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kudouusagi · 6 months ago

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Animedia Uryuu Kyouko interview

Not skating but playing karuta!?

Q: What is the scene that you though "this is hot" the most during?

A: While they were playing Karuta! Please feel that true breath of life!

You'll be able to see all sorts of firsts!

You'll be able to see how Sakurayashiki and Nanjou interacted while they were young!

Just as the title says, you'll be able to see their morning routines!

You'll be able to see Hiromi-chan in love!

Click to read the rest of the interview

We asked Kyoko Uryu for secrets about the production of the OVA!

--It's been just about 4 years from when the first season was aired on TV, and the OVA is going to be shown in theaters soon. How did you determine how production would go?

While we were making the first season, people would often say things like "I'd like to do this type of thing in season 2" so there was a strong desire to continue in the production team. So it was determined we'd make a season 2 very soon after we saw the reaction to season one. However, since it's an original anime without a work to base it off of, and the staff had plans to work on other projects, we figured it would take a while to make another season. We decided to produce an OVA before the second season, as we wanted to deliver something new in the meantime, and also as a gift to express our gratitude to the fans who would be waiting for a long time. That ended up taking quite a while too though......(sweat). Thank you so much for waiting......!

--Uryuu-san, please tell us your favorite part of the OVA, that's an "Omnibus story about their everyday lives"

We wanted to make something we couldn't do in the series, and we wanted to make it something that us as the staff would also want to see, so this is an episode we made from all of our ideas. I can't say much about the content yet because it would be spoilers, but I can tell you now that my personal favorite point is the theme song! Not only is it sung by Reki and Langa, the lyrics that Utsumi-san helped produce are amazing, so please listen to the full version on the OVA bonus CD!

--In the commercial currently available, we see Sakurayashiki and Nanjo in their highschool days. Was the part set in the past something you came up with after it was decided there would be an OVA?

Well, we had decided that they've been "frenemies since childhood" before this, but we started from wondering how these two would have been during their school days if they fight like children even as adults..... That's how we went about creating this story. We hope you enjoy seeing their former daily lives(?) that we aren't really able to depict in the main series.

--If there's a character that your impression of has changed, or you've found a new appeal because of the OVA, please tell us!

Kikuchi! Kikuchi is a mysterious character by nature, but I think you'll see a side of him that's completely different from the image you have of him from the TV series.

--Other than the second season that's already being made, there have been various collaborations and pilgrimage tours held for this series that's been loved for a long time. Is there anything that you personally want to see happen for SK8, Uryuu-san?

I feel like the fans of SK8 have a deep love for this series, so if I ever have the change, I'd like to have a tea party or something like that to talk with the fans about the series. I'll never forget about how enthusiastic the fans were at the talk event held during the pilgrimage tour last year (lol). Other than that, I'd like to be able to have a Canada episode someday and be able to hold a Canada pilgrimage tour...... of course before that I'd like to go to Canada with Utsumi-san for location scouting!

--Finally, please give a message to everyone waiting for the OVA to go one sale and the theater screening!

Thank you so much for waiting 4 whole years.

The OVA is made for the fans who are overflowing with love for SK8, and I think it's packed full of rich content for them so please look forward to it!

The limited time theater screening will of course contain the OVA itself, but we also plan to deliver specially edited footage from the first season so that everyone in the theater can enjoy it together, as well as behind-the-scenes talks with the cast and director. There will be footage only shown in the theater so I hope everyone will enjoy it together before the OVA comes out. The OVA packaging will be just as elaborate, if not more than, the series packaging, so we hope you'll pick it up and watch it over and over again!

#sk8 #sk8 the infinity

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dreaminginthedeepsouth · 18 days ago

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Sign of the Day - Boston again… another great overpass banner sign there….

