#photographer: jennie sullivan

[that-butch-archivist]

"Fire" by Jennie Sullivan, 1988

source: Nothing But the Girl: The Blatant Lesbian Image, edited by Susie Bright and Jill Posener

[jennisullivanphotographer]

Website: https://www.jennisullivanphotographer.com

Address: Essex, United Kingdom

Jenni Sullivan Photographer, based in Essex, UK, offers over 25 years of professional experience in capturing life's precious moments. Specializing in wedding photography, Jenni provides bespoke packages tailored to each couple's unique needs and budget. With a passion for creating art through candid shots and a commitment to capturing the beauty of every bride, Jenni ensures a memorable and stress-free experience for your special day.

Instagram: https://www.instagram.com/Jennisullivanphotography/

Linkedin: https://www.linkedin.com/in/jennimcfaull/

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[ulkaralakbarova]

Reunited after 15 years, famous chef Sasha and hometown musician Marcus feel the old sparks of attraction but struggle to adapt to each other’s worlds. Credits: TheMovieDb. Film Cast: Sasha: Ali Wong Marcus: Randall Park Keanu Reeves: Keanu Reeves Harry: James Saito Veronica: Michelle Buteau Jenny: Vivian Bang Brandon: Daniel Dae Kim Tony: Karan Soni Ginger: Charlyne Yi Judy: Susan Park Quasar: Tsutomu Shimura Chloe: Casey Wilson 12 Year Old Sasha: Miya Cech 12 Year Old Marcus: Emerson Min 14/16 Year Old Sasha: Ashley Liao 14/16 Year Old Marcus: Jackson Geach 16 Year Old Veronica: Anaiyah Bernier Mr. Tran: Raymond Ma Mrs. Tran: Peggy Lu Barry: Simon Chin Denise: Panta Mosleh Kathy: Karen Holness Fast Food Cashier: Steven E. Rudy Paparazzi #1: Eddie Flake Paparazzi #2: Brian Cook PFA Doorman: Chris Hlozek Photographer: Neil Webb Southie’s Bartender: Nevin Burkholder Reporter: Sonia Beeksma Saintly Fare Host: JayR Tinaco Marty (Suits ‘n Stuff Salesman): Sean Amsing Server #1: Latonya Williams Server #2: Marco Soriano Simon (Tom Ford Salesman): Oliver Rice Waiter: Jason Canela Goat Guy: Peter New Coat Check Person: Byron Noble Another Reporter: Tyler McConachie Kitchen Worker (Enrique): Emilio Merritt Uber Driver: Jagen Johnson Uber Passenger: Yaroslav Poverlo Food and Wine Presenter: Ellen Ewusie Dim Sum Worker #1: Yue Lan Zheng Dim Sum Worker #: Tana Yu Dim Sum Worker #3: Rachelle Yu Dim Sum Worker #4: Chi Ying Cheng Dim Sum Worker #5: Xiao Qing Li “High Society” Lead Singer: Chelsea D.E. Johnson “High Society” Band: Kenan Zeigler-Sungur “High Society” Band: Adam Farnsworth-Lautsch “High Society” Band: Ashton Sweet Omar: Omar Khan Sous Chef: Juno Kim Maximal Patron: Kipp Glass Ramona (uncredited): Maddie Dixon-Poirier Elegant Guest (uncredited): Marcella Bragio Server (uncredited): Johnny Walkr Jr. …: Esther K. Chae Film Crew: Producer: Erin Westerman Director: Nahnatchka Khan Co-Producer: Michael Golamco Producer: Nathan Kahane Producer: Randall Park Producer: Ali Wong Editor: Lee Haxall Casting: Rich Delia Director of Photography: Tim Suhrstedt Costume Design: Leesa Evans Unit Production Manager: Brendan Ferguson Music Editor: Andrew Silver Sound Mixer: Mark Noda Art Direction: Cheryl Marion Music Supervisor: Trygge Toven Original Music Composer: Michael Andrews Stunt Double: Jackson Spidell Executive Producer: John Powers Middleton Production Design: Richard Toyon Music Supervisor: Toko Nagata Co-Producer: Brady Fujikawa Production Manager: Adrienne Sol First Assistant Director: Matt Rebenkoff Second Assistant Director: Lorie Gibson Stunt Coordinator: Dan Shea Associate Producer: Joanne Byon Assistant Art Director: Cherie Kroll Supervising Sound Editor: Becky Sullivan Set Designer: Angela O’Sullivan Set Designer: Austin Chuqiao Wang Set Decoration: Elizabeth Wilcox Assistant Set Decoration: Michael A. Billings Script Supervisor: Kristin Rapinchuk Music Editor: Ryan Castle Sound Re-Recording Mixer: Mark Paterson Sound Re-Recording Mixer: Jeremy Peirson Costume Supervisor: Janice MacIsaac Assistant Costume Designer: Kelsey Champion Makeup Department Head: Naomi Bakstad Makeup Artist: Megan Harkness Assistant Makeup Artist: Danielle Fowler Assistant Makeup Artist: Tanya Hudson Hair Department Head: Anne Carroll Visual Effects Producer: Guy Botham Visual Effects Producer: Rebecca West Visual Effects Supervisor: Jiwoong Kim Visual Effects Supervisor: Ricardo Marmolejo Visual Effects Supervisor: David Lebensfeld Visual Effects Supervisor: Grant Miller Visual Effects Producer: Matthew Poliquin Visual Effects Producer: Evan Davies Set Decoration Buyer: Audra Neil Movie Reviews:

[thelenazavaroniarchive]

4th June 2024.

𝐓𝐮𝐞𝐬𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧 𝟏𝟗𝟕𝟒. Lena sang and was interviewed by Johnny Carson on The Tonight Show, she sang Ma!… and End Of The World.

Host, Johnny Carson, American Comedian, Joan Rivers, Actor George Peppard, American Entertainer Tom Sullivan, Orchestra conductor Doc Severinsen.

𝐓𝐮𝐞𝐬𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧 𝟏𝟗𝟕𝟒. Mark Sullivan photographed Lena while she was being interviewed at The Beverley Hills Hotel.

𝐅𝐫𝐢𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧 𝟏𝟗𝟕𝟔. Lena appeared on Des O'Connor Entertains, ITV 9.00 pm. She sang Some Of These Days, and took part in a sketch with Des. The Show was repeated on 3rd September 1977.

Also on the show were; Joan Sanderson. Martin Dale. Jenny Lee-wright. Eli Woods. John Vyvyan. Felix Bowness. Dash’s Chimpanzees ( as in P G Tips adverts). Jack Parnell and his Orchestra.

𝐅𝐫𝐢𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧 𝟏𝟗𝟕𝟔. Bandphoto issued a publicity photograph for Des O'Connor Entertains.

𝐅𝐫𝐢𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧 𝟏𝟗𝟕𝟔. The Daily Mirror reviewer didn't like child stars but acknowledged that Lena was different.

𝐅𝐫𝐢𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧 𝟏𝟗𝟕𝟔. The Cheshire Observer mentioned Lena.

𝐅𝐫𝐢𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧 𝟏𝟗𝟕𝟔. The Glasgow Herald also mentioned the show.

𝐌𝐨𝐧𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧𝐞 𝟏𝟗𝟕𝟗. As well as railway timetables, There was a special Royal Mail Postmark to promote her summer show in Bridlington, this one dated 4th June.

𝐖𝐞𝐝𝐧𝐞𝐬𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧 𝟏𝟗𝟖𝟎. Lena series 1, episode 6. was broadcast on BBC 1, 8.30pm - 9.00 pm. Her guests were The Nolans and Les Dawson.

When Lena is sat on Les’s knee they are wearing radio microphones and if you look at her top you can just see hers. Unlike today, the battery packs were hidden somewhere in her clothing, and if that was not practical they would tape it to her thigh. A sound technician remembers this on the Tech-op site, also mentioning that when Lena questioned their presence, her chaperone brushed it off with "…they’ve seen it all in their line of work and think nothing of it!…”

𝐓𝐡𝐮𝐫𝐬𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧𝐞 𝟏𝟗𝟖𝟕. In the Surrey - Hants Star, the Lakeside Country Club advertised Lena’s shows on the 5th and 6th.

𝐅𝐫𝐢𝐝𝐚𝐲 𝟒𝐭𝐡 𝐉𝐮𝐧𝐞 𝟏𝟗𝟗𝟗. To coincide with Bonnie Langford appearing at The Embassy Centre, The Skegness Standard published an interview with her.

[castle-dominion]

c4x14 the blue butterfly THIS EPISODE IS SO GOOD I WAS SO HAPPY THE FIRST TIME I WATCHED IT & I WATCHED THE AUDIO COMMENTARY & NOW I GET TO LIVEBLOG IT IDK IF I'LL BE ABLE TO GET THROUGH THE EPISODE TODAY BC IT IS THAT GOOD I WILL HAVE TO PAUSE IT AFTER EVERY LINE I SWEAR

Starting off sexy af, love the music love the costuming (even tho 40s colours were not ideal) love the singing love TJ/LP/BS love everything about this ugh I am dying & I have played maybe five seconds of the episode Ugh the way they talk mmmm I remember when I first watched casablanca & then it was ages until I had the chance to see double indemnity (which actually takes place 10y before this but shush) & heck the way we start off in the middle with castle/JF doing the investigation mmmmjsfhkjhdsjfs it's just sooo good so good so good. "I'm lookin at her" hhhh their eyes meet across the bar aaaaah this is so good.

