you dont hafta detail out every last thing in your initial sketch. save that for later!
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damn i just enjoyed enola holmes 2 so much. twas entirely unexpected. it was just so fun! i remember finding the first movie irritating in its naiivety and i now feel that i both didnt understand the intent of the first, and that the second is far better. for one; no mycroft. i enjoy that precisely no time was wasted reintroducing any characters and instead time was spent on immaculate plotting. i guessed cicely was sarah from the first 30 seconds of her screen time but i still found it an interesting build-up. tewksebury was simply delightful, and enola was charming. she, him, and her brother are somewhat the ultimate bisexual knockout for me. all of them incredible. i am continually astonished by how charming i find tewkesbury. lovely lad. sherlock was of course excellently done, and i enjoyed their mother’s role in both making them individuals and later providing enola with the advice to find them companions. Enola herself was simply fabulous. I felt her excellently realised and terribly joyful. Her skill in both deducting and fighting are clearly the highest possible of someone her age, but it never steps into the realms of disbelief in what she knows - and neither does cavil’s sherlock. where the 2010 series falls short on believability (and occasionally the original books honestly) this succeeds excellently. and i do enjoy the plot device of the first scene being backtracked and linked to another point. whether that be the whole story (as in the limehouse golem) or as done in this, it hooks me immediately. i am exceptionally curious, and this feeds that. i fear this review has gotten rather put f hand but suffice to say i love it entirely. i shall make perhaps another pot regarding the role of feminism and the matchstick girls when i am whoely sober and awake. until that point, farewell.
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Okay but the new gbf event, literally going to cry. I stayed up to read it last night (er this morning at 3 am), bc I was excited about it being a sequel to Together In Song. I loved Together in Song, that event fucking crushed my hear (also shipping Elta with Caro). This new event was SO GOOD. I LOVE CANTATE. WHAT THE FCUK WHAT A BABY. HER PASSION AND ANGER AND FRUSTRATION AND STRUGGLE AND LOVE. What a wonderful character. I really wanted to start crying when she was so happily and excitedly info dumping about violins and Selfira was genuinely interested and enjoying listening. I need to ship this so bad. Like, I usually don’t go to hard for ships that seem mostly wholesome, but god. You can’t tell me not to hc Cantate as autistic, like there is no way I won’t. I want Selfira to meet Cantate again and for them to make music together and fall in love and ;ojlhkgjhfdghjhjgfdsfgh
more under the cut because i take issue with some of the ending of the event and started ranting about it lol
The only issue I had with the story was the ending with the “see the price is important so your instruments will be bought by professionals who can play well and bring joy to listeners.” Like whoa, I’m sorry lol, hold the fuck up. Please tell me why conflating wealth with skill (and talent as much as I hate the word talent, bc it’s often used to overlook the hard work people have put in to honing their skill lol) is a good and accurate idea. Like people who are poorer are incapable of being extremely skilled in music, what the fck gbf? Like I get the issue of don’t price your skill so slow because you put so much work into your ability. Your skill’s have value and unfortunately in a capitalistic society money is required to survive. It is her profession. In a perfect world it could just be a hobby and I think there should be zero issue letting her give instruments away for as cheap as possible. Let her do what she wants. And it was important for her to learn that letting someone thank you with materials things is not a bad thing, and it can be insulting or hurtful to refuse their gift (and explaining that there’s a cultural barrier here too that’s causing the conflict, which was great). I feel for Caro about not being sure if pushing her in the direction to leave the island and sell her instruments will make her happy. It did selfish to think of it like but all that waisted talent. Like cool, but maybe just let her do want she wants? I guess the idea was supposed to be like, well she wants to give more people a voice and doing that and helping her reach her goal means spreading her work beyond the island. I guess there was some level of, she also really needs to price higher for the sake of not being taken advantage of??? But the story insisted she was really good judge of character??? So like I guess in the end I think the only reasonable reason that I think should of been why she should price her instruments higher is that leaving the island means leaving her apprenticeship, means needing money to support herself, and the prices she was trying to charge before did not accurately reflect the hours of labor she was putting into each instrument. Like the island mentions that price of material sometimes affects the cost but did not say anything about the time that is put into making an item. I think the first part of the argument that she should value her ability more was a better argument than, you need to make your instruments more expensive so random people who cannot play them to their full potential don’t buy them all. Because professionals only care about the monetary value of an instrument. And also only professionals should play her instruments that’s literally not what she wanted. Idk that last bit came off really elitist/classist. Like let her make beautiful instruments for anybody who wants them, like fucking boo-hoo people who aren’t professional are playing them which means its a waist of such a good quality instrument, like fuck off with that. Low supply and high demand meaning only wealthy people get nice things is fucking messed up, lets not pretend it’s a good thing. Especially when the person suppling wants to let anyone be able to play. It’s fine to put value on the experiencing of listening to music but trying to gatekeep people out of playing via price is still shitty, you know. I’d rather we didn’t frame that as a “good” thing.
So yeah, I agree that she should consider pricing higher because she needs desperately needs to value her own work more (and just value a lot of herself more, sob). But I don’t agree we should just pretend it’s totally good thing that society believes that high quality = most expensive and that the people who can afford them are the people that deserve them the most. :\\\\\ It’s a complicated subject and I think gbf fumbled on the end in that respect but I give them props for the, please value your work, bc there are a lot of young artists who underprice themselves because they don’t think about the amount of time they put into a piece and the amount of time they spent honing their craft. (obv the real solution lies in paying people more, a reasonable fucking wage, so people can fucking afford shit. and not letting .01% hoard money and not put it back into the fucking economy because they underpay their workers and [froths at the mouth]. anyways... it’s more complicated then that but I’m not here to have the discussion, it’s just relevant to mention with the topic of this event.)
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