Victorian slang that needs to come back that isn’t just “morbs ”
Some pumpkins: someone or something impressive. 1846: One of them thinks he's got a scrub (horse) that's some pumpkins.
Absquatulate: to take leave, to disappear.
1843: A can of oysters was discovered in our office by a friend, and he absquatulated with it, and left us with our mouth watering.
Boodle: a crowd of people.
1833: He declared he'd fight the whole boodle of 'em.
Hornswoggle, honey-fuggled: to cheat; to pull the wool over one's eyes. 1856: Pardon me for using the word; but Sharp honeyfuggled around me. Mr. Bennet, Nebraska, House of Reps., Congressional Globe, July 22, p.965 1860: P.E is going to hornswoggle the Democrats.
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Some Mountain and Ifrit fluff because i feel people kinda forget Mountain was also part of the Popestar ghouls and I need more of those two interacting.
Mountain's lips twitch up when the smell of cedar and caramel fills his nostrils, a second before strong arms wrap around his waist from behind.
"Hello, Ifrit. Everything alright ?"
The fire ghoul pushes his forhead between Mountain's shoulderblades with a small noise. It's an awfully warm day, everyone sweating bullets, and yet Mountain wouldn't dream of pushing Ifrit off him, as hot - in every ways- as he is, the fire ghoul's skin feeling like he laid down under the sun for hours.
Still bent over a wooden table in the greenhouse, Mountain checks one last time the state of the struggling plant he attempted to save for the better part of the day, before straightening and turning around in Ifrit's hold despite the fire ghoul's dramatic whining.
They both realize how the other is dressed at the same time, eyes raking up and down the other's frame.
Well, as for Ifrit, "dressed" is a generous word. In nothing but very short bright pink shorts with the ghost logo printed on the ass, hidding absolutely nothing, the fire ghoul looks positively slutty.
"Why are you dressed like those oversexualized characters in action movies ?"
Ifrit snorts.
"Just missing the shirt tied in a knot right under my huge tiddies, uh ? 's comfy. You're one to talk, looking like a victorian wet dream."
Mountain glances down at his brown pants, held by leather suspenders over a widely opened flowy white shirt, sleeves rolled up to his elbows, and admits to himself that he does look nice.
"Point taken. Is there something I can do for you, firebird ?"
Ifrit grins, retrieving a bag he probably dropped to hug Mountain, from which he extirpates a reusable bottle with lemons and daises doodled on it. With a flourish, he hands it to the earth ghoul.
"Lemonade. Zephyr made it. They thought you'd be thirsty, working your ass off in that weather."
The bottle is blissfully cold in Mountain's hands, probably kept that way by the air ghoul's doing, but he doesn't even have time to thank anyone before a box is shoved in his arms.
"And that's from me. Cupcake. Pistacchio and raspberries. Fresh out the oven. They're still a bit hot though, so you can wait to eat them since it's like, so freaking hot already, but anywa-"
Mountain cuts Ifrit off with a kiss, tasting the raspberries the fire ghoul indoubtably snatched while cooking directly from his lips.
When Mountain leans back with a smug smirk, Ifrit just blinks at him, mouth hanging half opened and cheeks flushed.
"...what was that for ?"
Dragging Ifrit toward an old bench, Mountain huffs.
"That was a thank you."
With a wheezing laugh, Ifrit sits right after Mountain, not questioning the manhandling for a second.
"Remind me to cover you in gifts then."
The box of cupcakes is swiftly opened, filling the greenhouse with its mouth-watering smell, bottle uncapped just as quickly.
"We're sharing this," Mountain anounces.
Ifrit opens his mouth to protest, but the earth ghoul is faster, shoving a cupcake in the fire ghoul's mouth before any sound can be uttered. Only barely avoiding to drop it, green frosting smeared on his nose and upper lips, Ifrit cackles, nearly slipping off the bench and dragging Mountain with him in his attempt to keep his balance.
"You- mrgh - absolute bastard," the fire ghould chuckles in between bites.
The lemonade tastes divine in the suffocating atmosphere of the sun-drenched afternoon, the cupcakes a welcome sweetness after long hours of work, but better than anything, Mountain thinks, is Ifrit smiling soft and tender at him, eyes crinkling in the corners, his laughter bouncing off the greenhouse's glass panels.
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Ok but, regarding TMAGP 27, I can't stop thinking about Jonah writing, after sending Archibald to a certain death, "It is done, and I am surprised to find how little remorse I feel." It reminds me of his statement in MAG 160:
"The discovery, not simply of the dark and horrible reality of the world in which you live, but that you would quite willingly doom that world and confine the billions in it to an eternity of terror and suffering, all to ensure your own happiness, to place yourself beyond pain and death and fear. (...) It is an awful thing to know about yourself."
I will never get tired of little details about his life being revealed (regardless of the timeline/dimension) because the parallel between his discovery of the supernatural world and the discovery of his own true self and the things he's capable of is so interesting and compelling to me.
Along with the knowledge of the horrors that exist in his world comes the horror of the realization that he might be capable of anything to stop feeling scared and vulnerable, to put himself over everybody else if necessary. Every time curiosity leads him into a new experiment, a new sacrifice in the name of knowledge, he lets go a little bit of himself and his morality. And then, as it happened with Archibald, and as it happened with Barnabas in another world, he feels surprised of how easy it was. Of how he doesn't feel regret or grief, how at most he finds himself thinking that it was all a pity. So it becomes even easier each time, he finds freedom in it, as he also mentions in MAG 160— and one sacrifice after another, it all becomes incredibly simple. There is no fear of losing himself, only the fear of death and pain remains, and only after that process of two hundreds years can one condemn the world for his own sake.
The progressive descent into evil of Jonah Magnus, slowly exposed through statements and letters, will never stop being one of the more interesting parts of this podcast imo.
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Thinking about the convolution of Eleventh Doctor's expressions of love for River Song in Season 7B. He does not trust Clara. He is utterly (wrongly) convinced that he and Clara are playing a grand manipulative game together. “What are you, eh?! A trick? A trap?!!”
So naturally, the last thing he should do in this game is to clue his opponent in on something that could be used to hurt him. Something like River, so painfully near the end of their time together, whose data ghost he can always see, who “it would hurt too much” to acknowledge. He can't let Clara know of the loss which constantly floods his senses; (“You are always here to me. And I always listen, and I can always see you,” he professes, once Clara has vanished into his timestream).
And yet. River fills his every moment (irregardless of any sneaking out for dates with increasingly-young Rivers while Clara is asleep like he did while the Ponds slept, which would explain his absence when the TARDIS is hiding Clara's bedroom). Even though it's not strategic, he can’t help but tell Clara about her. The best defense he can manage is to phrase it as if River isn’t as important to him as she is. Not only is avoiding her first name in his grief; he's also completely avoiding pronouns; which seems extreme given that he's still mentioning her as often as: “Oh yeah, of course he has! Professor Song! Sorry, it's just I never realized you were a woman.”
Leave out the emotion — leave out the details — don't show the cracks in the armor — play the part — win the game.
“Well, there's no point now. We're about to die. JUST TELL ME WHO YOU ARE.”
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