You know before they flashed forward I thought this might have just been an AU.

Love this fellow's outfit she's so new york. Is ship coming in a figure of speech? We've heard it before. Does it just mean they are coming into money or getting something good like a job promotion? JE: Well, if you can remember anything else, can you please give me a call? SRO manager: Don’t hold your breath, hot shot. *walks out* KR: I think she likes you.

Banks: [we last spoke] Two months ago, which is crazy, ‘cause there was a time we couldn’t go two hours without talking. Glad s2 rysposito aren't here bc espt would make fun of ryan for calling jenny sm. Maybe he was an entomologist. Yo stan owes someone A Lot of money

KR: Just a bunch of books about mobsters and Manhattan in the ‘40s. Castle should read them. he'd probs enjoy them & he's a speedreader too. Ooh the diary! RC: Uh, this diary in Stan’s stuff, it’s also from the ‘40s. It sounds like it belonged to a private eye. Listen to this. “Usually wives turn on the waterworks when shown pictures of their husbands stepping out, but not this dame. She wanted payback. So what’s worse, that I pitched woo with a client, or that I invoiced her for services rendered after?” espt sounds so good when he uses the term "right on" I like it RC: Um, Beckett? Can I take this home for the night? I mean, it might be the key to what Stan was looking for. KB: You just want to read it because you think it’s cool. RC: Yeah, well, that, too. KB: Okay, just so long as…you… [Castle is already walking off with it.] KB: Bring it back in the morning.

Mmm music, old diaries, this is so good. I love the transition bc I could hardly tell what with the VO & the bourbon. Joe Flynn/Rick Castle: So, I figured I’d kill two birds with one stone with a little hair of the dog that bit me. What does that mean?

Oh Martha/Florence Kennard I love! Ugh the outfit the coat the accents & vernacular mmm! The way the characters have a bit of their counterparts in them is so good. Kennard is just enough like martha & susan sullivan can play her so well

How did you know it would change your life? When are you writing this diary? Is it the evening after today or is it days later or what? After the case entirely? Picture of map of manhattan in the 40s. Oh that accent is... something. Gosh alexis is a baby how is she a married woman? hhhhh I can't say everything I love abt it "my shingle" Was her name really vera mulqueen? Was sally's maiden name sally mulqueen? *dabs her eyes* $15 in 1940 is worth $325.85 today or at the time, what 2012? $245.99 in 2012. That much a day plus expenses, hoo that's a lot Ugh the costumes, the acting, the preproduction... JF/RC: Looking at that photograph, all I could think was… Me: Hot dang? JF/RC: what a beautiful doll.

Ugh the scenes of the city jjghhjkfhghg

I KNOW THAT GUY HE IS MR SCOFFIELD I THINK, FORSHADOWING OMG Satchmo Besty Sinclair <3 ugh she sings so well. & I love this music & I love dancing but I do better with big band music I think. I would loooove to dance there. Shrapnel in my hip? From ww2? Well I love how we get to learn about So Much of the character but it is only mentioned in passing. He is such a big character but we only get these little pieces of him & it was just one mention of shrapnel but it tells us a lot about his character. She's pretty af! & you can see dempsey there in the background. gorillas lmao is that what you called your henchmen back then? You got it boss. RC/JF (V.O.): What was I thinking? This dame was trouble on two legs. I kept telling myself to look away. [A tough-looking man steps up next to Beckett/Vera.] RC/JF (V.O.): She was with Tom Dempsey, for crying out loud – the most ruthless mob boss New York has ever given birth to. [Beckett/Vera kisses Dempsey on the cheek.] Ooh his outfit! RC/JF (V.O.): Dempsey sent over two of his gorillas – an Irishman and a Cuban on loan from some Havana mob family. You can loan henchworkers? [Ryan/irishman and Esposito/cuban tough-walk over to Castle at the bar.] Esposito looks almost normal but ryan looks way out there. KR/Moxie: The boss wants to see you, boy-o. Ooh that accent tho. (my canadian ass first thought "newfie" lol but they say bo'y not bowy or they even say b'y) RC/JF: Sorry, boys. My dance card’s full. JE/Cuban: This isn’t a request, compadre. *shows his gun* That accent too They get to have fun & play other characters. But the characters are not too far off. Their ties too btw, wowie

& the music! Audio mirroring! RC/JF: The waiter? I’ll take a whiskey. The boys here can share a sloe gin fizz. LMAO Great fight scene! Going to clip that for sure! Words cannot describe how I feel about this. (noo not the kitchen! ugh the way he picks him up) & ngl that booty as he throws him into the alley? Nice.

RC, probably not what JF actually said: You should see what my face did to the other guy’s fist. Vera/KB is wearing the fur over her neck entirely. Covering up the goods. Que passando? I speak french not spanish but is that "what's going on?" like "what has passed?" Doesn't put the tapped R before the D, yeah lol. Ah finally revelas the necklace!

Woah that was kind of jarring to jump back to present day but heck yeah! RC: The Blue Butterfly. It’s a necklace. That’s why Stan Banks was killed. Why am I narrating? Because you were just imagining this guy's day while reading his narration & bc it's what hot girls do. u never talk to yourself? ig it is different from narrating...

OMG WHAT A SEXY INTRO THERE

Ok so what I know from acting is from the moment you hit the set you need to use your accent, you cannot just slip it on & off easy so filming the ryan parts & the henchone parts must have been, well, something. Gosh I can't believe we only get one audio commentary of this ep. I want more, more I say! Also I like ryan's patterned red tie & red vest but that striped shirt? The only reason it's ok is bc he is mostly covering it with the vest. It has red stripes. He has a lot of buttons on the sleeves of his jacket. American flag lapel pin today. With smth else ig. Ooh blue diamonds. I miss when blue diamonds were sexy & white diamonds were just there. RC: *passes his papers to ryan* KR: *shows it to Beckett as if castle didn't already hold em up for her to see*

RC: Turns out the Blue Butterfly disappeared sometime in the ‘40s, and rumor has it, it’s hidden somewhere in The Pennybaker Club. If he found it…a million dollar-necklace? Talk about motive for murder. By the way, Ryan, say “boy-o.” [meaning he really was imagining these people in these positions] KR: *looks up from the papers castle gave him* Boy-o. RC: “Boy-ohhh.” KR: Boy-o. RC: “Boy-o.” KR: Boy-o. RC, accented: “Boy-o.” KR: Boy—O. ??? *looks to beckett* [they go back to talking about the case & rick doesn't get nazi gold but SS officer diamonds which is the same thing. Cursed necklaces? stealing stuff from nazis? mob bosses? this is right up castle's alley.] KB: Okay, Ryan, you see if you can get a hold of the bookie. Castle and I will go back to the crime scene. KR: Okay. RC: Boy-o' KR: Boy-o RC: Boy-o' KR: Boy-O RC: Like a leprechaun. KR, with an angry "ew" face: Castle! RC: Sorry.

RC: Can you blame the guy? I mean, she was gorgeous. Castle how do you know? You are reading it not seeing it. You are imagining beckett there. I was too caught up in the story to think about the "animosity back home" they kept saying Castle is so right. Minor hidden safe, very hidden secret safe. I love how castle insists on telling the story to get to the part abt the safe. RC: Well, people didn’t waste time back in the ‘40s

Oh gosh look at her dress... lmao the transition

KB: Did you just say, “Kate”? Are you picturing the P.I. as you, and me as the gangster’s moll? RC: What? No. And I didn’t say “Kate”. I said “Fate”. “Fate’s heart quickened.” I was being poetic. (chuckles nervously) God. Anyway, as I was saying, they were just about to kiss when… Why not just read from the diary & say the PI was being poetic? Maybe she would read it & call him out tho. Or ig he was reciting from memory

Oh I love the collar on Esposito/Cuban Henchone rn! Raises his fists like that lol & then Besty/Lanie saves the day & gosh that is a good kiss. "mixed laundry" XP Betsie/Lanie almost sounds normal lol

Two Brunos? Interesting word. Well they are not here right now actually so...??? So you became the girl of a mob boss to wear his jewelry? That's it? That's the reason?

KB & me: WHAT DO YOU MEAN THAT'S IT? I'M NOT ONLY INTERESTED IN THE SAFE I'M ALSO INTERESTED IN THE STORY. btw I like her coat with that red scarf it's v pretty. KB: Well, why would you tell a story when you don’t know the ending? RC: If you wanted a beginning and a middle and an end, I have 27 novels you can choose from. XD

Ray Horton: Stan? And who— who killed him? KR: JE: RH: Me? Why would I kill my business partner? 10g for a diary?

RC: So, I traced the diary. Stan did his research. He purchased it from the granddaughter of Joe’s old secretary, a woman by the name of Ruth Huntsacker. Ah that's where the diary came from KB: Look, Castle, I admit that Joe and Vera’s story is fun and romantic, but whatever happened back in 1947 has nothing to do with who murdered Stan. RC: Uh… (chuckles) I’m not so sure about that. Our bookie alibied out. But ballistics came in, and we got a match. The .38 caliber revolver that killed Stan was used in an unsolved double homicide…in 1947. WOAH NOW THIS IS GOOD. This is so so sexy. Ok so vera mulqueen is her name so sally scoville probably made that mistake when meeting joe flynn on purpose.

