My last post made me want to spin the ballet au to suit the general cast, keeping Es as the protagonist 🩰
I don't have art for this one but I still got a bit carried away with the details LOL This definitely leans more into a sweet fix-it :3
The story would open with Es waking up in the medical room of Milgram Dance Academy, a very small and isolated school. Es is told they suffered a bad head injury during a performance, resulting in amnesia. Their instructor (Jackalope. Make this work however you wish.) tells them not to worry about it, and to focus on their dancing for now. Es feels a pressing responsibility to stay and rehearse, so they agree.
Jackalope tells them they must understudy several roles while recovering, not ready to jump into things right away. They're grateful, since they're struggling with their identity and expression without their memories.
The first student they are directed to is a shy and lanky dancer by the name of Haruka. They study under him as the role of a graceful, melancholic swan. They watch the choreography in general, and it looks nice enough. Es proceeds to spend several rehearsals with him, talking and bonding and learning he has a bit more going on than meets the eye. They try to offer help as he admits to familial issues, self esteem questions, and comments about sibling jealousy. In turn, he teaches Es to mimic some of his powerful emotions. At the end of their time together, they both perform for their class in full costume and staging. Now, Es understands each move with a deeper understanding than their initial look at the steps.
Next, they’re sent to meet the bubbly girl playing Juliet and begin the process anew. This continues to make a total of ten roles. Some of the dancers take the sessions kindly, while others are brash, secretive, or just confusing.
After rehearsing with Kotoko and learning to understand her determination and confidence, Es is sent back to Haruka, who has moved onto a new show and new role. They’re shocked to discover that their words to each dancer – always well-intentioned – had caused some issues backstage. Now, there are rivalries and changes in stage presence. While experiencing stress (that Es has inadvertently caused,) some were distracted in rehearsal and got injured. Es must take on the interpersonal issues as well as the choreography challenges.
I don’t have all the roles down and was trying to stick to well-known shows anyway, but I think I’d want Muu to be the Sugar Plum Fairy, Kazui to be Albrecht from Giselle, and Amane to be Clara. I wanted to keep them traditionally gendered to prove there are plenty of roles for men, but I can’t help but have Odette/Odile thoughts for T1 Mikoto ;-;
Like the other post, I'm equally tempted to have the dancers performing ballet adaptations of the mvs 👀 I want to see. Bee tutu. Doctor coat costume. Marching band tutu. AKAA mismatched look. The backgrounds. The music. The choreo. So many cool possibilities...
As a sweet au, it all ends with everyone better for having met one another. Es is cast in a solo performance, combining everything they've learned both emotionally and technically from the others. They feel satisfied with their sense of identity, and shine onstage ✨️✨️✨️
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Heartlands (2002)
Summary: A Road Movie about kind hearted Colin (Michael Sheen), who has his world turned upside down when his wife Sandra (Jane Robbins) runs away with a policeman. He sets out on his moped and starts the journey through the country to bring her back home.
No spoilers watch the movie
This movie feels like a warm hug, a cozy blanket and hot cocoa on a crisp autumn day. It’s a delight.
I’ll do things a bit different this time, I won’t go in too deep because I want as many people as possible to just experience this film. Because that is what it is, a experience. It has some very beautiful shots, great humor and very charming characters. And it takes it’s time when it needs to. One might say it’s a bit artsy but I like it for just that.
Okay maybe some spoilers there are a few things I’d like to talk about
Colin is THE Cinnamonroll, he doesn’t deserve any of Sandras bs, but it does provide the incentive for the journey of his life so it’s fine in the end.
I love how when Sandra tells Colins friends, that she will leave him for the Police Captain (JIm Carter), they are just as irritated as I am while watching. The worst part is, that the Captain proceeds to throw Colin off the Darts Team (they are set to compete in a turnament the following weekend) and with that he robs our poor guy of the two things he loves the most at the same time. WTF I’m mad, what an asshole do you have to be? And Sandra just tags along? What did Colin ever do to you? Poor man is sitting in his shop balling his eyes out, they just robbed him of everything that was important to him.
A good friend of Colin convinces him to follow the darts team to Blackpool to win Sandra back, and although at this point I would personally think "fuck her actually", he didn’t even have the chance to talk to her about this, so fair enough. What else should he do now, sit in his store and mope? This is the better option.
Enter beautiful shots of the english country and small towns coupled with folk music, I’ve never felt this comfy in my life. I can’t even imagine how this movie hits if you actually grew up in the UK.
This movie is beautiful
Colin's first overnight stop is at some kind of cottage Inn in the middle of nowhere. There he meets a lovely couple, who are the first people so far who treat him nicely. Or rather like a normal human being.
Up to this point I noticed two things: First: Colin is framed by the movie like he is still a bit of a child inside. He’s not immature I think, but a bit naive, very quiet and a bit socially inept, like he hasn’t quite arrived in the real world yet. Second: Other characters in the film notice this and some tend to treat him a bit lesser because of that. Doesn’t hit close to home at all, noooo… Buuut our boy Colin doesn’t really care about that, he just does his thing and is his most sincere self, even if he’s still on the way to finding out who he really is and what he wants from his life. I love that for him.
Anyway the guy (from that couple) gives Colin a haircut and a new shirt so now he looks like a whole different person. (This visibly kicks his character developement journey off and I love that visual language, plus the haircut really suits him, dude did a really good job)
Cue a shot of Colin being sad, listening to a folk band playing in the Inn and my heart is melting this is movie is so precious.
I don't want to spoil what happens in one of the following scenes, my thoughts are confirmed, Colin is a kid and I love him for that.
Colin, I’d like you to please stop doing and saying things that make me go: “Ha, I do that!” Thank you very much.
I won’t go into much more detail from this point on I will just say he eventually gets to Blackpool, talks to Sandra and makes the best decision of his life. He really learned a lot about himself in those few days.
The ending fills my heart with butterflies everytime.
A pure, lovely, gentle and genuine performance by Michael. I don’t know how, but his acting in this feels like a hug from a very good friend. It’s so warm and sincere. Of all the films and shows I’ve written about until now, this one is by far my favourite. This is the kind of movie you turn to when you're having a hard time and want to work through it.
If you can, watch it in autumn. With a nice cuddly blanket, a person you love and a nice tea or hot cocoa. But however you do it, if there is one film from my blog you should watch, it's this one!
PS: If you should ever have the chance to meet Michael Sheen in person, please tell him a random guy called Cosmo on the internet loved this movie very much and would like to thank him for this extraordinary genuine and heartfelt performance. This film will stay with me for a long time <3
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fantasies i'm not sure that i'm worthy of
“I’m bad, Suzuki,” he said to Shou the night before Shou’s dad attempted to take over the world.
The noise in his head rattled, shaking the bars of the prison Ritsu was trapped in. He wanted out. He wanted out so badly that he was ready to scratch and bite and claw his way through.
“Well,” Shou finally said, peeling the wall back and shushing the noise in Ritsu’s head, “I’m the one who burnt your house down. If you’re bad then… so am I.”
Ritsu sniffed, swiping at his eyes. “Yeah?”
“Yeah!” Shou sounded excited now, the blanket he was under rustling as if he were sitting up. “We can be bad together!”
[or, ritsu doesn't know how to process guilt and wants someone to tell him that he's a bad person]
🌵2,030 words | ritsu centric + platonic ritshou🌹
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