#or even like. a humanized version of sol. i do have a design for that

[ganondoodle]

Since you said it's ok to send you random ask, i've always found your "monsters" design to be really really gorgeous, and I wanted to know : in any form of media you've interacted with, what's PEAK monster design for you ?

i have been thinking about this ask alot bc ... i dont ... know? theres a problem with what counts as a monster really too, most are either some sort of anthro/furry or the horror gore type of monster that instills you more with disgust than awe

i guess theres some i really like but idk if thats what id call 'peak' (though its rarely JUST the design but their vibe and stuff too);

(its a lot of zelda.. sorry)

Eldra, Farodra and Naydra (engl Dinraal, Farosh(?)) though Eldra is def my fav one of them, i like how they are a little more less typical dragon- with the fur around the neck the floppy ears and kinda goofy face yet manage to be the most ethereal, awe inspiring creature i have ever seen in a game with how they act and are presented as (in BOTW!!! do not mention anythign sonau/zonai with stupid magic pebbles to me about them i will manifest worms into your tea)

Leunen (Lynels) (botw) -i could not find a better picture wtf, fav are white and silver ones) FINE they had some pretty neat new horn designs in totk- idk i just like them alot, rather simple if you think about it, horse lion plus horns- but its so well put together it just kinda scratches my brain in a good way (also how intelligent they clearly are, like the way they fight and act and also even their death animation is so??? huh?? you are just gonna treat them like any other mindless monste- *remmbers they treat ganondorf even even worse all things considered* .. nevermind you're good)

'Beast' Ganondorf (twilight princess) its my favorite beast ganon design (even if it technically is just kinda a man boar .. again) though if ww gan had a non puppet beast form that one would most definitely be my fav lol (i will not get over the fact that some descriptions call this a hideous beast EXCUSE ME???? WHERE???) (honorable mention here, darkbest ganon from botw, pig on fire but it looks cool as fuck)

Nimbusgarde (ww) .. (engl .. darknuts?) do i need to say anything? (i could throw alot of ww design here) not sure if it counts as monster but they are not human so ????

the pathless bosses- (here in order, Cernos, the Godslayer, and Kumo) all of them are rad as hell (except for the final version of the godslayer ... liek im sorry but it looks to boring compared to any other one lol) again not just the design but man do i love them

since i dont know what would count as a monster or no i could just list my fav characters here bfmjbfmjsbmj like radahn (elden ring) is just kinda a zombie, aurelion sol (league of legends) is a space dragon, the forest god in princess mononoke, Narisha (skyward sword- sky whale)- i could go on but this post is long already (honorable mention to Omus in nausicäa, weird bugs but also something divine, though it is much more how they are treated and the vibe etc)

in all honesty though i cant think of one that i would describe as perfect, what i want of a monster design is to be ... cool but also a little weird, big hulking monsters that have something off about them and something that makes them 'other', but also not, as much as i like bloodborne, just bloody gory messes of rotting flesh, AND not just as a monster to kill, i just crave a game or otherwiese piece of media where the cool monsters arent just there for you to kill- the perfect one i guess would be something kinda big scary weird and off but while non verbal clearly not a mindless beast?

and here is the thing; my own characters do not furfill that, my designs are really rather conservative, much to my dismay, anthro of a mix of animals, maybe an extra arm thrown in- Eadrya, one of my favorites, is really just a blueish furry (yes they have fur) and their demon form is a mix of seals and catfish with some extra arms, too many teeth and a mouth that goas wayy to far (if they want) - Shargon is a feather dude with extra arms and his demon form is really just a chinese type dragon crossed with a bird, throw some darts at the color wheel, done

together with my problem of my monster characters losing their 'otherness' vibe within the story rather fast bc the majority of my characters are non human and speak and you see them in all sorts of emotions and parts of life- they lose that divine, unknown vibe and i HATE that that happens, i want them more akin to the forest god in mononoke but thats not possible unless i start from scratch

and i really dont mean to make myself look bad to sound self depre- ... however you spell that; i really am rather dissatisfied with my own designs but mostly just roll with what i got bc i never seem to be able to actually achieve what i want

even my redesigns often really make things LESS interesting (unless maybe the og was just ... human, but they are blue eyed with golden hair and white so that makes them divine you seE-), the skyward sword dragons as i redesigned them made them much more classical dragon, in part intentional bc i was drawing a connection of them becoming the botw dragons at some point, but by all means the canon design is much more weird and unusual than what i did with them, you could apply the same to even demise, his canon design might seem a little uninspired but really what did i do? inject him with some classic satan spice like that makes it in any way less stereotypical evil demon ??? lol

im sorry this post devolved into whatever this is but i really am trying to answer sincerely, i am confused about it myself, what counts as a monster, what doesnt, there must be more that i really loved but why cant i think of them, why do i design characters like this when i really want something much more different, i dont know, i feel like my brain is in a cage, why do i keep making things less interesting in an effort to make it interesting, am i falling into the corporate trap of cool sells who am i what am i doing

(theres a zelda artist with a style so strikingly genuis in shape, color and just .. DESIGN that i want to chew my nails off bc i cannot design like them, their designs and redesigns are so different yet sensical and so full of crisp shapes i have never seen before it drives me nuts and i would want to give them a shoutout but i think they dont like me so aaaaarhekjbfhgdknbgdfklbg)

[pb-dot]

Film Friday: Event Horizon

Fun fact: Time is an illusion and I keep forgetting what weekday it is, but anyway: This October, I've decided to dedicate my FF entries to horror movies that I feel deserve a little more attention. First up to bat is none other than the best space horror movie that doesn't feature Sigourney Weaver and Ian Holm, the infamous Event Horizon.

In the real world, an Event Horizon is the zone around a black hole where the gravity is so strong that not even light can escape, and as such we cannot observe what's going on there in any meaningful way. In retrospect, it was perhaps unwise to name the ship built to take humanity's first Faster Than Light journey by performing a jump by using experimental gravity technology after the phenomenon, but hindsight, as they say, is 20/20.

The story follows the salvage crew on the salvage vessel Lewis & Clark who are sent to recover the Event Horizon. The Horizon has, after a lengthy absence in Parts Unknown, jumped back towards Sol and is now caught in Jupiter's gravity well and showing no signs of life. Along for the ride is Dr. Weir, the troubled physicist whose work was instrumental in the gravity drive that took the Even Horizon out of charted space, and indeed regular space itself.

One thing in particular I like is that the movie takes the form of a journey from a haunted house in space to something considerably more Hellraiser-esque. Something in the ship, or perhaps the ship itself, has been changed by the journey, and its effect on its former crew is messy and unsettling, to say the least. For the first two acts, it's all about having a Bad Feeling About This Place and Weir growing steadily more unreliable as events escalate from the expected search and salvage mission into a desperate struggle to survive in a location that very much wants you vivisected, surrounded by the mercilessly uninhabitable world of Open Space.

Things turn Hellraiserways bit by bit as we're offered recordings of the Event Horizon's former crew, there's a very notable change of tone. Turns out that the ship's journey outside of normal space took it on a jaunt through hell or some secular equivalent of the same, and the things the crew did to themselves and each other are gruesome and kept just vague enough to leave a little room for the imagination to do some gnarly work.

There's actually some controversy around these scenes, and a rumor of a longer "uncut" version of the scenes have achieved a sort of "La Fin Absolute du Monde" genre nerd infamy. For my money, I think less is some times more, and the brief flashes of the atrocities we get to see are more than enough to establish that the movie isn't fucking around and force the tone from "Man this ship sure is spooky" to "WE! HAVE! TO! GET! OFF! THE! HELL! SHIP!" which is honestly what it's there for.

If I'm honest, restraint isn't really a thing the movie deals with outside of these scenes. The third act features some rather notable scenery-chewing by Sam Neil's Dr. Weir going full Store Brand Cennobite, and although he doesn't go quite as hard into the realm of ham, Laurence Fishburn also left the more subtle acting tools at the door for the movie's climax. It isn't bad per se, and it leads up to one of my beloved Hard-Earned W's Against Evil-endings, but it does leave me wishing Neil had either dialed it down a little to allow for meanance, or somehow went even more bombastic and reached that humanity-transcending intensity that he's trying for but not quite hitting.

Before I close up, I want to talk briefly about sound design. Event Horizon doesn't do much out of the ordinary, except for making some truly memorable soundscapes of Hellish Mayhem, and the sound of our heroes beating Dr Weir with some sort of Sci-Fi Tube being truly hilarious. One sound design decision I really like, however, is the background noise. There's a persistent bassy drone sound present in the first two acts or so of the movie, barely audible without amping the bass, and it's a simple, but clever move to unsettle your audience, because this almost-hearing-it does make our lizard brains get all sorts of wibbly.

So, in closing, Even Horizon is good messy fun. It's the kind of sci fi horror I feel we get in both games and books, but almost never in movies. It's probably because making dimensions of suffering and haunted space ships look good in the movies on a B-movie budget is easier said than done, and while I do love Event Horizon and know little about its budget and box office, I kinda doubt it made its money back. It's a shame, and probably one of the reasons we're not getting more of these, but boy howdy is it fun.

[reaper-bloodmoon]

Random Thought Of My FNAFverse and a TSBSverse Crossover Thing

Basically it's a crossover AU where my universe shatters and blows up due to unspecified circumstances, causing every character that exists in said universe to be sent hurling into a different dimension in different locations a.k.a. the TSBSverse.

This kind of thing happens in a lot in my dreams in the perspective of Grim, who's memories of the events are blurry and vivid because of how long he'd been hurdling across the wormhole for plus it feeling like an explosion.

Grim is damn near attacked on sight because why wouldn't they be, he looks like BloodMoon's current design, though him referring to themself as a singular person and sobbing for whoever finds him not to hurt him gives away that they aren't dangerous. Also the small detail of the duck pin on his hood and the bigger detail of his short height would also give it away if that someone who found them took a second glance.

Monty and Foxy in my FNAFverse have never met, so when they wake up and discover that they're with each other in Gator Golf, they question who the other is. Monty actually treats Foxy with respect, unlike TSBS!Monty, who's still kind of an asshole to TSBS!Foxy even though they supposedly were gonna stop. They both meet TSBS!Monty(who's in their fem form) and TSBS!Foxy...it goes okay but TSBS!Foxy would either be shocked or horrified about the fact Foxy has six kids. Also the pirate accent would throw both of them for a loop.

The Celestial Triplets plus my FNAFverse version of Earth end up in completely different locations. Earth ends up face-to-face with TSBS!Earth and seems to get on well with them at first until she's told TSBS!Earth and TSBS!Monty are dating, which makes them all jealous because Monty broke up with her, which they're still seething over. Luna ends up in the woods and starts hunting down humans for their blood because of their K.I.L.L.C.O.D.E. mutated form, which is a given. Crescent Moon ends up in one of the old bunkers and takes it over, upgrading it and starting to transfer his logs over into the computer.

Sol is damaged and nearly dead from Earth and Luna attacking them before the universe shattered and blew up, their body being plopped right outside the daycare. Now depending on who finds her, which I imagine would be the same person who found Grim, a few things would happen including Grim becoming distraught, remembering being the other victim of the attack and being unable to do anything until red lightning powers shot out of his body at Earth and Luna. Also, as a given, Sol would be brought to parts and service, a few injuries of note being Sol's left eye, her nearly broken off arm, and her missing and broken rays(missing 2, 5 broken).

Terry, Nicolas, and Teek end up on the catwalks of Gator Golf and when they meet up with Monty, they get confused looks from TSBS!Monty and TSBS!Foxy till, ya know, they explain that they're Monty's siblings.

As for literally every other character of my FNAFverse, they'd all try to find each other and form their own "survivor group" of sorts, which makes sense as they're originally from a dead universe.

[multi-lefaiye]

[ID: a picrew of a Black girl from the shoulders up. She has light brown braids, a red shirt, and sunglasses. She looks to be saying something. The background is half purple, half the asexual spectrum flag. /end ID.]

for the oc doodle ask game thing: hello hello I bring you Tasya!

she is a very logic-oriented and puzzle-solving individual who studies dragons for a living and also (secretly) a dragon-rider. She has a silver dragon of her own, in fact, very small and skinny but very fast.

she's aroace & autistic, with pretty high alexithymia. She struggles to make friends, but once you're friends with her, you are her friend. She won't talk much, unless it's about dragons, but she's always pretty nice to her friends and tries to solve their problems whenever she can.

It's not pictured here but she does have a cane! Also her hair is. not that colour. (idk if you're doing colour. i kinda assume Not bc it's a doodle but just in case lol.) it's more of a blueish grey, though about that light.

I am interested to see which OC she gets along with ! and the drawing of course :D

OH hi hello Tasya!!!! I really like her!!!! First of all, big fucking fan of her design and concept!! Your OCs are always so interesting and creative, 11/10.

Anyway I'm gonna hop in with an out-of-left-field response and talk about an OC that I haven't mentioned I don't think, but I think they'd get along so it's fine <3

So an OC of mine that I think Tasya might get along with is my OC Sol! Sol is an OC based on a game that I like and I'm still working out what their story is outside of that, and yeah Sol is an anthro OC but don't worry it's fine-

In terms of personality, Sol is very quiet and doesn't talk much, and they tend to come off as very harsh sometimes but deep down they mean very well. They're very ride-or-die when someone does manage to earn their loyalty, and I can see them adopting like... I don't know if this is necessarily something Tasya would appreciate, but Sol acting as kind of a parental/mentor figure for her might be interesting, and I am partly saying that because Sol rides a dragon as well (though their dragon is probably different from the dragons Tasya would be used to) but also I can see Sol really appreciating Tasya's more logic-oriented mindset (they don't do well with, for lack of a better word, more emotionally-oriented and focused people) and taking a genuine interest in her studies!!

And okay this is a slightly older sketch but this is the best art I have of Sol <3

[Image Description: A sketch of an anthropomorphic character with pale yellow fur and darker markings, leaping into the air. They have a long, fluffy tail with a darker tuft at the end and long ears that are folded back. Their muzzle is similar to a cat's, and they have a furry mane behind their head. The character is wearing mostly purple, including purple fingerless gloves, a purple vest over a darker purple corset, dark purple pants, and socks the same color as their gloves. The character has blue eyes and a determined expression on their face. End ID.]

[etherealvoidechoes]

Whoa boy! Yeah kinda went overboard and this isn’t all of the variations from what I made. In total there are 27 sheets, so about 270 variations. And then there were some designs that didn’t work out(or were redundant) but I may try to fix so that’s even more variations. May do a future post with the backgrounds, middles, and tops separated for a better view.

So, like the game having different insignias for the Chosen for each new game, Tactician Jy-Sol, and her alternate universe male counterpart Juhn-Ren, have multiple variations.

Main elements tend to be balance/symmetry(most of the time) and those segmented diamond-squares associated with Maker and his mentor Va'lo'Fe; same with the moon(slowly working that into the fic.) For the ‘shields’ I got the idea for their callsigns when they were human would be Bastion(Jynn) and Bulwark(Jasper). Waves/swirls go with that affinity to water and the Void/Gap. And daggers are a favorite weapon of choice for both versions of the Chosen.

It’ll be a bit before I can give the same influence background for the inner ‘psionic’ symbols. And I call them ‘psionic’ symbols because the Warlock and Assassin have the purple-pink top icon while the Hunter’s is red. I’m doing a little personal canon with that as I’ve noticed the Hunter doesn’t have psionic influenced attacks(not counting the strengths) like his siblings.

Hard to say what’s my fav since each one has a touch of something I like.

