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twentyfivemiceinatrenchcoat · 9 months

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call my name and i’ll come running ; satoru gojo

synopsis; satoru can be irritating, at times. but even if you push him away, he’ll always, always be there for you when you need him.

word count; 8.7k (this was supposed to b a short drabble but i was possessed by the devil halfway through)

contents; satoru gojo/reader, gn!reader, reader n toru have a fight, mild swearing (a couple fucks here n there), hurt/comfort, satoru has communication issues but he’s trying his best, depictions of stalking (reader gets followed by a random creep but satoru comes to the rescue dw), uhh implied thoughts of violence? (satoru wants to Maul said dude but doesn’t), literally just me being in love with satoru gojo for 8.7k words straight

a/n; no thoughts head empty only gojo running through the streets like a wild beast looking for u <33 im normal about him yeah.

“you’re so annoying sometimes, you know that?”

satoru smiles. the sentence isn’t one he’s unaccustomed to hearing.

usually, the words are soaked in an undeniable fondness, as they spill from your lips. rich with exasperated love. one that never fails to have the corners of satoru’s lips curling up, a mellow kind of joy blossoming in his chest.

but now, that fondness is nowhere to be found.

you sound thoroughly exasperated, and a little bit fatigued. more than anything else, there’s a vague irritation behind the tilt of your voice, something almost cold. it makes all the difference in the world.

and yet, despite that, a certain someone chooses to pay no heed to the bad omen.

“aw, c’mon. you know you love me, baby.”

satoru is grinning. lighthearted, awfully sweet. there’s a certain smugness to it, though, one he couldn’t wash away even if he was aware of it; you wouldn’t do so even if you could. that smugness is a part of him, one that you’d usually find endearing.

but right now, it only seeks to further your frustration.

it was a stupid fight, truthfully. completely meaningless. satoru had forgotten to pick up after himself for, like, the fourth consecutive time, and so you grew annoyed. not by a lot, but enough that you felt the need to be firm when you reminded him not to make the same mistake over and over again.

but satoru had only grinned, in that self-satisfied fashion of his, and apologized in a way you couldn’t possibly call sincere. then he did what he usually does — promises to work on it. to not do it again. he never follows through, though.

but even that thought wasn’t anywhere near enough to make you truly angry. what really began to irk you was the fact that satoru wasn’t taking you seriously, even in the slightest.

that’s how he always is, when it comes to this kind of thing. and you try to be patient, you do. you try to be understanding. sometimes you even appreciate that he keeps the atmosphere light, but other times, you just can’t help but feel irritated by it.

and the current situation happens to fall into the latter category.

you don’t care if satoru leaves a candy wrapper or two out, every once in a while. of course you don’t. it’s a silly thing to argue about. but would it hurt for him to just listen to you? to try to put himself in your shoes, for once? it’s not about the wrappers, or the undone dishes. it’s about the way he treats you when you complain about it — like it’s no big deal, like it doesn’t matter. even if it obviously does, to you.

so, gradually, the topic of your little argument began to shift, into a conversation about satoru. about the fact that he so adamantly refuses to talk about the things that bother you in a serious fashion. about the fact that he so adamantly refuses to take you seriously.

and he just keeps proving your point, with every word that falls from his lips.

at this point, you’re genuinely beginning to feel a little angry. but satoru doesn’t see that as the warning sign it is — he just thinks it’s cute. he’s just been cooing at you, this whole time, despite your numerous attempts to actually explain how much his behavior affects you sometimes. it feels a bit like talking to a wall. satoru keeps on teasing you, even as you try to be firm about your point, and only brushes you off with empty promises to do better and more unneeded comments about how much he wants to hug you when you pout like that.

and you falter, a little. of course you do. you’re weak to satoru. weak to his words, that sweet voice of his, that pretty grin. but that only makes everything worse, because if you let yourself look even a little bit flustered at his comments, he sees that as his cue to continue.

you don’t even know if he’s doing it on purpose, at this point. is he doing it because he knows it’ll annoy you, or does he genuinely not understand that you’re upset? you’d like to think that there’s no malicious intent behind it, but can’t he see how troubled you are? you don’t get it. you don’t get him, and that frustrates you most of all. satoru can be so goddamn convoluted, sometimes.

so you simply can’t help but feel annoyed. angry, even. how long have you been arguing for, at this point? you’re not sure. but you feel the frustration inside of you grow, as the minutes tick by, into something you know will eventually explode.

a sigh falls from your lips, deep and exasperated. a little bit exhausted. “i’m serious, satoru. you’re not even listening.”

“i am!” he protests, stubbornly. childishly. “you just look so cute when you’re all mad. not my fault you’re so distracting.”

satoru smiles, voice sugar sweet, but all you can do is frown. does he really think it’s cute that you’re upset? the thought makes you somewhat sad. but you can’t show that, can’t let that part of you win — you don’t even want to think about the possibility of you crying, because of this. yeah, no way in hell.

so instead, you channel it into anger. as the blood inside your veins comes to a boiling point, you dig your nails into the skin of your palms, gnawing at your bottom lip and shifting from one foot to another.

”satoru, i’m —” another sigh, sharp and vexed like the blade of a knife. ”i’m trying to have a serious conversation, here. can’t you see that i’m upset?”

satoru takes a moment to look at you, from behind the black glass of his shades.

he can. of course he can see that. you’re frowning, and there’s a crease between your brows, and you keep huffing and sighing every three seconds — you’re obviously, undoubtedly upset. and satoru wants to take you seriously, he does. it’s just that the part of his brain that only ever wants to coddle and tease you keeps persuading him not to.

he’s not lying, either; you do look cute. almost too cute to take seriously, when you’re pouting so sweetly, a little red in the face from all the frustration bubbling inside your chest. you look so small, glaring up at him like an angry puppy.

satoru can’t help but smile. it’d be impossible not to.

and he will listen to you, will take you seriously. he knows you’re angry, knows you’re upset, and he intends to deal with that properly. but he doesn’t need to do it right now.

just a little more teasing, before he has to stop beating around the bush. satoru dreads it, a little bit, dreads having to genuinely be serious, be open and apologetic. it always feels so strange, so discomforting.

all that stuff can wait until later. for now, he just wants to see you blush a little more, huff and puff at his limitless affection, that he knows you love deep down. where’s the harm?

(and therein lies the problem. satoru is observant, and typically good at seeing the line that he shouldn’t cross when it comes to you. but there are times when he slips up, times when he doesn’t realize that his words have begun to sting. times when the line becomes blurry, because he knows some part of you enjoys the way he babies you, and sometimes it blinds him to the part of you that doesn’t.)

satoru is smiling. it’s the same as always — big, bright, glazed over with honey-sweet adoration. smug and teasing. it’s such a satoru-like smile that it makes your breath hitch, sometimes, makes your heart race with wonder. but now all it does is annoy you. everything you love about satoru is annoying you, right now.

in your eyes, that pretty smile of his seems almost taunting. like he’s trying to pick a fight with you, trying to make you even more upset. you don’t want to blow up over something like this, you really really don’t — but for some reason, you feel dangerously close to. it’s not like you at all.

you bore into his eyes with a cold glare, even though you can’t exactly see them with his shades in the way. posture straight and rigid as you try to make yourself look bigger. you must look at least a little bit menacing, like this. right?

“i’m seriously angry with you,” you say, hoping your voice sounds as austere to his ears as it does to yours. “don’t you get that?”

satoru coos, unable to hold the sound back. he doesn’t notice the flicker of hurt in your eyes, only focusing on how the sunset rays frame your figure, kissing your skin with sun-soaked fervor. you look so pretty. and that angry look on your face is too tantalizing not to tease.

“aww,” he croons, inching closer to you. there’s a teasing glint in his eyes that you can’t see, unmistakably fond. “is my little baby that upset?”

you blink. his voice sounds even more sugar-sweet now, obviously exaggerated. there’s amusement there, too — like this is just one big joke to him. you think he must be doing it to belittle you, to embarrass you. speaking to you like you’re some kind of grumpy toddler, and not a grown adult trying to have a serious conversation with their partner. your blood boils, boils, boils.

— and so the cup overflows.

“oh, go fuck yourself.”

it’s almost in a hiss that the words fall from your lips, cold and harsh; they leave the confines of your throat before you have a chance to reconsider them, sudden and sickeningly heavy. crude, too. you’d never be so crass with him under normal circumstances.

but you’re overwhelmed, thoroughly and completely, and satoru is being particularly infuriating. you genuinely feel hurt by the way he’s disregarding your feelings, and that realization stings more than anything.

so you can’t help but say the words, louder than you meant to, before turning on your heel swiftly and walking out of the room.

you don’t even have time to register what you’re doing, legs moving on their own before your mind can catch up. brisk and heavy steps carry you to the door, all while you furiously attempt to blink away the tears of frustration that begin to form in your eyes.

it only takes a second for you to grab your jacket — then you’re out.

satoru hears the front door close, echoing off the walls of your apartment. you don’t quite slam it shut, but you close it with more force than usual, and he can’t help but inwardly wince.

a moment passes.

then, he flops down on the couch, lanky arms and legs dangling uncomfortably off the edges. the groan that slips from his lips is muffled by the soft cushion as he burrows his face into it, while replaying your interaction inside his mind.

satoru can’t help but feel uncomfortable, with this conclusion. a little bit irked. a vague something rests inside his chest, something he doesn’t quite want to admit to feeling. it makes him feel a little bit sick.

(”oh, go fuck yourself.”)

he can’t recall you ever raising your voice at him like that. when it comes to him, you’re usually so patient; soft, understanding, gentle. for you to have snapped in such a way — to have stormed out of the apartment in your anger — he must have pushed you pretty far.

satoru sighs.

he really pissed you off, huh?

