#os2

[youdontloveme-yet]

Pran Parakul and his 1000 stages of suffering.

[never-obsolete]

PC/Computing - July 1994 OS/2 for Windows

[quodekash]

i would like to point something out in this image.

thank you that is all.

[malepresentingleg]

THAT WAS NOT ON MY OUR SKYY CHECK BOX BUT I'LL TAKE IT

[ranchthoughts]

thinking of pat and pran and genre awareness

I've been thinking a lot about this as the Bad Buddy x A Tale of a Thousand Stars Our Skyy 2 episodes air. Like @lurkingshan notes here, Pran is self-aware enough to notice the parallels between his situation and Tian's, and I've seen a lot of people wondering how Pran's self-recognition through Tian (and perhaps Phupha's self-recognition through Pat) will contribute to the emotional and narrative conclusions of these episodes. Furthermore, Pran and Pat keep talking about trope moments - either their own from their series (e.g., Oishi green tea) or Tian and Phupha's which they know about from Tian's posts online. Pat and Pran take it upon themselves to replicate trope moments from ATOTS (like the looming mosquito net hanging) for themselves, and to discuss how to leverage classic romance tropes to get Phupha and Tian back together (e.g., getting them drunk and singing karaoke together). Self-awareness, and the related genre-awareness, are the Bad Buddy brand - we've seen how well Pat and Pran know how to weaponize BL tropes to get what they want.

Bad Buddy itself is a show that was created by genre-aware people to be genre-aware. @miscellar writes here about how Bad Buddy's directors and actors set out to make a BL while being fully aware of the pitfalls of BL. Bad Buddy includes soooo many tropes and other genre conventions (being set at university, the sound editing, etc.) which place it firmly within the genre of BL. However, the show deliberately subverts BL conventions in order to make broader points about the genre itself - I go into (a lot) more detail here. As miscellar says in this post: Bad Buddy labels itself a romcom to subvert romcoms.

Bad Buddy also demonstrates its genre- and self-awareness through its repetition of tropes and callbacks. We see that especially now as the Bad Buddy Our Skyy 2 episodes are airing (@grapejuicegay outlines many of the parallels between the original series and the Our Skyy episodes here). The show remembers what it did and repeats them, intentionally, to draw new connections and make new arguments.

So the directors, show runners, and actors of Bad Buddy are genre (and self) aware... what about the characters?

In this post miscellar makes an interesting point - to the BL viewer, the first three episodes of Bad Buddy seemed like a pretty typical university BL, and it seemed clear that Pat, the deliverer of most of the tropes, would be revealed to be in love with Pran. But that's not what happens.

I talked about this here, but to recap: in the lead-up to his episode 5 revelation, Pat often fulfills the active or seme role in tropes (grabbing Pran, looming over him, saying flirty things, etc.). However, Pat is not genre-aware in the first few episodes of Bad Buddy: he does not know he is in a BL, so he isn't analyzing these interactions through the "code" of a BL, therefore he doesn't recognize these moments as significant. To a BL-literate audience, Pat seems the perfect "seme", but he doesn't even know he's in a story with a "seme" yet.

On the other hand, Pran has been in love with Pat for ages, and he is fully aware of how their story reads. He does not take the active/seme role in tropes very often in the first few episodes (and when he does, it's an accident, like their wrestling match) because he is trying not to be in the romantic narrative, he's trying not to pursue Pat. Pran is genre-aware, he recognizes all of their looming and suggestive commentary as BL tropes, but he knows that BL stories typically end happily. He knows they are in a queer love story (he's in love, after all), but he doesn't see any way this can be a happy queer love story, not with their families.

This is why Pran's "You can't keep doing this to me Pat" line on the roof at the end of episode 5 hits so hard - Pat has been acting like the lead in a BL series to genre-aware folks like Pran and us, the audience, but he doesn't even realize what he's doing. And to Pran, who is painfully aware of what type of story they seem to be in, but he doesn't think they can ever truly fulfill, this is devastating. Pran is trapped, with narrative awareness, in a story that can never come true, with someone who doesn't realize how they are playing along, hurtling the story towards its inevitable crash.

In episode 5, Pat comes to the realization that he is in love with Pran, and that Pran is/has been in love with him. In this post, @functionalasfuck writes how back in high school when Pat first heard Pran's song, he recognized it as their story but didn't see where Pran was taking it (even when Pran mentions secret crushes). Only on second thought does Pat realize what Pran meant by that and what the song was conveying. Pat and Pran's story slams into context (and genre) for Pat: this is a classic enemies-to-lovers, childhood-friends-to-lovers, long-term pining story; this is a BL.

And after Pat's episode 5 realization, things change. Pat acts again like a typical seme trope-wise through episode 6, as he follows Pran on the architecture retreat. He's trying to get Pran to talk to him, to join him in the BL he now realizes they are in. But Pran doesn't want to go down a road that he believes will end in heartache - he's known, from the beginning, that their story can be read as a perfect BL, but he's also known it can never end happily, not with their families - and so he avoids it, and Pat, at every turn.

It's finally at the end of episode 6, with the bet, that things change again. Both Pat and Pran realize they are in a romantic narrative. Pran has learned Pat isn't interested in Ink, so there is one barrier towards their genre-typical happy ending eliminated. Their families are still a concern, but Pran's in love and who can resist a bet, so they go forward.

