on romanticizing the rot
growing up not popular but not unpopular does funny things to your psyche. it makes you do things like falsely romanticize the toxic reality of being fourteen years old out on the town drinking liquor you bought from strangers and hanging out with people four five six years older than you.
at fourteen i wanted nothing more than to be one of those girls, who went out every weekend and got shit-faced with fair-weather friends who'd leave you out in the cold if they had to. but that can’t be true. they couldn’t’ve been that toxic to each other, right? not like they were to me. it must bond you, in some way.
when i first got drunk at seventeen i think me and my friends’ brains connected. our neural pathways will always be linked and we are bonded for life. and there’s nothing like the friendliness of drunk girls: the compliments in bar bathrooms, the unbridled and unwavering support they show, the intent interest with which they listen to you, the genuine and bright way they compliment you, say you're so pretty oh my god I love your skirt you’re gorgeous you're literally a goddess he aint shit dont call him you deserve better i want to worship the ground you walk on
i guess the problem comes when drunk girls get sober. the unity of a drunken haze disappears into a cloud of smoke much like the one they were exhaling the previous night.
theres something deep and powerful in partying. in throwing your life away. in substances and succumbing to them. there must be. that’s why we keep romanticizing them, right? that’s why I wanted nothing more than to have that at fourteen, have that fun, dangerous, thrilling feeling of being alive. of being young and doing things you're not supposed to. I didn’t even think of the immense danger these girls put themselves in.
seeing my old friend solidified this. revealed the toxicity that they must’ve had to adopt to survive. she told me how she wishes things didn't go the way they did in junior high, told me about the one who was behind most of the drama and everything that contributed to those three years being some of the worst of my life. conversation in smoking areas are special like that. they tear down your walls and get you to reveal yourself. talking over a shared cigarette is a bonding experience and talking with her after years of uncertainty on where we stand all melted away and we talked as if we never stopped. i love her, truly. she lived through the decay, found herself after it. i went through the self discovery process, too. realized, and really, knew all along, that the ideas and experiences i was craving and romanticizing were not worth throwing my childhood away.
at eighteen i still crave the decay despite of this.
i experience bits of it, now. i feel it when im walking home at 5 am. its nearly palpable when im sharing a smoke on a park bench, tipsy, and the scene is right out of a coming of age movie. at least i hope it is, but i fear it might not be, might be a horror movie or a documentary on my downfall. i still want to live through that chaos. i crave it on rainy evenings biking home from work. i crave it when the musics loud and i pass by a group of teens having fun and somehow feel left out despite being in the same club. when i see people entering bars when im on my way home from having a drink in the park with my friends. i see it in university students getting black out drunk weekly. microdosing alcoholism at the excuse of making the most of your youth. its part of the college experience! its normal! come out with us and drink so much you wont remember half of the night the next day and do it all again a week from now!
the small town syndrome. when theres not much else to do except go to parks and drink with your friends. when your whole country is on the brink of alcoholism and its normal for preteens to start drinking and smoking. its hard not to romanticize it, right?
i still crave the decay. i still romanticize the rot. i yearn to live through it, vividly, violently.
1 note
·
View note
ive never liked powerless saiki aus because the entire conclusion of the series is him accepting his powers as being a part of him that he cant change so like.. in aus where the power remover works, half of his development is erased..
if he had been "powerless" for longer, we wouldve gotten to see him realize this himself and im genuinely sad that we didnt.. we got to see him realize that being powerless wasnt the change he wished it would be and that its something he cant change, but its literally over a two day long period and we miss out on sooo much potential development..
and then in aus where hes born powerless, people think he would have the exact personality and development that he THOUGHT he would if he got rid of/didnt have his powers, like NO ? "without powers he would be another satou-" NO he would be a shy, borderline flamboyant, weird, awkward, genius LOSER.
he would have a more normal relationship with his brother (still probably competitive but in a way more average sibling way and kusuke wouldnt have had the motivation to become so murderous) and he would probably be even more friendless but with less trauma.. he may or may not have ever befriended akechi at all, and the classroom incident wouldnt have happened.. even some of his current friends might not be around if not for coincidences due to his powers or direct involvement from his powers.. (nendo and kaido would for sure still be there though, but this only ensures the idea that he would be the biggest fcking loser ever)
he would still be saiki, but. his powers are a key part of him. he would be totally different without them, but NOT in the way he thinks he would..