(he can never quite seem to get this right, can he?)

it was never his intention to make you genuinely mad. he just lost sight of the line, for a second. that’s all.

and maybe he was also trying to avoid the issue, trying to avoid actually arguing with you. because he hates it. he hates it more than anything. satoru would much rather see you smile and blush than act all serious and sad.

he just wanted to make you laugh.

was it insensitive? yeah, probably. he just can’t help but fuck this up, it seems. now he’s gone and made you angry — and as much as the sight would usually thrill him, as cute as you look when you’re irritated, a pit of anxiety settles in his gut. everything just feels wrong.

more than anything, satoru feels restless. because, right now, there’s nothing he can do. he can’t chase after you, even if just to apologize — that’d make you even angrier.

he knows he needs to give you space. you were obviously overwhelmed; some fresh air will do you good.

it irks him, though. satoru wants to fix it. he always wants to fix everything, before it even breaks. and even now, all his mind can do is spin in circles, wondering how he could possibly cheer you up.

he’ll just have to apologize, when you get back. and hope you forgive him. maybe he can get you something sweet to munch on, or a bouquet of flowers. would that make everything okay again?

satoru doesn’t know. so he just scratches his head, and tries his damndest not to think of how defeated you looked before leaving.

your steps are heavy, dragging you forward, leading you somewhere you have no knowledge of. it’s chilly out, and the sun is already setting.

everything in the world feels so wrong. like it’s tilted slightly to the left, like the earth stopped spinning around its axis. like everything suddenly lost its saturation.

you just needed to get away from him, for a while. away from that smug smile, that patronizing tilt of his voice. you couldn’t even stand to be in the same apartment as him. it’s not often you feel that way, not often at all.

and it only increases your growing frustration.

you are beginning to calm down, though — you know you are. the crisp evening air and the pleasant mingle of people soothes your muddled senses, smoothing down the crease of your brow and the ache in your chest.

a heavy discomfort, and a growing guilt. that’s all you can feel, as the anger slowly seeps out of you, turning into vapour with every exhale of your breath.

you hate arguing with satoru. you hate it more than anything. the guilt clawing at your chest barely leaves any room for anger — you almost yelled at him. just the thought of doing that to satoru makes you want to cry.

because you love him, at the end of the day, even when he’s being absolutely insufferable. he’s a sweetheart, your sweet boy, always trying to lighten the mood and make you smile. maybe you should have been a bit more understanding; you know satoru’s bad at this stuff, bad with emotions and vulnerability. and deep down, you know he’d never hurt you, not on purpose.

he probably just didn’t realize that you were genuinely upset. it’s a mistake that anyone could make.

but it just makes you feel so frustrated. like he’s not even looking at you. always hiding behind those shades, never opening up. never letting you see him wear anything but a smile. you want him to take it slow, open up to you at his own pace, but that doesn’t make the wait sting any less.

it’s not like you were asking for a lot. first, you simply asked him to pick up after himself. the way you do, the way anyone does. then, you simply asked him to treat you with respect.

a sudden pang of bitterness runs through your chest. sure, you could’ve handled it all better — but he could have, too.

every step you take hits the pavement with an irritated kind of decision. whatever. whatever. for now, you don’t want to think about it — all you want is to walk around and take in the sights, enjoy the peace and quiet.

so that’s exactly what you do.

before you know it, the sun has set, and the moon has risen — shining down and painting the streets in a mesmerizing blue, ephemeral and tranquil. it’s enough to give you some peace of mind, as you lurk around familiar streets, soaking in all the open space. so different from that suffocating apartment, and the man inside it, with that shit-eating grin and those breathtaking eyes.

(he’s called you, a couple times. you haven’t been gone for long — an hour or so, you think, maybe two. some part of you wanted to answer, just to hear his voice through the phone, but the part of you that’s still awfully irritated shut that down immediately. so, stubbornly, you just let it ring.)

the streets are empty, and the sky is dark. the light of all the lampposts illuminate your way, along with the soft flicker of the moon and stars. an endless galaxy stretches out before your eyes, little pale dots of stardust shining like jewels.

an ever-lasting, never-changing sky, that continues on for infinity. limitless. all the space you could possibly want, and then some.

for a moment, you can only look at the glittering stars in wonder, soaking in the feeling of absolute solitude.

— it doesn’t last, though.

“you alone?”

a sudden voice calls out from behind you. close, discerningly so, enough to make you flinch. you curse yourself for not noticing anything sooner, caught up in looking at the starry sky, in angling your phone to take a picture of it.

hesitantly, you turn your gaze towards the sound — wincing under your breath when you see the man a couple steps away from you. he looks a little crazed, you think, shifting from foot to foot and hunching over.

oh fuck no.

great, just what you needed. that’s just your luck, isn’t it? your brain can only spin in circles, trying to get your body to react, to run. to do literally anything except just stand there like a deer caught in headlights.

in your nervosity, all you manage is a painfully awkward laugh, as you stutter out a halfhearted response.

“oh — no, i’m just waiting for my boyfriend!” you smile, unconvincingly. your face must be soaked in unease. whatever he wants with you, it can’t be anything good.

at least you said that one word clearly — boyfriend. you can only hope it’s enough to scare him away.

but the man only shifts a little more, emitting a gruff kind of hum, not saying anything else. your spine tingles with apprehension. every cell in your body wants you to leave. he seems a little intoxicated, you think, and the thought only stirs the anxious feeling in your chest further.

god. why does this have to happen to you? why now?

thankfully, you’ve got your phone in hand. as your mind scrambles for solutions, your fingers tap at the screen, urgently scrolling through your contacts. in such a frightened state, your acting must be positively awful, but you make a vague attempt. not like you’re getting any oscars for this, either way.

“sorry — he’s calling me now!” you stammer out, taking a step away from the man. he doesn’t make a move to follow you, so you take your chances and press your phone to your ear, feet carrying you forward with haste.

in your fear, you don’t think twice about calling satoru — but you can’t help but internally wince at the decision, as the anxious patter of your own heart resounds in your ears.

how are you supposed to talk to him, exactly? what are you supposed to say? hey, i know i just told you to go fuck yourself, but will you hear me out? i need your help.

and you do. you do need his help. all you want is for him to swoop in, to take you in his arms, your knight in shining armor.

satoru’s said it to you, before — that if you need anything, anything at all, you can come to him. that you can always, always lean on him, without exception.

you know that he likes helping you. likes it when you open up to him, when you put your trust in him. when you aren’t afraid to ask for his help.

so despite everything, you hold your phone to your ear, walking away with brisk steps and praying that he’s not petty enough to ignore your call like you did to his.

back home, satoru is still resting on the couch, tapping his feet and trying to distract himself.

he’s a little anxious. it’s dark out, and you’re not answering any of his calls. when you’re out of sight, like this, he can’t help but feel a little helpless — worried about everything that could happen to you. but it’s not like he can force you to pick up.

you’re probably at a friend’s house, or something. telling them all about what an asshole your boyfriend is. as much as the thought stings, satoru hopes it’s true; it’s all he can comfort himself with. anything is fine as long as you aren’t out walking alone, in the cold, in the dark.

entirely caught up in his spiralling thoughts, satoru almost flinches when the phone rings. laying on the table in front of him, just within arm’s reach. it only takes a second for him to react as his gaze flits to the bright screen, and he sees the contact name, the many heart emojis littering it.

with a start, satoru jumps up. his back straightens out, and his hand flies to grab the phone — he’d feel embarrassed at his own eagerness, but right now he just can’t help it. even under ordinary circumstances, he wouldn’t let the phone ring more than twice, always giddy to hear your voice whenever possible.

this time, however, he does falter slightly.

he takes a split second to simply stare at the phone in his hand, at the affectionate contact name. what is he supposed to say to you, exactly? how is he supposed to act?

satoru doesn’t know, but as if afraid that you’ll change your mind and stop the call, yourself, he opts to simply answer. he’ll just have to figure out what to say on the fly.

(unfortunately, satoru’s instinctual response to anything is either smugness or playfulness.)

“well, well. look who finally decided to pick up.”

you’re the one who called him, not the other way around — but satoru can’t be bothered with small details like that right now. he only hopes you don’t notice the faint nervosity in his voice, the stiffness as he tries to sound unbothered.

you don’t notice anything at all, mind far too muddled, too clouded by fear. all you can do is take a deep breath, desperately trying to grasp control over your wavering voice.

“— satoru?” you call out, voice meek and frail. the man in question notices it immediately, sitting up a little straighter, but before he can say anything you continue. “i’m sorry, i just — are — are you still at home?”

there’s an anxious tilt to your voice, one that’d be impossible for satoru to miss. your words are a little breathy, spoken in a fast tempo, and he feels a sudden dread crawl up his spine.

something is wrong, his senses alert him.

“yeah,” he hums, trying to hide the turmoil in his own voice. “why? is everything okay?”

the line is quiet, for a second. “it’s just —“ an exhale, as you once again attempt to steer your voice in a less nervous direction. “just… some creepy guy tried to talk to me. i told him i was waiting for my boyfriend and now i’m walking away from him but he’s still following me.” another exhale, as you worriedly sneak a glance over your shoulder. ”i just — i don’t know what to —”

“where are you?”

satoru cuts you off, voice eerily serious. his gaze turned cold the moment he heard creepy guy, legs moving him towards the coat rack by the front door as if on autopilot.

he’s already left the apartment by the time you answer, looking around you meekly.

“i… don’t know,” you sigh. “i’m not far. i walked past that one crêpe stand by the park but then i, like… continued up that street? and now i don’t really know where i’m going.”

you continue, a little exasperated as your gaze flits around the dark street. attempting to recall your steps, a difficult task with how on edge you feel. “i’ll try to look for a sign, or something,” you gulp. “… i’m sorry. i just wanted to get away from him.”

satoru’s voice is comforting, when he speaks, eager to console you. grounding and soft. “hey, it’s okay. i’m heading there now, alright?” he smiles, hoping you’ll hear it in his voice. “i’ll be there before you know it.”

you do hear it, and his words ease a little of the anxiety in your chest, despite your fear. “okay.”

the line grows quiet, again, and your brows furrow in worry. “can — can i keep talking to you?” you ask, uncertain. a little pitiful. ”please?”

“of course,” satoru answers, instantaneous. he’s already making his way towards the crêpe stand with decision in his steps, mentally scanning the area ahead. despite his own anxiety at the situation, he attempts to sound as secure as he can possibly manage, desperate to soothe the worry in your voice.

“try to relax for me, okay? nobody’s gonna hurt you. not while i’m here.”

his words are absolute, as he consoles you. he sounds so sure of himself, so much that you can’t help but believe in his words. so you nod, emitting a weak hum when you remember he can’t see you.

“can you tell me what you see, baby?”

“uhh…” you look around, blindly, trying to find some sort of meaningful hint around you. “there’s like… some toy shop?”

satoru only hums. “can you check your location on your phone?”

you blink.

of course. why on earth didn’t that cross your mind before?

“oh — yeah — fuck. i’m sorry. i don’t know why i didn’t —“ you sigh, heavy. “hold on.”

following satoru’s instructions swiftly, your gaze scans over the screen. he waits, patiently, already heading past the park and up ahead. as soon as you succeed in finding the name of the street, you echo it to him.

satoru sighs, a little relieved. “okay,” he hums. “i’m not that far away. i’ll be there soon.” he only hopes his words can soothe your fear, even a little. “is he still following you?”

you glance behind you, and meet the gaze of the stranger. just like you were afraid of, he’s still following you — if anything, he seems to have gotten a little closer. with a jolt, your heartbeat picks up.

