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#only 6 more episodes until the end of the season? wack
miss-bluerose · 9 months
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TDI23 Season 2 ep 5 and 6 thoughts and theories. Spoilers ahead.
*I have seen the character spoilers for eps 8-10 but I'll only mention the challenges in this post.*
Ep 5: Running around an ice berg doing either an obstacle course or a maze to collect keys that will open a safe to retrieve a coin and bring it back to the island. This challenge was alright and the angry baby seals were funny. And the Yeti showed up again but didn't do much.
Ep 6: Partner up with someone, grab a canoe, get it to the water, then joust against your partner with a dueling stick to win and advance in the bracket. This is the third reference to Squid Game and I'm a little disappointed with some of the duo's tbh. I would have loved to see Raj vs Wayne and Julia vs MK but at least there was Axel vs Ripper. The final part with the horses on water skis was wack but at least they didn't get hurt.
*Ep 7: cake baking and a special guest judge
*Ep 8: human pinball
*Ep 9: tearing apart large objects
*Ep 10: memory game
*Ep 11: hunted by attack dogs and a pug
*Ep 12: fishhook challenge involving their worst fears
*Ep 13: final episode of the season
Merging the teams with 11 people left is crazy to me but I guess Chris just wanted to make MK suffer right away after she stole his hairdryer. There is also an immunity idol hidden somewhere and I hope Zee finds it, I'm still rooting for him to win! 💪
Chris:
I enjoyed him suffering through a bad hair day and loved how Chef kept giving him funny styles. So he did know about the cheating but didn't do anything about it until MK crossed him personally which doesn't shock me at all tbh. I'm glad he made her suffer though but Julia still needs to get her own dose of karma too. 🙏
Chef:
Owned a hair salon in the 80s and it shows lol. I laughed at his medieval outfit and his small moment in the confessional.
Eliminated contestants:
16th: Lauren/Scary Girl - still no sightings but ep 12 is going to involve the contestants worst fears so maybe she'll show up then? 🤞
15th: Chase
14th: Millie
13th: Emma
12th: Nichelle - She did pretty well in the challenge and I loved her sass towards Julia at the beginning but then she gets hired for a movie trilogy and quits the show just like that??? I feel bad for her since the contract is fake but she did save Zee from probably being eliminated but damn, what a way to end a character arc if there isn't a season 3. Hopefully she'll get taken back by Hollywood anyway now that she's a badass.
11th: Bowie - He let the girls + Ripper cheat in the ice challenge but put his foot down when they went too far in front of Raj and Wayne which was great to see. He didn't have too much angst with his boyfriend and they are staying together. His elimination was complete crap and no one can convince me that the Rat Faces dislike him more than Julia or MK.
Merge
Priya:
I still don't like her crush on Caleb and now that the teams are merged it's only going to get more annoying I fear. Her kissing her pillow was weird and telling her secret to Zee was a bad move. They both have controlling/strict parents and are starting to bond more than they were before but drama is likely on the horizon.
Caleb:
He really is as dense as plywood. Of course he's started to develop feelings for Priya right after he told Zee that he's only spending time with her to make an alliance with her. 🙄 The drama is coming, I can smell it.
Damien:
I laughed at him sassing Chris about being a bad person. He picked up on Priya's and Caleb's closeness, plays DND and he won the jousting challenge somehow, good for him! Ep 12 is the fear challenge so I can see him sticking around to face off against Lauren which would be really great to see. 👀
Axel:
She's just making out with Ripper a lot and not much else, super disappointing to see. 😔
Zee:
He found out about Priya's crush but is terrible at keeping secrets. I thought it was funny how the soda cans kept multiplying every time he was in the confessional. Pee isn't strong enough to melt that much snow/ice at once. He barely avoided elimination thanks to Nichelle quitting but I'm really worried about him. He thinks that Caleb just wants an alliance with Priya and doesn't know that he's started developing feelings for her which will most definitely lead to him spilling the beans and possibly being targeted for elimination. I really hope he finds the immunity idol to stay in the game longer or wins immunity when he needs to. I'm not ready for him to go home yet! I also want to know what he was going to ask Priya when he walked in on her kissing her pillow. 👀👀👀
Raj:
It was great to see him angry about his team cheating again but I'm glad that he didn't break up with Bowie. I hope he gets back at Julia for getting him eliminated somehow.
Wayne:
He was angry about the cheating too but it came off as more comical than Raj's anger. Him looking in two different directions freaked me out and apparently he has a really thick skull that got him included in a medical journal. I laughed at him annoying Julia and I hope he helps Raj get back at her.
Julia:
She is an absolute savage and has no qualms about being as underhanded as she needs to as long as she gets what she wants. She also has mile-thick plot armor to not get eliminated in the first episode of the merge. I'm beginning to think that she'll be the one to betray MK first before the reverse can happen. I can't wait for her to get what's coming to her.
MK:
Cheating has consequences, especially when you screw over Chris. I thoroughly enjoyed watching her suffer for everything that she's done but she didn't get eliminated which means that there could be more karma to come her way.
Ripper:
He's just making out with Axel a lot and is apparently fine with cheating in challenges. Not sure when he'll get eliminated but hopefully soon. I think he's the pain magnet for the season.
Each week I get more stressed out about what will happen next and I think that is a pretty impressive feat for a cartoon show meant for a younger audience or I'm just weird like that. 🤪 Excited for tomorrow, thanks for reading!
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onwegolove · 2 years
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every week it’s like yay another star trek strange new worlds episode!! oh no one less star trek strange new worlds episode
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kimberlyannharts · 3 years
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I'm sorry if I come across as being a dick here, but how is "too many rangers" a flimsy excuse? Sure Kyoryuger had 10 rangers, but you still have to remember that they only started off with 6 main characters (the core 5 and Torin). Kyuranger meanwhile had like 10 main characters within the 5th episode, and two more rangers join partway through. So a PR adaptation would have to deal with 12 main characters within 40 episodes AND the two-season split (if it was still under Nickelodeon). Again, I don't want to come across like I'm being rude about this, but it bugs me whenever people bring up Dino Charge as an example for why Kyuranger should be adapted
i can understand wanting less rangers on the show due to COVID restrictions or PR's wack payment system causing trouble for that many top-billed names in the opening credits. that i have no trouble with. and i don't know! maybe those are factors that went into it that can't be shared with the public
that being said though i'm not really sure though how 10 main characters within the first five episodes is that big a deal for this show? Xhao and Raptor fill the basic mentor and assistant slots. Lucky, Garu, Hammy, Spada, and Champ make up the core team. Balance and Naga work as a pair until the evil Naga storyline. Stinger does his own thing separate from the group for a while, and even then gets paired up with Champ, etc. and that's not even going into how they could literally work with the Sentai footage however they wanted
i would think all that would mean is you just have less reoccurring civilian characters, which was what they did with Dino Charge; the only reoccurring non-villain character that didn't end up becoming a ranger was Keeper. Dino Fury introduced the main five rangers, Solon, Warden Garcia, Dr. Akana, Jane, and J-Borg in the first five episodes
idk. sure it would take tweaking, but i don't think it would be a completely daunting task
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guild-guardian · 6 years
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Spoiler Free review of “All or Nothing”
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After a cut because long post, many words, skritt math. 
