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master-ps · 9 months

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Gelatin Market, Growth, Share, Size, Industry Analysis, Forecast and Future Outlook – 2030

Gelatin Market

The market research report provides a comprehensive analysis of the industry, with a specific focus on the Gelatin market. It examines the size, growth rate, and major trends within the Gelatin market, offering valuable insights into its current state and future prospects. The report explores the significance of Gelatin in driving market dynamics and shaping business strategies. It investigates the market drivers, such as increasing consumer demand and emerging trends related to Gelatin, providing a deep understanding of the factors influencing market growth. Additionally, the report assesses the competitive landscape within the Gelatin market, profiling key players and their market share, strategies, and product offerings. It also addresses market segmentation, identifying different segments within the Gelatin market and their unique characteristics. Overall, the market research report equips businesses operating in the Gelatin market with valuable information and actionable recommendations to capitalize on opportunities and navigate the challenges in the industry.

Request Free Sample Report @ https://www.vertexbusinessinsights.com/main_report/121/gelatin-market

This research covers COVID-19 impacts on the upstream, midstream and downstream industries. Moreover, this research provides an in-depth market evaluation by highlighting information on various aspects covering market dynamics like drivers, barriers, opportunities, threats, and industry news & trends. In the end, this report also provides in-depth analysis and professional advices on how to face the post COIVD-19 period.

The research methodology used to estimate and forecast this market begins by capturing the revenues of the key players and their shares in the market. Various secondary sources such as press releases, annual reports, non-profit organizations, industry associations, governmental agencies and customs data, have been used to identify and collect information useful for this extensive commercial study of the market. Calculations based on this led to the overall market size. After arriving at the overall market size, the total market has been split into several segments and sub segments, which have then been verified through primary research by conducting extensive interviews with industry experts such as CEOs, VPs, directors, and executives. The data triangulation and market breakdown procedures have been employed to complete the overall market engineering process and arrive at the exact statistics for all segments and sub segments.

Leading players of Gelatin Market including:

By Source Type

Bovine Gelatin

Porcine Gelatin

Poultry Gelatin

Fish Gelatin

Other Animal Sources

By Functionality

Type A Gelatin (Acid-Pretreated)

Type B Gelatin (Alkaline-Pretreated)

By Distribution Channel

Direct Sales (Manufacturers to End-users)

Retail Sales (Supermarkets, Hypermarkets, Specialty Stores)

Online Sales (E-commerce Platforms)

By Consumer Preference

Halal-Certified Gelatin

Kosher-Certified Gelatin

Vegetarian/Vegan Gelatin Alternatives

By Specialty Gelatin Application

Biomedical Applications

3D Printing

Photographic Films

By Sustainable Sourcing

Gelatin from Grass-Fed Animals

Gelatin from Sustainable Farming Practices

By Application

Food and Beverage

Pharmaceuticals

Cosmetics and Personal Care

Photography

By End User

Industrial (Food, Pharmaceuticals, Photography)

Commercial (Restaurants, Bakeries)

Institutional (Hospitals, Schools, Hotels)

Personal Care (Cosmetics, Skincare)

By Region

North America

Canada

Mexico

Europe

Germany

France

Italy

Spain

Rest of Europe

Asia-Pacific

China

India

Japan

South Korea

Rest of Asia-Pacific

Middle East and Africa

South America

Ask Queries @ https://www.vertexbusinessinsights.com/request-sample/121/gelatin-market

Table of Content

1 Executive Summary

2 Market Introduction

2.1 Definition

2.2 Architecture

2.3 Scope of the Study

2.4 Related Stakeholders

3 Research Methodology

3.1 Introduction

3.2 Primary Research

3.2.1 Key Insights

3.2.2 Breakdown of Primary Interviews

3.3 Secondary Research

3.3.1 Important Sources

3.4 Market Size Estimation Approaches

3.4.1 Top-Down Approach

3.4.2 Bottom-Up Approach

3.4.3 Data Triangulation

3.5 List of Assumptions

4 Market Dynamics

4.1 Introduction

4.2 Drivers

4.3 Restraints

4.4 Opportunities

4.5 Porter's Five Forces Model Analysis

4.6 Value Chain Analysis

4.7 Impact of COVID-19 on Global Gelatin Market

5 Global Gelatin Market, By Source Type

5.1 Introduction

5.2 Bovine Gelatin

5.3 Porcine Gelatin

5.4 Poultry Gelatin

5.5 Fish Gelatin

5.6 Other Animal Sources

6 Global Gelatin Market, By Deployment Model

6.1 Introduction

6.2 Type A Gelatin (Acid-Pretreated)

6.3 Type B Gelatin (Alkaline-Pretreated)

7 Global Gelatin Market, By Distribution channel

7.1 Introduction

7.2 Direct Sales (Manufacturers to End-users)

7.3 Retail Sales (Supermarkets, Hypermarkets, Specialty Stores)

7.4 Online Sales (E-commerce Platforms)

8 Global Gelatin Market, By Consumer Preference

8.1 Introduction

8.2 Halal-Certified Gelatin

8.3 Kosher-Certified Gelatin

8.4 Vegetarian/Vegan Gelatin Alternatives

9 Global Gelatin Market, By Speciality Gelatin Application

9.1 Introduction

9.2 Biomedical Applications

9.3 3D Printing

9.4 Photographic Films

10 Global Gelatin Market, By Sustainable Sourcing

10.1Introduction

10.2Gelatin from Grass-Fed Animals

10.3Gelatin from Sustainable Farming Practices

11 Global Gelatin Market, By Application

11.1Introduction

11.2Food and Beverage

11.3Pharmaceuticals

11.4Cosmetics and Personal Care

11.5Photography

12 Global Gelatin Market, By End User

12.1 Introduction

12.2Industrial (Food, Pharmaceuticals, Photography)