88 notes
·
View notes
I know the answer might be no but still!
Are you ever going to make or add your characters into character ai?
I think it'll be really cool to be able to talk to Ollie, or just talk to the whole gang!!
Also lots of love to your art and comic, I found this comic when I was at my lowest and it really helped me out when I was really sad in depressed! Thank you for making this comic and for doing all of this amazing work that you have put in to your characters and storyline!!!
look 🙏 i do see the possible appeal in that i aint gunna lie one bit and as the creator of these characters the idea of being able to seemingly talk to them sounds pretty cool! BUT i simply cant jump on the AI train to Any extent it just wouldn't sit right with me. I feel like it would unnerve me after a while plus the idea of my OCs being 'off' or having out of character dialogue that's out of my control kinda gives me the willies. It seems like one of those things that are simply too good to be true in a practical sense so any possibility of it happening just goes into uncanny valley like do i wish i could take my ocs out of my brain and talk to them HELL yes ( if i dont get killed first) but that should be an impossible thing to do unless im dreaming or hallucinating or some shit. It's like the AI images ie. i Could just type in a bunch of prompts and shit out like 30000 images of my ocs so that i could look at them but where would the yearning be after that??? The loving sculpting of them in my brain while im trying to capture their essence with my hands into a drawing??? One of the main reasons for my ocs to exist is so that its something for my brain to toy around with and wallow in like a cat in catnip, so the idea of being able to just 'lay everything out' so easily just ruins the whole ' i have mysterious little dudes in my head that i mold around everyday to try and figure them out' aspect if that makes any sense??? PLUS im pretty sure the chat ai basically takes paragraphs from writers so for me to be so abhorrently against ai images yet being on board with chat ai when its ~surprise~ stealing from real writers feels like the most hypocritical ass shit i could do sO long old head 'robots evil' rant short: its a no from me dawg
BUT THAT ASIDE im glad to hear u like wheel bitten!! That means so much to hear and may your life continue to improve and thrive!✨🌟
28 notes
·
View notes
(read more for a short pseudo-fic?? that i wrote kinda by accident?? it's kinda shit and doesn't have anything about stanley and it's mostly just describing a half baked idea but have it if you want. also this has definitely been done before but whatever)
au where the narrator, unbeknownst to stanley, finds out that he can be physically affectionate in a form that stanley can't see or feel.
after countless careful testing of stanley's reactions to confirm this, he starts to casually sort of. walk side by side to him and brush their hands together.
after a few hundred resets, he's at a point where he constantly holds hands (phases them through each other) with stanley as he yammers on as usual. sometimes he floats around him in circles and studies the folds in his clothes and the way stanley moves, still blabbering about, until, carefully, he leans reeeal close to stanley's face. he takes in every wrinkle and dimple, every reflection across his eyes, and watches the way his character model's hair sways a little as he walks, still pretending to have some sort of strong opinion about whatever he's talking about. once again, he starts to do this regularly.
when stanley happens to look at something that lines up their eyes to seem like eye contact, the narrator gets all freaked out and goes strangely quiet. he makes up some excuse (let's see here.. the next door is .. hmm .. .. (the first time it happened he actually did get them both lost)), and the next few times it happens, he starts rambling faster, trips over his words, and flusters himself in his own monologue.
after another few hundred resets he calms down and gets used to the fake-outs and gradually forgets it was ever even a worry.
during one reset in this peaceful phase, the narrator hugs him from behind, wraps his arms over his shoulders and around his chest, and sighs somewhat like a dog as he rests the underside of his chin on stanley's shoulder.
of course, sighs of yearning and disappointment sound similar enough that this one fit nicely for his current monologue. in fact, he starts getting so caught up with sarcastically praising stanley for staying in the employee lounge for more than two whole minutes, that as he leans into his face, yawning mid-sentence from the pseudo-warmth of stanley's neck and left cheek, he doesn't even notice that stanley has not only stayed in the same room, but hasn't moved an inch for the past five minutes.
worse yet, the narrator only finally realized when he happened to look up admiringly again, and nearly flew across the room at the sheer intensity of stanley's eyes staring dead into his own. he paused his berating. he didn't even have an excuse prepared, and he wouldn't need one, considering how stanley's first movement after the narrator's nearly endless stream of complaining was to turn to look at him where he hovered slightly above the floor, somewhat disheveled and panicked.
that's all i got for now fhdwds
15 notes
·
View notes