The Story (No details)
Overall it's probably one of the best executed episodes worth of story that they’ve released in the last couple of Seasons. 
The Final Battle is more akin to the kind of scale you see in the Zorah Magdaros battle in Monster Hunter World than you’d expect to find in GW2, and that was a huge improvement compared to previous Elder Dragon battles. Having an active role in the battle, along with the NPCs not just “swinging their sword Oh look they swung it again” at trash mobs, and actually being useful- firing siege weapons, fighting mobs, picking you up if you get downed
So many call backs to minor named NPCs- some personal early personal story, and others from pact/priory/vigil etc It lead to a feeling of being surrounded by familiar faces as you lead the charge.  The short piece after the battle was also a well designed experience- the lack of UI and the “damage” lines that you felt when Balthazar killed you in PoF, further push the “oh fuck we’re pretty badly wounded”, along with the forced walk/limp and fall to our knees when we try to hop down along the uneven floor. The main character’s animation here was excellent and slow pace allowed Anet to sculpt a tightly designed experience that is as shocking as it is memorable. I won’t forget that last visual.
Brandon Bales and Debi Derryberry probably did the best voice work in this episode (imo- I haven't played it through on a non-sylvari male). It was extremely immersive and I totally bought what was happening as they expressed it.  I appreciated that the Zephyrites’ song/choir got further development, and how its relevant to the story just made it a really nice touch overall. 
I did think it felt very short- only 3 instances. It may be that they pushed the pacing to emphasise the commander rushing headlong and gambling dangerously on the first ideas that come to them, and they do love a cliffhanger at the end.  It ends on a flat note though, you can’t even interact with story NPCs after you finish it- nothing in the shiverpeaks map changes, no dialogue no “I’m just checking in” updates, nothing.  Final Note: WHERE ARE KASMEER AND MARJORY 
The Map
Huge! Ruins! Subterranean structures! Exploring! Absolutely nailed the Guild Wars 1 Shiverpeak atmosphere.but uh...not much to do past that. 
The Thunderhead Keep meta is fun- I love defense events that allow us to set traps, build barricades and ballistae. The Boss is TOO BRIGHT. It is impossible to see even with effects turned down and post processing off. Anet needs to reassess their priorities with visual telegraphing because right now you can’t see a thing, never mind reacting to the thing. 
Minor Quibble. UH WHERE DID THAT CLIFF AND PIT COME FROM? I’m pretty sure that the mountains just...continued north of the keep in GW1, and a little further north you’d come to the Mursaat teleporter to Hell’s Precipice. 
The dredge meta is...hard to get people to defend the 2nd and 3rd drills- I’ve yet to be successful on this one. 
The delay between meta active times feels a bit long, and perhaps its just the layout of this one, but there isn’t much notification if North or south meta is happening/how long until X etc. 
I don’t like that Map Completion can’t be soloed- Both metas are required. Unless you find a friendly mesmer or buy the Light of Deldrimor from the TP. 
Past the Metas, I’ve seen maybe 5 or 6 events tops on this huge environment. That is pretty woeful. I get that this was probably a high budget episode with two cutscenes, unique character animations and PvE environments built to scale with the GW1 counterparts (why did dwarves build so big anyway?), but the overall quiet map is a bit of a let down- considering the variety of content available in Jahai.
I adore the skritt/priory interactions, and an above ground village of Dredge being shown in in a positive light. Even if literally every member of the survivors has had to kill their friends and family with their own hands. 
The Mastery 
Heavily Situational and will take some getting used to. It doesn’t have that immediate “Good Feel” as mounting your griffon midair or while gliding. Being “animation locked” for most of the launch prevents you from gliding or re-mounting, so you just plummet for the most part and lose out on any air you might have hoped to gain from using it. 
At least we can be thankful it wasn’t required to complete the story or meta.
The Fractal
Dreams: Crushed Hopes: Sundered Orr: Ignored.  Instead of picking an interesting pirate/corsair character that could use a bit of story development, they go with the boisterous ghost from the Lion’s Arch Jumping Puzzle. 
This fractal is short (at T1- it’ll likely have more complexity as you go up) and very sparse on story. The music is good, and the environment is good. Dessa continues to be the shining star of most fractals with her responses to the situations she gets to observe.  Probably won't be the new Challenge mode fractal that people were hoping for, but the fight mechanics are fun and different. 
I’d appreciate it if Anet could relinquish their choke grip they’ve had on talk like a pirate day 2012 that seems to permeate all of their pirate related content- it always feels kind of like even the characters themselves don’t take themselves seriously. There's just something pretty wack with them.  (and I’m not talking about all the landlocked core game pirates just living in lakes barely big enough for their bases) That’s Enough. 
The Legendary
Probably one of the nicest they’ve done in a while. Initially I was put off by it- the official preview of it in the reveal trailer didn’t really show it off very well- not the steps, aura or on-draw effect. However on this video from someone who got it before release, they point out a few things about it that really sell it for me.
I love the scorch mark on draw, with the dubstep twangs the most. A little disappointed that Range LB 5 is unaffected- it could have been very pretty (ie spirit bow active visuals).   It's a very refined weapon that will certainly suit a lot more characters than Kudzu, and I’ll probably make it after I finish Ipos. In like a year.
The Music
Knocks itself out of the park in a home run touchdown or however sports works. The choral piece for Aurene is very beautiful, and I especially appreciate the tarir motif used towards to the end of the track.  Re-used GW1 themes in the map give a very nostalgic feel, and the fractal has a unique Shanty theme, along with what was used for this year’s Festival of the Four winds. 
OVERALL SCORE 7.5/10
The story is moving and immersive, the encounters well designed and well executed, however sparse event placement on the map kinda gets :/ from me. 
Fractals continuing a trend of “we can do anything in the history of tyria- but lets focus on the boring parts” is also disappointing. 
PS. The .5 comes from the Skritt writing and voice acting.  So pure and wholesome. 
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i-d0nt-even-kn0w · 6 years
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SPN Season 14 (and a little bit of 12 and 13) Critiques
Listen, I dislike when people hate new seasons of a show just because “the old ones were better” with no actual excuse, so I hope this post does not get perceived that way, but Supernatural’s writing and directing has decayed over the last few years, and season 14 episode 1 really just did it for me. I tried to ignore season 12′s mess of a storyline because the new characters were well done (in my opinion, of course--and Mary is excluded from this because although the actress is wonderful, I cannot get into her being back in the story for over a season. I’ll go more into that later), and season 13 had Gabriel and Rowena to pull me through the alternate universe plot and Jack who--as I’ll go into later--was another big punch in SPN’s writing integrity, but this one episode from 14 literally had me in shock.
So, with no more introduction, the list of critiques I have based of season 14′s ONE episode. I may pull in a bit of 12 and 13 too because they are where a lot of the issues started. There will be some things I liked about the episode too! But very little lol.
Spoilers ahead! Also opinions ahead--feel free to disagree with me, and I actually would really like to see what other people think! 
1. Filmography
That fight scene in the bar says it all. There have been some god awful editing of the footage since 13 (that Michael blue eyes zoom in at the end of 13? Unless they were trying to make a thriller joke, it was wack), but this one episode, like I said before, sent me into shock. The zoom ins, the shaky camera filming like we’re in the Office, the out of place music that does not really fit the Supernatural theme--I could go on. That fight scene had flashing lights, zoom ins, and more jump-cuts than a youtube video to the point we’re I had no idea what was going on. My brother watching with me literally was speechless for the entire fight, which felt like an eternity.