* * * * *

LETTERS FROM AN AMERICAN

June 4, 2025

Heather Cox Richardson

Jun 04, 2025

Just hours after President Donald J. Trump posted on social media yesterday that “[b]ecause of Tariffs, our Economy is BOOMING!” a new report from the Organization for Economic Cooperation and Development (OECD) said the opposite. Founded in 1961, the OECD is a forum in which 38 market-based democracies cooperate to promote sustainable economic growth.

The OECD’s economic outlook reports that economic growth around the globe is slowing because of Trump’s trade war. It projects global growth slowing from 3.3% in 2024 to 2.9% in 2025 and 2026. That economic slowdown is concentrated primarily in the United States, Canada, Mexico, and China.

The OECD predicts that growth in the United States will decline from 2.8% in 2024 to 1.6% in 2025 and 1.5% in 2026.

The nonpartisan Congressional Budget Office (CBO) released two analyses today of Trump’s policies that add more detail to that report. The CBO’s estimate for the effect of Trump’s current tariffs—which are unlikely to stay as they are—is that they will raise inflation and slow economic growth as consumers bear their costs. The CBO says it is hard to anticipate how the tariffs will change purchasing behavior, but it estimates that the tariffs will reduce the deficit by $2.8 trillion over ten years.

Also today, the CBO’s analysis of the Republicans’ “One Big, Beautiful Bill” is that it will add $2.4 trillion to the deficit over the next decade because the $1.2 trillion in spending cuts in the measure do not fully offset the $3.7 trillion in tax cuts for the wealthy and corporations. Republicans have met this CBO score with attacks on the CBO, but its estimate is in keeping with those of a wide range of economists and think tanks.

Taken together, these studies illustrate how Trump’s economic policies are designed to transfer wealth from consumers to the wealthy and corporations. From 1981 to 2021, American policies moved $50 trillion from the bottom 90% of Americans to the top 1%. After Biden stopped that upward transfer, the Trump administration is restarting it again, on steroids.

Just how these policies are affecting Americans is no longer clear, though. Matt Grossman of the Wall Street Journal reported today that economists no longer trust the accuracy of the government’s inflation data. Officials from the Bureau of Labor Statistics, which compiles a huge monthly survey of employment and costs, told economists that staffing shortages and a hiring freeze have forced them to cut back on their research and use less precise methods for figuring out price changes. Grossman reports that the bureau has also cut back on the number of places where it collects data and that the administration has gotten rid of committees of external experts that worked to improve government statistics.

There is more than money at stake in the administration’s policies. The administration's gutting of the government seeks to decimate the modern government that regulates business, provides a basic social safety net, promotes infrastructure, and protects civil rights and to replace it with a government that permits a few wealthy men to rule.

The CBO score for the Republicans’ omnibus bill projects that if it is enacted, 16 million people will lose access to healthcare insurance over the next decade in what is essentially an assault on the Affordable Care Act, also known as Obamacare. The bill also dramatically cuts Supplemental Nutrition Assistance Plan (SNAP) benefits, clean energy credits, aid for student borrowers, benefits for federal workers, and consumer protection services, while requiring the sale of public natural resources.

These cuts continue those the administration has made since Trump took office, many of which fell under the hand of the “Department of Government Efficiency.” But, while billionaire Elon Musk was the figurehead for that group, it appears his main interest was in collecting data. His understudy, Office of Management and Budget director Russell Vought, appears to have determined the direction of the cuts, which did not save money so much as decimate the parts of the government that the authors of Project 2025 wanted to destroy.

Vought was a key author of Project 2025, whose aim is to disrupt and destroy the United States government in order to center a Christian, heteronormative, male-dominated family as the primary element of society. To do so, the plan calls for destroying the administrative state, withdrawing the United States from global affairs, and ending environmental and business regulations.

