Thinking about Edward Elric as the Amestrian Military's specialest little unfireable boy
State alchemists can be fired for underperforming. We know this up front from the likes of Shou Tucker. And this makes a ton of sense from the homunculi's standpoint since the state alchemists are sacrifice candidates, and the homunculi would want to cull the weakest candidates and focus only on cultivating the strongest ones who stand the best chance of opening the portal.
........Then there's Edward. Who's already opened the portal.
There's no need to cultivate him. No gamble taken on whether he's good enough to open the portal. He passed the final test already. Graduated 4 semesters early.
And as such, has a free pass to do Absolute Fuck All.
And I'm imagining how funny this is from like an outside perspective.
Some newish state alchemist who'd only ever read up on the stories of Edward Elric, ready and excited to start their career of being paid handsomely with endless freedom to research and travel and do anything they want in the pursuit of science... surprised and confused to find themselves put on probation their first month for things like "ignoring orders." Which is, as best they had thought, a famous Edward Elric pastime.
Roy showing a slight bit of stress about his yearly state alchemist report, and Ed just snorting and rolling his eyes at Roy because every year HE just hastily does his on the train ride over (canon in the manga, a travesty it was left out of the anime) and it gets rubber stamped. Ed not realizing that other alchemists' reports get genuinely scrutinized and torn apart while Ed is free to turn in whatever absolute bullshit he thinks of 36 hours ahead of time. One year his report was about whether alchemy could be done via dance (conclusion: no it can't) and no one cared. Roy WANTS to tell Ed there's some kind of unknown favoritism around Ed making him literally bullet-proof but Roy has no way to phrase this that doesn't sound like he's just in denial and mad at how good Ed's train-reports are.
Guy from the Internal Amestrian Affairs sector who's responsible for auditing other internal military personel for any suspicious activity hitting about 1 million red flags for Edward Elric, issuing a STRONG and URGENT recommendation to suspend the alchemist pending further investigation into things like "literal bunk-buddies with two members of the Xingese royalty (enemy nation)" and "spent $10,000,000 of his stipend on a librarian to make her re-copy (what he seemed to interpret as?) military records in some extremely transparent effort to unearth state secrets (it was a recipe book but he was literally asking her about state secrets)" and "literally has never once obeyed an order, ever, not even once in his career, and is on public record having said 'I do not care about the goals and protections of the Amestrian Military. I am in fact only pursuing my own interests several of which are diametrically opposed to the safety and well-being of the governing body of Amestris'"
The issued recommendation is intercepted before it even reaches its intended desk. President Bradley himself has taken issue with it and denies it before a single set of eyes has seen it. The President's veto stamp is a terrifying hammer, used rarely, and it is now sitting on the auditor's desk.
The auditor sleeps with one eye open from then on out.
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okay but something about a major theme of 9-1-1 being that people can really thrive and be their best selves when they’re given the right environment
and lou indisputably doing the best acting we’ve ever seen from him in s7 of this show. giving layered, nuanced performances
lou saying that he’s usually typecast as a “beefcake” and isn’t given the opportunity to play deep characters
but also lou saying now that he’s playing tommy, people are seeing him for who he really is
because lou is hot, yes, very intentionally so—but he’s also sweet and sensitive and silly. and him getting to play any of that is such a rarity in his career so far. and tommy is all of that
something about tim seeing him in s2 and bringing him back because he remembered how charming he was. tim seeing potential in him to flourish and give this storyline the weight it needs
9-1-1 being a force for positive change not only within the show itself but also for its actors
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What's your opinion on malewife/house husband Adrien posts? I asked this to another blog, and like I said to them, I find them a guilty pleasure: The concept is cute, but I know that would be the last thing Adrien would ever wanna be after all his dad put him through.
I don't think that it would be the last thing that Adrien would ever want. I actually think it suits his character in a lot of ways, you just have to handle the topic with care.
First let's talk about why it suits him.
Miraculous has totally failed to give Adrien any sort of career-based passion and - if we ignore the senti complication - I honestly love that for him! I want more characters with no major life ambitions to balance out the Marinettes of the world!
I think that society places way too much pressure and value on finding the perfect career that fulfills us in every way while also allowing us to put food on the table. Most people will never find that and that's okay. It doesn't mean that you've failed or that you're lesser. For most people, the goal is to find a career that pays the bills and that you enjoy enough that you don't hate doing it 40hrs/week. Along similar lines, for most people, your passion will be something that doesn't make money. It will be something like a hobby or spending time with those you love or analyzing badly written French TV shows.
This brings us back to Adrien.