It felt dramatized in a Riverdale way. No shade to Riverdale, obviously, because that works for that show. But in Supernatural? It’s the Teen Titans Go effect--popular shows on a network influence older shows and, in my opinion, make those shows worse as a result. This leaks into my number 2...
2. Theme
It’s the 100. The theme is the 100. The show is the 100. (This is a joke I have never watched the 100, but when did Supernatural adopt a dystopia mood for their show?)
3. Wait a minute....... Who ARE you?
The centric theme of Supernatural is family and freewill. Sam and Dean are supposed to constantly be the centers of the show, but exceptions are made, and often have been really well done. I thought Bitten was a great episode, and episodes where Sam and Dean are separated are also a great way to look at the brothers from a different viewpoint. Even if you didn’t like Bitten or those type of episodes, however, that was okay. Why? Because they were one off episodes, if not maybe two or three. Dean being gone is fresh, and could be done well, but when the centric theme of family, aka people Sam and Dean trust and love like Cas, Bobby, Jo, Ellen, etc, is suddenly ruptured by extras (that are usually super fun in a one-off hunting episode, maybe a reoccurrence now and then) becoming apart of the brother’s daily life and the viewer’s weekly watching, it’s uncomfortable. Not because I or others hate change, but because it goes against a major theme of supernatural. Dean, Sam, and Cas are suddenly extremely close to people they don’t necessarily consider family, and that is very odd for the show.
In case you cannot tell, I care a lot about Supernatural’s themes. I don’t care if they shake things up, but the show’s values are important. They need to stick to them for it to be, well, Supernatural.
4. Not-Bobby and Mary
If they become canon, I’ll actually sink into the pit. You can pair together whoever you want--this one is very much so just an opinion. But in terms of writing, this just comes off as so wrong for many reasons. Maybe it’s because neither of them should be on earth in the first place.
Mary was such a wonderful and powerful character. Then they brought her back to life, which drained meaning out of her. She could have had a realization she does not belong on earth and go back to heaven at the end of 12, which would give Sam and Dean closure and actually be kinda nice. But nope. She’s still here. And what’s the point if the only available female character isn’t dating someone????? (she said, sarcastically)
Not-Bobby is just a way to keep Jim Beaver around, which yeah I get it i love him too, but why not just have some episodes like where Bobby helped the boys from heaven. That was fun. That was also real Bobby. If we were going to have Not-Bobby, I would at least like him to establish what Not-Charlie established (I liked her so much more)--they are not who the Winchesters knew in their universe. Not-Bobby gives off too much of an actual Bobby feel, and God knows I don’t want actual Bobby and Mary together... eeeee...
5. The alternate universe plot-line sucks in the context of Supernatural as a show
Speaks for itself.
6. Jack
Fellas. I’ll get hate for this (if anyone reads this, lol), but he’s a bad character.
He’s fan-service. Fan-service isn’t always bad, mind you, but it is when that is the bases for the character. A cute, younger boy (back to the Riverdale/the 100 teen drama throw in a more adult-centered show) who is reminiscent of all the things fans loved about quirky Castiel back in seasons 4 and 5. Jack was super over powered too, which made me struggle all throughout season 13 to not hate his character for what was just a writing death sentence. Now that he doesn’t have powers they’re finally trying to give him... depth? Pro tip: If it takes a whole season to give a character depth, it’s bad writing.
I’ll admit, though--I do love the dad Sam scenes. Not too much the dad Cas scenes because they’re often poorly written and unlike Cas imo. But eh.
Jack is like an OC. Sounds fun until put into practice.
Why couldn’t they have just... not killed Kevin and had him be the son-character he already was to the boys? Or not kill Charlie and let her be the little-sibling character she was to the boys? Why couldn’t either of those two very important characters become titular main characters instantly after being introduced, like Jack was? Maybe because they’re not white or a dude, respectively? Or because the show didn’t need to fill in the hole Mark Sheppard left for a main character until now? Hmm... 
In all realness, Jack is just too poorly written in my eyes to like, but I know people totally love him so please know that’s valid and I get it. I do love the actor, so there’s that.
7. Maggie
WHY DID SHE COME ALONG ON THE TRIP?? SHE COULDN’T USE A BLADE, BUT THEY PICKED HER TO COME ALONG?
I get the quirky humor, but SURELY there were other capable people they could have asked. Maggie is cute, but a throwaway for humor. I was trying to like her because, again, the actress was great and I love some comedy, but not at the expense of reason.
Also, again, no offense but I cannot deal with the parallel universe people and the storyline in general.
Now for some positives mixed with negatives!
8. Nick
Ohhhh boy. Nick could be the one good thing about this season IF they do not make it a “it was me, Lucifer all along!” cheap shot (which I know they will do, hence the negative). I think it would be a bigger plot twist if Nick WASN’T Lucifer. Sam could bond with a guy who went exactly through what he went through, we could have an established character back instead of these random new ones (like the vampire Michael brought in at the end with no context... like, I put Supernatural higher above other drama shows because it actually establishes a character and who they are before making them apart of the plot, like Gabriel being the janitor before he was the trickster, and the trickster before he was Gabriel. Cheap introductions with dramatic music in the background? Pass). 
I wanted Missouri back, she died. I wanted Gabriel back, he died. Nick will either be Lucifer or die, but I will cling onto every good old character there is until there are none left. There are good new characters too, sometimes, but they keep dying too (Eileen) so miss me with that argument.
Also there’s no way Nick could have survived. Jimmy died, why wouldn’t he? It’s Lucifer, but if it wasn’t? It’d be better. And also this totally is another cheap shot to keep Mark in the show, like with Jim. I love Mark, but we all know it.
9. Kip
I was SO pissed for most of the episode, because I thought that the show was actually trying to replace Crowley (you know the writing is bad when you expect SPN to pull something like that). I actually LOVED it when that show was self-aware and Kip was actually putting on a show--TRYING to be Crowley but miserably failing and being a pathetic knock-off. It was good, it was interesting, I was ready for the plot-line of Crowley’s irreplaceableness and how demons would deal with it.
But Kip died. Why wasn’t Asmodeus’ death that quick? He was an actual poorly written villain with nothing interesting to him.
In conclusion, this is why I nearly died watching the first episode of season 14. Will I stop watching? Not yet. SPN is a show I have loved since I was little--I watched it with my big sister, and now my little brother watches it with me. Does that mean the show is still good? In my opinion... no. 
I think the writers should stop pandering to the audience so much. I watched “Live Free Or Twi-Hard” after 14x01 to wash my eyes out with old SPN, and I remembered how much the show used to laugh at over-done trends. SPN was different and fun because it didn’t care, it did what the creators wanted, and it worked. It doesn’t feel like that any more. The show made fun of Twilight in that episode, yet “Wayward Sisters” had total Vampire Diaries narration (no offense to the pilot, but I have to admit... I didn’t like it. It could definitely be a good stand-alone show, and I did want it to be picked up, but it was completely out of place in Supernatural as a show. Again, because of the themes and shameless pandering to the teen audience).