[instantelephantmix]

How weird cat books shaped my life: a personal Warriors essay

I think we all have something we got into at a young age and we're still a fan of today. Sometimes that thing is way, way more important than you even realise.

When I was a young child, I had pretty stereotypical interests - I liked doodling, watching cartoons, and reading books about animals. I always did like animals a lot, especially cats, I was always living with at least one cat while growing up. The first two I remember were Moët, he was fluffy and timid and ginger-and-white, and Hemingway, or more commonly called Hemmy as nobody wants to shout "Hemingway" up the street when they want their cat to come home.

Above: Hemmy looking dumb.

When I was around 7, I was taking a look around the children's section of my local library and saw something I'd noticed my older sister reading recently. Warrior Cats: Into the Wild. I just wanted it because I liked the cover and I liked cats, and my parents allowed me to take it despite it being rated 9+. I think that, if they'd been stricter, I might have been an entirely different person - who knows though? I just know that those Warriors books hugely impacted my interests and hobbies.

I started reading and god, I was obsessed. There was something about the culture and history of these fictional wild cats that was so intriguing to me, but still simple enough for my young mind to digest. Being a homeschool kid who hadn't fully accessed the internet yet, I had no friends at all, so my family had to look at all my terrible drawings of fighting cats and endure me talking about them.

Below: a bad drawing of Sol from long, long ago. He has a giraffe neck.

There was something I always wanted though: a Warriors TV show or a movie. Ten years later we still don't have that, despite all the talk of a movie being in production. Where the hell did that go? But luckily, fans of the books had started making their own adaptations. Enter the late 2000s and early 2010s, the time of SSS Warrior Cats - an animated Youtube series based on the first book. I asked my mum if I could watch it and she allowed me to, opening up the door to a whole new portion of the internet.

Gone were the days of playing Flash games on the Cbeebies website, I had youtube! This was a massive inspiration to me, I decided I wanted to be an animator. Obviously I wasn't as skilled as the SSS team, I still don't think I am - but I tried.

Above: a run cycle animation from around 2015. My older animations are all sadly lost to time, the program I made them on was discontinued so I have no way of opening my old files.

Below: a new run cycle, 2021.

But over time, each member of the SSS team quit, and the channel became a wasteland with the series left unfinished. What was I to watch? How would I satisfy my desire for edgy animated cats? That was when I found Dimstar's Past, a series based on Warriors OCs, which also inspired me a lot. I think the creator turned out to be homophobic, which is a massive shame - but "separate the art from the artist", as they say.

I'd now seen these OCs, and I'd seen my sister writing stories about characters she liked, so what if I were to create my own Warriors and tell their story? While I'd written a few short, low-quality stories in the past, as most kids do, I think Warriors fully inspired me to write. I created "Rootstar's Past", a complete and obvious rip-off of Dimstar - but the story still exists in my mind, albeit very altered since then. I never even finished the first version. As I learned and became a better storyteller, I created better characters and more thought-out stories. Eventually I moved on from cats and wrote about more "human" characters - a lot of the time they aren't actually human, but they act like it.

Above: Rootstar's 2013 design, and his 2020 redesign.

Warriors also got me into roleplay, through playing Roblox and exploring forums, which further developed my writing and "impulsive storytelling" skills. I really miss the old Warriors Roblox games, like Lake Territory - morphs and maps may be better these days, but they don't hold the same charm at all. (For those who don't play Roblox - a morph is an object that the player can take the appearance of, though a button or GUI, to create looks that wouldn't be possible with the regular avatar editor.)

Above: Forest Territory, an old Roblox game. Notice the very cylindrical morphs that I still love.

I remember how I met my first real friend through Warriors roleplay. She was older than me, I was only around 9 when she was 16, but we got on surprisingly well. Me and my sister have the same 7-year age gap, so I was used to it. We shared other interests too; Five Nights at Freddy's, Undertale, and later Harry Potter. Sadly she was banned from Roblox and I never saw her again. I hope she's okay, whatever she's doing nowadays. I fondly remember our extremely angst-ridden characters - poor Soul, she could never get a break.

I made so many memories in those games. Playing in "Fan Clans" with magical powers, laughing at newbies who'd never read the books (don't get me wrong, I wasn't a rude person, but I was badly influenced by those who were), making the most complex morphs possible, creating cat romances, making drama... I want something like that again, but unfortunately roleplays don't seem to have any heart to them these days. Or maybe I'm the one who's changed? I don't know for sure.

There's one more interest that Warriors brought to me, although it's a very childish one. I won't go into too much detail because of that, I don't think anyone will care that much, but it does belong in this post.

As well as animation, there was another thing I saw people making short films and series with - Littlest Pet Shop toys, those stylised animal figures that Hasbro makes. They're not everyone's cup of tea, but I have to admit I fell for them and ended up collecting them. With the cats I made several Warriors fanseries and posted them on my mum's youtube channel, where they remain to this day. They're all unlisted or privated though, and I don't plan to show them to anyone, they were genuinely terrible. Maybe if I'm very drunk one day, or I don't care about my reputation, or someone pays me for it.

Below: my Littlest Pet Shop cats.

These days, Warriors doesn't hold quite as much significance in my everyday life. It still means a lot to me though - I like learning about the new characters, making my own, and doing art and animation for the community. It was my first fandom, and still my most consistent. I imagine its importance to me will only decline over time as I grow up and find new interests, but who knows? Maybe it'll stay with me forever.

Warriors probably made me into a furry, at least indirectly. I can never forgive it for that.

So what else am I doing? What fandoms am I in? I like Doctor Who, vampires, and I'm studying Digital Media in college, if that's of any interest to anyone. I still play Roblox and collect LPS, and I animate (very slowly).

Oh, and it's my birthday. Happy birthday to me. I'm 17 now.

[the-musical-cc]

Iiiii may or may not have some ideas regarding Buzz’s background in BLOSC that I’m trying to write down but since my writing juice is running low I figured I’d sketch around a bit and see if that helped- it has. Except it’s 2 am, lol, so I hope it holds out ‘till tomorrow when I can take my sweet time typing it down but IN THE MEANTIME:

OK so you know how Toy Story 2 established Zurg is Buzz’s dad? Yeah. 

I also know a lot of people think Zurg is some sort of purple robot alien but- let’s be real. He’s a parody of Darth Vader. The fact that his design is consistent with a guy similar in build and face to Buzz wearing a disguise just makes this more likely to me.

He has a bit of a complicated backstory but I swear there is a reason his childhood name is ‘Agent Z’ as established in the pilot/film- I know it’s a joke but I work with what I’ve got. Adapt. Overcome.- and why even later on he doesn’t have a surname. He’s always been uhhh... eccentric but he doesn’t become Darth Vader but extra tuned up to 1000% until later on.

Then we have actual ray of sunshine Sol Lightyear. She’s part of the beta version of Star Command (Cosmos Crusaders) where she meets Zee. Since the Crusaders are pretty much a glorified bike gang she doesn’t really have a place of her own except her ship, but her family lives in one of the human colonies near Capital Planet.

OK, OK, so you know that thing Zurg does in the pilot/film where he boops Buzz’s nose? I don’t know why my brain decided he did that because he actually used to do that to Sol all the time when they were together. I made myself sad. I seem to do that a lot.

Sol really loved that tech-savy weirdo. She saw all his good sides (He was very good at hiding his bad sides back then) like how inventive he was, how determined and hard-working he could be. He loved her too... as much as a narcissistic prick can love. Never does quite get over her.

Ssssso after a lot of tribulation, little Buzz came around. Not gonna disclose much about that right now but suffice to say Zee is out of the picture before he’s born and he’s the light of Sol’s life. Her beautiful blue-eyed baby.

[sherry-l]

Why YGO Vrains is such an immeasurable disappointment: a list

First of all, I need to make it abundantly clear that Im a big fan of Vrains – I love Yusaku, Ryoken, Ai, Kusanagi... you see them very often on my dash. I fantasize about the ideal version of Vrains that’s written well, the Vrains that’s fully exploited its potentials, every night in my sleep. I wrote this list PRECISELY because I love Vrains. That’s why I got so frustrated with its cardinal writing issues (and production issues). It physically pains me to hear people calling Vrains the worst and most boring series of YGO – but the fact that I couldn’t argue against that because it’s true pains me more.

And now, an incomprehensive list of the faults of Yugioh Vrains.  

1.      What the fuck is wrong with the character designs (beside that of Yusaku and Ryoken???) Everyone looks aesthetically displeasing – characters in real life look incredibly boring they could easily drown in a crowd of background characters, but their avatars are OSTENTATIOUS. Seems like the character designer had no clue what “less is more” means – blue angel, soulburner, and Bohemann for example, look like they were immersed in a bucket of glue and then dumped into another bucket filled with random accessories.

(from a fan artist’s perspective…Im especially salty about takeru, akira, Kusanagi, and the Knights of Hanois’ designs…like, their designs don’t inspire me to draw. Their personalities might be interesting, but their looks lack the vibrant, enthusiastic energy that the 5Ds, Zexal, and Arc-V characters possess)

(imagine how many fanfics and fanarts of Kusanagi x Yusaku there would be had Kusanagi looked HALF as hot as Ryoken)

And don’t even get me started on the colour palette – whoever decided on the colours just cant make up their goddamn mind! Colour saturation is way off the charts, the range of colour is too wide the audience simply dont know where to focus.

2.      Forgotten plotlines. Yusaku’s link sense? Hanoi’s spy in SOL? The Queen and the rest of the chess pieces? Yusaku’s forgotten memories? The rest of the victims of the Lost Incident? Just to name a few. 

3.      Character relationships are weak to minimal to none. Bonds and friendships – the vital element in all previous YGO series – is practically non-existent in Vrains. Where’s the camaraderie between our main casts (Yusaku, Aoi, Soulburner, Ema, Onizuka, etc…)? They don’t feel like a team fighting the evil together. They’re completely separate individuals who don’t give a single fuck if one of their…acquaintance…dies in a battle. We don’t have heartwarming moments of friendship blossoming and consolidating. It’s honestly such a let down.

4.      Interesting and debatable topics thrown away. The conflict between artificial intelligence and humans could spark so many in-depth discussions, but then the writer just decided its all Lightening’s fault. No morally gray situations, no ambiguity between the line of good and evil. It’s just all Lightening and his petty jealousy… yeah.

Oh and if Ai lives on the world will blow up. Why? Do we have a concrete reason to back that statement? eh...

5.      Overall quality of the animation. I don’t know if its because the animation staff was short on time or low on budget, but for a megacorporation (konami cough cough) that makes billions every year, they certainly are capable of investing more in this anime series. I can count the number of episodes in which the characters don’t look wacky with a single hand.

6.      Character development, wasted potentials. Ryoken is the only character who received decent treatment. The rest of the Vrains cast are all disappointments. Original concepts are cool and promising – Yusaku, a victim of child abuse with PTSD, embarking on a journey to overcome his reclusiveness and learn to open up to people around him? HELL YEAH. Aoi, a teenage idol with depression developing into a more mature and responsible heroine who saves Link Vrains? IM ALL FOR IT.  Soulburner’s character arc is fine overall but personally I don’t feel like it’s expanded enough. Also, there’s the mistreatment of side characters like Onizuka, Ema, Akira, the list goes on. I got so furious just looking at these characters and remembering that they’re all wasted and sidelined.

7.      Incoherent/ random plotlines. IDK all episodes in season 1 (Hanoi’s arc) felt pretty consistent, focusing on a linear theme – Yusaku’s revenge on the Knights of Hanoi. But after that it felt like the writers gave up writing outlines and just wrote whatever he pleased/ considered more convenient for the sake of…a plot…that he had no idea which direction it was headed for. This is reflected in the amount of forgotten plotlines we listed previously.

8.      Weak villains. Kinda related to point 4. Bohemann, Lightening, Windy, and Haru are all one-dimensional, flat, predictable villains with the cliché goal of “destroying humanity cuz humans are dumb and Ais are superior”. Not likeable, not fun to watch, not morally gray (something I expect from well-written antagonists), they are just there to serve as symbol of evil for the protags to defeat.

Honourable mentions - what I personally want to see in Vrains, really. Very biased.

-        The familial interaction between Yusaku and Kusanagi? Brotherhood, perhaps? Without any mention of Yusaku’s parents, Kusanagi is the closest Yusaku has to a brother figure. I crave for some wholesome brotherly moments between these two.

-        More slice of life episodes please.

-        The friendship between Yusaku and Takeru. Please. Please. PLEASE. From the second opening we can see the animation staff CLEARLY intended for there to be a strong bond between Yusaku and Takeru – Takeru probably was written to serve as a Jounouchi/ Johan/ Crow sort of character. Yusaku and Takeru could bond over their trauma and overcome their PTSD together. AND IT WAS SO HEAVILY HINTED AT IN THE 2ND OP!!! fam what the fuck happened to that friendship, Im so robbed.

-        Yusaku and Ryoken’s duel or tag duel. These two haven’t duelled AT ALL since the first season ended. Isn’t Ryoken Yusaku’s official rival? Isn’t it Yugioh tradition for the protag and the rival to duel like, a trillion times? AND ISNT IT ALSO A YUGIOH TRADITION FOR THE PROTAG AND THE RIVAL TO TAG DUEL?????? The fact that Yusaku and Ryoken never had a tag duel haunts me every night in my worst nightmares afjw4ot9wgrk

-        Topologina Nabee

Thanks for coming to my ted talk, this marks the end of my rant on YGO VRAINS DISAPPOINTMENTS. Again, I harboured no malicious intent when I compiled the list – its more like a vent of frustration than actual criticism. I would pay billions to see a Vrains reboot or, if there exists an alternate universe where none of the writing/production issues above are present in Vrains, I would do a Kaiba and build a dimension travelling machine and immigrate there.

TLDR: wasted potentials. wAsTED PoTEntialS. WASTED POTENTIALS!!!!!!