RC: Murdered. That’s too bad. I really thought those two crazy kids were gonna make it. KB: Yeah, not exactly the ending I was hoping for. RC: I didn’t even know ballistics went back that far. Me, who watches murdoch mysteries: Oh ho ho! The man also invented blood types & fingerprints & tape & silly putty & (he didn't actually invent any of this he's a fictional character) KB: You know what? I bet you Dempsey caught the two of them trying to run away together, and he killed them. But how does Stan’s killer get Dempsey’s gun sixty years later? KR: Unless Dempsey killed Stan. He’d be, what, like 90 years old? But it’s still possible. RC: Couldn’t have been Dempsey. He died of a heart attack four months after Joe and Vera were killed. KR: Ah. RC: Still…we should dig up that 1947 police report. There could be something in there about the gun that could shed some light on Stan’s murder. KR, resigned: All right. I’ll go to the warehouse and I’ll pull up the old case files. RC: Oh, wai- oh, uh…I want to go. KR: ? *looks to becks* KB: *shrugs* KR: Uh…okay. RC: Can I drive? KR: I don’t care. RC: OwO!!! Espt always make ryan take passenger & beckett never lets castle drive so this is fun. But is it a police car or a personal one? bc castle is probs not allowed to drive if it is a police car.

Belasco is pretty for an old guy. Watercrafter lookin dude.

Someone else accessed your police files? Nice location u got here. Different place to film in. RC: Damn it, Joe. You old sap. Dizzy with a dame and got yourself cooked. KR: So, Mr Bogart, what exactly are we looking for here?

CB: Of course not. When I asked to see the alleged diary, he refused, and yet, he wanted access to all my research on The Pennybaker Club. I mean, really, the whole thing was absurd. Yeah that is kind of rude...

Esposito's hair is... interesting. Short but long enough that he brushes it & parts it.

KR: It feels like we’re looking for a needle in a haystack, except for, we can’t find the haystack. RC: Who needs a haystack when the needle is right here? Wait I just realized-- where did they get that previous photo of tom dempsey?? Wait nvm it was in castle's internet search along with the initial photo of the blue butterfly

Love the transitions "Hatchet men" lol Doyle, my nova scotian uncle has that last name. Lots of scottish & irish immigrants there obv. It's like newfoundland but less intense. Then PEI is like nova scotia #2. RC/JF: So every clover-loving Irishman worth his salt will be huddled around a radio tonight, cheering good ol’ Jimmy on. You’re gonna wait till a rousing part of the fight. Then you’re gonna excuse yourself. Whoever’s assigned to be watching you surely won’t be paying much attention. That’s when you slip right out the back door, where I’ll be waiting for you. that's way too easy. No way theyre going to let that happen But hey they are both so good looking. JF/RC: Look at me. I’m a new man. I’m a better man. I haven’t even had a drink since I met Vera, Girl it's been like a week. Then again for someone who consistently drank himself to sleep in his office, maybe this is a miracle. What if she doesn't have a sister HA I WAS RIGHT

KR, with his cheek in his hand, listening: What happens next? [btw I like his wedding ring, it's rly pretty. & also I love seeing it, he is In Love.] RC: I don’t know. That’s the end of the statement. KR: But if Sally wasn’t Vera’s sister, then who was she? [I love how castle is getting everyone invested in this story] RC: Sally set up the P.I. It’s a classic film noir twist. KR: But whhhy? RC: I don’t know. :D KR: What was Sally up to? [Ryan he only knows as much as you do! He may be a writer but you are a detective] RC: I don’t know. :D KR: Do you think she was connected to Dempsey? *takes the file* RC: I don’t know, :D but isn’t this great? KR: KR: *double take from castle to the file to castle*

YESS THE ADVENT OF WEST SIDE WALLY At least espt excuses himself before taking the call. That's the polite thing to do. Becks sharing the file with some other detective there. the little things make the show

Man has a wedding ring... WOAH TOM DEMPSEY Nice outfit! the makeup team possibly could have done a bit more to make him look related to tom dempsey not genetically identical to him imo but whatever that's just me Wait no maybe they did do enough about it I think. it's good.

So how do you know his real name was stan? Pillar in the community...? Oh guest book at betsy's funeral, that's how he figured it out. TD: No, I did not—I did not shoot him. Stan—Wait. Stan did find it? KB: Come on. You tell us. TD: I don’t know. I was not there! "was not" rather than "wasn't" I like it

Ok espt what are you wearing? Today you are wearing a dress shirt & a tie which is nice (if different from your frequent pyjama look) but grey on grey with THOSE greys does not work bud.

Ah good grammar <3 Jerry Maddox was the old bartender??? (But ik how this goes, why would he sign his name that way in the guest book?) JE: Good job, Castle. RC, like a puppy: Yeah? JE: .. Yeah.

The med guy calls him jerry too. I see. Aw she offers homemade soup <3 Beautiful blue eyes on this man, love the old music too. JM: but I was just a bartender back then What did you become later then?

Ooh interesting, he says: Of course. It was a big deal back then. Dempsey, the fella that owned the club, shot them in cold blood. So confirming the story But then when rick asks: The same year, do you remember a woman named Sally Scofield? She was a redhead. In 1947, she would’ve been about 18. JM looks really confused like he doesn't know her. Which would make sense for Jerry Maddox, but he looks overly confused bc he is JF trying not to reveal that he, well, you know.

Gina? Ooh different person narrating! Except... not really a different person narrating ; ) Drops the pretty girl for a new, younger, pretty girl. Ew. Then again she was there bc she wanted to wear his bling RC: & Sally? JM: Couple months after, uh, Vera and that P.I. got whacked, Dempsey died of a heart attack. RC: (yea I asked abt sally bro) JM: The evening of his funeral, in walks Sally, all dressed up. Ordered a whiskey neat, slammed it back, gave me a big ol’ crocodile grin, said she was free. Then she strutted on out the door, and that’s the last time I ever saw her. Interesting claim... it's a revenge story. It would be SO good from the other point of view, you're in the hold of a mobster & then he dumps your mom for the younger prettier thing & mum kills herself with pills bc this pretty girl wanted bling & your mob daddy wanted a pretty girl so you kill the pretty girl & probably kill the mobster too? That would be good except we know it didn't happen like that & it ends up a tragedy. RC: Somehow she used the P.I. to do it. JM: >:(

KR, pink shirt no tie, cute af as usual: So…West Side Wally. May I call you Wally? WSW: I prefer West Side. I LOVE HIM SM WSW: Whoa. Cagney and Lacey, [XD] you can stop right there. I wasn’t living in the club two days ago. I had already gotten bought out by the other guy. [but u leave your sleeping bag & stuff?] KR: Bought out? JE: By the other guy? yeah babes that's what he said. I love west side, he's great.

No he cannot do his show from prison b'y Oh & again he looks good he has nice style too. Bull whip. That's cool ig. lol so dramatic holding his hand as he says stan was holding the necklace Sure bestie.

Wasn't it so that she could kill vera or smth but dempsey did it for her so she ended up faking his heart attack instead & she killed the one who stole her mother's spot & the man who dumped her mom? Except wait why would maddox only see her in 1946? Maybe that's when he started idk. Do you trust what a man has to say abt shoes? Also there are many pairs of shoes, they could have both had those shoes... except then you said she'd be wearing heels. RC: Beckett, I just realizes something. KB: ? RC: "I Can't Give You Anything But Love." KB: ???? Ouh louis armstrong Satchmo! But listen maybe he played this club many times & that's why they BOTH fell in love with his music.

the fear on their faces when they get called by their old names <3 so good (sad)

He really really sounds like Castle's Joe Flynn when he says: Lady, you got it all wrong. WHOA THE MED AIDE? Huntsacker? His mom sold the diary. Her gramma was mrs kennard. He's back here after all this time. yk that's a good point. He is gently being a spy but then some other guy bullies them lol. But for how long were these two pretending to be the bartender? Frankie Benjamin Huntsacker the aide called him jerry earlier when the detectives came to talk.

"Bushwhack" lol

GASP THE BLUE BUTTERFLY Ugh the MUSIC tho! *casually touches it with his hands* How much of it was paste? Apparently the one they actually made was made of blue sapphires & they auctioned it off for charity. There are plenty of minerals that you can use in place of diamonds. Moissanite & white sapphires are both subs for diamonds. I'm sure blue sapphires can replace blue diamonds, except blue diamonds are typically not as coloured as a good quality blue sapphire.

Joe you said that any irishman worth his salt would be around the radio, not the cuban & mob boss too. I can't believe dempsey let her go but ig he was focussing on the fight. Hoo that leg The ice? Oh the bling, the diamonds Oof she just killed lenny! Yeah Sally was totally a victim! That's sooo cool they just ran away & burned the bodies & UGH THAT'S SO GOOD I'VE BEEN WANTING TO LEARN HOW TO LIGHT A MATCH ON MY THUMB FOR YEARS They probably lied tbh... You know, didn't want to get caught for a murder they did so many years ago, they did not struggle for the gun & have it accidentally go. Girl it is not up to YOU to decide. Tho I do like your decision. JF: We don't know how to thank you RC: I do Ok but here's the thing, how would they get by without the money they were going to get from this thing? Also hold on didn't this guy have a fake? The writer believes it was always a fake, castle believes it was switched out back in the 20s, Jerry & Viola (Joe & Vera) seem to think that they hid the BB but Frankie got his hands on a fake... idk I KNEW the brick would be a thing! Oh the music <3 RC/JF: Let the bastard spend the rest of his life not knowing his prized possession is right under his nose. Love <3 <3 <3 woah that dog! Tell them it was fake or tell them someone found it? The way he pulls her in like that <3 ALWAYS <3 <3 <3 How did they make it without the money from the BB tho? That's why they concocted this plan in the first place Weird ending but So Good I love it! ugh too good! Brilliant!