“yeah,” you gulp.

satoru’s chest tightens. he emits a low hum. “just hold on. i’ll hurry.”

focusing only on the tilt of satoru’s voice, you try to calm your breathing. you just want to see him. the thought of doing so is the only thing keeping your trembling ribcage intact, at this point.

you swallow a shaky breath.

“thanks, toru.”

a sudden pang of ache sprouts in satoru’s chest, like thorny vines curling around his ribcage. his heart hurts. you sound so scared, so very small.

this is all his fault, he thinks. all of it. he got too careless; none of this would’ve happened if he had only been more considerate. if he had just stopped you from leaving and apologized, or hadn’t upset you in the first place. then he wouldn’t have to hear that scared little voice, wouldn’t have to imagine your body shaking like a leaf in the cold night. so far away from him.

but satoru can’t beat himself up over it, not yet. there’ll be more than enough time for that later. for now, he needs to get to you — that’s the only thing on his mind.

so he lets his feet carry him forward, running towards your location with bated breath. he’s sure you can hear it, through the phone, even though he tries to contain it.

the sound consoles you, if anything. it reminds you that satoru is there, that he’s on his way. that there’s no need to be scared.

but you can’t help but freak out, a little, when you hear the man call out from behind you.

“hey!” he slurs, stumbling towards you with unsteady steps. his voice is loud, angry, and it sends your mind reeling into panic mode.

a flinch overtakes your body, before you stumble forward, walking even faster than before. you’re almost running now, breath hitching as you gulp. satoru hears it all — your panic, the echo of the man. his own tempo picks up.

“baby, calm down, okay?” he consoles you, voice concerned and honey-sweet. “just keep walking. i’m almost there.”

“sorry —“ you squeak out, between flurry breaths. breathing uneven, laboured and anxious. but you try your best to calm down. “‘s just scary.”

it almost feels physical, the way it irks him. satoru wants to pull you close, more than anything, but he can’t. and that just makes the calamity inside his chest grow, clawing at his ribcage as if trying to escape, to go to your side.

(he never, ever wants to hear that kind of fear in your voice again.)

“i know,” he soothes. “you’re doing good, honey. listen — he’s not gonna touch you. i won’t let him. you have nothing to be scared of.”

you nod, even as you exhale a shaky breath. ”i know.”

and you do. you know there’s a truth, to satoru’s words, one that’s never failed you before.

because satoru is your safe space, at the end of the day — he can be annoying, outright insufferable, and sometimes he’s bad with emotions. but he tries, you know he does. and, more than anything else, you know that he’ll always, always be there when you need him. he’ll always be there to protect you.

and a part of you is sure that everything will be okay, as long as he’s around.

(it’s easy to forget how trustworthy satoru really is, how much he cares. how dependable he is. and how serious he can get, when he truly needs to be, despite his childishness. it’s moments like these that remind you of that.)

but it’s still scary, at the end of the day. you can’t help but feel uncomfortable, a little lost in the world. because you and satoru just fought, you just told him to go fuck himself, and yet here he is. running to your side, in the middle of the night, because you’re scared and alone and you need him.

the man continues to shout, behind you, muttering curses you can’t quite make out. you look over your shoulder nervously, steps hurried.

and satoru runs like a man possessed, through the moonlit streets, gaze scanning the area like a wild beast. his most visceral instinct is screaming at him, tugging at his flesh and bones, desperate to protect you. to comfort you. to wash all your worries away.

as he makes a sharp turn, he momentarily stops the movement, halting to look around. he thinks he must look a little crazed, with the moonlight illuminating his eyes, but he couldn’t care less.

especially not when his gaze lands on a certain person, further down the street — small and alone.

your eyes meet his.

with the darkness of the street, it’s hard to make anything out, but the light of the lamppost helps. though even without it, satoru’s sure he’d know it was you, just from the sensation that unfurls in his chest as his gaze lands on your figure.

an audible sigh of immense relief falls from his lips, and his tense shoulders relax, eyes softening just a tad. he hears a similar noise coming from the phone in his grasp, and he assumes that means you recognize him too. not bothering to end the call, he puts it in his pocket, walking over to you with brisk steps.

you stumble towards him, yourself, the worried crease between your brows now smoothed away. the closer he gets, the faster you move, until you can see the blue of his eyes. two pocket-sized moons.

satoru swoops you in for a hug before either of you can say anything.

he cradles you close, awfully close, so close you can hear his heavy breathing against your ear. it tickles your neck, along with his soft hair, and you shiver. his fragrance envelops your senses, a blend between fresh laundry, strawberries and some expensive cologne. your favorite scent in the world.

and suddenly, the world is devoid of danger. nothing can get to you while satoru’s there. all that exists is you, and him, and the soft flicker of the moon.

satoru squeezes you tightly, ensuring himself over and over again that you’re safe. he might be squeezing you a little too tight, but he can’t bring himself to think about that just yet.

finally, that growing calamity inside his chest is satiated. winding down at the feeling of you pressed up against him, the indisputable proof that you’re okay. with you in his arms, satoru feels like everything is alright, again.

the fear inside his chest, so foreign it leaves him shaken to the very core, finally begins to dissipate too. he doesn’t think there’s anything that makes him feel quite as hopeless as the thought of not being there for you when you need him. he never wants to feel that fear again. it’s suffocating. it crushes his lungs.

all he can do is hold you close, his big palm smoothing down your hair, the back of your head, your spine. warm and comforting. keeping you steady against him. he can feel your heartbeat, rapid and anxious, so fast that his heart aches. satoru is eager to soothe you, eager to make it go away.

”i’m here, baby,” he breathes, rubbing his cheek against the side of your head. ”you’re safe now.”

the words are spoken softly, right by your ear, and you exhale a shaky breath. you’re bundling up his clothing with your fists, anchoring yourself to him. after a little while, you let go, opting to wrap your arms around his midriff instead. nuzzling into his broad chest, you try to blink away your tears and contain your sniffles.

you nod against him, and satoru kisses the crown of your head.

and, finally, his gaze strays. it falls farther down the street, until it lands on a certain man — shifting from one foot to another. watching you both in silence.

the calamity inside his chest rouses from its slumber, once more.

satoru makes sure to keep his hands on you, still rubbing your back with one steady palm cradling the back of your head. keeping your face hidden in his chest, safe and secure.

then he raises his head, back straight, full height on display as his eyes meet the stranger’s. he can tell they do, even with the distance, the darkness of the street.

and satoru knows he looks menacing. he knows the light of the lamppost illuminates his figure perfectly, framing his tall stature and broad shoulders. and he knows the moonlight caressing his skin illuminates his face, his cold eyes — blue and uncanny, glowing even brighter than the moon. staring daggers into the man’s soul. if looks could kill, there wouldn’t even be any remains left to find.

the man stiffens, visibly, and satoru delights in it. he doesn’t leave, though, and for a second satoru wonders if he’s really intoxicated enough to come closer —

but, sure enough, all he does is stagger a little. then he walks away, grumbling under his breath, hands in his pockets.

and satoru isn’t satisfied, with this conclusion. not in the slightest. he wants to run up to the man, wants to hold him up by the throat, wants to tell him off. because he has the nerve to terrorize someone like that, stalk them with intentions he knows can’t be anything but revolting. the nerve to do that to you, of all the people in the world —

satoru doesn’t know if he’s hated anyone quite as much.

and a part of him wants to make him cower. make him fear for his life, just to make sure he never does anything like this again. leave him with a fear so great it’ll linger for as long as he’s alive.

(and a more animalistic side of satoru, one he doesn’t want to acknowledge, wants to do things that are much, much worse.)

— but you come first. without question, and without exception. he refuses to leave you alone, and refuses to make you look at the man for even a second more.

so he’ll focus on you, entirely.

he can tell you’re still shaken up, heartbeat pulsating against him, little flutters of life prickling his skin. there’s a desperation in the way you hug his waist, like he could disappear at any moment. like he’ll slip away if you don’t keep him close. the sight tugs at satoru’s heartstrings.

his first priority is to soothe you, always and forever. so that’s exactly what he does.

satoru smiles. it’s small, in the wake of the situation, but awfully sincere. fingers reaching down to trace over your jaw, he gently urges you to look at him; when you do so, hesitant, he cups your cheek with his palm.

your teary eyes feel like daggers to his heart, an unmistakable proof of his failure. his failure to protect you, to keep you safe and happy. but at the same time, he’s glad, from the bottom of his heart — that you’d let him see you like this. even after everything.

you look very meek, blinking the tears away as you look into his eyes. they’re bright, and comforting. you wonder if he left the shades at home, if he rushed over here so hurriedly that he didn’t think to bring them with him. you’re happy, in any case — the effect they have on you is undeniable.

you can’t bring yourself to look away, consoled by the flickers of white inside his irises, like fluffy clouds in the blue sky. ever-lasting, never-changing.

satoru tilts his head, smile sweet and understanding. ”that was scary, hm?”

his voice is tender, somehow so mature. like he’s some older, wiser being, comforting a scared child. it’s so soothing, so very grounding.

squeezing your eyes shut, you can only bring yourself to nod, as you nuzzle back into his chest.

”you’re okay now, honey,” satoru coos, smoothing down your back as you sniffle. an immense softness seeps through his whisper. ”i’ll always be here to protect you.”

there’s a truth to the statement, heavy and pious. like an oath, a pledge, something for you to believe in unquestioningly. you allow yourself to soak in the words, knowing them to be true.

you’re safe, now. there’s nothing to be afraid of anymore. satoru’s here, and he’s hugging you, pressing kisses against your shoulder.

but you just can’t stop crying.

when you speak up, your voice is weak, barely above a whisper. close to breaking apart at the seams. too tired after everything to resist the guilt inside your veins, you sniffle, and part your lips.

”i’m sorry i yelled at you.”

satoru stills.

then, his gaze softens, considerably. he hears himself coo, softly, palm smoothing down the back of your head.

his sweet angel. apologizing to him, when he’s the one who started this whole mess. when you’re still so shaken up. because he let you leave the house angry, because he made you angry in the first place. because he didn’t see how important the discussion was to you.

(“you’re not even listening.”)

yeah. he wasn’t. he didn’t really want to.

an acute sense of shame. an intense guilt. that’s what he’s been trying to push down, all this time. that’s the unnamed something.

it’s hard for him. to be as sincere as you, as open with his feelings and emotions. as mature. because even in a situation like this, you can swallow your pride and frustration, and apologize. even when you aren’t in the wrong. you’re always the bigger person, always the one to give in first, because he’s too stubborn to do so himself.

next time, satoru pledges, he won’t let you. next time he’ll be the one to swallow his pride.

because, yes, being vulnerable and admitting that he was in the wrong makes him feel a little like he’s being skewered alive — but you’re important to him. he loves you. and he wants you to know how much he trusts you, how special you truly are.

if he can show you that, by being a little sincere, a little serious, then any discomfort he feels in the process is a small price to pay.

satoru’s lips meet the crown of your head, as he encircles your smaller frame, arms reaching around your neck to pull you close. he rests his jaw lightly on the top of your head, breathing in your scent. ”you have nothing to apologize for, baby.”

a pause lingers between the words he’s already said and the ones he yearns to say, but can’t seem to pull out from within his throat. it takes effort, to squeeze them out; but every time he replays your own apology in his mind, it gets a little easier. he squeezes you lightly before opening his mouth, as if to give him strenght.