[niqhtlord01]

Humans are weird: Politics is the warfare of minds

“The intergalactic fleet restriction laws are clear.” Began Councilor Yumi as she addressed the entire governing body of the Pan Galactic Federation. “No species is to have a navy larger than the established criteria which states ten ships per system controlled by an individual member species of the Federation.”  She pointed a slender finger at the human ambassador sitting on the opposite side of the audience chamber. “The humans have ignored these limits and for the past several years have been building a massive navy of nearly a thousands ships within the limits of the “Sol” system!” A round of gasps and exasperation’s rung out in the chamber as all eyes turn towards the human ambassador who was still calmly sitting in place and meeting Yumi’s gaze head on.  “Do you mean to make war against us?” “How dare the humans!!!” “Expel them from the Federation!” Came the cries of other councilors until the entire room was in uproar. This went on for several minutes until the lights dimmed and a massive hologram of the Federations Executor appeared. “Silence please, members of the Federation, silence please.” The cries and jeers began dying down with the Executor’s call for silence until the room was once more silent as the grave.  “Councilor Yumi,” the Executor spoke, “these are serious charges you bring against the human species. Very serious. I hope you have proof to back these claims or I shall hold you in contempt for attempting to start panic and turn the Federation against one of our own.” “Indeed councilor. we began receiving reports from our merchants trading with humanity that they had begun purchasing large amounts of ship building materials. We then dispatched a recon team into their system and discovered massive hidden shipyards orbiting the planet known as “Mars” churning out ships at 3-4 per earth week.” Yumi paused for the information to set in, and also for dramatic effect. She’d waited a long time to knock the humans back into their place and this was her chance to finally do so.  “Additionally,” she added, wanting to stoke the flames further “in human culture Mars is most often associated with the god of war. Another ill omen I find most troubling.” It was important to strike not only at humans from a practical level but also on a spiritual level. Many of the species in the Federation had different religions that were taken seriously. By bringing in humans concept of a god for “War” Yumi could further turn additional councilors against humanity.  As more glares fell towards the human councilor the Executor raised a hand and then turned towards the human councilor. “Councilor Nevara, you have been accused of ignoring established fleet regulations and illegally expanding your species navy. There is considerable evidence against you by the information provided by councilor Yumi but judgement is not against you. You may now respond to these accusations as you see fit before a final judgement is rendered.”   Councilor Nevara rose from her seat and flattened the front of her robes before gazing out across the councilors present. As she fell on Yumi she stared for several seconds before bursting out with laughter. Yumi was taken aback for a moment, she had not expected the human councilor to react in such a manner. The laughter was loud and meaningful that lasted for at least a minute before dying off. “My honored councilors,” Nevara began as she wiped the tears from her eyes, the last of her giggles dying away,”I feel there has been a grave misunderstanding. A misunderstanding of such scale that I could not help but laugh at the sheer absurdity of it all and I pray you will forgive me for any notions of disrespect you may have thought towards you all.”  Nevara coughed into her hand for a moment before shaking her head clear and continuing. “It is true, we are building large amounts of ships; and yes, there are massive dockyards orbiting our planet Mars producing ships at an impressive rate.” Yumi looked on with a smug smile as she assumed that the human was about to cave and admit to building a war fleet.  Nevara motioned to Yumi, a serious tone taking over. “But these ships are not for war and implying so without doing further research in my book is the real provocation here by councilor Yumi attempting to spread her anti-humanity views.”  Yumi’s hands slammed into her desk. “LIES!” She shouted. “We have proof that you have been building a massive fleet for months now and our spies have confirmed that!” Nevara wasn’t shaken by the sudden outburst and instead turned to the Executor. “My dear Executor, I will be more than happy to answer all inquiries councilor Yumi may have or any other councilor present as my people have nothing to hide, but I would like it noted that it will take much longer for me to respond if I am interrupted by sudden outbursts before I can finish.”  Yumi’s face was turning red with anger and she was about to rebuke Nevara when the Executor cut in. “Your point is noted councilor Nevara. Councilor Yumi, you will not interrupt again while councilor Nevara is offering her defense. She patiently waited for you to level your claims against her without interrupting you and you shall do the same. We are a Federation, not a school of youngsters on the playground.” Yumi bit down a rebuke she was about to say and sat back down.  “Thank you councilor Yumi.” Nevara’s remark only seemed to rise the irk of Yumi even further. “Now I will address your claims one at a time. First, you claimed that there were hidden shipyards on Mars. That is simply not true.” Nevara fiddled with the controls on her desk for a moment and a hologram of Mars and the surrounding moons was brought up. “For those of my fellow councilors unfamiliar with the Sol system this planet is the planet in question Mars.” She fiddled with the controls again and the image increase to one of the nearby moons revealing several shipyards. “As I confirmed earlier the planet does have several shipyards orbiting it, but what is mistaken is that they were hidden. Currently I am using the interstellar positioning system available to all councilors and their respected staff and I can clearly zoom in with such detail as to make out the face of one of the construction crew members. If we were truly hiding these shipyards, do you not think we would have done a better job all things considered?” Yumi could see several councilors fiddling with their desks as well and projecting smaller versions of mars in front of them and began examining the shipyards. “It is true that at one point in human history that Mars was named after the human god of war for the planets color appearing as blood. But this was several dozen centuries ago, back when humanity was still infantile as a species. Why for the longest time many of our species believed the female half was created by a god who broke the rib off a male human so he could have a companion.” A few chuckles came from nearby councilors at the self deprecating joke. “I assure you that despite the meaning behind the name it has remained as a legacy to our culture and history, something of which I am sure many of my fellow councilors understand. Some of your races date back thousands of generations and have no doubt left countless names reflecting moments that have meaning to your people and your people alone.” Yumi was getting upset as she could see many of the previously angry councilors now nodding at Nevara’s words.  “Your next claim was that these shipyards were producing warships. Again, that is not true. They are producing mining vessels and nothing more.” “Forgive me Executor but I can not stay silent in the face of such lies!” Yumi decried as she rose once more. “Our spies infiltrated several of these shipyards and acquired several plans showing these vessel have increased hull thickness, heavy shielding, large turret housings, and hangars large enough on either side to fit an entire squadron of fighters and bombers.”  Yumi used her controls and replaced Mars with blueprints of the ship designs.    “Councilor Yumi,” the Executor cut in, “you were warned not to interrupt councilr Nevara during her defense.” Yumi was about to respond when Nevara cut her off. “I thank you for your kind words Executor but I am fine with this interruption. No doubt this is a cause of concern for many of my fellow councilors, a concern I am happy to put to bed.”  “It is true that these ships are highly different in scale and design from other standard mining ships, but that is because this is a new model built entirely by humans.” She enhanced the designs to focus on each issue as it arose. “The large hangars are in fact the entry points for asteroids to be pushed into by support craft. The asteroids would then be grinned up and the valuable ore separated from non-valuable ore. The large turret housings are intended to hold state of the art mining laser that would cut up larger asteroids into smaller pieces for the support craft. The laser nearing the end of its testing cycle as it is one of our most advanced lasers to date. It is also roughly the same design as our battleships capital guns so while the laser is still in development and not ready for implementation yet we instead used the capital gun as a place holder for testing purposes of the new ships. Once the laser finishes testing and is put into production the capital guns would be switched for the lasers.  Yumi wished to barf at the amount of explanations the human was giving to cover their tracks but she wouldn’t be fooled.  “The extra shield layers are to help protect the ship from erratic asteroids that may drift into the ship while it is harvesting. While I am hesitant to explain the thicker hulls as it reflects poorly on my people I feel I must to erase any doubts my fellow councilors have of our intentions.”  “Our shield systems are far from perfect. At the moment they are able to maintain some protection but are known to short circuit and power down. We are new to the concept of shield technology so this would be our first attempt, but because we know our own failings we increased the hulls to compensate a shield failure possibility.” Nevara fiddled once again with her controls and brought up a video file. “What you are about to see is our initial test footage with our shields.”  “All watched in silence as a picture of a human vessel came into view. In the background they could hear what sounded as other humans listing off technical data when the ship was suddenly covered with a blue sphere. A secondary ship came into view and released a large asteroid that drifted towards the shielded ship. Upon coming into contact the shields lit of under the strain producing a blinding beam of blue light. This lasted for several seconds before the sphere vanished and the asteroid continued drifting into the now unshielded ship and crushed several decks before bouncing away into space.  “This file,” Nevara cut in as the video vanished, “was deemed top secret by my government as it reflects upon humanities capacity.” She grasped her desk for a few seconds and paused, staring down at the desk. “My government did not give me authorization to release that video to you.” A sudden series of gasps came from the room. “Nevara held up her hand for silence. “After I leave today there is a high chance I will be relieved of my position and sent to prison. But I will not leave here without showing you this and clearing the air from these lies and misconceptions that have been put at my peoples feet.”  Nevara raised her head and glared at Yumi. “My people have no intention of making war on any of you, all we wanted was to harvest the massive asteroid fields surrounding our system and use the materials to improve the lives of our citizens. Had any of you asked we would have been glad to have shared that information freely since we felt it wasn’t worth of a galactic announcement in these chambers where wars have been declared and the lives of billions saved by the actions of my fellow council members. We felt it wasn’t worthy to stand next to such actions so we chose to keep quiet and let the Federation deal with more pressing matters.”  “But you never did ask did you councilor Yumi?” Yumi could feel her plan backfiring as she saw numerous eyes stare at her. “No, you never gave me nor humanity any chance to explain ourselves. Instead you sent spies into our home system infiltrated our shipyards, and lets not forget, STOLE our species latest mining ship design and then broadcast it to every councilor in this room!” Nevara waved her hand across the entire chamber. “Every councilor here now has a copy of our ships, ships that took generations to develop and design and perfect, costing not just money and materials but also in the lives of our builders that died along the way from on-site accidents. You spit on our fallen’s legacy with your actions and instead use them for your own means, framing humanity as blood thirsty monsters when all we wanted was to harvest some GOD DAMN SPACE ROCKS!” Nevara slammed her fist into her desk with such force some of the nearby councilors retracted in shock.  Nevara continued glaring at Yumi for several seconds before closing her eyes and calming down. “I laughed earlier because I thought this was all some mistake. But now I see by your very own actions that you Councilor Yumi just hate humanity and will do anything in your power to set us up for a fall.” Yumi stood in silence as Nevara changed gaze to the Executor. “I feel that I have provided sufficient detail for my peoples defense. The proof has already been uploaded to my fellow councilors and they can go over it at their pleasure. Any additional questions I would be more than willing to answer in the coming days if I am not recalled. I apologize but I am suddenly feeling unwell and beg your leave Executor to return to my office.”  The hologram hovered over the councilors for several moments in silence before nodding. Nevara pushed in her chair and left the council chamber in silence.  Yumi could hear the councilors around her. “She was trying to play us against humanity.” “She must really hate humans.” Do you think she was lying?” “Nevara showed us classified documents, why would she if she was lying?” “I hope the humans don’t replace her, we could use more of that spunk from a councilor.”  The tone of the room had turned on her and it was Yumi now who felt like she was backed into a corner... ------------------- “Did they suspect anything?”  “Doubtful.” Nevara answered the hologram in her office. The shades had been drawn and a dampener field was running to block out any outside monitoring devices.  “They had our designs, we need to know for certain. Too much is riding on this.”  “Yes sir. I believe I painted a pretty enough picture to swing their voices against Yumi, even going so far as to show them “classified” documents knowing full well what my government would do for me.”  The hologram chuckled. “Doubt they’d think we’d give you a medal and promote you several ranks.” Nevara smiled. “That reminds me, have the government issue me a censure for my actions and have me recalled “pending further investigation”. That should help make the cover story more believable.” “We already have a military cutter heading out your way with an escort to “haul” you back to earth to account for your actions. Should arrive in a day or two. Continue working as you normally would and show little reaction when they arrive, like you always knew they were coming. “ “Understood sir.”  “You did our people proud councilor. We were barely able to detect a breach in our security at the shipyards and scrambled to implement the fake documents. Without your performance now our entire operation would’ve been discovered earlier than planned.” “Think nothing of it sir. How far along is the operation now?” “The fleet has been moved closer to earth for security reasons while arming continues. At current rate we’ll be ready to sail within a month.”  “I can’t wait to see our ships flying over the skies of everyone planet in this stupid federation.” Nevara said. The hologram nodded to her. “We’ve had to play nice with the Federation after the first contact wars, but now with our fleet we can go toe to toe with them.” Nevara smiled. “No more playing nice to those that tried to keep us from our destiny.”  A sudden knock at her door alerted Nevara. She instantly cut the hologram and disabled the dampener field. She adopted a posture of stress and concern and then opened the door. “Yes?” she asked meekly. “Councilor Nevara,” an alien councilor stood at the door,  “the Executor wished me to deliver to you the news that the council has found the charges against humanity baseless and cleared you of all of them. They are now in the process of writing a petition to the human government to say they wish you to stay on as a councilor.” Nevara raised her head a bit higher. “That is most kind of them, but I’m not sure if that will be enough to sway my superiors. They can be stubborn sometimes.” The messenger nodded. “Indeed, your species is known for that and your cleverness. The way you were able to easily put councilor Yumi on the back foot was most impressive. I pity anyone that would meet you on the fields of war.”  Nevara smiled. “Indeed. I pity all those that try to keep humanity low.” 

[mobius-prime]

228. Sonic the Hedgehog #160

Birthday Bash! (Part One): Giving and Receiving

Writer: Ian Flynn Pencils: Tracy Yardley! Colors: Jason Jensen

Welcome to the beginning of Ian Flynn's reign, everyone! As many of you will know, Ian is a fan favorite amongst readers of the comics, and for good reason. Objectively, I'd say he has a much better sense than any previous writer of how to construct dynamic and interesting stories, as well as a great head for writing dialogue. Every character has their own unique voice when speaking, and as someone who takes a particular interest in dialogue in her own writing, it's something I admire a lot, especially given how stilted and unnaturally formal a lot of dialogue by Karl and especially Kenders often sounded, regardless of who was speaking. That said, I think that it took a good year or so for him to fully come into his own as head writer for the series, so some earlier issues are a bit strange and not up to par with a lot of his later work. Some of this, to be fair, is due to him essentially playing clean-up for this first year, untangling a lot of the bizarre leftover plot threads that Karl and Kenders left behind, and generally trying to make the world of the comics conform a little better to that of the games. All that aside, anyone reading the comics will likely notice an immediate and apparent improvement in the overall quality of the work starting with this issue. This is helped along, in addition, by none other than the very talented artist Tracy Yardley! who always (well, almost always) introduces himself in the story credits with an exclamation mark. It's kind of his calling card. Tracy took a while to really improve his art as well, so while his earliest issues sometimes have some strange proportions and poses, later on his style became easily one of the most visually attractive and recognizable ones in the series, simplifying a lot of the inconsistencies that many character designs had as well as doing away with the strange pseudo-human proportions that some artists tended to favor, particularly with the female characters. All this said, I will say that Ian isn't going to be immune to my criticism, as while I do recognize his skill as a writer and the good things he brought to the table, there are definitely some problems I have with the way he handled certain things. We'll cross those bridges when we come to them, however, so for now, let's dive into the new world he's creating and see how he does!

Elias and Sonic are walking on the outskirts of Knothole as Elias explains why his father approved the Metal Sonic troopers from last issue. We don't even really get to hear the explanation, but to be fair, we hardly need one, as the idea was so insane to begin with that the only true explanation is that Kenders needed a plot device. Sonic tries to make Elias promise that "you royals" won't hit him with any more weird surprises, and Elias says they only have one more, leading him to a building next to where the Great Oak Slide into the village ends.

I mean, canonically he's supposed to be turning seventeen here, even though realistically he should be turning eighteen, because remember, for him to have turned sixteen in StH#68, had the Robians be deroboticized in early June in StH#123, and still have managed to spend close to a year in space before turning seventeen, literally everything in between the two aforementioned issues would have had to take place in the span of a few weeks - yes, that's counting the month-and-a-half time span that Sonic was confined to Knothole, as well as major events like Eggman's return and the entire Green Knuckles saga. You can see why this huge discrepancy still bothers me, right? Hmph. Anyway, no sooner has the party begun than an explosion destroys the door, and two new players enter the scene - Bean the Dynamite and Bark the Polar Bear from Sonic the Fighters! Nack's been part of the comic for long enough now, so it's cool to see these two make their first appearance. Bark is totally silent - as far as I remember, he never says a single word during the entirety of the comic - but Bean, in the absence of an obvious personality to draw from in the game, has subsequently been given the personality trait of "criminally insane" in the comics.. He's erratic, he talks to himself, he cracks jokes where jokes really shouldn't be cracked, and most importantly of all, he loves his goddamn bombs. Bean starts chucking said bombs left and right at the various Freedom Fighters in the base, while Sonic tangles with Bark. He seems to think these guys are only after him due to something Evil Sonic did in his place, something which he has by now apparently finally explained to all the women of Knothole, and manages to break away from Bark to stop Bean's bombing spree by pinning him to a wall and asking about Evil Sonic. However, Bean happily insists there's been no mistake and he wasn't even aware of Sonic having an evil twin, nor does he particularly care. Oh, speaking of Evil Sonic…

Huh, it seems that Evil Sonic has actually explained his true identity to Rouge in between their previous failed attempt and now. I'm surprised she hasn't outright abandoned him by now due to Rouge not exactly being evil-aligned to begin with, but I guess the pull of the shiny is just too strong for her to resist. And as it turns out, Bean suffers from a similar insatiable need! Fiona pulls out a ring of keys and shakes them around, completely distracting Bean from his current activity of bashing Sonic's head in, and throws them out the hole he made in the wall, prompting him to immediately abandon everything to chase after them. Fiona then advances on Bark, who by now has gotten himself cornered by every Freedom Fighter in the room, and convinces him to stand down as he's outnumbered. Outside, Bean plays with the keys and talks to them, seemingly convinced that they're a beautiful woman with an "adorable accent" who wants his number, when a suspiciously-Shadow-shaped shadow converges on him, prompting him to try to invite him into smashing Sonic as well. Good luck there, buddy, I don't think Shadow usually runs with crazy…

Geez, Sally, cut Fiona some slack. Not everyone had a squeaky-clean record - hell, just look at Shadow! Back in the Chaos Chamber, Rouge and Evil Sonic begin to battle Locke, who tosses Evil Sonic to the side as he perceives Rouge to be the bigger threat. However, that turns out to be a bit of a bad idea, as with Rouge tied up in the fight, Evil Sonic takes his chance to go after the Master Emerald without her, obviously recognizing it as more than just a shiny trinket.