Supernatural fans fell in love with Supernatural, not a teen CW drama. That does not mean fans can’t love those too--love all the TV teen dramas you want, I like those shows too--but the tropes for those type of shows fits in those type of shows. I can admit Supernatural is not a masterpiece, and it is a drama, but it’s not what they show has become now. And 14x01 makes that perfectly clear.
But that’s just my opinion, a Supernatural opinion! Thanks for reading!
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blogsmith57 · 3 years
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Movies Ansd Tv With Pina Colada Song
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Movies And Tv With Pina Colada Song Rupert Holmes
Pina Colada Song Wikipedia
Escape The Pina Colada Song Video
Two Pina Coladas Song
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Janet learns the lyrics to the Pina Colada song. Janet learns the lyrics to the Pina Colada song. On the movie the sweetest thing who sings the pina colada song its a womens group?
In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present.
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At least in retrospect, the ’70s must have been the wildest, most motley, most all-over-the-place decade in the history of popular music. Some genuine musical revolutions either started in the ’70s or matured during the decade: Hip-hop, punk, disco, funk, prog. But if you look at the ’70s through the lens of the pop charts, as this column does, you see excitement and tedium locked in a constant struggle for dominance throughout the decade, with novelty sneaking around the outside and getting some jabs in.
So really, the ’70s ended the only way they possibly could’ve done: With a badly-sung, infernally catchy soft-rock ditty, an infidelity-themed story-song that ends in an O. Henry twist. Rupert Holmes’ “Escape (The Piña Colada Song)” has popped up on movie and TV-show soundtracks countless times in the past four decades; it has earned its place within our shared consciousness. And yet I can’t imagine ever being in a situation where I would actively seek the song out, where I would want to hear it. But then, I was three months old when the thing hit #1. Maybe I’m not supposed to know what motherfuckers were thinking.
Rupert Holmes, the man who wrote and produced “Escape” and who thus owns the chart transition from ’70s to ’80s, had been part of the pop-music dream factory for a decade when he got to #1. Holmes was born in the UK, the son of an American Army officer and an English woman. He spent the early years of his childhood in the English village of Northwich and the later years in the New York suburb of Nanuet. Holmes’ parents were both musicians, and Holmes went to the Manhattan School Of Music on a clarinet scholarship. Pretty soon after he finished school, he went to work as a pop-music professional.
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Holmes was working as an arranger in the late ’60s when he joined the Cuff Links, an anonymous bubblegum group that also featured Ron Dante, the lead singer of the Archies’ “Sugar, Sugar.” When the Cuff Links broke up, Holmes recorded a song called “Jennifer Tomkins.” The single, released under the name Street People, peaked at #36. In 1971, Holmes wrote a cannibalism-themed joint called “Timothy” for the Pennsylvania band the Buoys, and that one peaked at #17. Holmes also wrote ad jingles and scored a little-seen 1970 Western called Five Savage Men. He was in the game.
Holmes released Widescreen, his solo debut, in 1974. Before 1979’s Partners In Crime, the breakout album that gave us “Escape,” Holmes knocked out four solo LPs. None of them sold, but those records helped Holmes build a name for himself as a writer of funny, irony-infused story-songs. Barbra Streisand was a fan, and Holmes wrote songs for her and for the absurdly popular soundtrack for the 1976 film A Star Is Born. Holmes didn’t score a charting single of his own until 1978’s “Let’s Get Crazy Tonight,” which peaked at #72. Private Stock, the label that released “Let’s Get Crazy Tonight,” went out of business when the song was still on the charts.
Holmes got the idea for “Escape (The Piña Colada Song)” one night when he was flipping through The Village Voice, the newspaper that once employed me. (“Escape” is the second #1 hit built around classified ads; it arrived eight years after the Honey Cone’s “Want Ads.”) Inspired, Holmes hatched the narrative of a bored couple who, while attempting to cheat on each other, accidentally go out on a blind date with each other. As originally written, the chorus started with the line “if you like Humphrey Bogart.” While he was getting ready to record it, though, Holmes decided that his own songs had too many references to older movies, and to Bogart in particular. He changed “Humphrey Bogart” to “piña coladas” at the last possible minute simply because he didn’t want to let down any of the real Rupert Holmes heads out there.
If you stop to think about “Escape (The Piña Colada Song)” for even a second, it’s a pretty nasty little song. The very first line is this: “I was tired of my lady/ We’d been together too long.” The song’s narrator is unhappy with relationship, but he doesn’t do anything to end it. Instead, he sneaks around behind his girlfriend’s back, falling for a sentence in a classified ad. The person described in that ad seems hopelessly basic. Likes: Fruity mixed drinks, rain, champagne, beach fucking. Dislikes: Yoga, health food. But apparently the guy is basic, too, since a few lines of small-print newsprint text are all he needs to ditch his relationship. He takes out his own ad, responding to the first, and he includes grandiose verbiage about planning an “escape.”
He does not successfully execute that escape. It turns out that the girl who took out that classified ad is his own girlfriend, who is just as bored with the relationship as he is. They meet up at an Irish pub and instantly figure out exactly what just happened. The song presents this ending as a happy surprise. In interviews years later, Holmes says that the guy was supposed to be an asshole, and a passive one. The girl, who is also attempting to cheat, was at least the one with the wherewithal to instigate the whole episode. Holmes was hoping that they’d both realize how much they had in common, that they’d recommit themselves to each other. This seems unlikely.
Movies And Tv With Pina Colada Song Rupert Holmes
I have questions. For instance: Where does this couple go from here? They both know that they can’t trust each other. They also know that they don’t really know each other. They’ve got all these completely elementary preferences that they haven’t communicated. After that initial rush of recognition, how does the rest of this relationship look? How long do they stay together? How are they not incredibly pissed off at one another from the moment they spy each other across the bar? How are they not, at the same time, both consumed with guilt upon getting caught? I don’t like this couple’s chances.
I don’t know if this is a good story, but it’s good storytelling. I don’t much like the characters or where they end up, but Holmes sketches out the whole narrative in a few quick words, never losing sight of his own melody. This doesn’t change the reality that the actual music behind this story is exactly the kind of wack-ass soft-rock pablum that I cannot stand. It’s got an awkward, clumpy beat that Holmes recorded with two drummers. (Holmes co-produced it, and he says that the studio band played sloppily that day, so he used the 16 bars he liked the best and looped them.) There’s watery piano. There’s a processed-to-death guitar lead. There’s a groove that can’t stop tripping over itself. And then there are those vocals.
Holmes isn’t a bad vocalist, exactly. He a classic ’70s singer-songwriter guy, a conversational speak-singer. But man, I do not like what happens when he cranks that voice up and hits the hook on “Escape.” The hook is, to be fair, instantly memorable. But this is not always a good thing. Holmes hits that upper register, and I just wish I was someplace else. I don’t even know how people functioned when this thing was all over the radio.