Yesterday the White House asked Congress to cancel $9.4 billion in already-appropriated spending that the Department of Government Efficiency identified as wasteful, a procedure known as “rescission.” Trump aides say the money funds programs that promote what they consider inappropriate ideologies, including public media networks PBS and NPR; the United States Agency for International Development (USAID), which provides food and basic medical care globally; and PEPFAR, the U.S. President's Emergency Plan for AIDS Relief that was established under President George W. Bush to combat HIV/AIDS in more than 50 countries and is currently credited with saving about 26 million lives.

Vought appeared today before the House Appropriations Committee, where members scolded him for neglecting to provide a budget for the year, which they need to do their jobs. But Vought had plenty to say about the things he is doing. According to ProPublica’s Andy Kroll, he claimed that under Biden “every agency became a tool of the Left.” He said the White House will continue to ask for rescissions, but also noted that, as Project 2025 laid out, he does not believe that the 1974 Impoundment Control Act, which requires the executive branch to spend the money that Congress has appropriated, is constitutional, despite court decisions saying it is.

Representative Rosa DeLauro (D-CT) told Vought: “Be honest, this is never about government efficiency. In fact, an efficient government, a government that capably serves the American people and proves good government is achievable is what you fear the most. You want a government so broken, so dysfunctional, so starved of resources, so full of incompetent political lackeys and bereft of experts and professionals that its departments and agencies cannot feasibly achieve the goals and the missions to which they are lawfully directed. Your goal is privatization, for the biggest companies to have unchecked power, for an economy that does not work for the middle class, for working and vulnerable families. You want the American people to have no one to turn to, but to the billionaires and the corporations this administration has put in charge. Waste, fraud, and abuse are not the targets of this administration. They are your primary objectives.”

The use of the government to impose evangelical beliefs on the country, even at the expense of lives, also appears to be an administration goal. Yesterday, the administration announced it is ending the Biden administration’s 2022 guidance to hospital emergency rooms that accept Medicare—which is virtually all of them—requiring that under the Emergency Medical Treatment and Active Labor Act they must perform an abortion in an emergency if the procedure is necessary to prevent a patient’s organ failure or severe hemorrhaging. The Emergency Medical Treatment and Active Labor Act requires emergency rooms to stabilize patients.

The Trump administration will no longer enforce that policy. Last year, an investigation by the Associated Press found that even when the Biden administration policy was being enforced, dozens of pregnant women, some of whom needed emergency abortions, were turned away from emergency rooms with advice to “let nature take its course.”

Finally tonight, in what seems likely to be an attempt to distract attention from the omnibus bill and all the controversy surrounding it, Trump banned Harvard from hosting foreign students. He also banned nationals from a dozen countries—Afghanistan, Chad, Republic of Congo, Equatorial Guinea, Eritrea, Haiti, Iran, Libya, Myanmar, Somalia, Sudan, and Yemen—from entering the United States, an echo of the travel ban of his first term that threw the country into chaos.

Trump justified his travel ban by citing the attack Sunday in Boulder, Colorado, on peaceful demonstrators marching to support Israeli hostages in Gaza. An Egyptian national who had overstayed a tourist visa hurled Molotov cocktails at the marchers, injuring 15 people.

Egypt is not on the list of countries whose nationals Trump has banned from the United States.

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

#Letters From An American #Heather Cox Richardson #Travel Bans #Project 2025 #economic news #CBO #deficit #delusional #Vought

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accirax · 5 months ago

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Translating and Analyzing Project: Eden's Garden's Title Theme

Haven't personally seen anyone else do this yet, so I figured I'd share my curiosity stirred up by the just-released Main Title Theme Live Symphony Performance with the class.

As a note, I don't speak Latin at all, so I will be relying on Google (including Google Translate) to help me out. Therefore, it's possible that some segments-- especially longer sentences or phrases-- may be translated incorrectly. If you do speak Latin and notice something that's off, I'd love to know!

This post will contain spoilers for Chapter 1, so please don't read this if you aren't caught up. That being said, let's get started with my most enthralling "theory" to date: trying to reverse engineer teaching myself Latin.

