#organic building

[recherchestetique]

Gaetano Pesce

Organic Building, Osaka, Giappone, 1993.

[generateaworld]

house built in the trunk of a large tree in a magical grove with a winding path, organic building, Large trees, Bright flowers, vibrant color scheme, highly detailed, art by Josan Gonzalez and Giuseppe Arcimboldo and alan lee and james gurney

[molsquinn]

[linktoo-doodles]

Happy Last Scarland day! Here's my Rolling Down Mainstreet and Hotel Architecture work for @scarland-artbook🎈🎈

process vid:

The entire scene uncropped:

Hotel Drafts:

For the hotel, I thought about the hallways and the general opulence and ambiance when you walk in (chandeliers, check-in counter, tiling on the floors). I mapped out all of the rooms (e.g. the outdoor patio, the lounge, the café/deli, & Scott and Fwhip's decorated rooms).

A few inspirations I took were the following:

Sun & Thirteen Cantons in Soho

Great Central Pub at The Landmark London

Prince of Wales Hotel at Niagara-on-the-Lake

I also wanted to consider an elevator for access... And if I had more ideas outside of the hotel layoutway honestly I'd keep designing with laundry chutes and more hallways and a pool. I love hotels

[arc-hus]

Metropol Parasol, Seville - J. Mayer. H

[bruun5]

here's a Cherry Bonsai for yall hope u like!!🌺❤️

[cookinguptales]

As someone who grew up in a bilingual household where we spoke English but also signed, the part of Mabel and Theo's relationship that fascinates me the most is the communication, or lack thereof.

I'm mostly hearing (...sort of...) but grew up around a lot of d/Deaf people, CODAs, interpreters, etc. so while I can't give any input on the experience of profound deafness, I can at least tell apart different styles of signing. It's a little hard to tell sometimes how much of this is characterization vs. the skill level of the actors, but it is interesting.

Teddy Dimas does not sign fluidly. It's immediately obvious. It's not that he's terrible or that he can't be understood... it's just that there are a lot of tells that he does not sign as a primary language. The terseness of the signs, the deliberateness. You can tell that there's a second of thought before each sign, a jerky sort of compactness to them, that's common with people who learn to sign later in life. (Or who don't get a ton of practice with it.)

Signing, when you do it right, requires the use of your whole body. That can be hard for hearing people, who are generally used to more restrained movements. Teddy Dimas has never quite lost that restraint. He still can't go all in, not with his signing or his parenting.

I always thought this was really interesting, because it means that Teddy most likely learned to sign for his son (tragically uncommon with hearing parents of Deaf children) but that he still can't quite translate his thoughts properly into sign language. He can't quite get his emotions through to his son. There's a barrier there between them, and it seems to be largely one that Teddy's erected -- until Theo starts snapping back.

What I'm getting at is that Teddy has always forcibly drawn his son into his world instead of immersing himself in Theo's, and it shows. And it has really harmed their relationship, in more ways than one.

Zoe... we don't see a ton of her signing, but there does seem to be something somewhat performative about it. It's more fluid, like perhaps she's done it her whole life, but there's also something sort of... idk, false about it? And I wonder if that's just Zoe. It felt like she was always covering up her true feelings of loneliness and emptiness with a flamboyant personality, and the little flourishes to her signing seem to convey that as well. Her signing feels almost theatrical to me.

Theo and Mabel, though... I've always loved that episode where they go to Coney Island together. I get the criticism that Theo said at the beginning that he couldn't understand much of what she said when he was reading lips -- and then she proceeded to just talk at him for the rest of the episode anyway. But to me, at least, that always seemed like it was kind of the point. They couldn't understand each other, not fully, and that was something soothing to them.

There's something healing, I think, about shouting into the void. Letting out all of your most personal, complicated feelings without fear of repercussion or judgement. Talking into the wind because you know it won't talk back. You need to feel that echo but also know that it won't be heard.

I think there was some of that there in their initial relationship. Both of them desperately needed to talk, to get everything off their chests, but both of them also have trouble opening up to others due to trauma. So I think speaking to someone who couldn't understand them was, in some ways, ideal. They could make a human connection while keeping it fairly impersonal. They could unload without fear of judgement -- or worse, understanding.

Oddly, I think their mutual need to communicate without being understood was the one thing they understood best about each other. They could sense each other's loneliness and wariness and inability to trust that they could tell someone something important without it being used against them -- because their love and their trust have always been used against them.

So maybe in a way, their inability to talk to each other was actually what helped them communicate on a deeper level...?

Still, though. Still. I was so pleased to see that Mabel is learning more sign language so she can talk to Theo. She's got a long way to go, but no one learns to sign overnight. She's making progress, and you can tell that Theo appreciates it. There are still times where he gets too excited and signs too fast and she doesn't catch all of it, and there are times when she gets so wrapped up in her own soliloquies that she forgets that you have to face Deaf people while talking to them, but there's a familiarity to it now. When he signs too fast, she smiles and teases him. When she talks too quickly or forgets to sign or turns away from him, he just smiles and sighs and shakes his head. Then waits for her to come back.

