omg rm9 was kinda fun To Me. i enjoyed mulder and scully going on a sushi date, scully being SOOOOO embarrassingly down bad for a man she’s known over 20 years, and of course the restaurant attacking them because mulder is a bad tipper. it’s also just nice to see them living life, you know??
i had a blast with rm9 tbh, a classic s11 well! have no idea what happened there! but i enjoyed myself! episode. just talked about it a bit but yes!! just seeing them living life!! literally the majority of s11 isn't even them going on cases they're just like. existing. and falling into Situations. in rm9 all they wanted to do was go to this sushi place. scully is of course always embarrassing as hell but what i loved loved loved loved about her in rm9 (and consequently throughout s11) is that last moment at the diner when they're both on their phones, and she puts hers away and just kinda leans over to his shoulder and takes his hand, and he puts his phone down.
i was so floored to see her do that, to ask for his attention like that. so much of the original series is scully...almost quietly suffocating, sometimes? being on the edge of his myopia and focus? wanting him to see her so bad, and then lashing out (READ: fucking serial killers) to either rebel, or get him to notice? but it's been a long time and he has been many more things to her since and now she just grabs his hand and makes him turn to her. in forehead sweat when she whines that he needs to feed her or she's leaving!! and then she does leave!!! in plus one when they aren't even "back together" yet, and she sneaks into his motel room and asks him to hold her.
scully in the revival has left him. she has struck out on her own, had her own career, lived on her own, been a doctor. and she's back and they're back because there's work to be done, and because, as james wong says: "She’s in love with him that way. She had a different career as a doctor, but she came back, because this is so important to him—she’s coming back to be there for him."
she's back, and they're back, because they're always choosing each other, and they've proven it, and they've done the work. she complains about his stakeouts. she cracks jokes about being sure he's on his meds!! she knows that their son is "guiding" them both, somehow. she doesn't question it.
she's embarrassingly down bad even after 25 years because she's never anything but adored him, but there's so much more availability now. she can openly check him out and invite him back into her room and giggle at him and sleep on his jacket in bars. she used to cry, every single time that he was present with her. she used to be so overwhelmed that she couldn't speak, when he was focused on her. this is the inverse reaction of the stability and peace that mulder has found, there's a steady foundation for scully to grow on.
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Irt you post about the archives- Have you read any of the novels? I feel like some of them, like Joey's autobiography, help give a bit more insight to these characters, at least a little.
As for Nathan, I think it's supposed to represent that, unlike Joey, he really was a self made man with good intentions, and that highlights that Wilson was trying to live up to the shadow of his father and instead of being the kind of man his father would have raised, Wilson chose to be as vile as he is.
Memory Joey on the other hand, really is just a representation of this flawed idea people had of the man, only the good parts of Joey that he chose to show. The idealized version of himself that he saw, rather than who he really is. It makes sense to have that contrast there, but he really is just a plot device rather than his own character and it's a shame.
I can't say much for the others, because they feel very lacking. They have a lot of good moments, like the "I'm beautiful." "Always were." scene for example, but outside these moments they feel somewhat empty.
It's unfortunate, because if they had the time, team, and resources, they could have had an incredible story to tell, but limitations with money and staff because of the irl studios layoffs and TheMeatly & Mike Mood making really, really bad choices with their business caused the game to fall short of what it could have been.
we must have read different books because it felt to me like batdr completely ignores book lore
honestly i just feel like the books have been made irrelevant and theyre just kind of telling us stories about these random characters? like adrienne is doing her best to describe these characters but im not gonna lie, as there was some potential to them batdr has been a huge turn off for me for reading anymore (plus that upcoming book is gonna have a yet another completely new character as the main protagonist and im just... bruh how about yall expand upon the characters you already have because this universe is just becoming very messy and full of shallow characters instead of having fewer but interesting ones?? im not against new characters being introduced but they just keep on adding then and then it feels like what we're reading doesn't even matter in the grand scheme of things, that sucks)
sure we get an insight to joey... the only character that actually HAS a lot of complexity and screentime in the games so like yea i like joey and i enjoyed his book but again it felt more like an extra rather than anything that helped expanding the story or the world, i dont really understand their strategy for these...