Holmes managed one more big hit after “Escape (The Piña Colada Song).” “Him,” the single’s follow-up, was another story-song. This time, Holmes sang from the perspective of a guy who figures out that his girlfriend is cheating. “Him” peaked at #6. (It’s a 4.) Holmes kept putting out albums into the ’90s, but none of them hit. He also went back to writing songs for other people. “You Got It All,” a ballad that Holmes wrote for the teenage Tongan-American Minneapolis-based Mormon family band the Jets, peaked at #3 in 1986. (It’s a 6.) Britney Spears, an artist who will eventually appear in this column, covered it on her debut album. Get ready to be incredibly depressed: Holmes wrote the song for his 10-year-old daughter. Before the song took off, she died of an undetected brain tumor.
I don’t know how you bounce back from something like that, but Holmes did. After “Escape (The Piña Colada Song),” Holmes has had more success as a storyteller than as a musician. In 1985, Holmes wrote The Mystery Of Edwin Drood, a Broadway musical based on an unfinished Charles Dickens novel. It won five Tonys, including two for Holmes. Since then, Holmes has written more than a dozen plays, many of them hits. He also created Remember WENN, a drama that ran for three season on AMC in the late ’90s, and he wrote all 56 of its episodes. He’s published a few books, too. The man can write, and the best thing about “Escape” is that you can tell that right away.
But Holmes is a whole lot more famous for “Escape” than for anything else he’s ever done in his life. He’s pretty funny when he talks about it, too. In a 2003 Songfacts interview, Holmes said this:
I have a feeling that if I saved an entire orphanage from a fire and carried the last child out on my shoulders, as I stood there charred and smoking, they’d say, “Aren’t you the guy who wrote ‘The Piña Colada Song?'”
Perhaps Rupert Holmes would like to escape “The Piña Colada Song.” So would I.
Pina Colada Song Wikipedia
BONUS BEATS: Here’s the scene from a 1999 episode of The Simpsons — the same storied episode that predicted the Trump presidency — where the not-aging-well future version of Bart sings a parody of “Escape (The Piña Colada Song)” during his sister’s presidential addresss:
BONUS BONUS BEATS: Here’s the weirdly extremely memorable “Escape (The Piña Colada Song)” needle-drop from the 2001 film Shrek:
BONUS BONUS BONUS BEATS: Here’s Kanye West, noted fan of the aforementioned Shrek scene, quoting “Escape (The Piña Colada Song)” on “White Dress,” a song that he contributed to the soundtrack of the 2012 RZA-directed kung fu movie The Man With The Iron Fists:
(Kanye West will eventually appear in this column.)
BONUS BONUS BONUS BONUS BEATS: Here’s the scene from 2014’s Guardians Of The Galaxy — which, like The Man With The Iron Fists, stars Dave Bautista — where Chris Pratt steals his Walkman back from the space-prison guard who is enjoying “Escape (The Piña Colada Song)”:
BONUS BONUS BONUS BONUS BONUS BEATS: Here’s the great scene from a 2016 Better Call Saul episode where Bob Odenkirk sings a few bars of “Escape (The Piña Colada Song)” and spouts some fake biographical facts about Rupert Holmes:
more from The Number Ones
Raised in Hawaii Jack Johnson was the son of a famed surfer and even tried to have a go of his own on the waves. Unfortunately an accident that involved teeth being knocked out and stitches being required kind of halted that dream as he was sidelined from surfing for a while. It wasn’t too long after that however that his musical talents started to become his thing and picked up a guitar and started strumming out a few songs that he’d thought up. He did this throughout college, joining a band and jamming as they performed here and there during their time together. Johnson’s big break came in 2000 however when he not only produced the soundtracks for a couple of films but he tried his hand at making them as well. You could easily say this man is quite talented but it might still be an understatement.
Here are a few of his songs as used in TV and movies.
5. Glee – Bubbletoes
Glee is one of those shows you either liked or didn’t think about. It wasn’t even a matter of not liking if it you didn’t watch it, as the energy and verve of the show was enough to make it interesting. But if you weren’t into the whole song and dance routine then chances are you wouldn’t dislike it but just wouldn’t watch it since the whole idea of not liking the show seemed kind of petty since it was so upbeat a lot of the time, or at least seemed like it. In many way Glee kind of took a lot of people back to their experiences in high school since there are quite a few people that can remember being in similar clubs.
Escape The Pina Colada Song Video
4. Sense8 – The Sharing Song
This show is something else and it was one of Netflix’s top prospects when it first came out. The ability to connect with people miles away due to a special quality that links them all, and the knowledge and skills that can be shared via that link is pretty cool, but it could cause some serious problems as well. You can’t help but think that some of the people that are connected would embrace this after a period of confusion, but others would seek to block it out since this is the kind of thing that humans would rarely ever be able to get used to since it’s not considered natural or normal.
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3. The Secret Life of Walter Mitty – Escape (The Pina Colada Song)
Two Pina Coladas Song
Walter Mitty is a man that no one seems to take seriously since he’s kind of a nobody when the film starts, though he’s far more important than many people would care to realize. Working at Time magazine where he’s been for so long he’s been taken for granted and treated like a shadow on the wall since he’s a very quiet and unassuming person. But when an important negative for the last issue of Time goes missing he has to go and track it down by tracking down the photographer. In the end however he finds that it was with him the whole time, he just didn’t know where to look. The adventure he takes though is what was truly important as it finally got him to open up to the world.
2. Curious George – Upside Down
Several generations have grown up with Curious George since in truth he’s been around for a very long time. As a children’s story he’s one of the most classic tales out there and is the kind of story that you’d want your kid to watch since it’s a very touching and educational show that offers a lot of fun and engaging activity that kids will want to emulate. Sure George gets himself into trouble now and again, but that’s the beauty of the design. Kids can learn how they can get themselves out of trouble as well since George is all about having fun but he’s also about problem-solving. This is just a great show for kids and a bit of nostalgia for adults.
1. Jack Johnson – Middle Man
For all his talent and all his skill at music Jack Johnson is still a very diverse man since he’s not only a musician, but a father, a husband, and an environmentalist that spends a lot of his time balancing his life out between the different roles he’s given himself to play. So far in life it seems like he’s done just fine and has kept everything as it should be. He’s a very open person about his life in music, but keeps a lid on the private lives of his kids and family, which seems like one of the best ideas since quite honestly it’s no one else’s business. He’s definitely a family man and someone that cares a lot about what he does.
Pina Colada Song Video
Usually that’s the kind of person that knows just what they want and how to make it happen.
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fantasysuiteleague · 8 years
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Week 6: The Chokey
At the beginning of this week’s episode, Taylor rises from the depths of the bayou to remind us one more time that she has a Masters and Corinne is not here for the right reasons. While I applaud her resolve to get the last word and very much enjoyed the anxiety she gave Corinne while talking with Nick, this ultimately felt like a lazy waste of everyone’s time. Of course Nick knows that Corinne is lying but he doesn’t care because he makes the majority of his decisions based on his dick, and the rest based on whatever the producers want. So sure, he’ll begrudgingly go outside and get scolded by Taylor for falling for Corinne’s shtick because he has to at least pretend like he cares about and respects these women. But ultimately, he doesn’t. And so instead of spending an extra 3 hours getting some quality time with the remaining women, he cancels the cocktail party under the guise that he promised himself if he knew where his heart was, he wouldn’t waste anyone’s time. But then he wastes everyone’s time with a rose ceremony...