Back in Knothole, Shadow explains that he's only here to thank Sonic for saving Hope, as he knows he wouldn't have been able to do it on his own, and reminds him that as soon as he leaves this building they're back to being enemies, as Shadow's still aligned with Eggman for now. Sonic, to his credit, seems to recognize that Shadow is only allied with Eggman because he doesn't yet know better, and cheerfully invites him to come back here whenever he cuts out on that deal in the future. It's at this point that everyone realizes Bean has quietly snuck into the brain trust's comms room to casually let Eggman know that he and Bark failed to take Sonic down, and when Fiona ushers him back out of the room, Eggman is only too happy to let Sonic know personally that he wishes him a happy birthday and he's sending him a new, more metallic present. Within seconds a thud outside alerts them to the arrival of this present, and everyone rushes out to see a strange figure emerging from an egg pod - a figure which resolves itself into the combined forms of Crocbot and Octobot, now merged into the singular entity of… Croctobot! (Don't worry, Ian knows just how silly this is and even acknowledges it next issue.) But what of Evil Sonic and Rouge? How is their fight faring against Locke after the former got knocked aside? Well, Evil Sonic takes his chance to dramatically emerge from behind the emerald as the other two get ready to continue their fight…

Plot twist! How many people actually didn't know by now that Evil Sonic and Scourge were the same person? I'm guessing there had to be at least a few of you. You can actually already see Ian's new plans being put into action - it's very telling of his intentions when the very first issue he ever pens immediately makes a point of distinguishing a rather tired and boring character into a new and improved version of himself, with a unique name and new, visually distinct look. Apparently Kenders, who if you recall is the original creator of Evil Sonic, never liked this and continued to insist on referring to him as Evil Sonic, but screw that, Scourge is a much more interesting character and this was a change that sorely needed to be made.

Sonic Rush (Part One of Two)

Writer/Pencils: Tania Del Rio Colors: Ben Hunzeker

So unfortunately, Sonic Adventure 2 isn't the only case in the preboot of a partial adaption of a game being included without any actual ending. Sonic Rush, the game, introduces Blaze, a cat from an alternate dimension that is controlled by the Sol Emeralds rather than the Chaos Emeralds, and most of the plot revolves around the Sol Emeralds ending up in Sonic's dimension and her trying to recollect them to bring back to her own world. However, things are a bit different in the comics universe. In this story, Blaze comes to Sonic's dimension because, apparently, she's been having nonstop dreams about him, dreams which show her visions of Eggman threatening the Sol Emeralds and Sonic helping her protect them. She's frustrated that she would have to rely on anyone else to help her protect the emeralds at all, believing them to be her sole responsibility, but nonetheless she's tracked Sonic to Knothole. However, while deliberating her next move, a squad of swatbots - yes, ordinary ones, it's been a while since we've seen them rather than shadow-bots - happen upon her and decide that they should take her in for interrogation.

Yeah, I guess Blaze doesn't understand the dangers present in this universe yet, does she? An hour or so later, Rotor sends for Sonic, informing him that they caught the aftermath of Blaze's capture on their video surveillance. Neither of them know who she is, but they decide she can't be from their village, since she left several disabled swatbots behind, while most people in Knothole are noncombatants and those that aren't are accounted for elsewhere. Sonic rushes out to find their trail and tracks them to a nearby facility set up amidst the trees, and while he begins fighting his way in, the scientific robots in the building go about studying their new specimen.

Sorry, but why the hell would Eggman be looking to add some random Mobian to his team? He only likes robots anyway, and tends to either betray or enslave every living being that comes to him. Blaze suddenly awakens and becomes furious - not that she's been captured, mind you, but that they took off her coat while studying her. She must be really goddamn attached to her coat, because she starts absolutely trashing the place, exploding into flames and screaming so loudly that Sonic becomes genuinely worried about her wellbeing, rushing to where he last heard her. The door of the lab she's in is completely blasted off its hinges by the force of Blaze's explosions, but thankfully after this she seems to have found her coat, because the blasts subside and she appears in the doorway wearing it once again, staring down at an utterly shocked Sonic with a look of fiery fury (the literal flames coating her entire body probably help with the "fiery" bit). Uh… good luck dealing with that, buddy boy!

[courage-a-word-of-justice]

Maou-jou 1 | Munou na Nana 1 | Grace of the Gods 1 | IWGP 1 | Akudama 1 | Crusade 1 | JJK 1 | HypMic 2 (also brief thoughts on the dog and cat TV short because I had them)

Maou-jou 1

I sampled this manga with what’s called a “Viz sampler”. I only ever seem to find those at libraries, so I’d assume only they and bookstores can get those.

…Twilight looks like Maou Sadao (Hataraku Maou-sama!).

“Dawner”??? I can read katakana, ya idjits. His name is Akatsuki. Update: The translator must’ve gone, “Dawn is a girl’s name. Let’s tack on an -er so it looks like a guy’s name.”

Aw, Hiro Shimono is Akatsuki. If it were Yoshitsugu Matsuoka, we could’ve gotten a Kirito joke out of it.

Oh! 快眠 (Kaimin) = good rest, literally “happy sleep”. Hence this is the nation of Goodreste. I see.

The lightning effect is soooooooooo cool! *eyes glitter at the particle effects*

I’m gonna die from cuteness from all the teddies and seals!

The little fanfare is so cute and the yokudekimashita reminds me of my days playing the arcade game Bomberman (which had a flower sticker much like this one). I wanna see this get a dub and succeed on all its merits! It’s basically my baby already…bar the fact it took a bit to work up to the first good bit of comedy.

The teddy demons are called Debiakuma, a pun on kuma (bear), devil and akuma (devil). Lessee…After “lesser demon”, there’s more text…“Fluffy bears that can be also used as pets. They give in easily to temptation. A lot of them live in the demon castle, so the princess likes to gather their fur, dye it and spin nice cotton out of it. Warning: A lot of them will either run away or call you their friend./Occasionally act as friends for the princess.”

LOL, I recognised that voice of the Scissors guy straight away…although I didn’t know who it belonged to. That’s Suwabe. (It doesn’t sound like Suwabe, I would’ve thought it to be Takuma Terashima or something.)

Aw, the Japanese version is more boring this time. It’s just Scissor Magician (in the singular for both).

*hears Scissors Demon going -ageruwa”, which is a feminine sentence ending…that’s Suwabe trying to (voice) act effeminate???!!!

These trumpet sounds never get old.

LOL, Siberian huskies dressed as Russians…

Okay, my turn again: Hari means needle, toge means thorn. Next to “His stomach is soft”, part of the subs are cut off due to Funimation’s hardsubs, but I can read “he is proud of his defence” on the 2nd line, “is the type to not refuse when relied on” on the 2nd-last line and “his favourite food is strange bird chawanmushi” on the last line.

I love how parts of the castle are upside down for no reason at all except to look cool…architects must hate that, though.

I hadn’t heard of “seesaw battles” until now. but the metaphor does make sense...kind of.

What about changing the mattress? Update: She does do that…kind of.

Gaaaaaaaaaaaaah! Kirito was under my nose all along! Damn Demon Kinggggggggggggggggggg!

Kamina glasses on one of the background trees! Cute tapir! Ahhhhhhhh, it’s so cuteeeeeeee!

Anyways, that’s a fun show. Not as fun as HypMic, but still fun after it gains momentum.

Munou na Nana 1

I remember seeing spoilers for a twist at the end…let’s hope I don’t anticipate it. That would kill the entire anime for me.

The message actually says something about how the island is a nest for enemies of humanity.

There’s the ice narcissist I saw in the promo stuff, right on cue. I’ve never heard of his voice actor Hiromichi Tezuka before, although he does sound like Hiroshi Kamiya or someone much better.

Why do I get the feeling once the title character arrives, even Nanao will get powers…? Or maybe Nana is the catalyst for Nanao’s powers awakening or something? (Just realised having a Nana and a Nanao together in the same anime is confusing…)

Subbers spelt “noblesse oblige” wrong, unless it was deliberately done as such.

I predicted the “duke it out” line.

There’s a menu on the wall of the restaurant.

Maybe Nanao’s “talent” is his leadership stat or something?

Or maybe even Nanao is an enemy of humanity and doesn’t know it? (Sorry, speculation going into overdrive…that usually happens with superpower works like this for me, because I like to analyse them.)

Maybe Nanao can see the future, like the protag from Koi to Producer?

Technically, shouldn’t ice be weak against fire…? Or am I too used to the Pokemon system?

Called it! Nanao has a hidden power! (That reminds me: I still don’t know what Lucien’s (from Koi to Producer’s) power really is.)

Vigilantes is really good at exploring how people can expand on their own powers.

…wow, I heard rumours that the main character was going to die, but I’d pegged Nana to die, not Nanao.

Onodera is clearly important…maybe he was the one with the wind powers? Or was Nana lying about that?

…dude, the red eyes are kinda obvious that Nana is evil in some way, or at least really devious.

Grace of the Gods 1

All I really know of this is that it’s got slimes and it’s an isekai/SoL hybrid…That’s it.

…I am not, I repeat NOT, on board for a harem centred around an 11 year old!

Ryoma speaks with an unnatural amount of starts and stops, hence the caveman speak.

What’s Jil’s role in the party…?

Why would you even need to know 4 high-level skills? Isn’t it better to know all of them?

LOL, I knew the isekaid guy was meant to have a hard life so he could start over with slimes, but…stick Doppo in this and it’s basically the same thing. At least Doppo tries to resist his bosses behind their backs, this guy just did the whole gaman thing and look where that got him!

If he worked for a black company with no overtime and so forth, how did he know about a recent anime trend, eh??? Sounds suspect. Update: Unless he was thinking about 90s isekai, which still involved less reincarnation than this.

I noticed the gods have senbei (the rice crackers with the seaweed). Western-looking gods probably shouldn’t have senbei, unless…they did that to make Ryoma feel more at home?

Seriously, how does a guy with no overtime still have time for online games? Even if he were getting just ads for them, he probably wouldn’t have paid enough attention to be able to figure out what the cliches are, right? Either that, or the Dragon Quest system is older than I think it is.

Slimes don’t have paws…or hands or other appendages…to give…

…I’m not sure what to think there. Am I meant to think the slimes are cute? Am I meant to think the catgirls/animal girls are cute? The answer to those questions is “no”, so…eh.

IWGP 1

Basically, I chose this for associations with HypMic.

…the best first impression involves a CGI car. Of course. <- (sarcastic)

Given HypMic, I almost expected a rap battle…nahhhh…Rap battles don’t look so cool outside HypMic, man.

The owl is a pun. Fukurou (owl) matches ‘bukuro (bag, which is the 2nd character in “Ikebukuro”). There’s also an owl statue used as a meeting spot, much like Hachiko in Shibuya…(I learnt a bunch of things about the division territory through HypMic. Let me show off…)

I think the character designer for this anime also did Joker Game…that’s throwing me off a little. Also, they had a prime opportunity to use a Buster Bros song, so I’m still a bit miffed about that – this OP’s kinda standard. Update: The character designer is Junichiro Taniguchi – my insinct was wrong on him. He did Touken Ranbu Hanamaru’s character designs.

“Smoking kills” – Yuuuuuuuup. That’s true.

Why do I get the feeling all the male otaku will wanna bang Makoto’s mother (to put it lightly)…?

Curiously, the one who hates drugs in HypMic is Jyuto, who’s not from Ikebukuro Division at all. Hmm…

Yokoyama’s voice sounds familiar…but I’m not sure why. Update: If I had to guess, I’d say he’s Saito Soma or someone who sounds similar, so maybe Takuma Terashima, Daisuke Ono or something like that. Update 2: Takahiro Sakurai. See? I knew I knew that voice.

“Big Rei” (“Rei-nii”). That’s different from Ichi-nii (what Saburo calls Ichiro) and could also be goroawase for 02.

Uni of Tokyo is the most prestigious uni in Japan. It has quite the reputation.

…is it just me, or does Makoto have a piercing in his left ear? IWGP also happens to happily work with my existing character, although said character has a piercing in his right ear.

Zero One kinda looks like Uta (Tokyo Ghoul), LOL.

…and of course the girl has to rely on the dude. *sigh* Welp, we can throw drugs off the list for “things that count as TV-MA to Funimation” – IWGP is rated M (not 15+ explicitly, but that’s what it stands for normally) in my region.

This ED song…that’s the sort of song I was expecting from HypMic, Akudama or this.

Seems both Makoto and Takashi have earrings…maybe in both ears? Takashi’s are yellow, I could confirm that much.

…this is decent, but putting it up against its competitors is a bit harsh.

Crusade 1 (cont. from sneak peek - it’s in the title here because this is where it’s completed)

Turns out that preview was most of the episode…like “14 of 24 minutes” long.

Wait, how did Alice fall forward and end up in the princess carry pose? I remember having trouble with that when a character in a story of mine had the same problem.

…Iska-nii…(?)

That opera house looks pretty darn modern to me…

…eh…that was middling. Nothing any ol’ adaption of Romeo and Juliet couldn’t do, bar the CGI for the magic fight in the middle. (There was a fluffy griffin thing in the middle there, though.)

Akudama 1

Ume + Kimura and a cool urban aesthetic. Let’s go!

This is kinda Tron-like, eh?

Ooh, now it’s more like Cop Craft.

Kimura seems to use his gruffer voice more than his Ichiro voice, but Ume is actually worse on that fron with his ordinary voice…Welp, at least his ordinary voice sounds like it fits right in with the Courier. I almost expect an Ocean’s Eleven thing (or Now You See Me, since I’ve actually watched that) from this. Update: Turns out Kimura is the pompadour guy, not the fighter.

You can tell Ordinary Person is an okay person because she keeps saving cats. A bit cliché, but it’ll do.

Ohhhhhh…I can see where this plotline is going. Ordinary Person pretends to be Swindler to get herself out of this mess, but then she keeps getting involved with the Akudama. It’s a typical plot for a typical gal, common to insert a viewpoint character in series that require one, or a magical girl ally.

Wow, those missiles look like a**.

LOL, Hoodlum’s sentence is kinda measly in comparison to most of them. Plus, when he yelled, that sounded more accurate to Ichiro than Fighter was, so…yeah, sorry I messed up.

…Ordinary Person has some real bullseye…uh, eyes.