“i’m sorry.”

you blink.

for once, satoru sounds sincere when he apologizes — almost painfully so. bordering on something you think may be nervosity. you try to look up, to catch a glimpse of his expression, but he keeps you hidden in the crook of his neck.

”i was being immature,” he continues, sighing. you don’t know if you’ve ever heard satoru sound so uncomfortable. ”you know how bad i am with this stuff. but i never want to — you know.”

he makes a gesture with one of his hands, as if that will say the words for him.

“— i didn’t mean to upset you. honestly.” satoru inhales the cold air, in hopes it’ll make him more honest. “you’re the best thing that’s ever happened to me.”

you listen. intently, not missing a word, not a single tilt of his voice. it all sounds so genuine, almost foreign on his tongue. satoru seems to be trying to find the right words, grumbling a little under his breath.

he’s cute, like this. kind of awkward, but that only makes him cuter. you nuzzle closer to him, comforted by his very existence.

”… i’ll work on it,” he whispers, at last. “i’ll listen to you. i promise. i really, really will.”

you think satoru’s voice wavers, just a little, when he says his final piece.

“so please don’t cry.”

this time, satoru doesn’t stop you when you attempt to lift your gaze, loosening his arms around you and raising his head from where it rests on top of yours.

your eyes meet. satoru is smiling, weakly. he tilts his head, looking at you with something you could only ever describe as love.

”okay?”

such a lovely smile. so painfully genuine. his eyes are on full display, shining in the dark of the night, like splotches of moonlight. like someone stole the moon down to earth, and carved out little pieces to put in his irises. an ethereal hue.

he’s so gorgeous. hair just a tad messy, tousled from all the running he did to get here. cheeks a little red from the cold. when he smiles, his eyes crinkle. but he looks almost pained.

(he was so, so worried.)

blinking away the tears clinging to your lashes, you simply stare, entirely mesmerized by the sight. satoru’s thumb goes to wipe at your glassy eyes, smoothing away the drops that threaten to fall. you want to engrave his expression into your memory, so you can never forget it. but it’s just a little too much.

so you hide in his chest, once more. the word that falls from your lips is tiny. “okay.”

satoru smiles, kissing the top of your head with a relieved exhale. bathing in your presence, still reeling from his show of vulnerability. he feels a little like he just cut himself open, let you peek inside his ribcage. the night air stings his skin.

but you’re so warm, hugging him tightly, breathing and heartbeat finally relaxed.

(he doesn’t mind it, not if it’s you — having you look inside his chest. if you asked, he’d let you build a shelter there. right between his fourth and fifth ribs.)

now that the words are out of his throat, they don’t burn at all. satoru feels a little silly, for being so scared to say them out loud. he knows you’d never use them against him.

all you do is snuggle closer, as if silently conveying your forgiveness.

you stand there for just a little while longer, wallowing in the tender atmosphere. finally, satoru makes a move to leave, and you begin to walk back home.

“sure you’re okay now, baby?”

you nod, exhaling a flurry breath. it turns into vapour in the cold of the air, drifting up and dissipating in the expanding starry sky. “yeah. thanks for coming so quickly.”

“of course,” satoru only says, choking back a yawn.

your hands are intertwined, and he’s halfheartedly swinging them back and forth. it soothes your anxiety, and satoru’s protective instincts. you know neither of you will slip away, like this.

you shiver a little, subconsciously inching closer to satoru to protect you from the harsh bite of the midnight breeze. he notices, giving you a glance and a tilt of his head. “you cold?”

“just a little,” you mutter, smiling weakly as you look up at him. ”i’m fine.”

satoru huffs. did you really think he’d be dissuaded by such a weak retort? there’s no way he’s letting you walk around all cold and shivering.

so you come to a standstill, as satoru begins to shrug off his coat. he refuses to let go of your hand for even a second, making the process slower than usual — your heart flutters a little, as his fingers curl around yours, delicately.

when he finally gets it off him, he wastes no time in draping it over your shoulders. it’s big on you, warm and soft, shielding you from the chilly air. satoru can’t help but giggle sheepishly, as he always does at the sight — you look so cute.

“c’mon. let’s go home,” he grins, ruffling your hair teasingly.

satoru doesn’t feel cold, not in the slightest, as he holds your hand tightly. just your presence is enough to warm his bones to the marrow.

the silence between you is comforting and soothing, as you continue to walk. hand in hand, admiring the starry sky. you’re both too tired to speak — but satoru does so, anyway.

“i meant it, y’know.” satoru sounds sleepy, but earnest. ”i really will work on it.”

he doesn’t look at you when he says it, yawning softly and stretching his free arm. gaze fixed on the morning star.

“oh.” you pause, squirming a little. sheepish. “thank you. i’m sorry that i — i mean.” a sigh. “i probably overreacted a little.”

satoru shakes his head, waving off your guilt. “nah. you’re right. i never want you to feel like i’m not taking you seriously.”

his gaze meets yours, tentatively. his eyes shine like wedding rings. “you mean a lot to me.”

the sincere words manifest themselves as a heavy pressure to your chest, closing in on your heart as if crushing it. it’s a pleasant sensation, though, overwhelming as it is. you’re a little scared that your knees will buckle if he keeps this up, but even if they do, you wouldn’t want him to stop — satoru’s love is terrifically overwhelming when there’s nothing to hide it, when it’s just love and nothing else.

but you’d never reject it. you’d let it crush you to death with a smile on your face.

all you can do is avert your gaze, afraid that you’ll fall into the blue sea of his eyes if you don’t. heavy thumps of blood resound in your ears as your heart beats, warmth spreading throughout your entire body.

“… you mean a lot to me, too.” you echo, holding his hand just a little tighter. warmth rises to your cheeks. “i just felt really frustrated, i guess. like you were looking down on me. i know you weren’t actually, though.”

satoru chews at the inside of his cheek, almost anxiously. “i know i can be a little much sometimes,” he says, tasting the words on his tongue. “and i appreciate you for putting up with that. i’m sorry i let it go too far. i’ll be more considerate.”

your heart stutters in your chest. you’re not sure what to say — the way he forms his words makes them feel so absolute. and you believe him.

“i’ll be more considerate, too,” you echo, looking down at the pavement. “i shouldn’t have blown up like that.” a pause. you mumble, quietly, a little embarrassed. “i shouldn’t have told you to go fuck yourself.”

satoru breathes out an amused huff, chuckling lightheartedly. his eyes carry a teasing glint when they meet yours. “i probably deserved that. no worries.”

“still,” you pout. satoru giggles.

“we’ll both work on it, then,” he hums, tilting his head to find your gaze. “right?”

you blink. a small smile breaks out across your face. “right.”

satoru swings your hands back and forth, looking awfully happy with himself. you’re proud of him. really.

“oh —“ he says, breaking the sleepy silence once again. “and i’ll stop leaving wrappers around, too.”

this time, you’re the one who huffs out an amused breath. “thank you,” you grin, looking up at him. he thinks the sight is terribly precious.

a yawn leaves your lips, drowsiness sneaking its way into your bloodstream. you’re not sure if it’s due to the dark, or if you’re just a tad exhausted after all the arguing and panicking.

satoru notices, and gets an idea.

“you tired, baby?” he coos, eyes teasing but soft around the edges. “d’you want a piggyback ride?”

when you give him a look, sleepy and kind of exasperated, satoru grins. you huff out an amused breath, just a tad embarrassed, but it only spurs him on.

so he crouches down, one knee meeting the pavement, letting your hand slip from his. you blink, tiredly, at the loss of contact. you can’t see his face, but you know he’s wearing that lovesick, smug little grin of his.

”c’mon. your big, strong boyfriend’ll carry you.”

satoru’s feeling playful, you can tell. that’s usually a bad sign — but you can’t deny that you’re tired. and the prospect of getting carried all the way home is eerily tempting.

your gaze falls on his back, and his broad shoulders. silently, you walk towards him, and wrap your arms around his neck. satoru holds you up by your thighs, and then stands up, jostling you a little; he does so without a hitch, and you’re reminded of how strong he really is. his grip is secure, and you trust him not to drop you, no matter what.

you let out a content sigh, basking in the chill of the midnight air as you nuzzle your cheek against his soft hair. satoru chuckles.

”my sleepy lil’ sweetheart,” he coos, voice a tad raspy. ”lucky thing you’ve got me, huh?”

there’s a softness to his voice, despite the teasing tilt obscuring it. you can only huff out a breath, somewhere between a chuckle and a scoff, and cling to him tighter.

satoru will get you home safe. he can be annoying, outright insufferable, and he can be bad with emotions — but you can always, always trust him on that.

so, with his coat shielding you from the chilly air, and his back warming you up as he carries you back to your apartment, you allow your eyes to flutter shut; enjoying the cozy feeling his presence brings you.

he’ll always be there when you need him.

#NOBODY LOOK AT MEEEEE i was having a gojo moment ok.#i just think hes. the perfect man. a silly goofy princess 98% of the time but when u need him to be there hes so comforting n secure.#i Need him.#also obsessed w the idea of gojo only calling u ’honey’ when hes being particularly sincere like that does smth to me man.#gojo satoru x reader #gojo satoru x you #jujutsu kaisen x reader #jujutsu kaisen #gojo satoru #gojo x reader

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neil-gaiman · 4 months

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Hi, Neil.

I know you get a lot of asks, so maybe you won't even see this. But I'll give it a try anyway.

I haven't been doing well lately. I lost my friends due to the end of the school year (we all had to split up due to the fact we had to go to secondary school and none of us picked the same one), I'm trans and my parents never validate me no matter how much I try. I always try my best to be the perfect son™️, but apparently it's never enough.

So, since you're such a great father figure to probably all good omens fans, I suppose my question is, could you tell me I'm good enough? I just kind of need to hear it right now.

Thank you.

Have a nice day/night :)

I'm a lousy father figure, I suspect. It's definitely not anything I signed up for.

But you're absolutely good enough!

You'll never be perfect, because perfect isn't a thing in this world. It's an ideal. Accept that you'll never be enough for them, but remember that you aren't in the world for them, you're here for you.