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I’m really sad to see Alexis leave as I imagine everyone else in the house is as well seeing as she’s probably one of the only girls I’d even want to have a prolonged conversation with. If you told me that the aspiring dolphin trainer from Jersey would end up being my season favorite, I’d have told you to get that fake news out of my face.  And yes, she’s not the right match for Nick but that’s not really the point of this show and like, who is Whitney?
An Orphan Emerges
The first stop on the International Bachelor Tour is the island of St. Thomas, where The OA gets her first 1-on-1 date immediately on arrival. They take a water plane to a private beach where Kristina begins to unravel her long awaited back story that explains her thick Russian accent. She’s only able to reveal she was adopted and has 8-9 brothers and sisters before Nick gets tired of the serious conversation and asks her to go swimming. Later that night, after a prep session with the producers, Nick starts to ask more targeted questions about her hometown in Russia and her parents. 
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In response, Kristina tells a horrifying and heartbreaking story of child abuse and abandonment of a 5 year old girl by a woman who surely had mental health issues. After a few years in a Russian orphanage (woof), she found a US family to adopt her and she was able to exchange a life of prostitution and a bleak gray country of despair for a colorful life in America where she can go on national TV and compete for the “love” of a man who wouldn’t know struggle if it smacked him in the face. Being unable to relate and without a producer near him to hold up a cue card so he can give an appropriate response, Nick says “wow that’s..wow.” To be fair, it’s a lot to take in for someone with such a small brain. He tries though, which leads to some classic Viall tears and Kristina getting the rose and officially becomes the Jubilee of this season: beautiful orphan who has been through way too much shit to put herself on this show alongside fame whores looking for their 15 minutes of fame. Get out of there, girl! You’re better than this and you deserve more than Weepy Nick and his dysfunctional dick.
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Do you like to be choked?
I can’t tell if this date was set up to fail or if the producers were just too lazy to come up with a better idea for a group date, although I’m guessing this all went according to plan. We’ve reached the point in the season where everyone is emotionally exhausted after needlessly obsessing over an instagram model and competing for time and attention only to get seconds of feigned reassurance to “just be patient.” Foolishly, the girls think they’ll have more time with Nick on the group date since there are fewer people to compete with, but instead they’re made to compete against each other all day. After the producers get everyone liquored up, they cruelly engage them in the absolute worst activity you could give tired drunk girls: beach volleyball. Having been on a spring break or two and found myself playing drunk beach volleyball I can confirm that this shit “fun” for about 30 seconds. The girls are #sports about the whole thing for awhile, but tired drunk girls can only take so much before they crack and say:
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While Rachel is the first to really put her foot down and say “fuck this, I’m out,” everyone quickly follows suit and retreats to their respective corners to cry (or nap) until it’s time for round 2. Nick pulls Rachel aside first because he knows she’s smarter than most and could tell she was done with this shit, which gives him anxiety because up until this point he was under the impression that everyone would want to be with him and this would all definitely work out. But ... Rachel doesn’t want to be with him? I mean, come on. He’s Nick Viall. Either way, she certainly is done with this show and all the game, and he gets it, to an extent, as he tells her that she should still stick around because even though she hates this (him), he “thinks something great can happen.” AKA, she can be the first Blachelorette and he can get credit for making it happen.
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Everyone else spends their time talking to Nick about how hard this is getting while Jasmine continues to unravel. She talks non-stop in a downward wine-fueled spiral about how Nick doesn’t see her; she’s never had a 1-on-1; she’s been to St. Thomas before so she doesn’t even need to be here; and wants to physically assault Nick. When Nick finally calls her off the bench, she absolutely blows it. Not that I had any faith in her playing it cool after the 5th time she mentioned getting violent with Nick, but like, wow. After repeating to Nick a condensed version of her earlier downward spiral, Jazzy hammers the final nail in her coffin when she repeats to Nick that she’s so frustrated she wants to choke him. And then she tries to choke him. Repeatedly. 
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To say that his conversation with Jasmine didn’t go well is an understatement, but she should have known that when you criticize the Bachelor for not paying enough attention to you, your time is probably up. Nick tries to gracefully wiggle away from Jasmine and apologize for dumping her, but she’s not buying his apology and doesn’t want his sympathy because she (like the rest of us) can see right through him. Then again, there’s not much to see other than a pair of pastel short shorts and raging insecurity, but here we are.
Beauty Doesn’t Always Win
In a move that puzzles everyone in the house and at home, Whitney and Danielle L. (or should I say D-Lo) are tapped for the second 2-on-1 date of the season. D-Lo is confused because Nick was really into her in the first few weeks of the show and she seemed like a front runner until this assignment. Whitney, on the other hand, is that beautiful shadow they cast every season to float around in the background and offer nothing worth airing until someone realizes she’s still around and it’s time for her to go. Nick has absolutely nothing of substance to say to her, but just tells her she’s beautiful and has a nice aura around her. 
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Nick stumbles through his breakup with Whitney after she questions his choice to keep D-Lo around because she doesn’t seem to think that D-Lo is right for Nick. Neither do Vanessa and Danielle M., who are sitting at home saying the same thing, leading me to wonder what has been going on behind the scenes that they aren’t showing us? Has she been a bitch? Can they tell she’s fake? Or is it just because she’s very stupid? Ultimately, I’m guessing it’s a combination between being dumb, fake, and unable to have a substantive conversation about anything. Take, for example, the beginning of her conversation word for word with Nick later that night:
Nick: I’m excited about tonight. It was a great first date
D-Lo: Yeah t was a great first date I had an incredible time
Nick: I don't think it's a moment I’ll ever forget, I just don’t know how many people in a lifetime will ever experience something quite like that
D-Lo: I know like looking back, dancing has kinda become our thing. It’s fun.
Nick: I certainly like that. It’s fun to goof around that way.
So. Much. LOL. D-Lo continues this awkward conversation by saying all the things she thinks she’s supposed to say at this point in the competition (like “it’s hard to be away from you” and “I like social things” and “I really have feelings for you” and I could totally see us together at the end of this,”) because she doesn’t have a brain and doesn’t seem to notice that Nick is sitting there looking painfully uncomfortable:
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Finally, D-Lo tells Nick she’s falling in love with him and is so glad they’re on the same page, to which Nick responds that they are not, in fact, on the same page even though he really wanted it to work out with her because she’s so hot, but sadly he just cannot take one more minute of listening to her talk. And finally the reality of this whole week sets in for Nick: he can’t force himself to “fall in love” with a hot girl without a brain just going through the motions, and he might not be able to force these girls who are clearly better than him (Rachel, Kristina, Vanessa) to actually fall in love with him either. Realizing that he might be trying to hard, he retreats to the girls locker room to cry...
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He proceeds to tell them how breaking up with one of the hottest girls made him realize this might not work out for him and at any moment he might just get up and leave ... and then he does. No one should feel bad for Nick at this point because he’s a pathetic baby bitch boy who, after parading himself around on this show 3 separate times, needs to take off that Livestrong band, stop trying to make people feel sorry for him, and get a real goddamn job. 
Did you notice . . .
Jaimi’s dress at the rose ceremony was all sorts of wack
Nick’s sweater on his date with Corinne was also wack 
It was refreshing to not have a Corinne-centered episode for once, although it looks like she’s going to make it all about Corinne again next episode.