This could be a top contender…aside from the CGI, which does look a bit funky. I’m getting a death game vibe here, but I don’t know if that’s really the case. Also, it’s a lot of fun, but the possible intolerable thing here is Ordinary Person’s screaming – the pretense she has to keep up seems like it’ll fit right in though.

JJK 1

I read the manga once, dropped it and then read it again and didn’t realise why I dropped it.

Fushiguro has long eyelashes, tbh. Itadori comments on that at one point, I think.

Oh, it was a fish (carp) in the manga. I couldn’t figure out what the Japanese equivalent was just from the Kokkuri board.

This track club teacher is a bit of a freak, honestly. Meddling in kids’ affairs is probably illegal to some extent.

Itadori is known as “tiger” because the kanji for “tiger” is in the surname. Update: Also, the Czech dude Mirko was called “the Croatian tiger”, if a tweet I read is any indication.

I like how there’s more comedy in this one. They show the world records, so you have standards to compare Itadori against.

This is an almost beat-for-beat adaption, bar the slight comedy of the records being added (and not explaning who Mirko is). The contrast makes this better.

“People really can die.” – That’s summoning some real energy of “People die when they are killed.”

(Brief thoughts on the dog and cat short: I enjoyed that more than I thought I would. The picture of a realistic cat – someone’s actual photo of their cat?- that serves as a punchline never gets old and in fact, sometimes contributes to the humour.)

HypMic 2

LOL, TV-MA warning strikes again.

“Kore wa prologue/Hajimete no ippo/Fumidasanai yatsu ni wa/???? shinpo.” – The translation is really good for the bits I can read…the problem is I can’t read the bottom left corner. Update: The part in the bottom left is nai...That’s it.

…uh, even people from around the world can read 24 hour time??? You don’t need subs to read Arabic numerals???

…couldn’t you have just told Ichiro verbally, Saburo…? Update: Come to think of it, kids these days are more on their phones than ever, so it makes sense but also kind of doesn’t.

You don’t really need subs for laughter either…

I’d never heard of “pulling rank” before…hmm: “to use one's high position in a society, organization, group, etc., to order someone to do something or to get special treatment or privileges.”

…and here comes the F word here to mess with us again. Japanese nastiness is conveyed using words that might be considered “soft” in English, hence the sudden jump to use the F word a bunch, but the subbers could use some variety in their swearing. I mean, “dips**t” worked where it did because subbers made Samatoki go overboard with the F word, but…you could stand to use that more, maybe(?)

I like how even the Tenderloins guy rhymes where he’s meant to. It’s the prelude to a battle, after all. (He kinda looks like Kotaro from Zombieland Saga.)

…I freaked out for a second. I swore I saw a similar-looking restaurant (udon shop, located on the left of one of the shots) while in Japan. Also, we finally get to see Ichiro’s reputation at work.

…I still have no idea what a “steelo” is after all this time, but I didn’t realise I was staring at a part of Ore ga Ichiro until I saw it in context. Also, it was kinda derpy – but still really in character – for Ichiro to run to his destination with his arms up like the Glico man in Osaka (except he had his head down).

I get a weird feeling the subbers may have used the wiki translation because I’m using it as a reference and the language seems oddly similar for the most part…

The kick Ichiro does seems like it references the OP.

Notice the location is Nishiguchi Kouen…the West Gate Park. *raises eyebrows at the IWGP anime*

…oh! It occurred to me that the sign the BB do with their hands is…well, a lowercase B. (LOL, if you read my previous line funny, it rhymes.)

Gentaro doing the peace sign to his chest…that was random the first time, because it doesn’t seem in character, but then it does for Dice and possibly Ramuda, so Gentaro probably just chose to go along with it (“to add to his image as a rapper,” maybe…?).

Oh, Saburo has airpods in…those aren’t good for blocking sound, are they…?

Notice the owl on the…uh, café(?)…Ichiro goes to.

That one “holy shit!” made me laugh like a madman. Where it came from, I don’t know, but it was so random I had to laugh at it.

This makes me wonder…if you use a mic that’s different to your personal mic, does it produce the same speakers? No one’s ever addressed that before (much like how no one questions if magical girls always need the same transformation device – I wanted to make a plot on that someday, but I can’t seem to find a comprehensible way to pull it off…LOL, that reminds me, I even had a HypMic version of that featuring Samatoki at one point, but it probably makes even less sense than the standard one because it activates via physical contact. It’s notable – in my head – for Nemu’s version of the “power” being “Samatoki can’t swear, no matter how hard he tries”).

I’m pretty sure that round thing wasn’t part of Ichiro’s rings, ever. (…Unless that was the head of his spoon or something.)

…Microwave? (referring to the shot inside the hospital, which seems to be based off ARB)

The series normally transitions from BB -> MTC -> FP -> MTR, so it was interesting to see that shuffled up. Update: That’s if it has to have an order, but notably ARB breaks this standard a lot by assigning colours to each solo and then arranging interactions based on not repeating those colours (aside from the Sky High Tower event). With 4 things there are 4! = 24 possible combinations and 6! = 720 possible combinations if you count DH and BAT, so as we move forward with those 2 divisions...prepare for more shuffling.

…is Jiro gonna steal a ball? I thought it was just bikes anime characters stole. (LOL)

The mic changes the background, too, huh? Never expected that from more than the speakers.

…and of course, s*** explodes and the day is saved once again....by the Buster Bros!!! (LOL, but also *sigh*)

Hmm, so this anime’s real plotline probably involves this trio: Rex, Tom and Iris. They’re probably foreign in some way, judging by Tom and Rex. Maybe they’re aligned with a foreign government or something? Update: If you look at the credits, their full names seem to be Tom Whisper Weathercock, Iris Innocent Traiter (sic) (LOL) and…Taroumaru Rex…? (romanisations confirmed for all katakana)

Sadamezuka was voiced by the ubiquitous Kenjiro Tsuda.

It seems Cola Bintarou (aka Subaru Kimura) was on the case again today. He wrote the new song for BB, called RUN THIS CITY, along with Gesshoku Kaigi.

Of course, I’m going to keep this anime on my list...I’m just a bit worried about myself going forward, because I realised my ego got a bit inflated trying to defend the series from haters. I’ve never had a series where I’ve been a fan from the beginning that wasn’t already a known quantity for a while (Muhyo and Roji’s, Furuba). With Boueibu, I was discovering things alongside other people (or even later in a lot of cases) since it was anime-original.

[blackdragon-selfships]

My Decision: Thoughts, Theories, and Some Changes to how I do Things from here

Ok...so here it is. I’ve decided to keep F/O-ing Aaravos. What happened in season 3 wasn’t unexpected. The creators hinted numerous times about his role in season 3, and I knew something was coming. I just wasn’t sure how to process my feelings on it.

Warning: If you care about spoilers, don’t read any further. Spoilers for season 3 of The Dragon Prince is below.

I came to the conclusion it wasn’t that he did bad things...but who toward. That being Viren. The villain of the show. I like Viren as a character still, and I guess now I see what Jason Simpson (his VA) in an interview was saying. He likes Viren as the complicated villain he is...but if he wasn’t just joking around, he doesn’t feel the same about Aaravos. At least this season.

I think it’s because those that genuinely like Viren’s character (not agreeing with his actions, but not disliking him as a character) will have a harder time with the scenes where Aaravos is doing something to him. Like the webbed up eye so he could see Aaravos’ ghostly apparition or the scene where the caterpillar emerged from Viren’s mouth but much longer and larger...and then continued to change in the final episode. As well as the many times he used clever wordplay on Viren to steer his thoughts into bigger plans...plans I think Viren would have had already, but until he became king he didn’t have the power to go through with it and was still in the habit of not overstepping his boundaries.

Viren is capable of lying and could be lying to himself about what he wants from Xadia. He just got power, he doesn’t want to lose it over a risky decision...but Aaravos knows what Viren is like, and uses that to his advantage.

If you like Viren’s character...you’ll probably have a hard time still liking Aaravos in those scenes. Because Viren IS the bad guy...and Aaravos IS manipulating him slowly but surely. It still isn’t clear what this means, or why...but I’m sticking to my belief Aaravos’ role isn’t as a villain, but he is an antagonist. There’s a difference between the two.

The show creators say mixed things on him. In their Tweets we get quite a bit of subtle but ominous warnings...and a confession his design was an attack on the fandom, from Aaron Ehasz (show co-creator) as a joke. Then Ehasz repeatedly says throughout several interviews that Aaravos is very complicated, and has said once that Aaravos is “disliked, that’s not the same as bad.” This being in response to Justin Richmond (the other co-creator) saying “and obviously he’s bad enough they literally tried erasing him from the {history} books.” Ehasz’ exact response being “he’s complicated” and Richmond saying “he’s interesting enough they tried erasing him from the books.” Ending in the above line from Ehasz of “he’s disliked. That’s not the same as bad.”

He was making a clear distinction between the two words, probably anticipating the suspicions from the fans hearing or reading the interview of his (Aaravos’) place in the story. This doesn’t make him good either...canonically I can’t call Aaravos “good” in any sense right now. Except good at being sassy and a show-off. lol

But I won’t put him fully in the villain category. Sol Regem was willing to kill the future King of the Dragons and an elf of Xadia if they didn’t let him kill the human with them either way. Yet he’s in all the promotional posters for some reason as well as the prologue opening. That part, of course, is made more clear in the first episode of season 3, though. He was flying toward the Dark Mage from the prologue in episode 1 of season 1. Then flying blindly as his face was burning after the confrontation.

He’s clearly also important to the plot...but I can’t call him ‘bad’. Not great...but not a villain.

The last bit of evidence is Aaravos’ actual name. It’s of Danish and Arabic origin and means “between light and dark, not good or bad.” Every other name has been spot-on:

Callum-Dove King: He’s a Sky Mage, and the Skywing elves are strongly influenced by bird themes, much like Moonshadows have strong ninja themes and the Startouch...is literally covered in stars and wearing a constellation on his clothes. Callum is a Sky mage, doves are birds, and he’s working toward a peaceful future. Doves are a symbol of peace.

Ezran-Helper: Look how helpful he was this season especially!

Viren-Leader of heroes: Uh...ok I don’t know WHAT heroes...but he is a good leader. Say what you will about his character, he has leadership skills. Aaravos didn’t have to teach him that stuff.

Claudia-Lame: Ok this is a bit harsh...but it is the ‘crippled’ lame. She’s...not doing well now. She isn’t physically crippled, but mentally and emotionally she is pretty badly wounded.

Ziard-Wizard: He’s a Dark Mage. A wizard. Spot on.

Sol Regem-Sun King: They literally say his name meaning...SUN KING. He was a king of the dragons once and is an Archdragon of the Sun.

Zubeia-Beauty, grace any of those. She really fits that name. She is beautiful.

Avizandum-Reserve Judgement: I interpret that to mean on Aaravos. He locked him in the place behind the mirror because he isn’t sure how to deal with him yet before Viren and Harrow slay him (Avizandum.) Aaravos is literally in 300 year jail time right now, and Avizandum was still deciding if he should execute him or not for whatever he did.

That or he’s reserving judgment on humans, which is why he defends the border instead. We might find out eventually...cause that is still a mystery. Why is the king of the dragons guarding the boarder 24/7? I get he was basically the ruler of all of Xadia...but it’s still an odd choice.

Anyway, Aaravos. Names clearly mean things in this show. I think his is the hint that he seems bad right now, but he isn’t. He isn’t good, but he isn’t bad. I don’t know how they’ll pull that off...but I’ll be impressed if they do.

There was also still more evidence on a theory I have that he’s telling the story is true as well. In the prologue, he calls Avizandum by his human-given name: Thunder. He says “the humans called him Thunder. For when he spoke his voice shook the earth and the sky.” In the episode we learn what happened to Avizandum, Aaravos is the one to say the name, but Viren doesn’t recognize it.

Viren is the one that tells Aaravos what they called Avizandum. Which was “Thunder.” If Aaravos isn’t an omniscient narrator and has been imprisoned for 300 years or so...how would he know this in the prologue if he didn’t in that scene? Coupled with the opening sequence of his hands uncurling a map, the lighting and desk surface or the shade of blue of his skin being nothing like in his prison. I could be wrong, and while I’d be disappointed to be...oh well.

What I’m saying is...Aaravos lives to tell the story if my theory is right. Which means he isn’t bad enough the writers have to kill him or something else...I don’t know how they’ll do it if it’s true, but I will be quite interested to see it.

Aside from the Sunfire elves in Lux Area, who I don’t think deserved what happened, his actions are all for a purpose related to what’s happening...but if we knew his perspective maybe it would seem less like a random evil act, which contradicts him being complex if it was just a show of his power and how ruthless he can be. Because from our perspective there wasn’t a reason to kill the Sun Queen other than “look how evil he is! Oooh!” Which doesn’t go along with the information we’ve been given so far. There’s more to this scene, I’m sure. Though it could just be that he killed her so she couldn’t reveal what he whispered in her ear...which was also a strange move. See? He’s complicated and there are still a lot of mysteries surrounding him and his actions. Aside from that, the only one Aaravos has done much of anything to is Viren. Anything kind of graphic and sort of gross (at least with the caterpillar.) Who is again...the Bad Guy.

So all that to say...yes, I’m going to keep him as an f/o. But in doing so I’m ignoring the show canon on this blog. As in I won’t be trying to work my S/I into the narrative as much anymore for the time being. I’m going to treat the blog similar to how @justafictionalthing​ where I don’t worry about canon or accuracy to the character’s personality in the source material to a T. I still love the show, don’t misunderstand. I’m going to watch it to the end of the saga, whatever happens...but on this blog, for the time being, I’m treating it like the Aaravos here and the canon are separate.

My Aaravos, the interpretation on this blog, is aware of his source material. If anyone’s read Inkheart, think of it like that. Fictional character comes out of their source material but still exists in the story itself as well. I might make a little story or something explaining this, but that’s the angle I’m going for in all future Takeovers and commentary.

I don’t dislike his canon portrayal, I know he’s more than what we saw...but for the blog it just doesn’t work right now. My S/I would never be ok with what he’s been doing...and keeping it hidden from her goes into some risky territory... I like that kind of stuff if there’s a happy ending payoff, but for the overall blog and my way of selfshipping, which has turned more “I’m actually with this character, not just writing myself in their story,” it doesn’t work.

TL;DR: I don’t hate or even dislike canon!Aaravos, but he doesn’t work well with what I want on this blog. I’m still with him, but the version you guys have gotten to know on this blog. Sassy but friendly and knowledgeable, and now separated from his source material almost Inkheart-style.

I’m too attached to who he is now from relationship development to drop this. I still like his canon self, but he’s changed a lot on this blog. If you don’t like that, watch the show for the ‘true’ Aaravos experience. Nothing but soft and sassy here for now. With some dark stuff if I’m in the mood for it.

[darkzorua100]

I first off like to say that a part of me is disappointed that we didn’t actually get the clash of the titans between Revolver and Soulburner. That duel would have just been so epic and I’m crossing my fingers so hard that they will end up having a rematch in the future. I’m very thankful though that the writers didn’t go the route I seriously thought they would have by having Lightning’s group show up to interrupt the duel just so Soulburner wouldn’t have actually lose because lets be real here, with the way he was acting, Revolver would have kicked his ass so badly if he wanted to. 

No, I’m genuinely surprised how much I enjoyed this episode. Like holy crap, this was amazing for character development and season 1 nostalgia. This is a obvious statement but jesus everyone in this show needs therapy, even those that went to therapy need more therapy!