Because multiple sets of lyrics are occasionally sung at the same time, it's possible that my screenshots will contain multiple phrases in them. I'll do my best to avoid having that happen as much as possible, but otherwise, the explanatory captions under the pictures should make it clear which section I'm talking about!

A simple search of "omnibus" returns that it means "to all," but "omnibus de omnibus" becomes "everything about everything." This online Latin-English dictionary clarifies that the noun "omnis" can mean "all people" or "all things/everything." The -ibus suffix could be indicative of the locative, dative, or ablative tense. Ohio State University explains that the locative conjugation indicates the place where something happens, the dative conjugation indicates the person to whom something happens, and the ablative tense is really complicated could either mean why something happened (its origin) or how something happened (the means by which it occurred).

From what I can tell, "dubitandum" seems much simpler. It's just the gerund form of the verb "dubitare," which means "to doubt." In English, a gerund is a word that ends in "-ing" but is used as a noun. "Writing" in the sentence "I like writing" is a gerund because writing is a thing (a noun) that I like. Although dubitandum is a viable conjugation for many verb tenses, it seems to appear most often in the accusative case, which refers to "the end destination."

Stringing it together, "omnibus de omnibus dubitandum" would probably mean something like "all people will eventually doubt everything", or, as Google Translate would put it, "to doubt everything about everything."

"De omnibus dubitandum" specifically is apparently a common phrase (attributed to Renee Descartes) that just means "doubt everything." According to the link I just pasted, it was also a favorite saying of Karl Marx. C-Cassidy...?

Next is both a low register and a high register singing "fiat voluntas tu." "Fiat" is the singular present tense of "to do," so basically just "do." "Voluntas" seems to pop up most frequently as a noun, meaning "will" or "intent." And "tua", much like the Spanish "tú," just means "your." Smashing those together results in "do your will," or as Google Translate more eloquently puts it, "your will be done." "Thy will be done," if you want to get really fancy.

Here comes a long one. In total, the full sentence reads, "liber scriptus proferetur, in quo totem continentur, unde mundus judicetur." Thankfully, I don't have to translate this one. My boy William Josiah Irons already did it for me!

Reason being, this line is taken directly from the medieval Latin poem Dies Irae, AKA Day of Wrath, by Thomas of Celano. (And no, I did not know this offhand, I had to look this up too). Irons' translation tries to keep the original rhyme and meter of the Latin version, so if you want to sing along, use this:

Lo, the book, exactly worded, Wherein all hath been recorded, Thence shall judgement be awarded.

However, if that version is a bit too fancy for you, Wikipedia has a more modern translation:

The written book will be brought forth, in which all is contained, from which the world shall be judged.

If you're like me and know nothing about religion, you might see "book" in a medieval Roman (AKA Catholic) song and immediately assume that they're talking about the Bible. However, if Wikipedia is to be believed, they're referencing a different piece of literature which, to be fair, is at least mentioned in the Bible...! The Book of Life in Christian faith is "God’s record of all those over the centuries who have trusted Christ as their Savior and have followed Him as Lord." Therefore, the "all that is contained" would refer to the names of all of the holy people who believe in Catholicism.

The world-judging bit refers to "Judgment Day" or "The Last Judgment." That term refers to belief that, someday, Jesus Christ will return to Earth, and at that point, God will judge everyone who's ever lived, saving the faithful people and damning the non-believers. There are varying beliefs on whether more people would be saved or more people would be damned, but considering the song is called "Day of Wrath," I have to imagine Mr. Celano wasn't that optimistic. This song is famously associated with Catholic funeral masses too, so that upbeat attitude really stuck.

I could barely even hear this part under the music, but the subtitles alerted me to the fact that the chorus chants "da mihi factum, dabo tibi ius" here! This is another one I don't have to translate, because it's a reference to something else B)

"Da mihi factum, dabo tibi ius" means "give me the facts, I will give you law," according to A Guide to Latin in International Law via Oxford Reference. The reason why it's written in Latin is because, apparently, this saying originates from the Roman court system.