Corinne’s face when Lorna, aka Black Raquel, shows up to essentially wait on Corinne. It was all very staged and edited and such an eye roll, but the look of horniness on her face at the beginning was great.· 
The editing of the group date was incredibly sloppy and lazy. We didn’t see how things devolved after the volleyball game and if Nick talked to anyone or if he just retreated to his suite like the bitch he is. We also didn’t see Raven get the group date rose or see Nick tell them that he just dumped Jasmine. I can’t tell if it’s because Nick and the girls aren’t giving the producers enough material to work with, or all just refused to play along after that. Either way, bored. 
Nick held that rose for a long time before not giving it to D-Lo·         
“Maybe I just wasn’t perfect.” - D-Lol
Minority Report: And then, there was one.
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meowsaidmayaanime · 7 years
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What I'm Watching June 2016
Here I will post the anime's that I am currently watching or re-watching, of course this does not include simulcasts as they are in a separate category all together. No, this is a list of the (some partially completed) anime that I binge watch. This post is constantly updated, as I tend to go through a single anime in its entirety within a couple of days, so keep your eye out!
6/25 Blood Blockade Battlefront
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Let me get this down now. This anime is visually beautiful, sooooooo much time went into the art and details. Its movie quality beautiful, which is very unusual in a series. So onto the series itself it's about a boy who began living in a post apocalyptic New York after the gates between the human world and the 'monster' world opened. The characters are great, the premise was great, the episodes were great, everything was going wonderfully. Until the anime took an arrow to the knee... Metaphorically of course. So much was left unresolved, and in the last few episodes an obstacle was haphazardly thrown at us. I didn't check the episode count before watching the anime so I was shocked when I found out that there were only 13 (well 12 really) episodes. I get the impression that the studio was initially expecting to do a full 24 ep season considering the pacing of the anime up until episode 10. Evidently this is where the anime diverges quite a bit from the manga itself (my guess is that its unfinished. SOOOOO many anime are left in disappointment because the anime company decides to start a series before the manga has a chance to complete itself leaving the anime with a weird and out of place ending. sigh)
It really is a huge shame that Blood Blockade Battlefront ended the way it did. And its a shame that this recent trend of only creating 'half seasons' has once again resulted in a poor ending. I really liked this anime too, like I said earlier it was amazing. Seriously here's a quote from Toshi Nakamura who wrote a review of the anime itself.
"All in all, Blood Blockade Battlefront was a beautiful jewelry box filled with glittering stones that are individually beautiful, but when you put them on a string to make a necklace, on a whole, they lose a lot of their shine. Plus it feels like some of the most precious gems were left in the box."
My thoughts exactly. Those loose gems left in the box being the other 12 episodes this anime deserved in order to make one complete 24 ep season. I HAVE SO MANY QUESTIONS.
Its so hard trying to recommend an anime when the end is a let down. I want people to see it because the first 9 episodes are fabulous, but I don't want to subject an unsatisfactory anime to anyone. Its not like the ending was bad, for how last minute it was, it was pretty well done, and it did make sense. It just wasn't the ending this anime deserved. If your willing to take this on I highly recommend it to anyone who loves the paranormal genre. Maybe it would just be best to read the manga. Its definitely on my list to read.
6/21 Sankarea Undying Love re-watch
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Last time I watched this anime it was in high school after a friend recommended it to me. So I figured why not watch it again? Its a short 12 episode zombie love story. Haha, yup a zombie slice of life love story. In the world of American media, its a really unusual combination of genres, but in anime its no real surprise. I suppose the only real surprise about the anime is the fact that its relatively good, and not at all a harem like High School of the Dead. Its very cute and I think well done. The main female characters father is a total creep and wack-job but that is one of the reasons why he is the main antagonist. For being a zombie anime, its very laid back and you'll find out why as you watch it. Sankarea is an anime that I would recommend to people if I was aware of what kind of anime they liked. If you like the zombie scene but want to watch something not totally gruesome and hyped up, or if you like unusual/ supernatural/ paranormal/ ect. romances I think this is worth a shot.
6/17 Barakamon
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WOW, this was really good. I initially started watching this because Funimation's YouTube channel posts trailers and promo videos for its anime. I watched the promo trailer for the English dub, recognized a lot of the voice actors in it and decided to give it a try. I'm gonna say this now, it's probably the best slice of life anime I have seen. and I mean full on slice of life, no paranormal or fantasy or anything else, it's pure slice of life. Its well written, the episodes flow, and its got a great story and great characters. The premise is that a young 20-something artist calligrapher Seishu punches a man who criticized his work as being unimaginative. As a result Seishu's father sends him to live on a rural island to 'cool his head'. The anime then follows the life of Seishu as he makes unexpected friendships and discovers who he is as an artist.
I just loved this anime, If you like slice of life, yes DEFINITELY watch this. Same if you like watching characters grow and their struggle to discover themselves, or if you like comedy, or if you like realism, or if you want a well made anime to calm down with after watching an emotionally draining one. Even if your not into the genre I recommend you give the first episode a try at least. I was immensely impressed with it.
Oh, and the full series won't be released in English until August 9, 2016, but Funimation is releasing the first two episodes in English on June 28th. I know I will definitely be re-watching this when the full English dub release comes out!!
6/16 Charlotte (re-watch)
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I LOVED this anime when it came out last year. I remember getting to the last few episodes and going to the public library to finish watching it because the power went out in my house. I just finished re-watching it with one of my friends who had never seen it before. Haha, she was mad at me cause she got so invested in it. It is a doozy. But anyway, it follows high school boy Yuu Otosaka who recently became aware of a supernatural ability of his to be able to control a persons body for 5 seconds at a time. After abusing this power to cheat his way into a good high school, a girl named Tomoe catches him and makes him transfer to a school for people with other abilities. It goes on from there showing their lives, introducing characters and fortifying relationships until the REAL plot reveals itself~
If you like supernatural anime this is a really one, full story in only 13 episodes. It also touches up on quite a few 'heavy' topics, which it actually handles really well. I do recommend this to anyone actually, it was my third favourite 2015 anime of the one I watched that year.
(Bonus: I don't know who wrote this or how far into the anime hey were in, but I agree.)
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6/14 50% Off (re-watch)
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Oh man, I love this show. I just watched their two A-kon panels from a few weeks ago, and it's great. Just watch this show, make sure you watch it. Here's a link to my post on my favourite parody/abridge series where I talk about this show more. You don't have to know the original anime to enjoy it (I didn't watch Free until recently), so get on YouTube type it in and get going!
6/13 Princess Jellyfish (re-watch)
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Alright, So now you guys are up to speed on the anime I watched during my vacation, I just started re-watching Princess Jellyfish. Oh man, I completely forgot about this little gem. I first watched it my freshman year of college (two years ago), and LOVED it. It's basically about a household of otaku young women, and one in particular who is in love with jellyfish, who make friends with their arch enemy, a stylish person! Haha, it is hilarious and a great commentary on stereotypes/social norms in Japanese culture (and really many other first world cultures for that matter.) I am having so much fun re-watching this series, it is slice of life so there is not much of an overarching plot so much as it is just following the exploits of the group after becoming friends with said stylish person I mentioned earlier. Each episode flows naturally into the next creating a constant story with each episode having to do with the next. So despite it being a slice of life, there are no filler episodes that forgotten or have nothing to do with anything. it also consistently references pop-culture and media not just from Japan, but from America too. Really, I can't express how great it is. Watch it, you won't regret it.