First off let’s talk about Takeru/Soulburner. This episode really solidified a big character flaw of his. His emotions. When his anger gets the better of him, he really doesn’t not think straight. His dueling, while it might not seem like it on the surface, was just so rash, summoning his ace monster whose effect makes it so much better to summon it in the late game but he summoned it right out of the gate just to have a big beater on the field. And I just love how Flame was the one to address this. He was willing to risk Flame’s very life, when it wasn’t necessary in the first place, just to get his revenge on Revolver. And guess what, he didn’t care. He put his own partner’s existence at risk, not thinking of the consequences of his actions, because all he was thinking about in that very moment was getting even at Revolver for the Hanoi Project and his parents’ death. If Revolver was actually going to be dueling for keeps, he would have destroyed him because Soulburner wasn’t thinking straight at all. He would have lost Flame because his anger got the best of him in that moment. Interesting implications for what this could mean for the future because now that this fatal flaw of Takeru’s has been addressed, it is definitely going to come back to bite him in the ass and the next time this happens, he is going to lose Flame and who knows how Takeru is going to react to that. After all, Flame is the one that has been helping Takeru through all of his problems, the one that has been addressing his problems and helping him find a solution for them. His depression, his lack of confidence in himself, his anger. I’m genuinely worried about Takeru’s emotion state if he actually does lose Flame. It is definitely not going to be pretty.

Now Ryoken/Revolver. Oh my god, and I thought his guilt complex was bad during season 1. It seriously has gotten so much worse during season 2. Now I know the fandom is very divided when it comes to Ryoken/Revolver as a character. You either love his guts or you want to stab said guts. There really is no middle ground when it comes to him. Still, regardless if you hate the guy or love him, you can’t deny his impact on the show. This guy has had a hand in everything that has happen at this point. And that really has not been a good thing for Ryoken’s mental state. This whole duel, Revolver allowed Soulburner to use him as a punching bag to unleash his frustration on because in his eyes, he probably thinks he deserves it as the son of the man who destroyed Takeru’s life. And it is just sad because when it comes to the Hanoi Project, Ryoken did nothing wrong! Yes he was the reason that Yusaku ended up in the Hanoi Project but do I have to restate the fact that he was just a kid! Heck I even went back to episode 43, the episode where we got Ryoken’s backstory, and he even states it himself that he had no idea what was actually going on! So no, you actually can’t blame him for that. If anything, he saved his life! Those six kids probably would have died if Ryoken didn’t do what he did. But as we all know, Ryoken couldn’t feel good about that because life had to guilt him with ever choice he makes. Geez, Ryoken seriously is just the unofficial 7th Lost Child. This single event destroyed his life as well and has continued to destroy it. He became Revolver when he was 13. That just says a lot right there. He is just so obsessed with completing his father’s work that’s lets say he actually does destroy all six Ignises. Then what? Where does he seriously go from there? I don’t know and it is concerning when you remember that he was planning on suicide bombing Link Vrains just to kill the Ignis.

I do like to mention Yusaku/Playmaker role in this whole thing. As good as this duel was for Ryoken and Takeru’s characters, this whole thing probably could have been avoid if he just told Takeru what the heck was up when it come to Revolver. Yeah we know Yusaku isn’t some social butterfly, and in his mind probably didn’t think it was his right to tell Takeru about Ryoken without his permission, but you seriously didn’t tell Takeru anything?! You could have left the detail out about who Revolver actually was, again that feels like something Ryoken should do personally (and holy crap he actually did in front of everyone. That made my jaw drop when he revealed his real life identity to everyone) but you could have at least told him that Revolver was the one to save you guys from the Hanoi Project and inform him that he wasn’t the one directly responsible for it. I feel like this is a trust issue between them that needs to be addressed but isn’t going to be. Yusaku has shown that he’s a bit protective of Takeru after the whole Blood Shepherd’s incident but that doesn’t mean you just leave the guy in the dark when it comes to the same event that you both were apart of. He has a right to know as well, Yusaku. I mean yeah he needed to get that build up anger out of his system but this situation still could have been handled so much better if you just told him the truth. Though with that in mind, I take it he doesn’t know about Spectre being a Lost Child either? Yeah we just need to sit Takeru down and tell him everything huh?

Now for the other half of the episode. The return of the Tower of Hanoi. Holy crap, that was awesome. I love when shows take a symbol that was once used as destruction and turn it into something the heroes can use later down the line. The Tower of Hanoi has essentially been turned into the symbol of the alliance between Team Playmaker and the Knights of Hanoi since they all came together to turn it into a locator for Lightning. That was just the highlight of my week. I also liked how Takeru and Flame had a moment together about this alliance. Ryoken knows that Takeru sucks at coding but he still had him show up, knowing that he was going to be pissed at him, just so he could get his anger out of his system. I just love how in his own way Ryoken cares for each of the Lost Incident victims and wants to make up to them for what his father did. They are still going to have to fight against each other later down the line but I’m going to enjoy this alliance and Ryoken being a big brother figure to the Lost Childen as long as I can. On another note, I find it interesting how in this episode we find out how Neo Link Vrains wasn’t even a fixed up and improved Link Vrains but simply a new version of it. The old was so destroyed because of the Tower of Hanoi that SOL Technologies couldn’t fix it or they simply didn’t even try to. Knowing SOL, they probably didn’t even try. 

The Frog and Pigeon. I love how Revolver wasn’t having any of their crap and just trapped them in a hamster ball and just decided on the spot that “hey I have a frog and pigeon as pets now.” I truly do love this meme lord. He really make this show so much more fun. I do like how he allowed them to come along with him and the others when they were entering Mirror Link Vrains. I truly do think Revolver is going to use them to show the world that the Knights of Hanoi are fighting for a good reason and that the Ignises are a threat to humanity. Don’t think the start of season 3 is looking to good in Playmaker’s favor if he and his team are going to be seen as the enemies in that case for supporting humanity’s greatest threat. 

So a last few things to add before I wrap this up. Playmaker/Ai, Soulburner/Flame, Blue Maiden/Aqua, Revolver, and Spectre are the ones heading into Mirror Link Vrains. Ghost Girl is staying behind to watch over normal Link Vrains should Lightning unleash an attack while everyone is gone. Kusanagi is watching over the boys as always, the rest of the Knights are watching over Revolver and Spectre as while as the rest of the network, and Blue Maiden...well she is a strong independent woman who doesn’t need anyone watching over her. We got to see Bohman and Haru during this episode. Bohman seems to be getting his final upgrades and he thanks Haru for watching over him as a brother during his beginning states but Haru just tells him he did so because of his orders. Interesting how Bohman still see Haru as his brother and I wonder if that’s going to have any effect in the upcoming episodes for the both of them? Bohman did say an infamous line from ARC-V, implying that him and Haru are also going to be joining together at some point and it makes it wonder if he’s actually going to go through with that? Ai finally fulfilled his promise to Roboppy and made her smarter and I’m 100% sure that’s going to have some terrible repercussions. Akira seems to have made a program to protect Link Vrains so hopefully he will be joining Ghost Girl soon in guard duty. Windy...I don’t even know what the heck he is wearing. The tiny cape and eyepatch are just amazing. He isn’t to happy about his new appearance though. Seriously hoping his Origin has a similar design because parallels. 

But yeah a really good episode. I bash on this show a lot but when it does good things, they are really good things. The preview is also looking promising because with what we saw of Haru this episode and what was stated about him in the preview, it really looks like Blue Maiden might actually get the win and get through to Haru. This will be a nice call back if so to season 1 during her duel against Spectre on how she tried and failed to save him because she truly didn’t understand him. Maybe this time she will with Haru? If not, and she actually does end up losing, the fake out is real.

We also have the summary for episode 87 now and yeah Spectre vs Lightning is going to be two parts. Seems that Spectre has taken back the lead but I’m still 100% he isn’t beating Lightning. I am curious now though, after thinking about it, that if he does end up getting killed during this duel, similar to how he felt Earth’s death, will Go end up feeling Spectre’s death because Earth is inside of him? Again I’m a sucker for parallels so I’m very curious to see if Go will be on the cast list for this episode because of this. Also Revolver’s reaction. Lightning has just been going for Ryoken’s throat, trying to wear him down by taking out his allies. If he takes out Spectre, that will be a hard blow to Revolver. If Lightning does have a clone of Dr. Kogami around here somewhere, oh boy here come the pain train. Next stop, Revolver.

[angewrites]

Operation: Playmaker

Title: Operation: Playmaker

Anime: Yu-Gi-Oh! VRAINS

Words: 3,335 (or somewhere around there lmao) 

Summary: Two months after Takeru and Flame find out the Cyberse has been invaded and desolated, they are approached by a man, not much older than Takeru, who asks for a very peculiar favor, one involving Playmaker.

Notes: SHE LIVES!!! AND SHE HAS A NEW FIC (a one-shot, as usual lmao)!! 

This is my first ever VRAINS fic, so hurray for milestone fics lmao. Honestly, this is just a fanfic version of the “my son Takeru and Ryoken are working together, and Ryoken told Takeru to watch Yusaku b/c Yusaku is a mess” theory I came up with as a result of the “BRING REVOLVER BACK” and anti-Soulburner sentiment on Twitter so lmao there’s that.  

I tried a narration experiment with this, but I don’t know how effective it is, so any thoughts on that is much appreciated. Either way, happy reading, pals, and I hope you enjoy it! :D

[FFN] 

[AO3]

Off the Coast of Den City: Kogami Island

Takeru glanced with uncertainty at Flame, who had taken its place inside his Duel disk, as he followed the man who had approached him only hours before. He couldn’t care less what happens to him, but, if Flame was hurt in any way and it caused him to disappear, Takeru wouldn’t forgive himself. It almost happened before. He wouldn’t let it happen again.  

But, Flame could never know he thought that at all.  

Quickly, Takeru’s eyes shifted to the man in front of him. The man didn’t seem to be a threat when they first met, but there’s something . . . something off. His energy’s full of unbelievable tension as if burdened by some grand fate, yet he remained calm on the exterior. It didn’t make any sense, but Takeru wasn’t about to inquire.  

As intimidating as he seemed, white-haired man also gave off a familiar vibe, as if they had crossed paths before. That was weird. They’ve never met before today . . . right?  

“Of course not, Takeru. That’s ridiculous,” he muttered under his breath. He let out a small gasp, realizing he’d been thinking out loud.

The man stopped. Takeru - and his heartbeat - also stopped. Oh god I’ve never prayed to before today, did he hear me? They were in front of what seemingly appeared to be a dead end in the dark cavern.  

“We’re here,” the man said, giving no indication that he heard nor cared about Takeru randomly mumbling to himself. Good news on that end for Takeru, but the fact that they were "here" created a whole new set of problems.  

“Here?” Takeru repeated, his voice trembling a bit. He hadn’t mentioned anything about a final destination or where they were headed before. He tightly clenched a fist to keep his nerves from spiraling tornado-style inside of him.  

The man acted as though he didn’t hear the question and, after inserting a code on a screen, what was a dead end turned into an entry way to a room, brighter than the dark space that they were in. Takeru forced his jaw to remain shut, but it was hard. There was just so many machines he had never seen before, especially not back home. He was no machine guy, but the room was certainly impressive, even if it did make Takeru shiver a bit.  

The man in front of him sighed, placing a hand on his hip. “Spectre, we’re here.”

Takeru blinked. Why is this guy speaking to a ghost? Once Takeru accepted that possibility, he felt his stomach churn. He was not in the mood to deal with the supernatural.

The individual Takeru presumed to be Spectre walked in, even though it really looked like he teleported, from the right. Spectre's light blue eyes felt as though they were piercing Takeru's soul. Takeru felt a shudder slide down his back. Forget whoever guided him here. This guy was especially frightening, almost as frightening as a ghost, a specter, if you will. Didn't help that he was wearing all white. Was this guy even human?

“My apologies, Revolver-sama,” he began. “We were just prepping for you and – ” Spectre peered over the man’s shoulder, making eye contact with Takeru, “ – the honored guest’s arrival.”

The man in front of him emitted a guttural noise, most likely of disapproval. “Spectre!”

But, if he wanted his identity hidden, it was too late. Takeru couldn’t hold in the gasp that escaped from his mouth. This guy . . . was Revolver? The guy who threatened to destroy Link VRAINS? Come to think of it, he never did introduce himself. That. That was why!  

“Hey, hey, hey hey hey,” Takeru broke in, his voice gradually becoming lower pitched with his growing anger. “You didn’t say anything about being that Revolver! You said you needed help with Link VRAINS, even though you’re the one who tried to destroy it?  Give me a break!”

Spectre and the apparent ringleader and Takeru’s personal escort Revolver-sama allowed a moment of silence for this apparent unfortunate turn of events Spectre had created. Revolver glanced at Spectre, shook his head, and turned to face Takeru again. At that moment, Takeru noticed another man walking in, one with suspiciously green hair and a grin that reminded him of an evil goblin.

This Revolver-sama guy sure hung out with a creepy crowd.  

“Revolver, sorry I’m late -” he began but stopped when he saw Takeru. “Oh-ho, pardon my interruption. Is something really important going on here?”

Takeru didn’t break his gaze with Revolver and he let a “tch.” escape through his teeth. He was trying hard to appear tough, but he could feel his legs wobbling a little. Pathetic. Flame would hardcore judge him if he saw him then.  

“That’s enough,” the white-haired young man commanded. “Dr. Genome, wasn’t Dr. Aso with you?”  

“He’ll be here momentarily, Revolver.” The goblin green-haired man pushed up his glasses and made his way toward Takeru, sending a shiver down his spine. “He says to start without him.”

Revolver sighed and made his way over to what appeared to be a circular screen built within the ground, Takeru’s eyes following him.  

“Not going to answer my question, are you? Why should I help you?” Takeru had the courage to say. It tasted awful, coming from him. He hadn’t been this combative since . . . since he confronted that gang back home. But, he needed answers, and this Revolver guy was just dodging the point.

“Show some respect for Revolver-sama, you little -” Spectre started to say, but the white haired-man raised an arm to cut him off.  

“That‘s enough, Spectre.”  

Spectre crossed his right hand over to his heart and bowed ever so slightly to acknowledge the reprimand.  

Takeru could feel beads of sweat forming in the back of his neck.  

“Homura Takeru,” Revolver said, “I understand your concern well. I haven’t exactly displayed myself as someone trustworthy, especially to someone with an Ignis.”

He knew?!?! Takeru dug his nails into his palm and glanced at his Duel Disk. “How did you know -” Takeru started to ask.

“- that you had an Ignis?” Revolver finished. “It’s not a talent I’m particularly fond of, but it can’t be helped. I sense those who were in the Lost Incident and the AI created from them . . . or from their data, I should say.”

Takeru raised an eyebrow. Sensing people specifically from the Lost Incident? That’s seems a little far-fetched. It’s not like the Lost Incident people have a specific smell to them or anything like, so what did he mean? And how does he know about the Lost Incident anyway? Still, if Takeru valued his life, he wasn’t about to ask any of these questions out loud.  

Revolver continued, “But, even though my destiny is to destroy what my father, Dr. Kogami, has created and also tried to destroy, a greater risk has appeared, and it goes beyond the Ignis threat to Link VRAINS.”

Supposed Ignis threat. Takeru added mentally. “Greater risk?” he asked aloud.

Revolver nodded. “Recently, there was a SOL Technology function unveiling the new and improved Link VRAINS before its release to the general public. Ironically, even though I aided in its initial destruction, I was invited to this function. It was there that I met them.”

“Them?” Takeru asked.  

Spectre chimed in almost immediately, “The Harbingers of the New Era, right?”

Quite a name.  

“Exactly. They’re an elite data robbery group that used to work with my father, but they couldn’t come up with an agreement on the creation of the AI. Since SOL Technology came for my father for the Lost Incident, I suppose their opposition is how they got invited.”  