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pyrrhiccomedy · 1 month

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A DM’s Fair Play Guide To Plot Twists

I love running a game with a lot of surprises. The challenge to pulling this off well is that, unless you’re playing a one on one game, your players outnumber you: and between them, they have a good chance of figuring out what’s going to happen, no matter how sneaky and clever you are.

The first way of dealing with this - which I’ll just call the bullshit way - is to not give your players the information they need to solve the mystery. Don’t let them find out about the secret society until it’s too late. Don’t give them any reason to suspect that their NPC ally is planning to kill them. Don’t let them find the murder weapon, don’t let them locate the witnesses, don’t give them the chance to skip to the end of their investigation.

This sucks, and if you run your games like this, you’re going to piss off your players. Because it isn’t fair.

In mystery literature, a “fair play mystery” is one where the reader is given all of the information they need in order to figure out the solution before the Big Reveal. It’s what makes the reveal good: that GASP, the “oh shit, the knife! the knife from the party! that was hers! I forgot!”

Pulling off a twist in a fair play game is an incredible feeling. Your players will think you’re a genius (or an absolute dick bastard, which is just as good) and they’ll respect it more when they land in hot water that they plausibly could have avoided. So how do you run a fair play game without your players figuring out the twists ahead of time, given that you’re definitely not smarter than all of your players put together?

By fucking with their expectations.

Here are some things that I keep in mind, to keep my players guessing. And it’s important, with all of this, that if your players see through something, let them have it. They should figure out a lot of things on their own! But if you’re regularly seeding your stories with all of this stuff, eventually your players will miss something. Those are somethings you can build on. The same way that a low level enemy who gets away once can keep coming back again and again until they become an important antagonist, a misapprehension your party proves to have a blindspot for can grow and develop until they get smacked with a breathtaking twist.

What’s a twist if not the sudden overturning of an assumption you never thought to question?

1: Make your powerful friendly NPCs know a lot...but not as much as the players think they do.

Player characters often end up with powerful allies. It would be very convenient for the party if those allies always had accurate information. Make sure they don’t always enjoy that convenience.

It’s a balancing act: you want your powerful NPCs to be powerful. You want this alliance to be meaningful and beneficial to your players. But give your NPC an Achilles heel of some kind, when it comes to the information at their disposal. The Noble General commands powerful forces and knows the lay of the enemy’s land well...but that doesn’t mean he knows what every squadron and scouting party is up to. The Political Mastermind may know the ins and outs of the court, and have keen insight into the motivations of others: but he has an enemy who pisses him off so much that he loses all objectivity around her. The Powerful Wizard can call upon great magic to aid the party: but his divinations aren’t as accurate as he thinks they are, and he’s prone to finding, in his signs and omens, what he wants to see, more than what’s actually there.

Most of the time, their information should be good! That will make it more likely that your players will trust them the one time when it isn’t.

2. Let (apparently) less powerful NPCs sometimes know more than the players think they do.

Most NPCs aren’t the Noble General or the Powerful Wizard. Most NPCs are Daves, designed to get the players from place to place. Most of those Daves know about as much as you’d expect them to. But some Daves have plans of their own.

You don’t always have to signpost with big blinking lights which of your NPCs are ‘important,’ and which ones are ‘unimportant.’ Sneak in a crafty Dave from time to time. That assistant they talk to, every time they go to see the prince? That bitch knows everything, and she’s almost ready to make her move.

3: There is no such thing as a completely reliable witness.

If the players only get information from one person, that information should be flawed in at least one, potentially small, but important way. Smart players will seek a second opinion, or at least allow for the possibility that their information may be incomplete. But even smart players get out over their skis sometimes.

4: Let your NPCs be aware of the power of a first impression.

If an NPC gives a strong first impression of being a particular kind of person, it’s because they’re comfortable giving that impression. That might be because it’s who they are. But maybe not.

One of the first characters the PCs met in a VtM campaign I ran was Gawaine. Gawaine was a good old pine-scented man’s man, with salt and pepper stubble and a blue Ford truck. He listened to AC/DC, and talked about the war. He was affable and honest and willing to lend a hand. You already know Gawaine. Everybody knows a Gawaine. Gawaines are trustworthy, salt of the earth types. You don’t necessarily think to question a Gawaine.

That’s exactly why Gawaine was such a useful persona for Krystiyan, the Tzimisce Voivode, a cruel and alien sculptor of flesh who “never left his haven.” There were plenty of clues that they were the same person, but that campaign was in its endgame before the players put them all together.

5: Sometimes, dangerous and villainous NPCs should be helpful and cooperative.

Not even necessarily because they’re manipulating the players, or even deceiving them about their true natures, but because their interests and the players’ interests genuinely align...for the moment.

One of the easiest levers in your players’ brains to exploit is the expectation that people who help you are your friends. Even if your players know, consciously, that they shouldn’t trust this person, most of the time they kind of can’t help it, if the NPC is genuinely helpful to them and at least a little charismatic.

6: Sometimes, good and valuable NPCs should be unhelpful and uncooperative.

No matter how mature your players are, there’s a natural tendency to react to uncooperative NPCs with a reflexive, “Hey, fuck you! We’re the protagonists! This guy is an asshole!” so from time to time have a helpful, honest, good-aligned NPC have a wholly justified but as-yet-unknown-to-the-party reason to flatly refuse to deal with them.

7: Every NPC should have a secret.

Not necessarily a bad secret. Were it to be revealed, it might even make the party like them more! But for their own reasons, the NPC does not want their secret to come out, and they will lie to the party to protect it. Players go crazy when they realize they’re being lied to, and often jump to some wild assumptions about your NPC’s motivations. I’ve had an NPC lie about the opening hours of a shop, and had the PCs assume that they were black market dealers for the villain when the dude just wanted to be able to close early so he could go smoke weed in the park.

8. As a DM, it’s polite to remind your players of the common knowledge their characters would possess...even when it doesn’t reflect the truth.

We all know it’s tedious when the DM calls for a roll when you’re just asking for common knowledge. I shouldn’t have to make a roll to know the dumb space word for plastic in a Star Wars game. I shouldn’t have to make a roll to know who the Holy Roman Emperor is in a game about medieval vampires. The DM should supply common knowledge for free, whenever it comes up.

That doesn’t mean common knowledge is true.

This is different from just lying to your players, because you don’t put the weight of DM word-of-God behind it. It’s not “You would know this guy is a Ventrue, based on XYZ.” It’s “it would be a common assumption that this guy is a Ventrue, based on XYZ.” He might not be a Ventrue. It might in fact be extremely important that he is not a Ventrue. But if it is commonly assumed that he’s a Ventrue, that is - word for word - something you can share with your players. If they don’t look any deeper than common knowledge, that’s on them.

9. Obviously untrustworthy NPCs provide great air coverage for less obviously untrustworthy NPCs.

The obviously untrustworthy NPC might or might not be planning to betray the party. But if you introduce two untrustworthy NPCs in the same storyline, and one of them seems normal and cool and has a genuine plot-related reason to be there, and the other one is Jaffar, Jaffar’s gonna get clocked, but Susan over there will probably slip under the radar, and might even get tapped to help out with the whole Jaffar situation. They might get Susan’s number, by the end of the session. Susan might become an ‘ally.’ Susan might even get romanced by a party member. Play your cards right, and Jaffar might just end up a footnote in the introduction of Susan, Scourge of Worlds and most hated NPC in the entire campaign.

10. Your villains should always have a secret plan B.

Your villain isn’t stupid, right? And your villain probably isn’t so arrogant that it is inconceivable to them that their plan might fail. They’ve been planning this ritual for ten thousand years, after all. It’s always possible that some plucky band of heroes could show up at the last minute and murder your high priest, or steal your amulet, or seduce your second in command. So what does your villain have in his back pocket to make the players go, “Oh, shit - he planned for this!”

This may mean that there is a whole separate plot happening, running alongside the main story. This is great, because when weird things happen, the players have to figure out whether this is part of Plot A or Plot B, and working out who did what and why gets a lot more interesting. If they end up foiling Plot A, great - your villain was also secretly behind Plot B the whole time, and will transfer all of his resources over to that.

Sometimes your players will figure out that Plots A and B were both the same plot the whole time, with the same villain at the head, and they’ll feel like the smartest people on the planet, and it will be their favorite moment of the entire game. That’s great! You gave them that!

Sometimes, they won’t. And when the villain of Plot A, apparently defeated, starts laughing and reveals that he was also the mastermind behind Plot B, which is now too late to be stopped, that will probably be your favorite moment of the entire game.

#dice matters

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fuckyeahgoodomens · 3 months

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Neil talking about the responses to Good Omens Season 2 - from the Neil Gaiman interview with Brian Levine for The Gould Standard (x,x)

BL: The audience that you have built is a very passionately engaged audience. They, frankly, they love you. And one of the reasons they love you is that you fit into what I think of as one of two great divisions in art. There's, or in writing, um, there is: I'm entertained, I'm amused. I may be even enchanted; and then there's this hits me at a visceral level. You understand me as no one else does. You have touched something very central to my experience. And it seems to me that Much of your writing, maybe all of your writing, actually reaches your audience at that latter level. You know. I would say in the former category, sort of my quintessential and beloved example would be P. G. Woodhouse. He amuses me, but I don't feel like he's revealed my inner self at a very deep level. Um, were you aware that you were going to be able to achieve that? Um, that this is something... was it a startling thing when people began coming up to you, who'd read your work and said, this means so much to me?