6/9 & 6/12
HEY! Sorry for the inactivity, I was on vacation out of state. While I was not able to do anything on this site for the past week, I was able to watch a few anime! AND hey are new ones!
So during my summer vay-cay (haha, thats such a terrible word) I watched:
Dusk Maiden of Amnesia
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and Amnesia
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Dusk Maiden of Amnesia was good. It's about a high school boy who makes a friend out of a ghost, Yuuko, who doesn't remember anything from when she was alive. In terms of content, while they do try to figure out how she died and who she is, a good portion is about tellig the story of the two main characters. Doing high school activities, developing relationships, ect. While the anime does frequently talk about the mystery and paranormal throughout these episodes, its not until the end of the series that the mystery of Yuuko ACTUALLY begins being solved, and they find out REAL information of her past. In hindsight, her past and the climax of the series is thrust upon you towards the end. It would have been better in my opinion if the events and info were more evenly dispersed throughout each episode from the beginning. I still really liked this anime, though I'm not sure as to how good it is. If your into the sort of subdued paranormal scene, then you may want to give this a shot. Its short, its sweet, I really liked learning about Yuuko's past when it finally got around to it, and I personally really liked it. But again, if you like the paranormal, you may like this. If your not into paranormal stuff, then I wouldn't recommend it.
Now Amnesia was a whole different box of pillows. By that I mean body pillows, and by that I mean I am sure that there area tons available. Why? Because this short anime was adapted from a dating sim called Amnesia: Memories. I wish I had known that before I started watching it, but no matter. In terms of dating sim adaptations, it's pretty good. In terms of an anime, not so much. The premise for both the anime and the game is that you are a girl who just woke up and knows absolutely nothing about herself, where she is, or who anyone else is. She has, you guessed it, amnesia. Amnesia caused by a fairy 'bumping' into her? which doesn't make too much sense. (but hey at least it wasn't because she performed horrific acts of manslaughter, created a patchwork monster, and played a huge part in nearly destroying humanity all so Alexander could become godlike, am I right?) Anyway, she wakes up and begins jumping alternate worlds in which she is dating different guys, thus the dating sim part comes in. In therms of the anime itself, the plot is a little wobbly waiting until the last 2 or 3 episodes to actually explain her true past and give a substantial story line. Because in the game, the female character and her name/personality is you, the anime version of her is left 'blank' for self insertion. Making a poor main character being pushed to and fro. But I will tell you this the music was REALLY good, the opening, closing and background music were absolutely fantastic. SO, if you have played this game and enjoyed it then I would definitely recommend it. If you have not, and have absolutely no interest in self-insertion romance, then its not worth the watch for the plot. Although I did like it myself. It's a good addition to my, quote-unquote, "trash anime" (watch out for a post in the maybe near future). Basically a list of guilty pleasure anime which are terrible when it comes to plot and characters, but I just can't resist. Its like reading trashy romance novels, but better and worse at the same time.
6/5 Red Data Girl (re-watch)
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Another re-watch, maybe June will be a month of oldies~ (at least for me). RDG is an adorable anime, its a short 12 ep, one season series based off the Japanese novels of the same title. 6 novels (no official translation, but this person on tumblr has been translating them in their spare time), 4 manga novel adaptations, and one anime as mentioned. I'm not familiar with the novels or manga, but I do know that the anime covers most but not all of the novels. One person said it covers the first 5 novels but that's it. Anyway, the anime is super cute, and I really like the premise. My only issue is that the end felt like the completion of a smaller story arch within a larger one. Leaving no REAL ending, you can't even argue that the end is open to interpretation because they didn't leave you wondering what happened, they leave you without ever continuing the main story arch. Without explaining the endless questions that rose with the intention of it being resolved later. Hopefully the manga will give me some solace but with 4 books, i'm not sure if it will... I really like it, and I really wish it would continue.
oh btw, as of right now it's available on netflix, the English voice acting is ok, its not bad, but its also not great. The voice actors are able to but the right voice out, but not give the voice the emotion that the words give. I greatly prefer the Japanese voice acting, but I'm able to live with the English if I'm multi-tasking. (random note: the ending theme is super pretty. Actually, a lot about this anime is pretty)
6/2 Blue Exorcist Movie TOP PICK FOR THIS MONTH (new)
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The movie has nothing to do with the plot of the anime at all, and takes place after the events in the series. Atleast I'm fairly certain it does? There's an important (and spoiler-y) thing that happens at the end of the series, that is never addressed or acknowledged in the movie which I think is really weird..... Either way, the movie itself is simply a completely stand alone story from the series. And it was absolutely stunning! Sooooo much detail went into all of the backgrounds and items. On top of that its very well scripted, and the plot flowed incredibly well together without being convoluted, which is surprising since a number of movie sequels to tv series's tend to go overboard by stuffing too much information into an hour and a half.
It was amazing. Its possible that someone could watch the movie without watching the single season anime, just because of how it was written. However you would not know the relationships or the back story of the main character, which helps to explain a lot of the terminology and setting. Especially the part about demons ect ect.
Either way, I LOVED this movie. I didn't even know that there was a movie at all until just now. I'm going to re-watch it with a friend when she gets back into town and I am soooooo excited because I KNOW she will love it too. I HIGHLY RECOMMEND IT. I RECOMMEND THIS SO HARD.
6/1 Blue Exorcist (re-watch)
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Well I can't sleep, so what better opportunity than this to re-watch Ao no Exorcist in the English dub~ Ah, I love this anime. Its funny, has great main characters, a good story and writing, and I seem to have a week spot for exorcist anime's, haha. Man, I remember watching this when it first came out in high school, I have a distinct memory of watching one of the later episodes before going to one of my friends concerts. There was a movie made about a year later, AAAAAND a series of specials. Oh, man the movie was so amazing. It has nothing to do with the plot of the anime at all, in fact the anime wrapped up everything rather nicely. The Movie itself is simply another story in cinematic format. It was absolutely beautiful, well made, well scripted, and the plot flowed incredibly well together without being convoluted. Would 100% recommend.
Oh, right! The dub isn't that bad, I mean I wish they had a different voice actor for Rin, I just don't feel like this one really lives up to the character. The other voice actors are great though, really fit the characters. The dub is well done, but I think I preferred the Japanese voice actors (they have a better pick than we do.) I just think that someone with a slightly lower, more thug-ish voice would have been better. The English actors voice is a little too high for me, it's even higher than Yukio's voice ._.
6/1 Black Butler (re-watch)
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I decided to re-watch the show (minus the second season) after writing up my post from yesterday about anime whose second season could just go and disappear from existence. I love Sebastian, he is a saint, well a saint among devils. Not only is he one hell of a butler, but one hell of a contractor too, he REALLY get into his jobs, and it is amazing. Even I would enter into a contract if I could have him as a butler~ It's a goon anime, not sure if its recommendation worthy though. I mean yes it's good but it's not something that you HAVE to see, or something you would be missing out on. It's surprisingly fun and while it can and does get intense in certain areas, its not so intense that its going to mess you up.  As long as you never touch the second season, NEVER.
Bonus image, cause why not:
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