Spectre clapped his hands. “Then the group leader was asked to give a speech since they actually helped to upgrade Link VRAINS. Isn’t that right, Revolver-sama?”

Takeru couldn’t understand why Spectre kept interrupting, so he asked, “Well, were you there too?”

Spectre glared at Takeru for a second before “humph”ing and retorting, “Someone had to manage Revolver-sama's data concealer. He wanted to be at this party without anyone noticing.”

“If you say so,” Takeru returned. Wasn’t he invited though?

Revolver cleared his throat. “They did give a speech. And it was cryptic at best, shady at worst. There was much talk about the future of Link VRAINS but, strangely enough, the future they spoke of, even without any mention of AI, would even make my father concerned. Link VRAINS as being a space for winners, a space where businesses can make a profit. Players being trained to ward off the next imminent attack. That kind of thing. If SOL Technology and this group continue to do business with each other, I’m afraid Link VRAINS will be in greater danger than ever before.”

Takeru shrugged. “Bad news, but what’s that got to do with me?”

“If this group has their way,” Revolver replied, “Link VRAINS and your Ignis will be in grave danger. The technology this group wants to implement in Link VRAINS to create ‘faster and better duels’ . . .  This technology? Equipped with viruses designed to get rid of AIs not registered in a system.”

Takeru gasped, but then shook his head. He had to be careful. What if Revolver was lying to him just to get Flame? Wasn't he just bashing AIs earlier? He couldn’t let his guard down.

“So, how do I know what you’re saying is true? And what’s my role in all of this? How do I know you’re not just saying all this to get my Ignis?” he asked.

“I can’t make you believe me, Homura, but I will tell you that not only Link VRAINS is in danger, but so is your hero.”

Takeru cocked his head to the side, placing his thumb and pointer finger and on his chin. “Which one?”

Revolver stared at him. “It’s Playmaker.”

Oh, duh. Who else would it be? “Playmaker?! But why?!”

“That I haven’t figured out. I just know he’s being targeted,” Revolver continued. “SOL Technology might be after Playmaker’s Ignis, but this group appears to have no interest in that. It’s quite possible Playmaker’s life is in danger. And it could have a drastic impact on Link VRAINS.”

Well, this is weird. Takeru thought. I thought Revolver was his sworn enemy, but he’s concerned about his life? Better just play along, though.  

“So, what am I supposed to do, Revolver-san?” Takeru inquired.

“-sama.” Spectre corrected.  

Revolver closed his eyes and crossed his arms. “Kogami.”

“Eh?”

“We’re not in Link VRAINS. It’s Kogami.” The man cut in, tapping his fingers on his forearm.

“O-okay, Kogami, so what’s my role in all of this?” Takeru repeated.  

“Your task is to watch over Playmaker, make sure this group doesn’t get to him,” Kogami explained. “Both in Link VRAINS and outside. I can't take care of the outside arrangements, but I'm sure one of my associates can help you with that."

Takeru raised an eyebrow. "What arrangements are we talkin' here?"

"He's saying you gotta go to school, kid, as much as you probably don't want to" Spectre yawned. "We don't know when these guys will strike, so it's best to guard Playmaker no matter where he is. I'll take care of the whole school thing, I suppose."

Takeru tried to shoot daggers in Spectre direction with his eyes, but Spectre seemed blissfully unaware of the ill intent coming from the fiery teen. Takeru did calm down once he realized that he had to go to school again, though.  

Unfortunately, Spectre was right. That was certainly a tall order. Never mind that this was the guy who tried to destroy Link VRAINS and challenged Playmaker who’s asking Takeru to watch him. An inexperienced Link VRAINS duelist like him? Protecting Playmaker? And he had to go to school to do it?  There’s just no way. But, there was something about Kogami’s expression that sparked a sense of confidence in Takeru. Yeah, Kogami did threaten Link VRAINS, but . . . he also acknowledged Playmaker’s abilities, didn’t he?  

It’s not the same as working alongside his heroes, but working alongside the rivals of one of his heroes was close enough, right?

“You can count on me!” Takeru announced, pointing a thumbs-up to himself. But, he realized he was missing one key piece of information. “Although . . . how am I supposed to know who Playmaker is outside of Link VRAINS?”

Kogami gave a small laugh. “That’s what your Ignis is for, isn’t it?”  

Takeru looked at his Duel disk. “Flame’ll tell me, huh? And how long am I supposed to keep this up for?”

“I have . . . business to tend to in the meantime, so I can’t give a definitive answer. But, this shouldn’t take too long, I hope,” Kogami replied, making his way toward where they first came in.  

“Business?”

“Getting one of our own out of jail, finding more info on this new group, you know. The usual,” Spectre spoke up, shrugging his shoulders and letting an obnoxious smirk show on his face. “Don’t screw this up for Revolver-sama, kid.”

“Kid?” Takeru repeated accusingly.  

“Uh, Spectre, aren’t you the same age as him?” Genome – was it? - broke in and asked.  

“Don’t compare me to him.”

“Enough!” Kogami said. “We don’t have time for this nonsense. Spectre, Genome, be sure to bring our guest back to Den City. And leave his Ignis alone. Got it?”

“Yes, sir!” Spectre and Genome replied in unison, causing Takeru’s eyebrow to twitch a little. What kind of organization was Kogami running here? Could he really be trusted since one of his own is apparently in jail?  

Well, he’s gonna have to fake the trust if he wants to live.  

“That’s it. I’m counting on you . . .” Kogami smirked, closing his eyes, “Soulburner.”  

Takeru stared incredulously at his initial escort. “Wait, I’ve never stepped foot in Link VRAINS before. How did -”

“Come on, kid, let’s go,” Spectre interrupted with a smile that caused Takeru to slightly shiver, grabbing Takeru by the forearm. “Revolver-sama is very busy.”

So why does he get to call him Revolver? This isn’t the Link VRAINS space. Takeru thought. But, he knew better than to question this guy. He wasn't going to let the kid comment slide, though.

“Stop calling me ‘kid,’” Takeru retorted.

“Okay, okay, kids. That’s enough. We’re going to get you back now, Homura,” Genome intruded, pushing Spectre away from Takeru. “This mission is very important, though, so do your best to not make any careless mistakes.”

“Yeah, sure.”  

At least Takeru wouldn’t have to be stuck with Spectre during his mission. Just having Flame make fun of him was enough.  

---------------------------------------------------------------------------------------------------------

?????

“So, you really believe him, huh?” Flame inquired as Takeru continued to stare at his deck. Takeru closed his eyes and sighed, leaning back in his chair, letting his bangs fall away from his forehead.

“I don’t know what to believe at this point anymore,” he said, eyes still closed. “But, if it’s part of my path to get over my past, I’ll do it. No use questioning it too much.”

“Funny. You seemed to have a lot of questions when we first met, and I wasn’t even trying to hurt you,” Flame countered.

“You sure?”

Silence.

“I’m just kidding, Flame. But, taking over every electronic device I looked at? Come on now.”  

Flame crossed his arms. “I needed to get your attention. But, the point is, if you couldn’t trust me, how can you trust this Revolver guy? He caused so much trouble for Link VRAINS and you’re willing to believe him? Just because he mentioned Playmaker?”  

Takeru glanced at Flame and then back at the ceiling. He should probably replace the ceiling soon.  

“Sure, he did all that, but . . . there’s something that bothers me about him in a not-suspicious kind of way.”

“Yeah, ‘cause that makes a lot of sense, Takeru.”

Takeru sat straight up in his chair. “I’m serious! I just don’t see any reason to not believe him. He could just let Link VRAINS and you AI and Playmaker perish for all he cares. But, despite all that, he asked me to help save them. When he’s got other people who could do the job just fine, except,” Takeru contorted his face in disgust, “that Spectre guy, maybe. He creeps me out.”

Flame closed its eyes. “You really are too nice, Takeru.”  

"Too nice, huh?" The teen glanced at the clock. He decided he should probably be getting to bed soon to get used to the whole school thing again. He still had tomorrow to himself, but he needed to mentally prepare, if only for a couple of months. Imagine. Him going to school. Grandpa and Kiku would be super shocked if they knew. Not that he wanted to go, but a mission was a mission.  

But, there was one piece of info he needed before he could hit the hay for the night.  

"Flame."

"…."

"Flame, I know you don't sleep."

"Yes, Oh Chosen One, how may I be of service to you at this late hour?"

Takeru sighed. Flame was such a handful. "….That's a bit much, don't you think?"

"I asked you first."

"Revol-I mean, Kogami mentioned you know who Playmaker is. Is that tru-?"

"Fujiki Yusaku."

Takeru took a step back. "Eh?"

"That's who Playmaker is. Around your age, goes to Den City High School, where you'll be," Flame continued.  

"That's . . . That's amazing, Flame!" Takeru exclaimed, barely containing his excitement. Finding out his idols' true identities was not something he expected, but if anything can make going to school tomorrow worth it, it's that.  "Anything else?"

"Well . . . not to douse your fiery passion or anything, but he's also a Lost Incident victim. Like you," the AI continued. It reverted back to its eyeball state in Takeru's Duel disk. "You've seen his Link VRAINS form, but just so you don't go chasing after the wrong guy, here's what he looks like in the human world."  

Takeru looked at the image of Yusaku. It was strange. He had been told there were others – five others, to be exact – who were locked up as well, but he was never told of who they were or what they looked like. For his idol, the one who saved Link VRAINS, to be one of the six, it was surreal.  

But, at least Takeru knew that someone else would understand. The weight he had to carry.  

"Fujiki . . . Yusaku, huh?" The teen sounded. "This should be entertaining, keeping an eye on this guy. Right, Flame?"

The eyeball in Takeru's Duel disk blinked slowly once, as if to acknowledge Takeru's statement. "One more thing. Revolver said nothing about this, but I figure you need to know this."

Takeru raised an eyebrow. "Hm?"

"The one who goes by Blue Angel in Link VRAINS also goes to Den City High School," Flame continued. "She's Zaizen Aoi." The AI projected an image of the girl from the Duel disk. "Not a victim of the Lost Incident, but she hasn't been so lucky in her Link VRAINS endeavors, let's say."

But Takeru wasn't paying much attention to what Flame was saying. Two VRAINS celebrities go to his new school? Just his luck! Finding that out made going back to school almost worth it.  

Almost.

"Takeru?"

"What is it?"

"Are you sure you're up to this? You haven't even stepped into Link VRAINS before."

There's definitely a lot at stake with this mission, but Takeru had a feeling it'll work out somehow. It always did.  

"Sure am. I'm not gonna get a chance like this again, so I'm just gonna go for it," Takeru said, turning off the lights. "I'll be fine."

At least, he sure hoped so.  

"Also, how are you going to introduce yourself to this Yusaku anyway -"

"Good night, Flame."  

[starsailorstories]

The Major Goddesses of the Sweet Chariot Universe

Well, at least the Andromedan corner of the universe.

The most common family of religions among Astraea species is known as Cosmonism/the Cosmonist faiths. They’re inspired by ancient observations of the universe, its governing forces, and what happens to actual suns/stars--which the starlike astraeas understandably conflate with themselves--over their life cycles. 

In prehistoric times before interplanetary space travel became common each world had her own religion, often centered around nature as it was perceived in that particular solar system. But as more astraeas returned to the vacuum--genetically, their ancestral home--they began to both blend their traditions and deify broader forces that affected the galaxy on the whole.

At some point a VERY long time ago, some rando–they call her the unknown scholar, but her anonymity just kind of drives home that she didn’t have any specific credentials for doing this (although really, what kind of prophet does)–gathered up sacred poetic texts from the 16 Holy Worlds where planet-based society was supposedly created, translated them into the common proto-space-latin, and in the translation sorted all the local deities mentioned into the service of the three governing forces. So Altamai’s mother goddess of daybreak, for instance, became an incarnation/guise of Orellistia because she controlled heavenly bodies, and the storm goddess honored on the inner rings of the gas planet Shali became a guise of Levinoxia because she represented a chaotic/entropic force.

The collection of poems is the text they all refer to as the Holy Poets (so called bc they come from the Holy Worlds, not necessarily because they themselves constituted religious figures, although they do for some people), which forms a core for a lot of their view of morality and the world, though it also has just…stories, not all of which have an obvious religious lesson, many of which are probably allegories, a lot of which are love stories. Like every sacred text anywhere, there are about ten billion million different interpretations of it. I’ll discuss several of them in later posts, but most have the reverence of three overarching cosmic forces, their metaphorical implications for daily life, and their correspondent deities at their center.

This post will be LONG, but it has art! 

Cunaderia is the goddess of the Origin (the big bang), birth and beginnings, time, and fate, born from the nova of the Dead Goddess (who is implied to be a form of Levinoxia and/or Orellistia, although it may not always have been such) at the moment of the big bang. She is always depicted as a young child, usually seated on a cushion in a shallow basin floating in vast blankness outside time and space and reading a scroll that bears the Story of Time. The echoes of her long recitation can be heard in the cosmic microwave background.

Although she is not the designer of most things within the universe, she is the creator of the universe itself, and holds the singularity from which the next big bang will issue on the tip of her finger. Her recitation of the Story sustains the continued expansion of the universe and therefore the procession of history. Because of all this she is considered the most awe-inspiring and ineffable figure in the whole Cosmonist pantheon, and it’s considered improper to speak her name aloud in an unconsecrated space. Most refer to her with euphemistic nicknames like “The Child” and “The Little One.” People will sometimes say “the Little One stammered” to describe a moment so charged time seemed to stand still.

Unlike Orellistia and Levinoxia, Cunaderia is generally remembered and worshipped on a regular schedule rather than receiving prayers and offerings on an as-needed basis. The perception, for  the most part, is that everything she controls is already decided, and she can’t be swayed by loyalty or hospitality. It is considered right to thank her for unexpected twists of good fortune, though, and there’s an adorable tradition of leaving handmade dolls and toys at her shrines and temples as tokens of gratitude for good luck, since she’s dogmatically considered to be like five years old.

(The five years old thing figures into a lot of irreverent humor, by the way. Every time you have a day where you’re like “this might as well happen,” they say, remember that the whole pageant of history is just a story made up by a kindergartner at the end of the day.)

Her guardianship over fate gives Cunaderia charge over who will rule each of the Holy Systems, and she’s usually depicted holding or surrounded by seven stars, representing the lives of future queens to one day be incarnated at her discretion. The same seven stars have been a symbol of the peace between the systems for many hundreds of turns, but at the time of the story, all seven mark the diadem of the Empress and the seal of the Hyperian dynasty.

For this image of her I tried to get as close to her “official” Destigravitationist representation as I could. The shell she’s sitting on forms the shape of the Sun Lily, which is a traditional motif in depictions of the goddesses because of its associations with sanctity and power, although not coincidentally it’s also the symbol of the Aula. Her clothing is a style of dress--inspired by the armor worn by an ancient, now-extinct order of warrior priestesses from the Altamaian arctic circle--worn for occasions of Altamaian, and therefore Basilean, national pride. She also wears the round hair comb associated with schoolgirls in the Atya-Jenya system (where the Basillan homeworlds and the Rings are) in general, though hers is made of royal white-gold rather than the usual cloth and cardboard.

In addition to the familiar and the patriotic motifs Cunaderia’s icons usually incorporate a number of symbols of time and fate. Behind her is a star-dial, a device held/placed at the horizon to show the time and date based on the positions of specific reference stars which are close and bright enough to be distinct from the light of the dome. Around her hand is a fortune-teller’s coin (I need to make a post about Andromedan divination soon!). The colors she wears are also significant: for Astraeas, blue is the color of youth, the ephemeral, and innocence, while red is the color of wisdom as well as of death and therefore destiny. Her light is also blue--because blue stars tend to burn brighter and not live as long, a blue light is a symbol of a kind of tragic eternal innocence--a spirit too pure for the material world.