Neil: Yeah. It was huge. And it wasn't expected. I... if I had a mountaintop I was heading towards, it was gonna be P. G. Woodhouse. Um, I wanted to be a proficient entertainer with a clear prose style who could tell stories. Um, it probably wasn't until Sandman that I found... I started to realize that in order for a story to work, I had to show too much. In order for a story to resonate, in order for a story to matter, I had to let it matter too much. And, and I remember the first people who would start coming up to me and saying, um, you, you know, your, your Sandman comics got me through the death of a loved one. Your death character got me through my child's death, through my parent's death, through my partner's death, through my friend's death. Um, and that left me kind of amazed. I'm like, well, I didn't write it to do that. I wrote it to feed my children. I wrote it to satisfy myself. I wrote it because nobody else had ever written it. And if I didn't write it, it wouldn't be written, but I don't think I wrote it to give you what you've taken from it. And I spent really about 20, 25 years feeling awkward about that. And then my father died, in March 2009, and never got to cry about it. Never... I, you know, I've, I've got on a plane and I went to the UK and dealt with the funeral stuff and organized all of that stuff and came back and go toff the plane and went and did Stephen Colbert's Colbert Report and wearing the funeral suit because and that was all I had with me and carried on. And then, somewhere in the middle of summer, I was reading a friend's script. They'd sent me a script and said, can you look this over? And I'm reading it, and on page 20, the lead character meets somebody, and on page 26 maybe, she's dead, and I burst into tears. And I'm bawling. I am sobbing. It is coming out of me in giant racking waves. And I realized that it's everything that I'd been, hadn't let myself feel, or hadn't been able, hadn't stopped enough to let myself feel, was suddenly being given permission to feel by the death of a fictional person who I'd met six pages earlier, ia script. And I thought that... and it was huge for me, and I thought, okay, that's that thing that people are talking about sometimes, when they come tome and they say, you, you did this. So right now, I'm in this weird, wonderful place where I think a lot of people in Good Omens Season 2 thought they were signing up for the P.G. Woodhouse, and didn't know that, no, no, no, you've, you've signed up for the whole thing. You've signed up for the feelings. You've signed up for the emotions. I... it is my job to make you care and to make you feel and to feel things you haven't felt before. And which meant that the first week or so after Good Omens came out, I was getting angry, furious, deeply upset messages on every possible social medium telling me that I had betrayed people, and it was awful, and they couldn't stop crying, and why would I do that to them, and did I hate them? And they hated me. And then a weird sort of phenomenon happened as people would watch the show again. And again. And now they started to know, okay, this is where it's gonna go, this is what's gonna happen, this is how it works. And they started realizing that they were actually feeling things, and that was good. And that they were caring about two people who don't exist. You know, I made them up, and then and Terry Pratchett made them up, and then, um, David Tennant and Michael Sheen gave them life, and then they get to walk around on a screen and you know they don't exist, but you can cry for them, you can love them, they can make you laugh, they can make you exult, and most important of all, they can make you care. And the number of people who are now writing to me, saying, 'This was so important to me. This has changed my life. This makes me feel like I belong. This makes me feel like I can cope. And it's let me sort of find myself. P. S. I hope you get to do Season Three.' is, is huge.

#good omens #neil gaiman #brian levine #neil the gould standard 2023 #interview #neil interview #videos #fun fact #gos2 #season 2 #2ep6 #s2 interview

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goodomenshq · 10 months

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📚The Good Omens graphic novel Kickstarter mega post 📚

As we enter the last hours of the Good Omens graphic novel Kickstarter, here’s a recap of ALL the items you can get and how to get them. We’ll also answer some of the main questions you’ve had.

Get yours here!

TIERS

THE HUMAN TIER (£25 GBP) includes one copy of the Good Omens graphic novel. All of the stretch goal embellishments (foiling, ribbon, foreword, afterword, extra pages, etc) cover every level (including early bird). Every backer also gets a bookmark. This also includes the foreword and afterword by Michael Sheen, David Tennant, and Jon Hamm.

THE SERPENT TIER (£40 GBP) includes one copy of the Good Omens graphic novel, a dust jacket* featuring an alt cover by Frank Quitely and Loot Pack #1*, which is full of goodies. *Stretch goals have added to these items, full info below.

The alt cover dust jacket is now reversible, with the other side featuring this by Rachael Stott in b&w.

✔️Serpent gets the dust jacket for your graphic novel.

✖ It does not have a print of this image. The colour version is available as an add on.

Loot Pack #1 originally featured 2 x Colleen Doran prints (including a brand new piece), a postcard and bookmark. Fans have unlocked additional Colleen prints, some colouring pages, as well as *many* prints from other artists… You have unlocked prints from Rachael Stott (different to the alt cover image), Sarah Graley, David Aja, Mark Buckingham, Tanya Roberts, Paul Kidby, Alice Oseman and Anna Morozova, as well as the Frank Quitely cover as a print.

We’ve been asked a lot about Alice Oseman's prints, so to clarify: if you back the Serpent Tier or above, you will get Alice's print featuring Aziraphale, as well as the newly commissioned Crowley to complete the pair.

THE HELLHOUND TIER (£120 GBP) includes the prior tiers + Loot Pack #2, ft. Crowley and Aziraphale enamel pins, stickers, and a pack of the Good Omens trading cards. These will be playable. Tier backers can also get rare cards in their order at random.

THE WITCHFINDER TIER (£200 GBP) has all of this, plus an exquisite map by Julien Labit. Dimensions will be approximately 594 x 841 mm.

THE DEMON TIER (£320 GBP) is a creative punch from head to toe, with five additional enamel pins (including Dog), some snazzy socks, and two creator themed notebooks, one for your inner Pratchett, the other for your inner Gaiman.

THE HORSEMEN TIER (£500 GBP) is the Demon Tier + A3 Giclee print from the graphic novel, signed by Colleen Doran, plus the exclusive Beelzebub enamel pin, and Neil Gaiman and Terry Pratchett collector's enamel pin set.

THE OBSIDIAN TIER (£3k) builds on the Horsemen Tier with copies of the new, limited Obsidian editions (GO illustrated edition, graphic novel & William the Antichrist), signed by Neil Gaiman & artists, and a one-of-a-kind trading card by Colleen Doran.

For booksellers, we have two options: The Small Bookshop Tier (10 copies) and The Bookshop Tier (20 copies), both of which offer a 50% trade discount. There are also add ons of 10 and 20 copies for shops looking to order more.

ADD ONS

The campaign itself ends at 11.59pm UK time on 31 August, so there’s still time to get your pledges in. Let’s move onto the add ons via Kickstarter...

How do you add more to your pledge? This link on Kickstarter should help. You effectively re-select the tier you’ve chosen, and then it will take you to the add on section. This works even if your tier is sold out, or was time sensitive (Nightingale).

Unlike tiers, you are not limited to one choice with add ons. You can get additional copies of the graphic novel, mugs, slipcases, the graphic novel oversized edition, and more. Rachael Stott's Eternal Encounter print is available also.

A.Z. FELL & CO ADD ONS. Includes: Bookmark, mug, socks, tote bag. The bookmark is different / higher end than those included with every copy of the graphic novel.

TRADING CARDS. You can get a trading card booster pack. These will have at least six cards. The Hellhound Tier is where to get the larger, playable base pack. Base packs will be available down the road via the new merch store, but cheapest via the Kickstarter.

ENAMEL PIN ADD ONS We have two pairs of Aziraphale and Crowley pins (£10 per set). We also have mystery packs of three available (£12). You can see the full pin information and designs so far at http://goodomenshq.com.

While pins #005 onwards will be part of the mystery packs, they may pop up at events or in flash sales of specific items. We will give fans as much notice as possible when these exciting events will happen.

BOOKSHOP ADD ONS. Bookshops who have backed either of the retail tiers will be able to add packs of 10 or 20 additional books onto their pledge. These tiers must be delivered to a bookshop address. These are also at 50% trade discount.

OBSIDIAN ADD ONS. While the Obsidian Tier collects all three books, you can add the Obsidian Edition of the Good Omens illustrated edition, the Good Omens graphic novel, or William the Antichrist - signed by Neil - to pledges at any level.

Add ons are available for every tier level. Add ons will also be available after the Kickstarter, however will be cheapest via the campaign. We know a lot of people have been asking, so if 31 August is too short notice, worry not!

FAQ

Q: Will the graphic novel be available after the Kickstarter finishes? A: Yes. It will be available via PledgeManager, and subsequently on goodomenshq.com when that becomes the wider merch store.

Q: Will tiers be available after the Kickstarter finishes? A: Yes. Some will be available for an additional time on PledgeManager to allow those who couldn’t access the Kickstarter for a variety of reasons. This will go live at some point after the project finishes.

Q: Will the add ons be available after the Kickstarter finishes? A: Yes. Though Kickstarter will be the cheapest way to get the add ons, these will be made more widely available at a slight price increase after the campaign ends.

Q: I couldn’t back the Kickstarter due to payment issues. Can I use Paypal / other methods? A: We believe PledgeManager will be able to integrate the wider payment methods, including Paypal, for those who couldn’t back with a card. This is TBC. Longer term, this will be an option on goodomenshq.com when it opens as the official merch store.

Q: Shipping is charged after. Why do we not have the final numbers yet? A: We’ve been working across the campaign to bring estimates down further; the page will have new numbers as we have them pre-31 Aug, however we will be working over the coming months to get the best price for backers worldwide once the weights are locked in. Our goal is to get the best value for supporters and not overcharge by locking in this early.

Q: If it will all be available later, what difference is there in backing the Kickstarter? A: All backers get an individual discount code for the Good Omens HQ merch store when it opens in the future, so you can get money off further items. We’ve got some fun things that we’re planning to do via backer updates post-campaign too. More on that… later. You’ll still get plenty of ineffable joy either way though!

Q: Is there anywhere I can sign up for updates? A: Yes! Good Omens HQ will have a mailing list. You can sign up here.

Get yours here!

#good omens #good omens graphic novel #neil gaiman #terry pratchett #colleen doran #rachael stott #crowley #aziraphale #michael sheen #david tennant #alice oseman #jon hamm

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nsharks · 4 months

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bleeding blue | apocalypse au

part nineteen —other parts

pairing: Simon “Ghost” Riley x fem!reader words: 3k tags: death. blood. cannibalism mention. zombies of course. AFAB reader. single dad ghost. there will be sex but it isn’t here yet. slow burn!!! enemies to lovers. summary: After losing your companions, you run into a skull-masked man and his daughter. They are your last hope for survival.

The cool paste feels tingly on your skin as you rub it against your bruised stomach, wincing. Christ. Maybe Ghost was right to think he might break you. Beneath the mottled patchwork, another kind of pain stirs— your muscles are growing. Firm and tight. The only soft parts of you left are your breasts and your ass. Gently applying the paste to a nasty purple one on your left cheek, you curiously pinch the sore flesh between your fingers. Scratch that. Even your ass is firming up.

Arnica has healing properties. Yesterday, you found a patch of it with Blue and created a salve with some water. You already applied some last night before bed. Whether or not it’s helping probably doesn't mean much when new ones are about to be added; still, the placebo effect brings some comfort.

You're still massaging your backside when the bathroom door groans beneath a heavy fist.

"Hurry up. Grab your bow."

“Shit.” You startle, almost dropping the salve. "Uh, coming.”

Chucking on a clean shirt and your old pair of jeans, you pad out of the bathroom, ignoring the cry of your joints. Ghost is outside waiting for you. Wait— bow? Confusion delivers an uptick to your pulse; you never bring your bow to train.

“What’s going on?”

"The air," he replies in a flat tone.

The stale smell offers enough explanation. You cringe. "Should we split up?"

He shakes his head and nods towards the direction the gentle breeze is rolling in. "No need. It's coming from this way."

In the violet wash of morning, you trail beside him over tall grasses and scattered groundhog burrows as the air leads the way, luring you opposite the clearing where you train. There haven't been any Greys since the one you burned together. For the past few weeks, you'd almost forgotten about their existence— a pleasant naivety for once.