I am going to transcribe the audio commentary I swear.

this episode is one of my faves & I know I say that abt a lot but DANG this one was golden! So freaking good! So Freaking Good!

[yeswearemagazine]

Untitled © Jenni Sullivan aka Life Behind a Lens :

[sanityshorror]

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✔️Released

Splatterpunk

(extreme horror books)

The Man with the Scarred NecK [ebook and physical copies available] [rated: 18+ / SUITABLE FOR ADULTS ONLY]

Short Comics

LYNCH: Here's Killian! [18+]

Gravestone: December 23, 1898 [rated: 16+]

Short Stories

Reunion [rated 16+] Genres: drama, romance, horror; angst

One shot: 'but you love me' (Killian x Julius) [romance; 16+]

Forever Julius x Killian one shot [romance; rated PG]

Creepypasta

Julius the Dressmaker (formerly: The Dressmaker From Hell) [pg-13]

••Julius the Dressmaker narration by Slumber Reads (story #3, starts at 18:00)••

••Julius the Dressmaker - Spanish narration••

_______________________________________________

✖️Coming soon

Hellcrew:

The Dressmaker From Hell • [TBA] splatterpunk

Ain't No Saint • [TBD] splatterpunk

Paint the Walls Red • [TBD] splatterpunk

The Man with the Scarred Neck 2: Jenny • [TBD] splatterpunk

Hellbound • [release TBA] novel; drama-horror-romance-tragedy-crime

Shadow of Death • [release TBA] novel; drama-horror-romance-tragedy-crime

Legacy • [TBD] novel; drama-horror-romance-tragedy-crime

A Graphic Novel • [TBD] graphic novel; extreme horror

Not Hellcrew:

Sentinel Snuff • [TBD] splatterpunk

Sanctuary • [TBD] post apocalypse/horror/action

_______________________________________________

The Hellcrew Project •directory•

click read more to access

Julius the Dressmaker, Killian Lynch & the HellCrew

‼️the Hellcrew project is created for and intended for an adult audience‼️

HellCrew Character Ref art & info:

•{Julius Doherty/Julius the Dressmaker}• WIKI ARTICLE © @sanityshorror

•{Killian Lynch}• © @sanityshorror

•{Seraphina Shaw}• © @gracilissart

•{Seamus Wrynn the Photographer}• © @gracilissart

•{Kelly Duffy}• © @sanityshorror (art place holder)

•{Cian Lynch}• © @sanityshorror

•{Devlin Doherty}• © @scarfaxia

•{Lucien Delaney/Doctor Delaney/the psychiatrist}• © @scarfaxia

•{Octavian the Heartless}• © @sanityshorror

•{Sullivan Sweeney "Wigmaker"}• © @sanityshorror

•{Duvessa Doyle - preview }• © @sanityshorror

{Julius the Dressmaker}

Official Art:

Deadly Deception

Time to Make You Perfect: Take 3

Julius the Dressmaker 2023 character reference art

Some Pretty Sick Guys [ft Patrick Bateman]

Julius - Realistic Appearance (2024)

Happy Valentine's Day 2024!

Happy 149th Birthday, Julius!

HAPPY HALLOWEEN 2023

🎶 🔪🩸🔪 🎶Funky Town 🎶 🔪🩸🔪 🎶

God Mode

Follow Me into Hell

Should've Seen it Coming

Living Dead Boy

No Good Men in Heaven

Julius the Dressmaker: OG OUTFIT REVAMP

Going to Hell

Rotting in Vain

Complicit

Dead Bodies Everywhere

Julius the Dressmaker: Celebrating One Year!!

Forever Frozen in Time

Julius: 2023 (blinking GIF)

Julius and Killian's Return: 2023

Time to Make You Perfect [take 2]

Natural Born Killers

Popular Monster

Julius the Dressmaker From Hell +gif

Silent Night

Deceive

Reveal the Rot

Survive in the Chemicals

Blessed Be [1897]

♡♡Beautiful and Broken♡♡

Julius Digital Painting

Time to Make you Perfect [first Julius the Dressmaker illustration ever]

Hyper Realistic Julius (made with art breeder)

{Killian Lynch}

Bottle & A Gun

2023 reference art

{Killian x Julius} ♡ ♪⁠♪ we found love in a hopeless place ♪⁠♪ ♡

FROM Hell [2024 return art]

Lamb of God

Dangerous

Bad Company

"Bethany"

The Man with the Scarred Neck (official promo illustration)

Evil Never Dies

1895

Gangster's Paradise

Irredeemable (18+; EXTREME HORROR ART; MASSIVE CW)

Fan service (18+)

Trash

The man with the Scarred Neck (book announcement illustration)

The Couch (suggestive themes)

Hyper realistic Killian (made with artbreeder)

{Official Art of all other Hellcrew members created by Sanity}

[Truly Heartless] Octavian Doherty

Bubble Gum Bitch (Octavian Doherty)

Kelly Duffy 2023

Lazy Days (Cian x Devlin)

{Related Characters}

Claire Lynch (Killian's ex wife)

Rian Doherty (Julius's younger brother)

Annabella sketch(Julius's sister)

Emily (Octavians mother and julius's ex wife) sketch

HellCrew Canon Information:

PLEASE NOTE: please simply search my blog for posts or asks with #Julius the Dressmaker #Julius Dogerty #Killian Lynch for the majority of canon information. I have hundreds of posts and due to my url change, posts I forgot to add & many prior broken links due to Tumblr, it would take far too long to add all these links. If you have ANY questions, please send me an ask!!

Sketches/Unofficial Art/Old Art/Doodles/etc: link→ [x]

Julius's Official Tumblr: @juliusthedressmaker

Killian's official Tumblr: @killianlynch

Octavian's official Tumblr: @octaviandoherty

Kelly's official Tumblr: @kellyduffy

[sciencespies]

How Denim Became a Political Symbol of the 1960s

https://sciencespies.com/history/how-denim-became-a-political-symbol-of-the-1960s/

How Denim Became a Political Symbol of the 1960s

In the spring of 1965, demonstrators in Camden, Alabama, took to the streets in a series of marches to demand voting rights. Among the demonstrators were “seven or eight out-of-state ministers,” United Press International reported, adding that they wore the “blue denim ‘uniform’ of the civil rights movement over their clerical collars.”

Though most people today don’t associate blue denim with the struggle for black freedom, it played a significant role in the movement. For one thing, the historian Tanisha C. Ford has observed, “The realities of activism,” which could include hours of canvassing in rural areas, made it impractical to organize in one’s “Sunday best.” But denim was also symbolic. Whether in trouser form, overalls or skirts, it not only recalled the work clothes worn by African Americans during slavery and as sharecroppers, but also suggested solidarity with contemporary blue-collar workers and even equality between the sexes, since men and women alike could wear it.

To see how civil rights activists adopted denim, consider the photograph of Martin Luther King Jr. and Ralph Abernathy marching to protest segregation in Birmingham, Alabama, in 1963. Notably, they are wearing jeans. In America and beyond, people would embrace jeans to make defiant statements of their own.

The Rev. Drs. Ralph Abernathy and Martin Luther King Jr. in Birmingham, Alabama, en route to a protest on April 12, 1963.

(Charles Moore / Getty Images)

Scholars trace denim’s roots to 16th-century Nîmes, in the South of France, and Genoa, in northwestern Italy. Many historians suspect that the word “denim” derives from serge de Nîmes, referring to the tough fabric French mills were producing, and that “jeans” comes from the French word for Genoa (Gênes). In the United States, slaveowners in the 19th century clothed enslaved fieldworkers in these hardy fabrics; in the West, miners and other laborers started wearing jeans after a Nevada tailor named Jacob Davis created pants using duck cloth—a denimlike canvas material—purchased from the San Francisco businessman Levi Strauss. Davis produced some 200 pairs over the next 18 months—some in duck cloth, some in denim—and in 1873, the government granted a patent to Davis and Levi Strauss & Co. for the copper-riveted pants, which they sold in both blue denim and brown duck cloth. By the 1890s, Levi Strauss & Co. had established its most enduring style of pants: Levi’s 501 jeans.

Real-life cowboys wore denim, as did actors who played them, and after World War II denim leapt out of the sagebrush and into the big city, as immortalized in the 1953 film The Wild One. Marlon Brando plays Johnny Strabler, the leader of a troublemaking motorcycle gang, and wears blue jeans along with a black leather jacket and black leather boots. “Hey Johnny, what are you rebelling against?” someone asks. His reply: “Whaddaya got?”

In the 1960s, denim came to symbolize a different kind of rebelliousness. Black activists donned jeans and overalls to show that racial caste and black poverty were problems worth addressing. “It took Martin Luther King Jr.’s March on Washington to make [jeans] popular,” writes the art historian Caroline A. Jones. “It was here that civil rights activists were photographed wearing the poor sharecropper’s blue denim overalls to dramatize how little had been accomplished since Reconstruction.” White civil rights advocates followed. As the fashion writer Zoey Washington observes: “Youth activists, specifically members of the Student Nonviolent Coordinating Committee, used denim as an equalizer between the sexes and an identifier between social classes.”