Looking at the bottom row, the lower-pitched chanting says, "vulnerant omnia, ultima necat." This semi-common phrase typically translates to, "all hours wound, the last one kills," even if the "hour" ("horae") isn't included.

The top comment on this Reddit thread breaks it down the way I would if I inherently knew Latin:

Let's review the underlying grammar: Vulnerant=they wound omnia is ambiguous because it can be both the subject and the object of vulnerant. However, in this case, horae is understood to be the subject, so omnia must be the object. It means all things. If it were omnes, then it would also be ambiguous because omnes can also be both as well. [...] So Vulnerant omnia [horae]=all [hours] wound* or the hours wound all things. The second one isn't very pleasant. And Vulnerant omnes [horae]=all [hours] wound* or the hours wound [men/men and women]. Ultima necat=the last kills

The comment also elaborates that the "horae" is assumed because the phrase is often found on clocks or sundials in churches. Many different sources return this phrase (or slight variations on it) including hours in the meaning, so I'm inclined to believe that it's true.

The bottom line repeats the same phrase again after this, so I won't include it for a second time.

Our final line! In the middle row, we have "Opere et veritate, de omnibus dubitandum!" This one isn't a reference, but luckily it's still easy enough to figure out.

The second half of the sentence is something we've looked at before. As a recap, "de" means "of," "omnibus" means "of everything/everyone", and dubitandum means "doubting." So, the second half of the sentence will probably mean something like "doubting of everything."

"Opere," much like "opus" is a noun meaning "work," as in a work of art. "Et" means "and," and "veritate" means "truth." The handy-dandy Latin-Is-Simple.com conveniently puts this together as "in action and in truth."

Together, the sentence means something like "in action and in truth, have doubt of everything/everyone." Google Translate puts it as "by work and truth, we must doubt everything," but I like my translation better.

Therefore, altogether, here's a rough translation of the P:EG theme's lyrics:

All people will eventually doubt everything... Thy will be done... The Book of Life will be brought forth, in which the names of all the holy are contained, and then the world will be judged. Give me the facts, I will give you law! All hours wound, the last hour kills. In action and truth, doubt everything and everyone. All hours wound, the last hour kills!

So, let's swap out our translator hats for lyrical analysis hats, 'cause there's obviously a lot here to relate to P:EG and the concept of killing games as a whole.

The first two lines paired together are a prophecy, a threat and a promise combined. Basically, the choir is saying, "you think that people will eventually doubt everything? Well, here's your wish come true!" The line clearly connects to Damon and his core philosophy. As long as Damon continues to not want to trust anybody, then nobody will seem trustworthy. Furthermore, if Damon continues to not trust others, that means there will always be one person in the group who won't be trustful, so everyone being trustful is impossible.

Not that it's much of a surprise, but the kinda judgy tone of these first two lyrics definitely implies that Damon's attitude will be challenged (and likely corrected) at some point in the story. "Thy will" was a stylization, but the truth remains that the phrase referred to a singular entity. The lyrics place the focus on a single individual, and blames them for everything that follows by implying that the lack of trust is their fault. It's very reminiscent of the end of the Prologue, where the entire class blames Damon and Eva for ruining the vibes between them.

The Day of Wrath section continues the game's religious theming, invoking discussions of the end of all times. Although I doubt a literal Armageddon will happen in P:EG, I can certainly understand how the participants of the killing game would consider it the end of all things. Certainly, a lot of less-than-virtuous people will be dying here, especially if you're under the assumption that everyone who kills is morally bankrupt.