Neither of you bothers with much small talk. He asks if you're sore, probably noticing how stiff you are, and you answer honestly. That's it.

You keep your attention strictly on the wood bow molded into your palm and the slight rustling of leaves all around you, scanning for signs of anything astray. You don't look at Ghost, even when you feel his eyes flicker to the side of your head. Staring at him for even a second longer than necessary rouses something in your gut that was once easy to label as fear; now you don't know what to call it.

He is wearing thicker clothes today, the intimidating vest stocked with ammo glued to his chest. You'd gotten used to his more casual wardrobe of gym shorts and hoodies. They make him look... softer, almost. A little less like a death omen. Though, you sincerely doubt there are any soft parts of Ghost left under all that gear, given the rigid planes you felt beneath your hands when you—

"There."

You snap your gaze in the direction Ghost is pointing at.

At first, you don't see anything.

Then, squinting, you make out a red color far too metallic to naturally sprout among the conifers.

An arrow is urgently slotted on the bowstring as the two of you head towards it, your brows tightly knitted. You've been this way a few times and never saw a— is that a red car?— before. Closing in, your suspicions are confirmed when a stroke of sunlight bounces off the metal bumper. The patchy sedan is tucked within a bush, tail-end sticking out, with half-flat tires resting on corroded rims. Shadows of movement dance behind the tinted windows, too disjointed to be natural.

"What the fuck?" you mutter under your breath, boots scuffing over a long-faded gravel pathway that is now shrouded in weeds. The car must've been following it before winding up in the bush— the occupants no longer human enough to drive.

"They... they must have just turned while they were driving," you think aloud. "When did this even get here?"

"Maybe during the night," Ghost mutters.

He paces forward and swings open the passenger door. A string of moans is released as a Grey lurches within the confinements of the seatbelt, but he quickly silences it with a bullet to the forehead, causing it to flop sideways out of the car. Maybe just a day ago, it was a young man. His hair is fully intact and he's wearing a blue shirt with the Chelsea Football Club logo on the back.

"I wonder why they were driving this way to begin with," you say quietly, stomach rolling.

In the driver's seat is the slumped-over corpse of an older man, having died from so many bite wounds before the infection could take hold. The early stages of decomposition smell almost worse than the infection and you have to breathe through your mouth as you head for the back door.

"There's another here I think."

You're ready to shoot and put whoever it once was out of their misery when you pry open the door, but the sight of a small body wriggling around makes you freeze. Curled up against the faded leather is an infected boy, no older than eight or nine. His eyes are all white except for the outer rim where a few vessels are still filled with red blood. Your fingertips dig fiercely into the frame of the door as you stare down at him; his soft brown hair, his small hands, his Minecraft shirt. He whimpers and tries to claw at you, mouth hung open in mindless hunger.

The feeling that washes over you is hot and cold at the same time. It's not the first or last time you've seen an infected child, so you don't know why the sight traps you for a few heartbeats.

A voice emerges beside you. "It's not a kid anymore."

You almost forgot Ghost was there. Your teeth clench. "Yeah, I know."

You feel his eyes burning into you. Your fingers tighten and untighten around the arrow's stem as you aim.

"Hone it, Twix— the anger."

The tension in your jaw releases at the same time as your arrow snaps forward, cutting through the boy's skull and driving his limp body down to the car floor.

“You good?”

You forcefully swallow and look away, giving Ghost a short nod. "Guess that's all of them."

He slowly nods in agreement, studying you, but all he says is, "For now."

“Don’t you think it’s strange?”

“Seen stranger things over the years,” he says. “It seems like they were headed somewhere, maybe needed a new place to settle, and one of them got bit. Infected the others.”

You nod, thinking it over. “What about the car?"

"No fuel left, so it's pretty useless." Rifle still in his grip, he moves around to the hood and props it open. "Might have some parts I can use, though."

While he scavenges for gears that aren't rusted beyond functionality, you take a look at their belongings. There is an empty bottle of whiskey in the cupholder. In the boy's lap is a stuffed tiger that you assume was once white, but now it's a worn of grey. You carefully shift his corpse and take it.

"I have a friend who might be able to care of this for you."

In the trunk, at least, you find some tripwire.

Dragging the two adult bodies back to the trench for burning is your 'strength' training for the day. Since they haven't decomposed much yet, they're heavy; you go back and forth, taking one at a time. Ghost carries the small one over his shoulder. After the flames snuff out the smell of rot, he relieves you, claiming he has other shit to take care of—more traps to set with the newfound tripwire.

"Hey. Would you like this?" you ask Blue when she's up, handing her the tiger.

"I'm kinda too old for dolls, Twix." She must see the expression on your face because she shakes her head and disappears into her room for a minute before coming out with a teddy bear. "My mom gave me this one when I was a baby and it just sits on my bed by itself, but now it can have a friend."

You smile and nod. "Yeah, okay."

The day is spent playing board games with her. When she notices how sore you are, she offers an exclusive massage from Grim, who hops over your back and legs as you relax face-down on the couch. However, even with the honorary treatment, the aching lingers.

"Auntie, I'm over here!"

In a violet-tinted field, you search for the voice.

It's barren and hazy, with no hard edges or places for a little boy to hide; so why is it so hard to find him? You call his name. You wander around, aimless, until you catch a familiar whiff of baked cinnamon and fresh laundry. This way. He's this way. You start running fervently. When a small hand tugs at yours, you whip around and try to grab him, but the soft touch dissolves through your fingers like ash.

When you wake up, there's a hand on your back and blood on your tongue, evidence that you'd bitten through it during your sleep. The taste is quickly replaced with bile as you launch up, grabbing the sleeve of someone's shirt.

"Oh no, you don't."

The hand moves to your hair, wrapping it around in a fistful before forcing your head to tilt down. A bucket is tucked beneath your chin. You vomit into it, the cool metal rim hissing against your fingertips. Again and again. When it's all out, your throat feels like sandpaper.

"Done?"

The dark room surrounds you; the perfect place to hide what you know must be a ghastly look on your face. Awareness creeps in, and you're not thrilled by the fact that you've thrown up in front of him twice now. Without looking up at the white skull you know is there, you nod.

Wordlessly, he takes out a cigarette and lighter. You hear a deep inhale. See the dull glow of the flame. Then, he passes it to you and leaves.

"You look like shit today."

You can't even be offended, fully aware of the purple painted beneath your eyes. One look at you quirks his brow up in that annoying mannerism of his.

You offer a tight-lipped simper, mumbling. "At least I can always count on you for brutal honesty."

"Good trait to look for in an ally." He throws the gauze at you and you begin wrapping up. "I don't suppose it has anything to do with the fact you nearly ruined another shirt of mine last night."

You tie off the gauze and glance up. "Look, I'm s—" you stop yourself, "I mean, I'm not sorry, because you wanted my box open so now it's open. You already knew the potential consequences."

"Try opening it without emptying your stomach next time."

You flash him a look. "I think I miss when you pretended I didn't exist."

"And I miss getting a full night of sleep."

"Can we just get started? I'm ready."

Ghost keeps his eyes on you as he motions a fisted hand. "As you wish."

When the familiar dance begins, and adrenaline ripples up your spine, you realize that you missed this yesterday. The rest felt good, but this— the thrill of seeing Ghost start to get as worked up as you, the sweat stains on his shirt matching your own... it is something you itch for these days.

You get a few hits in that have your ego swelling. But then— the rough night catches up with you after half an hour of wordless sparring. Your breathing grows labored, while his is barely winded.

"Tired yet?" he asks.

"No," you say, but he calls you out immediately.

"You're a terrible liar," he reminds you. A few more swings have your lungs burning as you dodge until one finally catches up with you, and whatever healing your homemade salve has done is erased by a fresh layer of pain.

As you clutch your side, he changes the subject. "Are you going to tell me what it was about then?"

"What what was about?"

"Whatever was making you whimper in your sleep."

Your face twists. "I wasn't 'whimpering'."

"Fine, then. Crying," he corrects plainly.

You sigh through your nose, averting your gaze only for a moment, then focusing back on him before he can strike you again. His words hang in the air, ignored, as you jab an elbow toward his ribs. He grabs you by the knob of it and pulls you unnecessarily close to his chest. When you try to wriggle free by placing a hand on his chest, he fists your hair, which has slipped out of a bun into a haphazard ponytail, and tugs hard enough to force your eyes up to his.

His gaze is demanding but his voice is light— a mere breath over your forehead. "Tell me why someone who has seen plenty of infected kids by now seemed so bothered by the one she saw yesterday. He reminded you of someone, didn't he?"

The mention of it makes you snap. "Stop."

"Stop what?"

"Trying to act like you know anything about me."

"I know enough. You are easy to read."

So that feeling you get when he looks at you isn't just in your head; he truly can see through. Your nails dig into your palm. "There's no need to read me. We're not friends. We're just... allies, or whatever."

"Or whatever," he repeats thoughtfully, tasting the words. "You talk like a teenager."

"Compared to you I might as well be," you retort.

"Jesus." He chuffs out an exhale, eyes flickering down for a moment before returning up to yours, narrowing. "Let's not change the subject here."

"Fine. Take this stupid Halloween mask off," you lift the hand on his chest up to the hem of his balaclava, feeling how weighted the fabric is with sweat. "And I will tell you all about it."

His jaw flexes before he gently guides your hand away. "Tempting offer, but I'll pass."

You refuse to acknowledge the tinge of embarrassment at his dismissal and inch back as far as the hand on your hair will allow. The close proximity, or harsh sun, is making it hard to breathe. "Well, it's not fair for you to ask me shit about my life when you don't even let me see your face."

"I never claimed to be fair."

"I promise I won't vomit no matter how ugly you are. I've seen worse things out here."

His hand tightens. "I think I miss when you were scared of me. Less mouthy back then."

"Well, I'm not anymore."

"No?" He flips you around so your back is against him, one hand settling on the toned curve of your hip. His voice lowers to your ear. "Maybe I need to fix that."

An unwelcomed shiver courses through you. He lets go. A wristbone nudges against your spine, shoving you forward. Irritation simmers in your veins when his remark finally registers, and you whirl around, readying your stance.

"If you even think about threatening me after I explicitly asked you not to, then I would suggest sleeping with a knife tonight."

"Who's threatening who, Twix?" He gives a low chuckle. "Relax. I'm sure I could handle you in my sleep, anyway."

He's egging you on; you know it. And yet, you stubbornly take the bait. His knee— the right one. That's where you got him last time that made him falter. Maybe an old injury. But when you swing a boot at it, he expects your attempt, knocking you away by the ankle.

"Ah. Eager to get me beneath you again?"