nathan's and wilson's relation is just uninteresting and shallows wilson's character in my opinion, like what he says to you in game makes out nathan to have been some sort of a horrible father and that'd be kinda interesting and would make wilson a morally grey character
but no he's just a spoiled brat or whatever his archetype is supposed to be and we can throw away the entire symbolism about nathan and bockswell lotsabucks (that cartoon cat from the comics) and the fact that there is supposed to be nathan arch junior and senior making it clear that they changed their minds about the plot just to surprise people (even worse, they ADMIT to doing that in the interview that recently came out... as if it was a good thing ToT) but by doing so they just contradicted clues that existed there before that we could have gotten away from the damn books! like this just makes me not wanna buy any other books anymore because its a clear message that it doesnt fucking matter if we read them, theyre just there to tell us stories about random characters that also wont even appear in the games anyways but we will get 200 more audiologs from other randos we wont care for
again i gotta be sorry for being so negative but im just SO disappointed with batdr and with what the archives had to say
like whatever they are telling their story, its not a sin to be bad and scummy at writing (scummy as in not understanding that youre baiting people into buying extra things for understanding the lore and then making sure you surprise people anyway)
so basically
there is no use for theorising because the message is that they just want to surprise us so if we guess where theyre going they will just change the story no matter how much its gonna suck and contradict what happened before
i cannot comprehend how meatly sees that as a good thing but i guess thats how he wants to tell his stories and whatever makes them happy man
but i find it incredibly shady when you advertise your game as a mystery to be solved and personally this kills my enjoyment of the franchise
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quite a nasty ride
The ride back from London was terrible. Arthur’s ridiculous rhyme about the weather played in a loop in her head, and not for the first time did Guenevere curse the climate in England. Rain smacked on the top of the carriage, deafening when they passed under a copse of trees, and she closed her eyes against her pounding headache. The bruise throbbing underneath her eye and across her cheekbone kept her from leaning against the carriage wall.
Across from her, Sir Lionel sat scowling at the sword in his lap. She was certain he had his own bruises; she could see a line of dried blood trailing down his cheek even though his head was bowed. He hadn’t spoken to her except to apologize, profusely, face aghast, before they had set off again rattling down the road. As irritating and unpleasant as he was, she reflected, at least he had enough integrity to be remorseful.
Finally the noise of the carriage changed from rumbling to rattling—a sure sign that they were on cobblestones and not a dirt road. She couldn’t bring herself to feel relief.
Lionel dismounted first and then helped her down, surprisingly gentle. They made their way into the castle, painfully slow it seemed, or at least painful and slow. Her head still ached, and she had a suspicion that Lionel kept her hand tucked into his arm on purpose so that she wouldn’t stumble.
“Where to, ma’am?” he asked quietly.
She sighed. “The king’s office, Lionel.” She didn’t say thank you and he didn’t bristle like she thought he might.
They passed servants and knights as they moved through the halls, who watched their battered queen with wide eyes. She forced the corners of her mouth up to try and make an appearance of serenity, but she wasn’t sure it was very convincing.
Then Lancelot rounded the corner, and she felt a stab of dread. He stopped, bowed his head to her in respect, and then took a second look with narrowed eyes. “Your majesty—” he began.
“We were accosted by bandits on the road,” Lionel interrupted. “Entirely my fault. Which is what I’m going to relay to the king.”
“Your majesty—” Lancelot repeated, looking intently at her, but she held up a hand.
“I’m fine, Sir Lancelot,” she said, summoning the scraps of her imperiousness. “No need to hover. I’m retiring to my rooms as soon as we see the king.”
She meant it as a dismissal. He pressed his lips together very tightly, face a blaze of fury, but he nodded. “Sleep well, your majesty,” he said, and turned sharply on his heel back the way he’d come.
She had known he would be angry, and she was already exhausted by it. He had hated Sir Lionel since he joined the Table, and this would only made him hate Lionel more, which would create an even larger chasm between the English knights and their single French compatriot. And besides that, he would regret his anger—she could practically see him at the Table, shrinking himself to be smaller, shifting guilty glances her way—and he would treat her as though she were made of glass for the next few days, scared of hurting her more.