It's certainly an interesting implication that those in the killing game who are most virtuous might be the ones who are saved. Are they just extending that morality to how likely someone is to kill them? Like, people wouldn't kill you if they think you're cool? There is also the argument that students who are too curious or have something to hide are more likely to find themselves in deadly situations (a la Wolfgang), leaving the less bold students alive in the end. Still, that's not as much of a judgment on God's (Tozu's?) part.

Something in me wonders if this killing game might have been created as a challenge. I don't think that the motivations behind it would be to punish this group of students in particular-- we know semi-factually that some of their deepest, darkest secrets are hardly anything to sneeze at. Instead of being so targeted, the goal would be to have most of the students fail, while a select few succeed.

There's a definite possibility that Eden's Garden College-- and the titular Project: Eden's Garden-- is a ploy to weed out the "fake Ultimates" by proving who truly has what it takes to succeed in the cutthroat world of business by literally cutting people's throats. Becoming the "true face of talent" could mean literally erasing the other faces of those who weigh the title of Ultimate down; with so many Ultimates around, it's easy to not notice if one or two go missing.

If we're in a world where talent is valued above all else, the "virtue" that Tozu could be sparing them for could be talent itself. "Leadership, communication, and persuasion" are certainly skills that could help you survive a Class Trial (whether as a blackened or spotless). Depending how deep the corruption goes in this world, it's possible that the graduates of Eden's Garden Academy-- survivors of former killing games-- are simply willing to keep quiet about the Academy's dark secret if it means that they can claim all of the accolades for themselves. They fought for and earned it, after all.

If this is the direction the story takes, I can definitely see how making someone like Damon the protagonist would be the perfect choice. For him to spend all game talking about his superiority and belief in the talents of the Academy only to learn that all of the Ultimates he admired kept 14 nearly-as-talented skeletons in their closet would surely create an interesting internal conflict for the final Class Trial.

This is all just a theory, as there are plenty of other ways the Day of Wrath poem could relate to P:EG. However, I think it's a theory with a decent backing behind it.

"Give me the facts, I will give you law"-- I mean, that has to relate to Wolfgang, right? Even beyond the fact that it just says "law" in it, it's international law, perfect for an Ultimate Lawyer who wants to unite everyone. This line could definitely indicate how Wolfgang took Damon's facts (that some people in the Academy would be willing to kill) and turned them into ammunition for his own missive. If I were writing this analysis before Ch1 dropped, I would probably have speculated more about the future rivalry between Damon and Wolfgang. Instead, Damon and Wolfgang's "rivalry" is already over, with honestly not that much beef between them.

Given that Wolfgang is dead, it's also worth it to consider this outside of a Wolfgang context moving forward. This line could also relate to Damon's experiences in solving a Class Trial: after getting the facts of the case, Damon goes to the Class Trial Grounds and lays down the law.

"All hours wound, the last hour kills" is super interesting in the context of a killing game. My immediate connection was to the chapters, or in-universe Trials, of the killing game. All chapters of the game will wound Damon and the eventual other survivors, but it's the final chapter in which they're confronted with the true despairs of the world.

Another interpretation could work on a more chapter-by-chapter basis: every day in the killing game damages something, whether it's the killer's sanity or their business/reputation out in the real world, so it's in their "last hour" when they snap and need to get out. Especially with the ticking clock of the Traitor Perk out there for Eva at least and possibly future killers as well, time feels like a big factor.

In general, I would assume that (if the quote is found on clocks in churches) the phrase probably means something along the lines of "don't procrastinate," which could also be applied to the concept of Ultimates in general. They're always on that grindset.

And finally, "in action and truth, don't trust anything or anyone." This line is pretty unremarkable (being a pretty obvious repetition of Damon's mindset at the beginning of the game) other than in contrast with the beginning of the song. As I said, at the beginning of the song, the choir was almost reprimanding Damon with their "thy will be done." However, here, not trusting anything or anyone is spoken more like advice.