Theo finds it irritating, obviously, but also understands that it's just... Mabel. She spends so much time in her own head that she has trouble communicating even with people who speak her language, as evidenced with Tobert. And maybe Theo does understand her in ways that others can't. Maybe it's the very fact that he accepts that he can't always understand her that makes her feel comfortable with him.

I also have to wonder, y'know... Has anyone ever learned to sign for him before, other than his father, who clearly saw it as a burden? Has anyone ever seen him as worth the effort of learning, not out of an obligation to speak to him but a desire to? No wonder he's being patient with her. I wonder if anyone has ever put in as much effort for him as she already has. It makes me so sad to think about, because what she's doing now is so... bare minimum. Theo has been so desperately alone, and so much of that is because his father isolated him. It's because no one else ever reached out. :(

idk, it just makes me happy that these two people who originally bonded over their inability to communicate are now comfortable enough with each other to try actually talking. There's something so shy and so joyful about it. I love that for them, especially Theo.

I don't want him to be alone anymore!! I want him to have someone he can talk to, whom he trusts enough to talk to, who thinks he's worth learning to talk to back!

Their odd brand of bilingual communication (or lack thereof) is just fascinating to me. ;;

[palms-upturned]

For US unions like the UAW — which has thousands of members in weapons factories making the bombs, missiles, and aircraft used by Israel, as well in university departments doing research linked to the Israeli military — the Palestinian trade union call to action is particularly relevant. When the UAW’s national leadership came out in support of a cease-fire on December 1, they also voted to establish a “Divestment and Just Transition Working Group.” The stated purpose of the working group is to study the UAW’s own economic ties to Israel and explore ways to convert war-related industries to production for peaceful purposes while ensuring a just transition for weapons workers.

Members of UAW Labor for Palestine say they have started making visits to a Colt factory in Connecticut, which holds a contract to supply rifles to the Israeli military, to talk with their fellow union members about Palestine, a cease-fire, and a just transition. They want to see the union’s leadership support such organizing activity.

“If UAW leaders decided to, they could, tomorrow, form a national organizing campaign to educate and mobilize rank-and-file towards the UAW’s own ceasefire and just transition call,” UAW Labor for Palestine members said in a statement. “They could hold weapons shop town halls in every region; they could connect their small cadre of volunteer organizers — like us — to the people we are so keen to organize with; they could even send some of their staff to help with this work.”

On January 21, the membership of UAW Local 551, which represents 4,600 autoworkers at Ford’s Chicago Assembly Plant (who were part of last year’s historic stand-up strike) endorsed the Palestinian trade unions’ call to not cooperate in the production and transportation of arms for Israel. Ten days later, UAW Locals 2865 and 5810, representing around forty-seven thousand academic workers at the University of California, passed a measure urging the union’s national leaders to ensure that the envisioned Divestment and Just Transition Working Group “has the needed resources to execute its mission, and that Palestinian, Arab and Muslim workers whose communities are disproportionately affected by U.S.-backed wars are well-represented on the committee.”

Members of UAW Locals 2865 and 5810 at UC Santa Cruz’s Astronomy Department have pledged to withhold any labor that supports militarism and to refuse research collaboration with military institutions and arms companies. In December, unionized academic workers from multiple universities formed Researchers Against War (RAW) to expose and cut ties between their research and warfare, and to organize in their labs and departments for more transparency about where the funding for their work comes from and more control over what their labor is used for. RAW, which was formed after a series of discussions by union members first convened by US Labor Against Racism and War last fall, hosted a national teach-in and planning meeting on February 12.

Meanwhile, public sector workers in New York City have begun their own campaign to divest their pension money from Israel. On January 25, rank-and-file members of AFSCME District Council (DC) 37 launched a petition calling on the New York City Employees’ Retirement System to divest the $115 million it holds in Israeli securities. The investments include $30 million in bonds that directly fund the Israeli military and its activities. “As rank-and-file members of DC 37 who contribute to and benefit from the New York City Employees’ Retirement System and care about the lives of working people everywhere, we refuse to support the Israeli government and the corporations that extract profit from the killing of innocent civilians,” the petition states.

In an election year when President Joe Biden and other Democratic candidates will depend heavily on organized labor for donations and especially get-out-the-vote efforts, rank and filers are also trying to push their unions to exert leverage on the president by getting him to firmly stand against the ongoing massacre in Gaza. NEA members with Educators for Palestine are calling on their union’s leaders to withdraw their support for Biden’s reelection campaign until he stops “sending military funding, equipment, and intelligence to Israel,” marching from AFT headquarters to NEA headquarters in Washington, DC on February 10 to assert their demand. Similarly, after the UAW International Executive Board endorsed Biden last month — a decision that sparked intense division within the union — UAW Labor for Palestine is demanding the endorsement be revoked “until [Biden] calls for a permanent ceasefire and stops sending weapons to Israel.”