Lost in her thoughts, she was almost surprised when they reached the king’s office. The door was open, and she could see him at the desk, surrounded by uneven burning tapers, gnawing on the end of a quill. What a terrible habit, she thought, but even through her fatigue the thought was fond.
He looked up when they entered, smiling. “Genny! And Sir Lionel,” he said. “I didn’t expect to see you together.”
“It’s not for a happy occasion, your majesty,” Lionel said heavily.
The smile faded from the king’s face, and he rose from the desk. “Sir Lionel,” he said, suddenly very serious, “why does my queen have a black eye?”
Lionel cleared his throat. “We were coming back from the fair and we were attacked,” he said. “There were highway robbers, waiting for some unsuspecting carriage.”
The king didn’t take his eyes off her face. “And you were unsuspecting?”
She heard the note of danger in his voice. “Arthur,” she said tiredly. “It was raining, and it was growing dark. He fought all three of them off once they were on us. Don’t judge him too harshly.”
“On the contrary, your majesty,” Lionel insisted, “I take full responsibility for whatever punishment you would give me.”
Arthur gave a long and hard look at his knight. She couldn’t tell what he was thinking, only that like Lancelot, he was angry. When Arthur felt any strong emotion, he talked, and right now she could feel a tirade building. Please, she wanted to say, even though it was childish. Please don’t argue. Please don’t raise your voices. Just leave and let me go to sleep.
“I will think on it, Lionel,” he said finally. “I’m not in the best state of mind right now, and I’m afraid I’d be unjust. But I do thank you for getting the queen safely home.”
Lionel bowed his head. “Your majesty.”
Arthur watched him leave. His eyes flickered back to Guenevere’s face when the door scraped shut. “You could have been killed,” he said quietly. “They could have held you for ransom. Or taken you back to France.”
“Well, I’m here, aren’t I?” She was trying to be ironic but she could hear it fall flat.
His expression softened. “Let me look at you,” he said, taking her hand and guiding her to a chair. “Sit down. How did this happen?”
He was reaching a hand to her face, and she sighed. “When they jumped the carriage, one of the men slammed my head against the window,” she said. “I think they were trying to knock me out.”
He touched her chin, gently, and moved her head to the side so that he could see. Whatever he saw there, he winced at. “You’ll be a sight for a few days.”
“Do you know what you’re looking for?” she asked, scrounging up some dry wit.
“Believe it or not,” he said, peering at her hair, “when you’re fighting a war someone’s bound to fall off a horse. We all learned what to look for pretty quickly.”
His tone was light, but she bit her tongue. She didn’t want to think of the war. And horses made her think of the bandits, and she had determined not to think of them tonight, not when the memory still made her heart speed up.
He probed at her scalp and she flinched. “Sorry,” he said quickly. “You might have a headache in the morning, but you’ve got quite the goose egg, so I think you’ll be all right to sleep.”
“Thank you,” she said quietly.
His eyes showed surprise. “For what?”
“For not getting angry at Lionel,” she said. “For not starting a duel for my honor right here in this office.”
He smiled. “Believe me,” he said, rising and fetching a damp cloth, taking her face gently, rubbing the dried blood away from her face. “I’m angry, all right. In fact, I’m tempted to cancel the cattle show in London henceforth. Forever.”
“But?” she asked, then winced as he moved to her scalp. He stopped for a moment, and his hand dropped to her shoulder, steadying, almost as though he hadn’t thought about it.
“But,” he said. His eyes, so blue, and soft like water. “I was telling the truth. I didn’t think I would be fair to Lionel if I dealt him a blow here in this room.”
She had to bite the inside of her cheek very hard, to not show her disappointment on her face. “I see.”
“And,” he continued, focused again on her head, “besides all that, you looked exhausted.” His eyes darted to her face, very quickly, and then away.
Now she was smiling, despite the stinging pain as he tried to be gentle with the cloth. “I see,” she said again in a lighter voice.
He worked silently for a few more moments, and then finally leaned away. She was sorry for the loss of him. “Well,” he said, “that’s the most of it, anyway.”
The relief must have showed on her face, because he smiled. “What a day you’ve had.”
“Wait till you hear about the cattle,” she said.
He laughed. “Come on, Genny. To bed with you. You can tell me about the cows tomorrow.”
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