It could be that the choir was actually speaking more neutrally at the beginning, and that they're willing to accept the lack of trust because they always knew it would happen. Or, it could be that, by this point in the song, the lyrics have shifted to represent Damon's point of view instead of the universe's. If "I will give you law" did relate to Damon laying down the law, maybe that "I" pronoun is the point of the song at which the lyrics become Damon's thoughts?

Otherwise, maybe the choir is just meant to make Damon feel bad no matter what he does. Let's assume that, over the course of the game, Damon will come to trust certain individuals more. If true, then at the beginning of the game, the choir could be like "damn if you want to not trust people then it's kinda your fault what happens next dude," and closer to the end they could be like "oooooooh you wanna not trust people so bad remember Eva?" If the song is just meant to be an imposing feel-bad moment, then the emotions of the impartial choir could be unimportant.

And, well, that's the song! As is basically my brand, this post wound up way longer than I thought it would, back when I thought I was just going to Google Translate all the lyrics and be done with it. But, I hope that learning a bit about Latin was intriguing (assuming I did it correctly), and that the plotlines implied by the lyrics have given you a bit to chew on!

Still working on the overall Ch1 review/analysis, I just thought that writing this post would only take me, like, half an hour... Hopefully I'll see you back whenever that's done! Until then!

#project: eden's garden #p:eg #p:eg spoilers #fanganronpa #damon maitsu #wolfgang akire #can you tell i just finished reading the under.tale legends of localization book #that book slaps btw if you like this post and that game you should totally read it it's free online #i so hope i didn't fuck up the latin horribly but i think it all makes sense?#it helps my confidence that a good portion of the song was previously known saying lol #my theories

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moutheyes · 3 months ago

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Us, Perfect 10 Liners, and other scattered QL thoughts

Although I've been pretty good about tracking and keeping my MDL notes organized this year, I haven't done one of these posts in a while, but the finale episodes of Us and Perfect 10 Liners have converged in a single weekend so now's a good opportunity to sort out some thoughts about recently watched QL and do a first quarter-ish summary:

The year so far:

Total series completed: 18 (11 current year, 7 backlist)

Country breakdown: Thailand (14), Japan (4) oops lol dw I'm starting a Korean show this week

Highest rated of 2025: Gelboys, and it won't be surpassed

Lowest rated of 2025: Petrichor

Highest rated backlist: Be My Favorite

Lowest rated backlist: My Personal Weatherman

Original script counter: 5

OK onto the meat. Spoilers for recently ended shows under the cut!

This series was not just a love story, but a love letter to the pain of grief, the torment of abandonment, the grace of healing, the transcendence of mutual love, the warmth of a true community, and the fulfillment of finding or forging one's own family. While some of the saccharine parts in the middle episodes did feel a little overwrought to me, I loved the buildup to the final act, the resolution made sense, and any growth in these characters was hard-earned. In a story with less conviction behind it, dokrak's independence might have been muted due to external conflicts, or the romantic overtones might have clashed with the family drama, but here it was well-balanced; everything naturally dovetailed with each other in service of the larger themes of the show.

I could spend paragraphs alone on how solid the surrounding cast was. Grandma Bua's even-keeled outlook on life and death was one of the most poignant parts of the show, and Kawi was just absolutely marinated in eldest-sibling melancholy (Sing did the role so much justice). Under the sure-handed direction of p'Fon, this show tackled difficult themes in a wonderfully measured way, not shying away from trauma and dysfunction and suffering but never plunging the audience into true despair either. Loneliness was always countered by companionship, doubt soothed by affirmations, and the central romance between Pam and Dokrak underpinned all of that. I really think EmiBonnie is my favorite GL pairing to date—they delivered magnetic natural chemistry and some of the best sapphic intimacy we've seen in Thai QL, even when they weren't touching. (Also some really nice OST tracks!) I'm so excited to see what they do next.