Adrien seems to get a great deal of joy from being around his loved ones and making them happy, so I can absolutely picture him finding a lot of joy in running a home. This is extra true because Marinette is pretty clearly career driven and she's planning to go into a creative field, so she'll probably have a pretty crazy schedule and struggle to stay on top of it all. Having a loving husband to take things like cooking and cleaning off of her plate would be a blessing and a gift that she'd greatly appreciate, but that would feel unbalanced if Adrien was working, too. (Yes, they could hire staff, but that risks the secret identity thing, so I don't see them doing that.)
If they both have power careers, then they'd barely see each other and I hate that for them. I think that it would make Adrien incredibly sad and depressed. Plus, while Marinette thrives off of competition and staying busy, only needing occasional breaks before diving right back in, Adrien seems to hate busy schedules and heavy work loads.
Given all of that, I think that there's a lot to be said for Adrien stepping away from the working world. Especially since he's been in it for years and being a child celebrity is no joke! I think it would be nice for him to escape from strict schedules and expectations. Dinner fails? Order takeout!
While we're on the topic of food, I really like the idea of Adrien falling in love with cooking. Dude needs a creative outlet and that's honestly a great one (I hate it when people write characters as unable to figure out cooking like it's some cute quirk. While an initial struggle is believable, it's not a mystical art that takes years of practice. Between YouTube, the wider Internet, and maybe some classes if he wants to get fancy, I think that he'll be fine.) There's so much variety with what you can do in the kitchen and the end result gets to be shared and appreciated by those you love. It just seems like a perfect fit for him, but I would never make him a professional chef because the hours are insane and the pressure to be perfect is high. I only see him loving it as a hobby where he can go at his own pace, take days off, and make lazy meals when he's not feeling like being a show off.
The big concerns that come with making him a homemaker are a lack of financial independence and a lack of socialization. I don't see the first thing as an issue for Adrien since he comes from a wealthy family, so that one doesn't phase me.
The isolation could very easily be an issue, but it could just as easily be a problem if he started working, too. It's not as if a job is a sure way to have friends or even just consistent positive social interactions, which is another reason why I don't really see a need to give him a traditional job. You can get a vibrant social life in lots of other ways.
Here are the two big things that I keep in mind when writing an Adrien-as-a-homemaker or similar setup as it is where I tend to have Adrien land for all of the above reasons:
Adrien needs to be active in some organization or project. Volunteer work is a good fit as is being an active stay-at-home parent or some combination of the two. Voice acting is also on my radar, but my default is to have him act as the head of team miraculous' out-of-battle activities. Scheduling meet and greets. Going to see sick kids. Jetting around the world for humanitarian aid missions. Basically let Chat Noir be his "career" which gives him a lot of much needed flexibility for making his own schedule, especially if he's a stay-at-home parent to any eventual kids. I also like the poetic nature of Adrien finally being proud to be the face of a "brand" via his hero side while his civilian side becomes just some guy that people kind of remember from old ads.
Consider having a non-traditional living arrangement. I am a big fan of hero teams living together, so my default is to take the Agreste mansion and remodel it into a secret HQ for the team. Adrien and Marinette would have their own apartment/wing/whatever, but they'd still be surrounded by their found family on a near-daily basis, so that social isolation is the last thing on Adrien's mind. There's almost always someone to hang out with! You could also just have Alya and Nino or other friends live in the same apartment building so that they're over a lot/Adrien has a place to hang when Marinette is working late because you know that she'd do that.
Basically, Adrien's rich, so he doesn't need to make money and he doesn't seem to have any interest in a normal job, so I really like letting him having a unique life where he doesn't have a traditional job. He is a superhero, after all. Unique career paths are pretty par for the course. You just have to be careful to make sure that all of this feels like his fully informed and carefully considered choice and not like you forced it on him to make Marinette's life perfect (I only brought her up earlier because this is a story and it makes sense to design characters around each other). I usually do this by sending Adrien to therapy in his late teens or by giving him some other parth of self discovery.
Do note that all of the above is inspired by my read of Adrien which may be totally different from your read of him and that's fine! I just can't picture him as someone who thrives in a traditional career path based on knowing people who strike me as similar to him and from whom I draw my understanding of how to write that part of Adrien's character. I think that he'd be perfectly able to have a traditional career path, but I also think that he'd be pretty miserable for a lot of reasons.
I'll also note that I'm not sure what posts spawned this ask, so there may be elements of those that I'd have criticisms of. This post was about the general concept of Adrien being a homemaker. I tend to avoid the broader fandom for my own sanity and the use of the term "malewife" has me concerned that I'm implying support of something I wouldn't actually support because that's a new one for me and it sounds incredibly sexist.