But denim has never belonged to just one political persuasion. When the country music star Merle Haggard criticized hippies in his conservative anthem “Okie From Muskogee,” you bet he was often wearing denim. President Ronald Reagan was frequently photographed in denim during visits to his California ranch—the very picture of rugged individualism.

And blue jeans would have to rank high on the list of U.S. cultural exports. In November 1978, Levi Strauss & Co. began selling the first large-scale shipments of jeans behind the Iron Curtain, where the previously hard-to-obtain trousers were markers of status and liberation; East Berliners eagerly lined up to snag them. After the fall of the Berlin Wall, when Levis and other American jean brands became widely available in the USSR, many Soviets were gleeful. “A man hasn’t very much happy minutes in his life, but every happy moment remains in his memory for a long time,” a Moscow teacher named Larisa Popik wrote to Levi Strauss & Co. in 1991. “The buying of Levi’s 501 jeans is one of such moments in my life. I’m 24, but while wearing your jeans I feel myself like a 15-year-old schoolgirl.”

Back in the States, jeans kept pushing the limits. In the early 1990s, TLC, one of the best-selling girl groups of all time, barged into the boys’ club of hip-hop and R&B wearing oversized jeans. These “three little cute girls dressed like boys,” in the words of Rozonda “Chilli” Thomas, one of the group’s members, inspired women across the country to mimic the group’s style.

Curiously, jeans have continued to make waves in Eastern Europe. In the run-up to the 2006 presidential elections in Belarus, activists marched to protest what they characterized as a sham vote in support of an autocratic government. After police seized the opposition’s flags at a pre-election rally, one protester tied a denim shirt to a stick, creating a makeshift flag and giving rise to the movement’s eventual name: the “Jeans Revolution.”

The youth organization Zubr urged followers: “Come out in the streets of your cities and towns in jeans! Let’s show that we are many!” The movement didn’t topple the government, but it illustrated that this everyday garment can still be revolutionary.

Why the dye that would put the blue in jeans was banned when it reached the West —Ted Scheinman

Fabrics soaked with indigo dye in Dali, Yunnan Province, China. “No color has been prized so highly or for so long,” Catherine E. McKinley writes.

(Alamy)

It might seem odd to outlaw a pigment, but that’s what European monarchs did in a strangely zealous campaign against indigo. The ancient blue dye, extracted in an elaborate process from the leaves of the bushy legume Indigofera tinctoria, was first shipped to Europe from India and Java in the 16th century.

To many Europeans, using the dye seemed unpleasant. “The fermenting process yielded a putrid stench not unlike that of a decaying body,” James Sullivan notes in his book Jeans. Unlike other dyes, indigo turns cloth vivid blue only after the dyed fabric has been in contact with air for several minutes, a mysterious delay that some found unsettling.

Plus, indigo represented a threat to European textile merchants who had heavily invested in woad, a homegrown source of blue dye. They played on anxieties about the import in a “deliberate smear campaign,” Jenny Balfour-Paul writes in her history of indigo. Weavers were told it would damage their cloth. A Dutch superstition held that any man who touched the plant would become impotent.

Governments got the message. Germany banned “the devil’s dye” (Teufelsfarbe) for more than 100 years beginning in 1577, while England banned it from 1581 to 1660. In France in 1598, King Henry IV favored woad producers by banning the import of indigo, and in 1609 decreed that anyone using the dye would be executed.

Still, the dye’s resistance to running and fading couldn’t be denied, and by the 18th century it was all the rage in Europe. It would be overtaken by synthetic indigo, developed by the German chemist Johann Friedrich Wilhelm Adolf von Baeyer—a discovery so far-reaching it was awarded a Nobel Prize in 1905.

#History

[blueberry-hedonist]

Model: Jenny O Sullivan Photographer: Nicola Grimshaw Mitchell

[dannystylez1]

#Repost @the.louscious • • • • • • New York, New York Welcoming 2021 like this ✨ A sneak preview for the upcoming JANUARY ISSUE of LOUSCIOUS HOMME - Kiss The Stars ✨ Photographer: Jason Mickle @jasonmicklephoto Featured Designer: Michael Sui @panda7inc Model: Matthew Sinnaeve @matthewsinnaeve Stylist: Danny Williams @dannystylez1 Hair: Madison Sullivan @madisonsullivanhair Makeup: Jenni Shaw for WLGYL makeup @jennishawmakeup #louscioushomme #mensfashionteam #fashionmagazine (at New York, New York) https://www.instagram.com/p/CJeAqUAMVIu/?igshid=1klw031hhqhcb

[tvdas]

“Meeting the Beatles in India” has filmmaker Paul Saltzman recounting the week he spent hanging with the Beatles under the tutelage of Maharishi Mahesh Yogi during their famous sojourn to the ashram in 1968. Saltzman has a tale to tell in having been nearly the only non-entourage member along for the enlightenment alongside the Beatles during that legendary spiritual/media event. By virtue of the camera in his backpack, he also ended up being a house photographer, though he forgot about the wealth of stills in his basement for several decades, maybe offering proof that there’s such a thing as too much meditation.

It’s all good reason enough for Saltzman to turn the camera on himself and a few choice expert witnesses here, even if none of the anecdotes or insights are especially profound. As a documentarian, he’s not so interested in exploring the cultural ripple effect of the Beatles’ mid-’60s mysticism as he is in offering recollections of what cool ommm-buds-men the Beatles were, all in the service of drawing us into what’s ultimately a good-natured advert for transcendental meditation.

Morgan Freeman is the ostensible narrator, but the real bulk of the voiceover (and eventual on-camera presence) belongs to Saltzman, a former Canadian broadcaster who genially speaks in slow, measured tones. In 1968, he was a broken-hearted kid who heard an inner voice telling him not to sweat the material world, so he went to India, and ended up being just about the only student on hand for the Maharishi’s instruction, outside of the Apple corps. His convert’s enthusiasm and lack of Beatles worship soon made him a welcome guest at the Beatles’ table, and the recipient of a private sitar concert by George, and a photo-snapping witness as John and Paul sat on a porch in their white outfits and worked out the chorus of “Ob-la-di, Ob-la-da,” which had no other words at the time.

Saltzman has conversations with a few guest stars, including another TM evangelist, David Lynch, who served as an executive producer and is mostly on hand to preach the joys of inner peace in a way completely unbefitting one of the great horror directors of all time. The foremost record-keeper of Beatles history, Mark Lewisohn, accompanies Saltzman on a nostalgic trip back to India. There will probably be no moment of greater bemused interest to hardcore Beatles fans (and befuddlement to everyone else) than the exchange in which Saltzman says he was told the group members wrote 42 songs during their time in India and Lewisohn gently affirms it was really only 30. The filmmaker meets up again with a fellow traveler from the ’68 trip, Pattie Boyd, Harrison’s ex-wife, who is particularly delighted when he tells her he’s tracked down the real “Bungalow Bill,” Richard Cooke III, who was there with his mother, Nancy Cooke de Herrera, a publicist for Maharishi at the time. Maharishi had assigned Nancy to look after the Beatles during the course. The real-life hunter, who ticked off Lennon by bragging about just having killed a tiger — thus inspiring one of the more acidic songs on the White Album, declares that he never picked up a gun again after that trip and subsequently became a conservationist.

Little tidbits like that keep interest going, and who doesn’t want to be reminded that Lennon had a way with one-liners, or that Harrison and McCartney could be mensches? (Ringo Starr doesn’t come up for discussion much, and if you either hoped or feared that fellow ashram attendant and major TM advocate Mike Love would be reminisced about, rest assured he is not.) When it comes to exploring the real benefits of TM, the talk gets vague, as discussions of mysticism will.

The Maharishi is portrayed only in a positive light, although there’s a passing reference to the nasty song Lennon wrote about him immediately after the sojourn, “Sexy Sadie,” before Saltzman fleetingly addresses the still hot-button topic of why some of the group members fell out with the guru, which had to do with the Maharishi allegedly making moves on women in the compound. The apologia offered by Saltzman and Lewisohn is that a peripheral figure in the Beatles’ entourage, “Magic Alex,” spread false stories, though the figure in question told a very different accounting of the fallout (and sued the New York Times over a description similar to the one offered here) before he died in 2017.

The waters that “Meeting the Beatles in India” wades through on the way to celebrating spiritual enlightenment don’t run much deeper than the famously wide Ganges, as the nature and results of TM-induced contentment remain something we still have to take the filmmaker’s word for, and the bigger picture of how the Beatles’ Eastern tilt affected Western civilization remains a topic for a teller who maybe wasn’t so close to his subject. Even so, there’s some fan value here, all spiritual quests aside, in seeing how accepting the individual Beatles could be of someone they could have taken as an interloper in their lofty midst. Maybe that’s the revelation, then: Sweet, the Beatles. COMMENT: Ken Chawkin: I saw the film tonight and enjoyed it. I stayed online for the Q&A that followed with director Paul Saltzman and surprise guest Richard “Rikki” Cooke III, aka, Bungalow Bill. One of the questions asked was why the Beatles left the ashram, and did it have something to do with Maharishi supposedly making a pass at one of the female course participants. That story was a fabrication created by a jealous Magic Alex to draw John Lennon out of there. But Cooke had another explanation, and it had nothing to do with Alex, although he said Alex stirred up a lot of trouble while he was there. 