Initial rating: 9.25

Perfect 10 Liners

This is one of those shows that I find myself having to evaluate based purely on the story and characters alone, because p'New's many, ah, idiosyncrasies as a director are a feature rather than a bug at this point, and I find it tiresome to rehash. But unlike the frictionlessness of We Are (his last project for GMMTV—I've only experienced Fourever You through fmvs and gifsets which I gather is for the best), the omnibus structure of Perfect 10 Liners had built-in vibe shifts, which worked to its favor. I must admit that the ArmArc story left absolutely no impression on me, but YothaGun and FaifaWine got progressively stronger and more compelling, thanks to the ability to develop these sets of characters across longer periods of time as well as more entangled familial relationships.

What the last two sections of the show did so well was balance its farcical + comedic elements with heavier storytelling, in the form of Yotha and Faifa's family hangups. This gave their characters more depth, reinforced by tremendous acting from Perth and Junior in those roles, which in turn enhanced the romantic dynamics and complementary healing for these two pairs in particular. The last half of FaifaWine's arc was especially satisfying, as the larger group dynamics came into play, and the final episode was honestly a riot. Completely corny and unserious, but still managed to tie a tidy bow around everyone's stories. (Except you, Pipo. GMMTV I am begging—nay, demanding—that the twins get their own comedy series in 2026. I don't care if it's QL or the most heterosexual thing ever, I think it could fix me.)

Initial rating: 7.25

And to close out, a few thoughts about some recent backlist watches (ratings in parentheses):

I finished Reverse 4 You yesterday; it was one of my list of series to catch up on (two down!), and luckily the sequel just finished airing so I can move immediately to that one. So I think I'll do a bigger write-up after finishing Reverse with Me aha sorry for the fakeout.

Fine, a real review: Be My Favorite blew me away. It is so rare to get a genre mashup BL that doesn't skimp on any of its components. BMF is a speculative coming-of-age romcom, and it delivers on all fronts thanks to a truly excellent script. I was surprised by how much I genuinely enjoyed the character work; Kawi and Pisaeng's storylines were already incredibly rendered, but the show made me care deeply about Pear, Max, Kwan, all the way down to the parental figures. It took a compassionate approach to the thesis that everyone makes mistakes in life, and everyone is bound to experience disappointment, but kindness and honesty can be a powerful salve. The optimism wasn't cloying, either, because they were lessons learned organically from each character's journey. Finally, the subverted time skip trope made me happy, the title track is one of my favorites across all GMMTV shows, and the acting was top-to-bottom stellar. (9.5)

So, I had friends telling me how good BMF was even while it was airing (thanks @merryfuture ilu), and I think part of me knew that I was keeping it on the shelf for a time when I'd truly be ready to appreciate it. And that time was after finally watching the entirety of SOTUS from start to finish and thus gaining appreciation for Krist's specific niche of BL blorbo—a project that was spurred on by some thoughtful, thorough posts from @maybe-boys-do-love and @thebroccolination (among others? sorry if I've forgotten). I have a ton of notes for these series, but to try and keep this post from spiraling totally out of control, I'll just say that SOTUS should be required viewing for anyone who wants to understand how the uni campus functions as not only a backdrop but a site of possibility in Thai BL; it also had an underrated and excellent slow burn—if a show is going to maintain a low simmer for that long, heat is still required, and between Singto's searing gaze and Krist's clenched jaw, the tension was electric. However, it's SOTUS S—and specifically Arthit's growth in this new phase of his life, that I hold dearest to me. Removing him from the campus setting, where he had seniority and power and—most importantly—a considerable level of comfort, meant he had to start from square one when it came to social interactions and finding his footing, and his relationship with Kongpob intertwined with those conflicts nicely. Character of all time, maybe. (8.0, 8.25)

Thank you for reading!

#us the series #perfect 10 liners #p10l #be my favorite #sotus #sotus the series #sotus s #well this lowkey turned into a krist appreciation post #way past my bedtime wtf i blame pipo i'm still laughing over that final scene

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