Orellistia is the goddess of Gravity, the force which orders the stars. It follows from that that she is also the goddess of all matter, which gravity forms into stars, planets, and galaxies; as well as of light (a consequence of this pull), order, inspiration and creative activities of all kinds from construction to motherhood, prosperity, love (attraction and loyalty, at least among stars, are both functions of gravitation), marriage, family and the home. “Home” can mean everything from “household” to “home planet” of course, so she also has superintendence over all national/state/planetary protector deities. Until fairly recently the ruling classes have stopped short of actually claiming she protects the empire on the whole, but that’s a line the Hyperian dynasty have been more than willing to cross.

Gravity is an incredibly important concept in astraea cultures, to the point where it’s usually capitalized and spoken of as not only a natural law, but a moral and devotional one as well. The most extreme view of it holds that every single physical thing in the universe--people included--is organized into a perfect hierarchy by a series of literal or metaphorical orbits. The galaxy turns around the dome, within which Sol Atya, Sol Jenya, Sol Minerva, and Sol Suraya move around the gravitational center of their system (once believed to be, and still honored symbolically as, the dwelling place of Orellistia herself); the four suns are attended by their planets, who are attended by their moons and satellites, who are attended by their queens and ruling councils, who are attended by the royal family, who are attended by the nobility, and so on down the chain all the way to lux laborers and the dishonored poor.

Of course, while Orellistia is often seen in the mainstream as maintaining the status quo, her depiction in the holy poems is a little less convenient. Most often, she’s portrayed as a stereotypical artist, trying things out and gradually molding the universe towards perfection with a careful balance of gentle nurturing and sometimes ruthless erasure. Love and war are equal products of her instigation, and both are simply mediums through which she executes her grand vision. In her more ancient portrayals she shares many traits with some of the solar demigoddesses (who, most historians agree, were once worshipped as goddesses themselves despite being much more flawed and down-to-earth than the current Big Three)--she’s warm and personal and rather human, prone to frustration and jealousy and even insecurity. The many syncretic devotional paths centered around her--particularly in the antedome and farther afield--definitely have more in common with this version.

Titles used for Orellistia include variants on Mother of Gravity, (Nebula) Genetris, Creatrix Regina, Flower of the Cosmos, Mother of a Thousand Suns, Core of the People, Map-Drawer (particularly when she is taken up as a war deity), and Galaxy-Weaver (especially popular with the massive antedome textile industry). Often people will pray or sing to her and leave gifts at her shrines before undertaking an endeavor--either to ensure inspiration or success, whichever one they’re more concerned about. She’s usually pictured wearing gold, salmon and pink--the colors most associated with stellar nurseries on the galactic scale, sunrise on the planetary scale, and the mini-nebula in the womb of every Mother on the family scale; colors associated with nurturing, creation and new life--if not actually dressed in and made of nebular clouds. It’s also common to portray the central dome of Andromeda (or at least all the important bits) either symbolically or literally in her hair as if they formed there and are now in her orbit (this picture went for symbolically). Other depictions give her distaffs and embroidery hoops, architects’ tools, paint brushes, and other implements of Creation (it honestly usually depends on where you plan to hang the picture).

Her light is usually portrayed as bright white, sometimes with a blue tint. White lights are associated with the full energy of young parenthood and the prime of life.

Levinoxia is the goddess of the Vacuum and Orellistia’s wife, although the Basilean religious establishment has done everything in their power to downplay that. She is the goddess of uncharted, dark space and of antimatter, and as such the goddess of darkness, night, the unknown/exploration/the pursuit of knowledge, the pursuit of truth, truth itself, entropy, magic, change, and travel in general, as well as being the protectress of the dead (although Orellistia is said to choose who will live and die).

She travels the cosmos, broadening the borders of its beings’ understanding, maintaining a long-distance relationship until the wife’s art block gets bad enough that she needs her to come home and keep an eye on things while she does an epic studio cleanup and then takes a nap, which ultimately results in the heat death of the universe and, once they’ve spent the night together and Levinoxia has showed her wife all the new ideas and perspectives she’s gathered up, a new big bang.

Her roles as a protector of sailors and travelers and as a guide in the pursuit of truth are usually signified in icons by having her holding navigational tools (astrolabes, star maps) and ships’ lanterns. The lantern in particular represents the ability of wisdom, observation, and critical thinking to cut through the obscuring veils of rhetoric and misinformation.

Just as Orellistia’s mythical character is a warts-and-all picture of the creative process, so Levinoxia’s is a picture of the pursuit of the truth in all its confusing, depressing, endlessly fractal murkiness. She’s heavily associated with vagary and nondistinction (the practice of Levinoxian modesty is intended to be a reminder of these very things) and stories involving her generally teach that the truth is so complicated that a mortal mind is lucky to even get close. The gentle dialectical practice she exemplifies, however, results in a very compassionate and peaceful demeanor, and those who study her as a discipline tend to think of her as an unconditional comforter and a loving guardian, albeit mischievous (but only to keep you on your toes and learning, like a sensei in an old martial arts film).

Because of the radical realism she represents, however, she lends herself to morally ambiguous interpretations and is frequently misunderstood. The Destigravitational Ecclesia in particular have been on a campaign to paint her as a destructive trickster figure and more Orellistia’s opposite than her counterbalance. Around the time the old rebellion was really getting off the ground, the Aula outlawed worship of Levinoxia entirely in response to several vestal orders coming forward to call them out on their habitual twisting of the facts. Despite this, many vestals and devotees still practice her rituals, particularly those which petition for the safety of sailors and the peaceful reincarnation of the dead. It’s very bad luck to say prayers or wear symbols associated with Gravity in space (the reasoning for this varies--the fundies say it’s because Levinoxia can’t abide the suggestion of order in her domain, the cynics usually say “lol she’s a sailor, don’t remind her that she’s got a girl back home,” the romantics say being reminded of her wife simply causes her such a pique of longing and loneliness that she forgets to do her job and will leave the ship unprotected) so for superstitious spacefarers Levinoxia is THE goddess; many of them know no other beyond a name.

Levinoxia is often depicted as older than her wife (she is, if the creation story is to be believed) or as having a young face but an age-reddened light. Although she is the most passive of the goddesses, she is also considered the wisest.

[wholeworldbroken]

PART 1)  Net Neutrality, Hypernormalization, The Dinosaur Who Swindled Natural Selection & Prospered... AND... The Healthy Benefits Of Paranoid Delusional Psychosis.

TV is a dinosaur sinking into the tar. All those once giant networks are scrambling to survive just a little longer in this technological age that left them behind before they noticed. That Netflix model is alot bigger deal than it's given credit for. It's what reshaped HULU until it went legitimate. It's why there's an HBOGO, STARZ, SHOWTIME, etc. app that all outperform their parent networks.

The power of ON-DEMAND blew Amazon up from a more Wal-Marty version of eBay to the titan it is now. Disney is gearing up to yank all Star Wars, Marvel, Indiana Jones, etc. properties from Netflix to add to their own upcoming streaming channel. Even the underdogs that only Netflix could make into giant hits: Daredevil, Jessica Jones, Luke Cage, The Defenders and The Punisher (not so much IronFist) are being carted over to the new Disney service without so much as a "thank you for making this possible" to Netflix.

CBS launched theirs earlier this year with the added ammo of the most expensive Star Trek series to date, Discovery, being only available through their site. We'll probably see about 10 new changeovers this coming year. Comcast, Verizon and Slime-Warner know that we'll pay $8 here, $10 there for the convenience of catching all that exclusive content completely at our lesiure, always waiting as soon as we feel like tapping that PLAY button.

So, the dinosaur is slowly inching across the quicksand, dragging its rip-off cable model over to the internet, embracing the technology of the future while still thriving off the scams of the past. Even Youtube, which was kind of a revolution in independent, DIY content creators and previously muted voices now given a somewhat worldwide platform, finding an audience without having to bow to the old media gatekeepers

(the Merv Griffins, Johnny Carsons, Entertainment Tonights, Morning Shows, blah, blah, blah, who were able to get rich off the young, hopefuls kissing the asses of whoever would help them be seen, LONG before any of the actual talent was consistently turning a profit. Completely self -regenerating. You can burn up the lump of coal till it's all disintegrated, but the machine ALWAYS got fresh coal being shoveled in the fire, baby)

... is now flooded with Jimmy Kimmel, SNL, Paramount, Disney studios, which seems like normal that those sketches, clips, movie trailers would end up archived on youtube...

until you consider that youtubers are paid through Google Adsense, and receive a monetary amount per video play featuring ads that are part of the program. The success and general public hunger for these independent creators has multiplied the number of young, self-made millionaires over the last 10 years. So, in come the dinosaurs, dragging that dirty-old-bag of crooked-old-ways with them.

Now you got NBC, uploading individual sketches from SNL, a television show that makes its revenue from tv ads & endorsements, each video cashing in on adsense profits seperately, rivaling the numbers from the original airing of the whole episode. Jimmy Fallon, Dr. Phil... practically EVERYbody is clawing & scratching for that youtube money all the kids were syphoning away from them. Whatever.

Big, ugly business, but still business. Dog eat dog & all that.

But what about commercials? Who the fuck clicks on the new TIDE ad showing up in their youtube feed? SOMEbody, cause it's got, like, a bajillion clicks. Are companies drafting interns to generate views and cash in on adsense? Hey, I'm paranoid, but if stupid old ME thought of it...

So, you seen the new Star Wars trailer? Shit, EACH newer version, starting with the teaser? How many did you see on youtube? ...and when you click that movie COMMERCIAL, like magic, you gotta sit through a goddamn COMMERCIAL before you can watch the COMMERCIAL you voluntarily chose to endure. Shit. I'll be DAMNED if, half the time, the ad that comes up isn't another trailer for another movie, usually from a whole other studio. Think Disney/StarWars minds you got a sneak taste of GrownUps 3 while you were waiting to drool all over a 30-second montage of disjointed scenes arranged to grease the dollar bills out of your wallet come Christmas time? `</pre> They just got paid by Adam Sandler's scam of a company for you to wait out the 5 seconds to click away from his bullshit and get up in them Star Wars guts... several million times... by an unrelated company willing to pay the opponent team for the luxury of dropping a commercial on the front of their commercial... leading to Disney (only an example. This is some across the board shit) making millions off a commercial designed to set up an installment in a franchise that will bring them automatic billions. <pre>` It's Terry Gilliam level absurdity that we've indoctrinated ourselves, as a species, to accept as "successful business practices", as we dream of one day carving our very own little chunk of the abstract money scheme balogna. I don't pretend to have a better, more functional answer than: try to resist as much of the barrage as you can, of huckster salesmen who have studied the best psychological methods of Stockholming your oblivious ass into not only continuing to prop up their pyramid scheme and perpetuating their boss's greedy manipulation of the entire world by way of its set-up-to-fail economic machinations `</pre> but ALSO, to constantly strengthen your faith in the infallible logic of those same machinations with a passion that is prepared to DESTROY any anomalous dissenters, selfish enough to be randomly fertilized and born into their designated gangsign annotated factions dividing up larger, further established, gangsign brandishing nation-states, yet still possessing the ingratious self-serving personality defect of introspection, empathy & existential contemplation. ** incoming** __VOICE__OF__GREAT__MACHINATION__LEADER,__STIFFY__O'FOOFYSKINS______ <pre>` "The enemy is all around and they hate your way of life. They whisper corruption into the ears of our unsuspecting younger generations. They bombard you with an agenda of moral codes & ideals in direct conflict to the ones you were taught. If you love the random patch of land you literally had more of a chance to be born outside of than in `</pre> and you're not some kind of infidel, basking in the luxuries provided by your assigned locale while remaining unwilling to offer up your mortal life to assure its continuation, then you already know that the RIGHT thing to do, the divine purpose you feel pumping through your heart, is stand tall & be ready to hoist your team's flag should it fall. The enemy wants to see you fail so that it can pillage its way to the holy finish line which was divinely entitled to YOU and the rest of the good guys. It preaches demoralizing propaganda designed to weaken your resolve & raise doubt toward your righteous goals. It knows ways to steal the food from your family's table... even steal your established identity and celebrate its wicked victories by splurging on the fruit sewed by YOUR noble labors. This is your preconceived understanding of the truth. There are higher levels of truth that only pertain to you as part of a bigger picture, but you need not concern yourself with such perplexing pokings & proddings into the corners of your manufactured reality. Take comfort in the ebb & flow of a pristine, global bureaucracy that, on the surface, appears to malfunction as a chaotic dumpster fire of social upheaval, random acts of blatantly hateful terrorism and increasingly violent natural disasters reminding each & every one of us that we are vulnerable and the only shelter comes from the sinister embrace of the leaders we ourselves chose to govern us, simply because that is the way the world has worked for much longer than our insignificant participation would justify constructing a new means of stability. Best not to stress over such uncontrollable details. GREEN has always meant GO. RED has always signified a mandatory STOP. ...And that proverbial cheese at the end of the maze, ever taunting the entire roster of teams? It's laced with the affectionate tongue-kiss of cyanide, the ultimate reward for any group that is able to pull ahead of the hordes and slamdunk their Nerf football into the victory bonfire. IT'S MILLER TIME... Because being on the winning team isn't what's important: WHAT COUNTS IS THAT YOUR TEAM DESTROYED AS MUCH OF THE OPPOSITION'S LIFE & LIVELIHOOD AS WAS POSSIBLE." <pre>` Over moral posturings? Over indignant evildoings? In a race to prove to the creator that your team is comprised of his chosen people and is ready to accept the role as His Holy Assassins? Over the truth behind 9/11? Over the ongoing argument concerning the actual SHAPE of the planet & the legitimacy of the very science we thought we understood, but very well may have been meticulously devised to support our indoctrinated "understanding" of a globe-shaped world, hurling through space in a cosmic dance with the star, SOL, spinning on an axis that brings it around 360° every 24 hours and marking the outlines of our 24 hour day... 7 day week... our 12 month year... An indoctrination so effective, most of us never once stop to entertain the notion that, at its essence, the concept of time in this manner, the 7 day work week (uncannily similar to the 7 days required to create the world), the weather defining 12 months adhered to by the Gregorian calendar could very logically, and historically likely, be an immeasurable, blanket imprisonment of individual human perceptions, compressing the infinite possibilities of each reality into a much more predictable & controllable number. Wrangling in those erratic, chaos-prone, possible realities that could ultimately crash the entire capitalist cabal so dependent on limiting the imaginations & therefore, the entire concept of the fabric of reality & the universe across an entire planet's population. Outrageous, right? Borderline psychotic levels of paranoia, layered with simple, obnoxious denial and a shot or 2 of worst-case-scenario gullibility, YEARS worth of nonsensical research into the ravings of like-minded lunatics whose infectious delusions have consistently contributed to the disenfranchisement and downfall of multiple promising, yet dangerously curious intellects dating all the way back to the first significant population booms & those resultant social structures that merely sought to stifle the all too common, human urge to casually rape & kill each other on the slightest of whims. When viewed in THAT light, maybe that original intent wasn't so awful. Maybe somebody just had to think of something, like, QUICK.

WE INTERRUPT THIS LITERATAL ILLUSTRATION OF AN IMPLODING BRAIN'S LAST, DESPERATE GRASP AT UNDERSTANDING TO BRING YOU THIS TEMPORARILY DEBILITATING ANXIETY ATTACK...