I had also read about this explanation in a book years ago. The Beatles had told Maharishi of their desire to make a documentary film about him and his message of TM to help create world peace. Maharishi was amenable, and they were excited to do it. Unfortunately, Charlie Lutes, the leader of the TM movement at that time, had already signed a deal with Four Star Productions, and they had dispatched a film crew to Rishikesh, India. Cooke said when the Beatles found out, they were disappointed, upset, and decided to leave. Rikki said he saw them walk out the north gate at the same time the film crew were coming in through the south gate. He said it was an unfortunate misunderstanding. 

I had also heard that when John and George had gone to speak with Maharishi beforehand, most thought it was to ask about his making a pass at a girl. But the real reason may have been to verify the rumor of a Four Star film crew coming to make a documentary; if so, they would not want to be involved with it in any way, and would be leaving. With both John and George gone we may never know for sure, although it seems more plausible. Of course, John would write Sexy Sadie in retaliation. He had originally used Maharishi’s name, but George convinced him to change it to Sexy Sadie. Years later, George would visit Maharishi, with the help of Deepak Chopra, to apologize for John’s behavior at that time. Maharishi said he was not upset with John, regardless of what he had said, and that he loved them. Deepak had told Maharishi that when The Beatles had played on the Ed Sullivan Show, there were no crimes committed in America. When Maharishi heard that, he called them angels, and said he could never be mad at them. Chopra said that George broke down, and was emotionally relieved with that karmic burden now off his heart. In separate interviews, both Paul and George said there was no truth to those accusations about Maharishi, which they felt were unfortunate.

‘Meeting the Beatles in India’ Review: A Fellow Seeker’s Documentary Blends Fab-Four Lore and Gentle TM Proselytism Running time: 82 min.

Here’s an announcement about the film from the national TM Office of Communications with a message from the director. Here are a few film reviews: Cryptic Rock, NYS Music. Paul Saltzman’s website: https://thebeatlesinindia.com, and trailer.

Production: (Documentary) A Gathr Films release of a Sunrise Films Limited production. Producer: Paul Saltzman. Executive producers: Pen Densham, Walter Dilts, Lon Hall, David Lynch, Tom Schlesinger, Devani Saltzman, Stephen Whitehead.

Crew: Director, writer: Paul Saltzman. Camera: Stephen Chandler Whitehead. Editor: Amanda Kirpaul. Music: Russell Walker, Craig Pruess.

With: Paul Saltzman, Mark Lewisohn, Pattie Boyd, Jenny Boyd, Lewis Lapham, Laurence Rosenthal. Narrator: Morgan Freeman.

[popradar]

Weekend Planner: 20 Things to Do in L.A.

Here are 20 awesome events happening in L.A. this weekend...

FRIDAY, NOV. 3

EATALY (Food)

Eataly, the Italian marketplace with tasting rooms, finally opens its L.A. location at the Century City Mall to the public on Friday at 6 p.m. The 60,000+ square foot culinary destination features several restaurants serving up traditional Italian dishes; a marketplace for produce and quality ingredients used in Italian dishes; and Eataly’s La Scuola, which offers workshops on preparing the Italian dishes. 

BUY ART! SAVE KITTENS! (Fundraiser)

Kitty Bungalow Charm School for Wayward Cats holds a fundraiser this weekend at MorYork in Highland Park with 100% of proceeds from this sale go directly to medical care and food for our rescued street kittens. Participating artists include DabsMyla, Gary Baseman, Albert Reyes, Kellesimone Waits, Robbie Conal, Sam Kalda, CatGods and many others. In addition, there are other cat-related activities throughout the weekend, including Crafting with Kittens, Cocktails and Poetry Slam, Coffee with Kittens, a Holiday Bazaar and more. The show opens on Friday from 6-10 p.m., Saturday 11-7 p.m. and Sunday from 11-4 p.m. Free entry, but donations appreciated. 

20TH ARPA INTERNATIONAL FILM FESTIVAL (Film)

The Arpa International Film Festival runs Friday to Sunday at the Egyptian Theatre featuring Armenian and other international films “with a special focus on the work of filmmakers who explore the issues of diaspora, exile and multiculturalism.” It opens on Friday with Dalida, director Lisa Azuelos’ biopic of the Egyptian-born Italian singer who became France’s reigning pop star from the 1950s-80s. This year, the festival also features three films with an LGBTQ focus: Listen to Me: Untold Stories Beyond Hatred; Apricot Groves; and Pinksy. Tickets: $15. Passes: $60-$100. 

MEETING DEATH: CONVERSATIONS WITH MORTALITY (Film)

The Norton Simon Museum continues its film series Meeting Death: Conversations with Mortality. On Friday night, the museum screens Ernst Lubitsch’s Heaven Can Wait (1943) at 5:30 p.m., which stars Don Ameche as a playboy at the gates of hell and Gene Tierney. The film series is free with museum admission ($9-$12). Next week, the museum screens Ingmar Bergman’s The Seventh Seal (1957). 

JESSICA DALVA & DEIRDRE SULLIVAN-BEEMAN (Art shows)

La Luz de Jesus Gallery hosts an opening reception on Friday night from 8-11 p.m. for two solo shows. Jessica Dalva’s "Mess" features a mixture of sculptures, drawings and gouache paintings, which are a reaction to the current state of the world, and Deirdre Sullivan-Beeman’s work in "Girls, Girls, Girls” shows that the era of girls in now. 

Mur Murs (trailer, final) from Cinefamily on Vimeo.

MUR MURS (Film)

Metro Art continues its series L.A. Documentaries at Union Station on Friday with a screening of Mur Murs, a documentary by Agnès Varda that is a study of murals across Los Angeles. Doors at 7:15 p.m., and the screening starts at 8 p.m. in the station’s Historic Ticketing Hall. Seating is on a first-come, first-served basis. Free. 

A UNITED FOR PUERTO RICO BENEFIT (Music benefit)

On Friday at the Lodge Room, one of Highland Park’s newest venues (inside the Masonic Temple), Panache Booking holds LA United For Puerto Rico, a benefit to help bring clean water to victims of Hurricane Maria in Puerto Rico. Proceeds go to the Waves for Water nonprofit organization. The program includes performances by Ty Segall (solo acoustic), Bleached, Rodrigo Amarante, Mikal Cronin, King Tuff (solo), William Tyler, Shana Cleveland (La Luz), Shannon Lay and DJ sets from DJ Cren$haw and Permanent Records. 7 p.m. All ages. Tickets: $20. 

WHO’S AT FAULT (Comedy)

Geoff Keith’s Who’s at Fault is at The Westside Comedy Theater on Friday at 11:30 p.m. The show’s premise is that in failed relationships, most won’t admit fault, so why not have an ex-couple plead their case in a comedic setting in front of a live audience? Keith serves as the host and judge as comedians KT Tatara and Feraz Ozel play lawyers and the audience gets involved, too. Tickets: $10.

SATURDAY, NOV. 4

K-TOWN: EXPLORING WILSHIRE BOULEVARD (Tour)

The L.A. Conservancy hosts a day-long exploration of Koreatown’s Wilshire Boulevard on Saturday. L.A.’s K-Town: Exploring Wilshire Boulevard is a self-paced tour that features 20 historic sites along Wilshire, with Conservancy docents on hand at the sites to share architectural, historical and cultural information. Participants get access to more than half a dozen interiors, including some that have been closed to the public for years. The day begins with an opening talk at 10 a.m. at the Wiltern, and the sites close at 4:30 p.m. Tickets: $40 for the general public; $30 for Conservancy members and Koreatown residents and community members; $20 for youth 17 and under. There are other Conservancy events focused on K-Town throughout the weekend, too.

BUNNIE REISS: SPACE ANGELS (Art)

Superchief LA presents Space Angels, a solo show from multimedia artist Bunnie Reiss. The exhibition features more than two dozen new painting, sculptures, installations, quilts and more in an exploration of a new fantastical universe. The opening reception is on Saturday from 6-11 p.m., with the exhibition running through Dec. 2. 

OK GO (Music)

CAP UCLA presents OK Go in a live scored video performance on Saturday at Royce Hall on the UCLA campus. They’ll perform live as their career-spanning videos are screened. 8 p.m. Tickets: $29-$69. 

PEACE (Art exhibition)

Peace is an art show that opens at Subliminal Projects on Saturday. The exhibition features never before seen photographs by Jim Marshall, with contributions by Shepard Fairey a select group of emerging artists. Marshall’s work captures the use of the peace symbol in America between 1961-69, and the invited emerging artists submitted works inspired by the peace symbol and Marshall’s photographs on Instagram, under the hashtag #PeaceSPExhibit. The works remain on view through Dec. 9. Opening reception is from 8-11 p.m. on Saturday night. 

WRDSMTH (Art)

Writer turned street artist Wrdsmith, known for his typewriter image with slogans, holds his first solo art party at Fais Do-Do this weekend. The pop-up’s opening night event runs from 5-10 p.m. on Saturday night, with first access to new artwork and merchandise and an open bar and food. Tickets are $15-$75 (VIP). The works are on view on Saturday and Sunday from noon-5 p.m., with $5 admission. The closing night party features art, music and more. Tickets: $20. 

MOMENTUM (Art)

The Mondrian Los Angeles opens Mikael B.’s solo show Momentum with a reception on Friday night from 7-9 p.m. The hotel has selected Danish as its featured artist, who has created a collection of work called Momentum for the hotel’s lobby. The exhibition runs through Dec. 15. 