[mailb0xbunii]

miscellaneous qsmp workers ^_^

[medusas-daughter]

The necklace happened because Shauna wanted to say "goodbye and I love you and I hope you're safe wherever you're going" to Nat one last time before she lost her

The hunt happened because Shauna couldn't do it in cold blood, couldn't just look in Nat's eyes and slit her throat, only the run and the blood pumping and the hunt could bring her in a state capable of killing her friends

The face masks happened because Shauna couldn't look at Javi's face while she dismembered him, needed to do it by feel alone so she could keep pretending it was an animal and not the boy she had bonded with and protected all of last season, the boy who came back traumatized and non verbal yet still sought her out and followed her advice and took his thoughts to pen and paper like she does

[pxltown]

💿 the local purposely badly lit thrift/record store

[mnemonicmew]

hi there @shirecorn I might’ve fallen in love with your mlp creature design

[escapismsworld]

Palau de la Música Catalana, Barcelona (1908)

[thoughtportal]

pointing out the hypocrisy is a waste of time. Show up. Show up to your local city meetings. show up to your local school board and library board meetings. show up to your local mutual aide groups. show up to your local DSA and IWW groups. 

[reasonsforhope]

"A new community housing development in the Bronx will feature a cool piece of kit: an on-site aerobic digester that can turn 1,100 pounds of food scraps into 220 pounds of high-quality fertilizer every single day.

Built by Harp Renewables, it’s basically a big stomach filled with bacteria that breaks down food scraps and wasted food into their component parts, and in the future could be a standard part of all apartment units as the amount of food waste in American reaches 30% of the total mass of all trash collection.

The Peninsula, organized by Gilbane Development Company, will feature 740 units of affordable housing, 50,000 square-foot light industrial space and equal sized green space, and 15,000 feet of commercial space, all of which will send their castaway comestibles right into the digester...

Fast Company reports that Christina Grace, founder of a zero-waste food management company, helped plan the design and implementation of the digester into The Peninsula, and helped organize a 40% grant from the city to pay the $50,000 upfront cost.

“The goal is for this material to work its way into the community garden network in the Bronx,” [Christina Grace, who helped plan the design] told the magazine, adding that she expects it to pay for itself over just a few years. “We see this as highly replicable in both commercial and residential venues. We know there’s a need for fertilizer.”

Producing fertilizer right there in the city reduces the need for it to be trucked in from afar, chipping away, even if just a bit, at NYC traffic.

Big problem solver

Perhaps uniquely beneficial to New York City compared to other spots in the U.S. is that the digester will have a significant impact on the Bronx’s share of the city’s rodent problem.

Those who’ve watched the Morgan Spurlock documentary Rats will understand why that’s significant—while those that haven’t will have to imagine what living in a megacity where rats outnumber people by around 8 or 10 to 1 looks like.

Another big problem the bio-digesters could potentially help is pollution and greenhouse gas emissions. Fertilizer is a big emitter of all three of the most-targeted GHGs. Fertilizer, like quarry dust and ammonia is, like so many commodities, often imported from countries who specialize in its production, such as Norway, but also Russia and Ukraine, whose conflict has recently highlighted the fragility of the supply chain with sharp increases in prices...

Bio-digesters by design keep the CO2 and methane in the fertilizer produced, rather than it entering the atmosphere.

For these reasons and more, the aerobic bio-digester is slowly making its way into residential and industrial spaces around the country.

GNN reported on an enormous bio-digester at the heart of the D.C. advanced resource (sewage) recovery center outside the capital, and on the use of bio-digesters on Australian pig farms which are helping reduce the environmental and psychological impact of the effluent produced from such operations.

Harp Renewables tweeted how happy they were to have installed their bio-digester in the town of Cashel, Ireland.

Expect to see more stories like this pop up around the globe."

-via Good News Network, March 17, 2022

Note: Obviously gentrification bad and "affordable housing" is sometimes nowhere near as affordable as it should be, etc. etc. That said, this is such a fantastic use case that I felt I had to post it anyway.

[architectureandfilmblog]

"I wish this shelter to blend with the landscape. I will make it of the rock to be found there, of the lumber to be found there, and I will cover it with the vines that are native"

RUSSEL WRIGHT'S MANITOGA (2011)

This short film from Anthropologie explores the beautiful Manitoga, which was created on a ravaged industrial site in Garrison, NY. The land was regenerated by mid century designer Russel Wright and his wife, designer Mary Einstein Wright, to be a home, studio and garden for their family. After Mary's death, buildings were designed with architect David Leavitt.

The site is open to the public as the Russel Wright Design Centre (although currently closed due to winter weather). It also appears in the documentary ART HOUSE (2016). (Image via Dwell)