The trope usage becomes deliberate - and it's always been deliberate on the part of the directors and show runners, they've always known what they have set out to do (make a BL that hits all the BL conventions yet subverts them) and have deployed tropes intentionally to uphold the messages and themes they want to explore (more here) - but now it is deliberate on the part of the characters too. Through the first part of the series, genre-aware Pran was trying to avoid acting the seme, trying to halt the progression of the romantic narrative he believed could only end in tragedy, and genre-unaware Pat was throwing himself into trope instances headfirst without realizing. Now, they have made a pact to both be the active pursuers, the seme: whoever falls in love first loses. They both deploy BL tropes with razor sharp precision (Pran looms, Pat takes off his shirt and douses himself with water, etc.) showing that they do understand what these actions mean, how they fit into and read in a BL-coded context. The most obvious example of this in episode 7 is when Pat and Ink and Pran and Wai eat at the noodle stand together. Pat and Pran leverage their respective "faen fatales" (more on that here) to make the other jealous by deploying a litany of BL tropes (feeding the other, wiping their mouth, etc.). Pat and Pran show they know what these actions mean in the context of a BL story, like their own.

Pat and Pran are in on it now - they are self-aware enough to recognize their genre, they know the beats of that genre, and they know how to manipulate them to get the outcomes they want.*

And it soon becomes apparent to us that Pat and Pran are in on more than just the genre of their show - they are onto the fact that there is an audience. @miscellar writes here about how Pat and Pran break the fourth wall several times throughout the course of Bad Buddy (e.g., Pran's comment about not needing to be called wife, or the voiceover in episode 12, which @chickenstrangers also talks about here, where Pat and Pran reveal they hid their continued relationship from their friends, their family, and us, the audience).

I'm very curious to see where these final two Our Skyy 2 eps take us, as Pat and Pran have shown they know Tian and Phupha are in a gay love story; and have shown they can identify the trope moments we, the BL-literate audience, notice too; and Pran at least has shown he recognizes the parallels between his own BL narrative and Tian and Phupha's. How will Pat and Pran's genre awareness, and their self-recognition through the other, affect the resolution of both pairs' story lines?

*(side note: this reminds me of @chickenstrangers' post on Bad Buddy and queer futurities - Pat and Pran have to work for their happiness, to make joy in the face of hardship, to claw their story back into a happy ending that Pran didn't even think was possible at the beginning of the show. They know they are in a BL, and they are going to get that genre-typical happy ending on way or another.)

[lurkingteapot]

The Thai title of EarthMix's Our Skyy song "No Matter What" is ผาเคียงดาว /pʰǎː kʰiːaŋ daːw/ "Cliff near the Stars" and I'm clawing my face off in anticipation.

(Yes, it's only one word off from the name of the village/setting of ATOTS -- ผาปันดาว /pʰǎː pan daːw/ breaks down to "cliff dividing/rationing/allocating/sharing stars")

[olivrea1908]

Got an boxed #olivetti branded #Microsoft #OS2 version 1.1 with all manuals and 6 x 5,25“ floppies. This is like my holy grail as i‘ve never saw one before. I will make images at some point in time and desperately hope that they are readable. my collection at https://olivrea.de #ilovemyolivetti #olivetti #olivettipc #vintagecomputer #vintagecomputing #personalcomputer #oldcomputers #oldcomputer #computer #retrocomputer #retrocomputing #retrocommunity #80scomputer #techhistory #retropc #retrotech #ivrea #madeinitaly #italia #italianengineering https://www.instagram.com/p/CllyMJuoTjy/?igshid=NGJjMDIxMWI=

[gennianydots]

Shit! I’m collecting pinky holds 🥹🤚🏻✋🏼

[kianri-ah]

TIWPOR CANON I REPEAT TIWPOR FUCKING CANON THATS ALL EVERYONE GO HOME

[possibly-j]

This is probably only funny to me but I just found this promotional image for OS/2 featuring the cast of M*A*S*H and it's just so weird

[koney-scanlines]

IBM PS/2 computer for WARP 3 speed: OS/2 3.0 + Win95 + Dos 6.22 + Win3.1

[pigeonriot]

the wat aroace agenda is going strong

[quodekash]

is that so? 

... 

this is the only reason they should keep making fast and furious movies: for pat napat to play every single character 

[malepresentingleg]

Pran mentioning his OCD in canon tho🥺

[ranchthoughts]

putting Phupha in blue (Pat's colour) and Tian in red (Pran's colour) as they say good bye to Pat and Pran...

Oh they are just beating us over the head with the parallels aren't they

[os2warp]

oh cool they finally got a new browser running under os/2

its called dooble. its very basic, but its got all the functions you need. except an adblocker.

tumblr works fine.

its qt webkit, so distantly chrome-based so thats no fun.

i'll stick with the four year old version of firefox on the websites that support it

it makes the fans on my computer go brrrrrrrrrrrrrr but thats pretty common for any of the linux ports to os/2.

edit: ok its a bit unstable but im not entierly sure thats not because of ALL THESE FUCKING ADS EVERYWHERE. how do people function without an adblocker

also the shift key doesn't work for some reason lol