DOPIUM.LA (Art fest)

DOPIUM.LA is a free, one-night art festival that takes place in Chinatown on Saturday from 8:30 p.m. to midnight. The fest celebrates and showcases the creative culture of the neighborhood. There will be food, drinks, live music, performers and installations created by local artists and designers. Free admission. RSVP because space is limited. Location: Coffee Hall / Mandarin Plaza (970 North Broadway, #112).  GLOW BALL (Night golf)

L.A. City Golf hosts a Glow Ball (glow in the dark golf tournament) at the Los Feliz Par-3 on Saturday night. Tickets: $25 for 9 holes, food and drinks, prizes and more. Check-in begins at 5:30 p.m., To register, call 818-246-1633. 

THIS FREAKIN' CIRCUS (Party + fundraiser)

If you’re feeling that the government’s being run by a bunch of circus clowns then you might want to join the party at Pollution Studios on Saturday night. Women of Action LA and Swing Left present This Freakin’ Circus, a fundraiser to flip the House in the 2018 midterm elections. This event is a carnival-themed fundraiser with magic, fortune tellers, live comedy and a dancefloor with cirque performers. There’s an open bar, too. Every dollar of profit goes to the 45 most competitive House district races in 2018. Comics on the bill include Morgan Murphy, Andy Kindler, Jamie Lee, Solomon, Georgio, Nick Thune and Danielle Radford with host Jenny Yang. Tickets: $35 advance, $50 at the door. 

SELF-HELP GRAPHICS & ART: DIA DE LOS MUERTOS (Art + celebration)

Self Help Graphics & Art’s 44th Annual Dia de los Muertos celebration takes place on Saturday night from 5-11 p.m. at Felicitas and Gonzalo Mendez High School (Gold Line on Metro - Pico/Aliso Stop). Music by Mariachi Manchester, a tribute to the music of the Smiths and Morrissey; Almalafa (Evoekore + Baja Califas); The Tracks; Tona; Soundart youth band and more Eastside acts. There’s also food and arts and crafts vendors, a procession, art workshops and altars. Gather at Mariachi Plaza at 4 p.m. 

SUNDAY, NOV. 5

THE FRONT YARD’S BLOCK PARTY (Drinks)

The Front Yard in North Hollywood (at The Garland Hotel) holds its Fall Beer & Wine Block Party on Sunday from 2-5 p.m. Celebrate falling back and the end of daylight saving time with a photo booth, face painting and live music and samplings prepared by Executive Chef Larry Greenwood. Sip some of California’s best breweries and wineries, including 10 Span Vineyards, Slow Press, The Lost Abbey Brewing Company, Sierra Nevada, and more. Proceeds benefit the nonprofit 2 Hands 2 Cans, a nonprofit that empowers at-risk individuals to become self-sufficient through education and employment opportunities. Bring two cans for donation, too. Tickets: $30 or $40 at the door. 

For additional events, follow me on Twitter or Instagram @christineziemba.

Image: Peace In Event Of Nuclear Attack This Shelter Will Be Useless 1963_© Jim Marshall Photography LLC

—by Christine N. Ziemba

[ba3tor]

adidas Originals SS17: Original Is Never Finished from Jeph Burton on Vimeo.

“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: 'It’s not where you take things from — it’s where you take them to.'" — Jim Jarmusch

Cast Song: Remix of "My Way" by Frank Sinatra recreated by Human Snoop Dogg in "Doggystyle" Stormzy in "Trap Syrup" Mabel in "Tunnel" Kareem Abdul-Jabbar and Brandon Ingram in "Raining Basketballs" Dej Loaf in "Inflated" Dev Hynes in "Mirrors" Gonz and Lucas Puig in "Lucas & The Gonz" Petra Collins in "The Birth of Venus"

Client: Adidas Originals General Manager: Arthur Hoeld Global Vice President, Brand Communications: Alegra O'Hare Global Director of Communications, Brand Marketing: Jenny Pham Senior Manager Communications: Edi Borrelli Senior Director, Global Brand Marketing Operations and Creative Shoot Production: John van Tuyll Shoot and Production Manager: Justin Townsend

Agency: Johannes Leonardo Chief Creative Officers: Jan Jacobs, Leo Premutico Creative Director, Partner: Ferdinando Verderi Creative Directors: Wesley Phelan, Matthew Edwards Copywriter: Jeph Burton Art Director: Hunter Hampton Head of Integrated Production: Dana May Executive Producer: Maria Perez Senior Producers (Film): Tina Diep, Stine Moisen Producer (Online Content): Doug Moffitt Production Coordinator (Film, Online Content): Alexandra Olivo Group Account Director: Sam McCallum Account Director: Dom Dalton Account Supervisor: Gulru Soylu Head of Strategy: Mark Aronson Strategist: Miné Cakmak Senior Business Affairs Manager: Ann Marie Turbitt

Production Company: RSA Films Director: Terence Neale Executive Producers: Jules Daly, Paul Kawasaki Producer: Rozanne Rocha-Gray Director of Photography: Alexis Zabe Production Company: Cape Town Egg Films Executive Producer: Colin Howard Producer: Rozanne Rocha-Gray Editorial: Exile Lead Editor: Shane Reid Editors: Jay McConville, Travis Moore Executive Producers: Sasha Hirschfeld, Carol Lynn Weaver Head of Production: Melanie Gagliano Visual Effects: Blacksmith Visual Effects Supervisor, 2-D Lead: Iwan Zwarts 2-D Compositors: Daniel Morris, Liz Lyons Rotoscoping: Trace VFX 3-D Lead Artist: Tom Bussell 3-D Artist: Ylli Orana Executive Producer: Charlotte Arnold Producer: Megan Sweet

Color: Company 3 Colorist: Tom Poole Producer: Clare Movshon

Music: "My Way" Writers: Claude Francois, Jacques Revaux, Gilles Thibaut, Paul Anka Publisher: BMG Master: Frank Sinatra, Universal Music Enterprise Adidas Global Music Manager: Daniel Cross Music: "Human Remix" Creative Lead, Music Director: Morgan Visconti Creative Lead, Sound Design: Michael Jurasits Executive Producer: James Dean Wells Composer, Arranger: James Leibow Sound Design: Q Department Executive Producer: Zack Rice Producer: Guin Frehling Sound Mix: Sonic Union Sound Engineer: Steve Rosen Executive Producer: Justine Cortale Producer: Patrick Sullivan Videographer (Cape Town): Deon van Zyl Videographer (Los Angeles): Anton du Preez Photographers: Hayden Phipps, Cape Town; Dan Regan and Atiba Jefferson, Los Angeles

Editors: Sean Dunn, Misha Spivack

[yusufmccoy]

adidas Originals SS17: Original Is Never Finished from Jeph Burton on Vimeo.

“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: 'It’s not where you take things from — it’s where you take them to.'" — Jim Jarmusch

Cast Song: Remix of "My Way" by Frank Sinatra recreated by Human Snoop Dogg in "Doggystyle" Stormzy in "Trap Syrup" Mabel in "Tunnel" Kareem Abdul-Jabbar and Brandon Ingram in "Raining Basketballs" Dej Loaf in "Inflated" Dev Hynes in "Mirrors" Gonz and Lucas Puig in "Lucas & The Gonz" Petra Collins in "The Birth of Venus"

Client: Adidas Originals General Manager: Arthur Hoeld Global Vice President, Brand Communications: Alegra O'Hare Global Director of Communications, Brand Marketing: Jenny Pham Senior Manager Communications: Edi Borrelli Senior Director, Global Brand Marketing Operations and Creative Shoot Production: John van Tuyll Shoot and Production Manager: Justin Townsend

Agency: Johannes Leonardo Chief Creative Officers: Jan Jacobs, Leo Premutico Creative Director, Partner: Ferdinando Verderi Creative Directors: Wesley Phelan, Matthew Edwards Copywriter: Jeph Burton Art Director: Hunter Hampton Head of Integrated Production: Dana May Executive Producer: Maria Perez Senior Producers (Film): Tina Diep, Stine Moisen Producer (Online Content): Doug Moffitt Production Coordinator (Film, Online Content): Alexandra Olivo Group Account Director: Sam McCallum Account Director: Dom Dalton Account Supervisor: Gulru Soylu Head of Strategy: Mark Aronson Strategist: Miné Cakmak Senior Business Affairs Manager: Ann Marie Turbitt

Production Company: RSA Films Director: Terence Neale Executive Producers: Jules Daly, Paul Kawasaki Producer: Rozanne Rocha-Gray Director of Photography: Alexis Zabe Production Company: Cape Town Egg Films Executive Producer: Colin Howard Producer: Rozanne Rocha-Gray Editorial: Exile Lead Editor: Shane Reid Editors: Jay McConville, Travis Moore Executive Producers: Sasha Hirschfeld, Carol Lynn Weaver Head of Production: Melanie Gagliano Visual Effects: Blacksmith Visual Effects Supervisor, 2-D Lead: Iwan Zwarts 2-D Compositors: Daniel Morris, Liz Lyons Rotoscoping: Trace VFX 3-D Lead Artist: Tom Bussell 3-D Artist: Ylli Orana Executive Producer: Charlotte Arnold Producer: Megan Sweet

Color: Company 3 Colorist: Tom Poole Producer: Clare Movshon

Music: "My Way" Writers: Claude Francois, Jacques Revaux, Gilles Thibaut, Paul Anka Publisher: BMG Master: Frank Sinatra, Universal Music Enterprise Adidas Global Music Manager: Daniel Cross Music: "Human Remix" Creative Lead, Music Director: Morgan Visconti Creative Lead, Sound Design: Michael Jurasits Executive Producer: James Dean Wells Composer, Arranger: James Leibow Sound Design: Q Department Executive Producer: Zack Rice Producer: Guin Frehling Sound Mix: Sonic Union Sound Engineer: Steve Rosen Executive Producer: Justine Cortale Producer: Patrick Sullivan Videographer (Cape Town): Deon van Zyl Videographer (Los Angeles): Anton du Preez Photographers: Hayden Phipps, Cape Town; Dan Regan and Atiba Jefferson, Los Angeles

Editors: Sean Dunn, Misha Spivack

[tellusepisode]

Utopia Season 1 Releasing on Prime Video at September 25, 2020

Action, Drama, Mystery | TV Series (2020– )

A group of young adults get a hold of a cult underground graphic novel, which puts them in the crosshairs of a deep state organisation. Now they’re tasked with saving the world.