Pink sears your cheeks as you wipe a trickle of sweat from your forehead. "I'm eager to humble you for once."

"Might need to keep your dinner down to do that."

You grit your teeth. So maybe he did allow it last time. The realization darts your eyes to his wide stance, searching for an idea. Without second-guessing yourself, you kick at the other knee. He must find your second attempt amusing because he easily predicts it, but before he can catch your leg, you snap it back and drop yourself to the ground.

The brief distraction allows the second of time needed to fit yourself between his legs. You're slim enough to push through, kicking at the inside of both knees once you're on the other side. His legs buckle, and you reach up to pull his arm, finishing the job.

Once he's down, you scramble to get on top, not caring if your boot kicks his face in the process. You grab both of his wrists and bring them above his head, but it's impossible to wrap your fingers all the way around them. Instead, you lace them through his fingers, breathing hard in his face as your breasts meld against the solid heat of him.

"Did you allow that?"

His voice is rougher than you've ever heard it. "No."

Your lips furl. "Good."

A dark gleam passes through his dilated pupils that makes your head fuzzy. You let go of his hands. Immediately, they gravitate to your hips again, thumbs fiercely pressing into the sliver of skin exposed from where your shirt rides up. You don't move even an inch, frozen in place as you stare down at where he grips you against him. That feeling in your gut deepens and spreads. It is hard to pinpoint—so insane and foreign yet familiar at the same time—but one thing is certain: it begins and ends where his rough skin touches yours.

Before you can figure anything else out, a scream shatters the air, and Ghost rips you off of him in one swift movement.

#simon ghost riley x you #simon riley x reader #ghost #cod #simon ghost riley x reader #fanfiction

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cobragardens · 9 months

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The Colors of Crowley

Black is the color Crowley uses to cover himself, red is the color that represents Crowley to himself, and yellow is the color that represents Crowley to Aziraphale. What each color symbolizes and how it's used give us important information about Crowley (and to some degree Aziraphale) and about the ineffable relationship.

I feel kind of dumb writing this post because I'm sure it's glaringly obvious to everyone else, but there's this Metro UK article of all things (the Metro is owned by the hardcore rightwing Daily Mail, btw, so please don't link to it) that mentions the red stitching on Crowley's gloves in 1867, and it made conscious some details I had only subconsciously noted, so fwiw to anybody else, here are my notes on the colors associated with Crowley in Good Omens and their significance in the context of the way each one is used.

I don't think we need to cover black-as-evil in Western color symbology. [And yet here's a long-ass paragraph about it anyway! --Ed.] Light:dark::good:evil has been a thing with Christianity since before Christianity was even Judaism. The Israelites picked it up from the Zoroastrians way back before YHWH had subsumed El as 'God,' which may have been before they were Israelites as well; I mean it was a LONG time ago. Good Omens has been using black and white to represent Hell and Heaven, respectively, long before the show. In the UK, the book was published in paperback with a choice of black or white cover with an illustration of the contrasting character in the contrasting color: Crowley illustrated in black, Aziraphale in white. The current hardcover is grey.

Crowley wears black, and the Bentley is black. At the metanarrative or authorial level this is obviously for the purposes of the black/white demon/angel contrast, but on the intra-narrative level, the Watsonian level, it's interesting to note that Crowley doesn't have to wear black. He's obviously not free to choose from the full color palette, but Furfur's shirt and sash are is dark emerald green, Dagon is in ultramarine (as befits a marine Elder God), and Shax has only been on Earth for four years before she's wearing head-to-toe oxblood. When she shows up later in battle dress she's got a lot of oxblood there, too. And yet Crowley wears black.

Authorial reasons aside, black suits Crowley for a couple intra-narrative reasons. For much of history, black was the most expensive color to dye and maintain in clothing, and as a result it has always been fashionable. And for several centuries in Christendom, wearing black was also a sign that you were in mourning, which was a social and religious obligation when someone close to you died. Whether you could wear other colors with it depended on how long ago that death had occurred.

Again: black is what Crowley chooses to cover himself, and as there is a sharp distinction between how Crowley presents himself to fulfill his obligations and who he thinks of himself as being, there is likewise a distinction between the colors that represent those two quantities as well.

Red is the color the show uses to represent Crowley to Crowley. The most obvious reason is his hair. This is another change from Book Omens, where Crowley is described as having hair that is "dark." A lot of fans in the UK hated the change when S1 came out because fans hate change and the British have a thing against gingers, but Crowley's red hair suits him better than dark imo because the Mother of Demons in Jewish religious literature, Lilith, is traditionally depicted with red hair. Red hair has been associated for more than a millenium in the Middle East and England and Wales with sorcery, witchcraft, demonic influence/possession, and satan-worship.

Crowley wishes his mom was this cool with snakes.

A good case can be made that Crowley genuinely likes the color red in addition to considering it demonically appropriate. I say this for three reasons. Firstly, because when he has a (limited) choice of (again, demonically appropriate) colors, he always chooses red. The marble of the desk in his apartment is not green or grey. He can have any color stitching on his gloves or lining of his jacket collar he wants, but it's always red. Secondly, it's not only red he chooses, it's almost always bright red.

We know Crowley's red isn't supposed to represent blood or violence, because we have another demon character whose use of red represents just that, and it's not the same red:

Compare Shax' oxblood and burgundy to

and

Crowley's red isn't just red, it's lipstick, cherry, crimson red. And in case we weren't sure that we should read this red as symbolizing passionate, romantic love:

Romantic symbolism aside, bright red is also the color of passion (romantic or otherwise), optimism, heat, vitality, life, (hell)fire, and warning.

Red and black says don't fuck with Jack.

The third reason I think we can safely say that Crowley actually likes the color red is that he hides it. It's always tiny little touches, some of which you have to look for to see. (I still don't know where they snuck in the red on his Elizabethan habit, e.g.) And we know this color is a risk for him, and that he is right to hide it, because Ligur, who doesn't approve of any of Crowley's less-than-fully-demonic embellishments and may share Hastur's opinion that Crowley has gone native, comments on one of Crowley's more noticeably colorful items.

And I think the red tells us one more thing about Crowley, too.

Bright red is the colorest of colors, you know? When we can choose only one color to represent all colors, to represent colorfulness itself, we choose bright red (even in cultures where red symbolizes other meanings than it does in Western art).

Remember how Aziraphale gives Crowley's jacket a tartan collar when he swaps bodies with Crowley and impersonates him in Hell because Aziraphale feels the need to maintain some small secret token of his identity, some tiny unremarked sign of something he loves and thinks is beautiful, when he is down there alone in the gloom among enemies?

Crowley is down there alone among enemies every second of every day and night, whether he's in Hell or on Earth. And he's already had his identity stripped from him once. If you were someone who said

about this

and then you got recruited by the fash downstairs bc the fash upstairs threw you out for not being fashy enough and you had to start wearing nothing but dark colors and more importantly had to hide everything that made you feel warmth or softness or joy, and that was it, that was the deal for eternity, but you could add one (1) little touch to everything you wore to remind yourself that there is some beautiful part of you left, something you loved once, that no one has yet been able to steal or brutalize out of you...what color would the stitching on your gloves be?

Lastly, Yellow represents Crowley to Aziraphale. I'm going to skip the chain of evidence for this bc I think it's obvious, but the way it's used also lends itself to some inferences supported in other areas in the show.

Here's where I think changing Crowley's hair to red from Book Omens' dark is a good decision in another way. Crowley always has red hair, and if he has any color in his clothes it's going to be red. Red is eye-catching; it always stands out, but it doesn't stand out as demonic. And yet the color Aziraphale associates with Crowley and calls "pretty" isn't red.

I suspect that when Aziraphale says he can make Crowley an angel again, Crowley hears "You're not good enough for me to accept you as you are, let me fix you" because these are words Aziraphale has said to him many times, and has meant some of those times. But

tells the audience differently. The color Aziraphale associates with Crowley, the color he calls "pretty," is the color of Crowley's only overtly demonic feature. Aziraphale doesn't love the angel he knew who isn't Crowley, he loves Crowley, the demon, the person he is now, his yellow demon irises.

Yellow appears in three other places in S2, and they're all symbolically significant, and in fact serve to establish another symbolic significance to the color yellow in addition to that of Yellow Is the Color of My True Love's Eyes.

One of them is a feather duster:

Crowley reacts to a feather duster like a cat confronted by an unfamiliar object

The other three are private conversations between Aziraphale and Crowley:

The walls that surround Crowley and Aziraphale when they speak openly about their situation and how they will handle it are drenched in yellow, and that is super interesting, because in Western color symbolism yellow is the color of fear. The archangel of whom Crowley and Aziraphale are both (rightly) terrified wields a tool the color of fear. The color of fear saturates the backdrop of conversations between Aziraphale and Crowley when they have to discuss their situation and their actions openly.

Remember how Aziraphale's voice shakes here?

Crowley realizes the crows have just handed an angel evidence the angel can take to Hell and use to have Crowley killed

Even the Bentley, that clear sign of Aziraphale's love for Crowley, is also a yellow coffin enclosing him. For Aziraphale, thoughts of Crowley are always entangled with fear, because Crowley is not just Crowley, he is also Crowley's Fall.

And I think fear is what Crowley's eyes themselves represent. For Crowley, fear is now a fundamental part of his perception, his nature, his identity.

The angel Aziraphale once knew is not Crowley, and yet from what we've seen, the chiefest difference in character between this sweetheart and this mischief-maker--

--is that the Starmaker does not know yet that he should be afraid, and the Serpent does. That knowledge and its fear has, shall we say, colored his view of the world.

Aziraphale learns that fear early by observing others rather than Falling himself, and knows enough that by the first time we meet him in the Before, he is already afraid.

Pink was once symbolically equivalent to red; in modern Western color symbology it is a color of innocence, youth, beauty, and first love. Hashtag just sayin'.

The cruellest thing this suggests to me is that, rather than rebellion or his propensity to ask questions, rather than the knowledge of good and evil, the Starmaker's Fall was caused by his innocence. it wasn't the questions that were the problem: it was that he didn't know any better than to speak them out loud.

Y'all, Crowley and Aziraphale do not suffer from communication problems. Despite both being male-coded and British, they don't even seem to lack emotional intelligence. What they do have is a universe of silence and fear they have to communicate within and around. What they lack is the safety to speak and love freely. The true color of Crowley is crimson, but someone gave him those eyes, and Aziraphale either watched that happen or knew about it, and now Crowley covers himself in black--which btw is also the symbolic color for mystery and secrets--and only lets Aziraphale see him as he really is now, because Aziraphale won't judge him for his yellow eyes (or punish and forsake him for his questions). Because Aziraphale carries that fear with him too.

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