I'm not a fan of implying that the default definition of "wife" is "submissive homemaker" so a man taking on a homemaking role is clearly submissive and acting like a woman does while his aggressive, domineering wife is acting like a man, which is the definition of this word that I'm finding online and yikes! Wife and husband are legal/social status in my book. They are not clearly defined jobs/roles/personality types, so I'm not a fan of using gendered terms to refer to stuff like this especially since I do actively try to use gender neutral words in my own writing whenever I can, though I'm certainly far from perfect on that front.
I also don't see homemaking as a submissive act. It certainly can be, but that's not how I picture Adrien at all! I picture him as relaxed and plesent, but 100% in charge of the home and all choices about how it's run. I also see him being in charge of their finances like homemakers often were in the "old days" since they were the ones in charge of things like scheduling cleaners, buying food, and other things that needed strong budgeting skills while the person who worked wasn't actually spending money or managing the home since they were at work. I like to think that Nathalie would prep Adrien to be a wealthy man and so he'd have strong skills in finance management.
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i'm not rly the type for mcyt stuff, but i think i finally managed to articulate why qsmp in particular just feels so incredibly special to me.
it's the way that the language proficiency of literally everyone involved is slowly evolving the longer they play together. the way that the english speaking players are making an effort to talk to one another in spanish and vice versa. when this thing started i remember hearing from multiple eng povs that they had to lean a lot on the google translate tab (and thats ok!), but something that really excites me is when i see those same eng ccs express how much they want to learn more about speaking spanish bc it's a way that thet can genuinely connect with their fellow players.
it's not even the fact that it's a minecraft smp; that just Happens to be the medium through which we get to watch this unfold. it's the first time, at least to my knowledge, that we're able to watch both the spanish and english-speaking communities bond over a game they love at a level as involved as this. both sides of the community are equally prominent, and more importantly, they're united in a way that i've never really observed in an online space until now. genuinely ive never seen anything like this before and its just really fascinating to see how all the players take on the challenge of building that bridge over something that once was a communication barrier for them. i love language i love cooperative gaming i love humans having fun learning new things from one another
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"Like everyone else in the modern world, large parts of my life have become increasingly digital, sometimes against my will. The result is a very mixed bag. Some things have improved, and others have definitely degraded. I constantly wrestle with the balance of these changes, and I try to be mindful about them. But this is the hardest to do where it intersects with my work.
I’ll start with streaming. I did not come up on streaming. I’m in my 40s, so by the time I was buying music of my own it was the early 90s and I had cassette tapes. Then came the CD, then mp3 players, then streaming and cell phones. The last change has affected how I interact with music the most. Since streaming became the norm, I listen to music a lot less. I know my age is a factor here, but streaming has killed a lot of my desire to explore. I still love to hear new music, but I’m basically 100% recommendation based at this point. I never browse platforms like Spotify. In theory, having all of recorded music available at once, for a monthly fee that’s less than what a single album cost 30 years ago, would be a feeling of abundance, of infinite possibilities. But the actual result is just being overwhelmed. Sifting through hundreds of thousands of tracks that aren’t quite doing it for me just sounds exhausting. So I don’t use it very much. I can’t remember the last time I actively searched for new music on it. And passive things like algorithmic suggestions and playlists have not filled the gap.
I also work in music, so I’m always suspicious of how much that colors my opinion. But I feel the same way about film these days. I used to really stay on top of movies and shows. Since the streaming model has taken over, I have that same overwhelmed, agitated feeling I get from the music platforms. Scrolling through all those films and shows, with their auto-playing trailers and automated recommendations, just makes me turn the tv off. So I rely entirely on recommendations here, too, and I have no desire to explore.
It’s been strange watching former hobbies and sources of joy turn into chores, or even things I actively avoid. I realize that a lot of people will feel the exact opposite here, though. I don’t think this is unanimous by any means. But this is how it has turned out for me, and it has made what I do for a living feel really strange.
Because I no longer enjoy these platforms very much as a user, releasing work has become increasingly dissonant. How do you make things for platforms you don’t personally enjoy? I’ve never had this issue before now. I liked buying albums. I liked going to record stores, where they had curated selections, and hunting for something that I wanted to take home with my very limited funds. So the idea of creating something that would be packaged as an album, that someone else might discover in a shop and decide to take home, was really motivating. It served as a mental model. And while I liked going to shows sometimes, they weren’t what made me want to write songs. I was all about records and the process of finding them. I cherished my tiny little collection, and the idea of being a part of someone else’s was really cool to me.
Watching a number occasionally go up on an app I personally try to avoid isn’t quite the same."
- Ben Cooper/Radical Face's blog entry Investment Strategies [x]
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