When the conspiracy in the elusive comic Utopia is real, a group of young fans come together to embark on a high-stakes twisted adventure to use what they uncover to save themselves, each other and ultimately humanity. Watch the official teaser for Utopia now, starring John Cusack, Rainn Wilson and Sasha Lane.

Creator: Gillian Flynn

Directors: Toby Haynes, Susanna Fogel, J.D. Dillard

Writers: Ryan Enright, Gillian Flynn, Dennis Kelly

Stars: John Cusack, Desmin Borges, Dan Byrd, Christopher Denham, Jessica Rothe, Sasha Lane, Rainn Wilson

►Cast

Desmin Borges… Wilson Wilson 8 episodes, 2020Dan Byrd… Ian 8 episodes, 2020John Cusack… Dr. Kevin Christie 8 episodes, 2020Christopher Denham… Arby 8 episodes, 2020Crystal Fox8 episodes, 2020Sasha Lane… Jessica Hyde 8 episodes, 2020Ashleigh LaThrop… Becky 8 episodes, 2020Farrah Mackenzie… Alice 8 episodes, 2020Jessica Rothe… Samantha 8 episodes, 2020Jeanine Serralles… Colleen 8 episodes, 2020Cory Michael Smith… Thomas Christie 8 episodes, 2020Javon ‘Wanna’ Walton… Grant 8 episodes, 2020Rainn Wilson… Michael Stearns 8 episodes, 2020Bernard Gilbert… Steve Minion 6 episodes, 2020Hadley Robinson… Charlotte / … 5 episodes, 2020Gloria Coco… Toni Tambler 3 episodes, 2020Tim Hopper… Dale Warwick 3 episodes, 2020Dustin Ingram… Tallman 3 episodes, 2020Felisha Terrell… Hailey Alvez 3 episodes, 2020Josh Bywater… Carson 2 episodes, 2020Sharon Dalla Costa… Wilson’s Aunt 2 episodes, 2020Daryn W Harrell… PFC Betsy Ruskin 2 episodes, 2020Shannon Mitrovich… Christie’s Employee 2 episodes, 2020Amanda Powell… Grant’s Mom 2 episodes, 2020Kerri Rose… Fringebabe 2 episodes, 2020Mike Schminke… Crowd Leader 2 episodes, 2020Rebecca Spence… Laura Christie 2 episodes, 2020Giota Trakas… Police Officer 2 episodes, 2020Michael B. Woods… Rod 2 episodes, 2020Dana N. Anderson… Wife 1 episode, 2020Brian Boland… Samantha’s Dad 1 episode, 2020Steve Boress… Demonstrator 1 episode, 2020Jack Bronis… Bartender 1 episode, 2020Rammel Chan… Josh Chandler / … 1 episode, 2020Chris Clowers… Redhead Two 1 episode, 2020Jeff Dlugolecki… Protester 1 episode, 2020Patrick Dunham… Jogger 1 episode, 2020Brandon Frankel… Iron Man 1 episode, 2020José Antonio García… Donald Resnick / … 1 episode, 2020John Gawlik… Cop 1 1 episode, 2020Reuben Glaser… Larry 1 episode, 2020Shaun Graves… Rabbit Handler 1 episode, 2020Jenna Heffernan… Jenny 1 episode, 2020Cameron Hoppe… Girl 1 episode, 2020Hil Horvath… Friend #2 1 episode, 2020Fallon Katz… Kid #1 1 episode, 2020Jesse Kendall… Al Arroyo / … 1 episode, 2020Diana Kleinaitis… On Camera Reporter #3 1 episode, 2020Brandon Loeser… Detective 1 episode, 2020Paul Malave… Missouri State Trooper 1 episode, 2020Chandra Michaels… News Reporter 1 episode, 2020Sia A. Moody… Nurse 1 episode, 2020Kevin E. Murphy… Fringe Con Photographer 1 episode, 2020Jose Nateras… Reporter 1 1 episode, 2020Isabella Paul… Kid – Featured Background 1 episode, 2020Scott Philyaw… Guard #2 1 episode, 2020Matthew Alan Porter… Dad #2 1 episode, 2020Andrew Ritter… Demonstrator 1 episode, 2020Kevin Scroggs… Christie’s Executive 1 episode, 2020Adam Shalzi… Redhead One 1 episode, 2020Danielle Stahl… Au Pair 1 episode, 2020Rachel Sullivan… Chicago Anchor 3 1 episode, 2020Rylie Traversa… Neighbor 1 episode, 2020Guy Van Swearingen… Lyft Driver 1 episode, 2020Oz Yildizhan… Employee of Kevin Christie 1 episode, 2020Roger Wiggins… Kiwi Man 1 episode, 2020Naya Zsanay… Protester 1 episode, 2020

The post Utopia Season 1 Releasing on Prime Video at September 25, 2020 first appeared on TellUsEpisode.net.

from WordPress https://www.tellusepisode.net/utopia-season-1-releasing-on-prime-video-at-september-25-2020.html

[eduardomarin90]

adidas Originals | 'Original is never finished' | Chapter 1 from Jeph Burton on Vimeo.

“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: 'It’s not where you take things from — it’s where you take them to.'" — Jim Jarmusch

Cast Song: Remix of "My Way" by Frank Sinatra recreated by Human Snoop Dogg in "Doggystyle" Stormzy in "Trap Syrup" Mabel in "Tunnel" Kareem Abdul-Jabbar and Brandon Ingram in "Raining Basketballs" Dej Loaf in "Inflated" Dev Hynes in "Mirrors" Gonz and Lucas Puig in "Lucas & The Gonz" Petra Collins in "The Birth of Venus"

Client: Adidas Originals General Manager: Arthur Hoeld Global Vice President, Brand Communications: Alegra O'Hare Global Director of Communications, Brand Marketing: Jenny Pham Senior Manager Communications: Edi Borrelli Senior Director, Global Brand Marketing Operations and Creative Shoot Production: John van Tuyll Shoot and Production Manager: Justin Townsend

Agency: Johannes Leonardo Chief Creative Officers: Jan Jacobs, Leo Premutico Creative Director, Partner: Ferdinando Verderi Creative Directors: Wesley Phelan, Matthew Edwards Copywriter: Jeph Burton Art Director: Hunter Hampton Head of Integrated Production: Dana May Executive Producer: Maria Perez Senior Producers (Film): Tina Diep, Stine Moisen Producer (Online Content): Doug Moffitt Production Coordinator (Film, Online Content): Alexandra Olivo Group Account Director: Sam McCallum Account Director: Dom Dalton Account Supervisor: Gulru Soylu Head of Strategy: Mark Aronson Strategist: Miné Cakmak Senior Business Affairs Manager: Ann Marie Turbitt

Production Company: RSA Films Director: Terence Neale Executive Producers: Jules Daly, Paul Kawasaki Producer: Rozanne Rocha-Gray Director of Photography: Alexis Zabe Production Company: Cape Town Egg Films Executive Producer: Colin Howard Producer: Rozanne Rocha-Gray Editorial: Exile Lead Editor: Shane Reid Editors: Jay McConville, Travis Moore Executive Producers: Sasha Hirschfeld, Carol Lynn Weaver Head of Production: Melanie Gagliano Visual Effects: Blacksmith Visual Effects Supervisor, 2-D Lead: Iwan Zwarts 2-D Compositors: Daniel Morris, Liz Lyons Rotoscoping: Trace VFX 3-D Lead Artist: Tom Bussell 3-D Artist: Ylli Orana Executive Producer: Charlotte Arnold Producer: Megan Sweet

Color: Company 3 Colorist: Tom Poole Producer: Clare Movshon

Music: "My Way" Writers: Claude Francois, Jacques Revaux, Gilles Thibaut, Paul Anka Publisher: BMG Master: Frank Sinatra, Universal Music Enterprise Adidas Global Music Manager: Daniel Cross Music: "Human Remix" Creative Lead, Music Director: Morgan Visconti Creative Lead, Sound Design: Michael Jurasits Executive Producer: James Dean Wells Composer, Arranger: James Leibow Sound Design: Q Department Executive Producer: Zack Rice Producer: Guin Frehling Sound Mix: Sonic Union Sound Engineer: Steve Rosen Executive Producer: Justine Cortale Producer: Patrick Sullivan Videographer (Cape Town): Deon van Zyl Videographer (Los Angeles): Anton du Preez Photographers: Hayden Phipps, Cape Town; Dan Regan and Atiba Jefferson, Los Angeles

Editors: Sean Dunn, Misha Spivack