12.3Commercial (Restaurants, Bakeries)

12.4Institutional (Hospitals, Schools, Hotels)

12.5Personal Care (Cosmetics, Skincare)

13 Global Gelatin Market, By Region

13.1 Introduction

13.2 North America

13.2.1 US

13.2.2 Canada

13.2.3 Mexico

13.3 Europe

13.3.1 Germany

13.3.2 UK

13.3.3 France

13.3.4 Italy

13.3.5 Spain

13.3.6 Rest of Europe

13.4 Asia-Pacific

13.4.1 China

13.4.2 India

13.4.3 Japan

13.4.4 South Korea

13.4.5 Rest of Asia-Pacific

13.5 Middle East and Africa

13.6 South America

14 Competitive Landscape

14.1 Introduction

14.2 Vendor Evaluation Criteria

14.3 Vendor Share Analysis, 2021

14.4 Recent Developments, 2019-2021

14.4.1 New Deployment Model Launches

14.4.2 Partnerships

14.4.3 Mergers or Acquisitions

14.4.4 Business Expansions

15 Company Profiles

(This section covers the Business Overview, Financial Overview, Deployment Model and Deployment Model Offerings, Recent Developments, SWOT Analysis, and Key Strategies of the top Marketvendors. The given sequence does not represent their rankings in the market.

15.1 ShipHawk

15.2 AscendTMS Logistics Software

15.3 Malvern Systems

15.4 Freightview

15.5 2Ship Solutions

15.6 Stamps.com

15.7 Pitney Bowes

15.8 Epicor Software Corporation

15.9 V-Technologies

15.10 Shipwire

15.11 ReadyCloud, LLC.

15.12 ProShip

15.13 Logistyx Technologies

15.14 WiseTech Global

15.15 Shippo

15.16 Teapplix

15.17 ShipStation

15.18 Megapack

15.19 Epicor Software Corporation

15.20 Temando

15.21 Smart Freight

15.22 Others

16 Appendix

16.1 Discussion Guide

16.2 Customization Options

16.3 Related Reports

Continue…

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themarketinsights · 10 months

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Drone Based Consulting Services Market Unidentified Segments – The Biggest Opportunity Of 2023

Latest released the research study on Global Drone Based Consulting Services Market, offers a detailed overview of the factors influencing the global business scope. Drone Based Consulting Services Market research report shows the latest market insights, current situation analysis with upcoming trends and breakdown of the products and services. The report provides key statistics on the market status, size, share, growth factors of the Drone Based Consulting Services The study covers emerging player’s data, including: competitive landscape, sales, revenue and global market share of top manufacturers are Consortiq Limited (United Kingdom), DARTDrones Inc. (United States), Draganfly Inc. (Canada), LOGXON GmbH & Co. KG (Germany), Pilot Institute (United States), PrecisionHawk, Inc. (United States), Skyward IO, Inc. (United States), Drone Industry Insights UG (Germany), Terra Drone Corporation (Japan), Sharper Shape Inc. (United States)

Free Sample Report + All Related Graphs & Charts @: https://www.advancemarketanalytics.com/sample-report/174319-global-drone-based-consulting-services-market?utm_source=Organic&utm_medium=Vinay

Drone Based Consulting Services Market Definition:

Drone consulting services play a major role in providing information about how to operate unmanned aerial vehicles (UAV) or drones in order to inspect processes and products as they move through different stages. Furthermore, drone consulting services also support drone operators so that they can improve operations, safety, and support emergency services. The rapid change in the emergent drone market is enormous. This applies to both the hardware and software and also the legal frameworks.

Market Drivers:

Rising Aerial Photography Applications Coupled With Increasing Demand For Data Collection Of Different Projects

Rising Usage Of Drones For Remote Monitoring And Surveillance In Order To Obtain Real-Time Insights

Market Opportunities:

Rise In The Demand For Mapping & Inspection, Surveying, And Supportive Government Regulations Related To The Adoption Of Drone Across The World.

The Global Drone Based Consulting Services Market segments and Market Data Break Down are illuminated below:

by Type (Drone Strategy Development Service, Equipment Evaluation Service, Operations Manual Guidance Service, Training Framework, Software Advice, Others), Platform (Offline (On-site, In-class), Online), End-Use Industry (Oil & Gas, Aerospace & Defense, Governments, Media & Entertainment, Agriculture, Mining, Construction, Others)

Region Included are: North America, Europe, Asia Pacific, Oceania, South America, Middle East & Africa

Country Level Break-Up: United States, Canada, Mexico, Brazil, Argentina, Colombia, Chile, South Africa, Nigeria, Tunisia, Morocco, Germany, United Kingdom (UK), the Netherlands, Spain, Italy, Belgium, Austria, Turkey, Russia, France, Poland, Israel, United Arab Emirates, Qatar, Saudi Arabia, China, Japan, Taiwan, South Korea, Singapore, India, Australia and New Zealand etc.

Enquire for customization in Report @: https://www.advancemarketanalytics.com/enquiry-before-buy/174319-global-drone-based-consulting-services-market?utm_source=Organic&utm_medium=Vinay

Strategic Points Covered in Table of Content of Global Drone Based Consulting Services Market:

Chapter 1: Introduction, market driving force product Objective of Study and Research Scope the Drone Based Consulting Services market

Chapter 2: Exclusive Summary – the basic information of the Drone Based Consulting Services Market.

Chapter 3: Displayingthe Market Dynamics- Drivers, Trends and Challenges of the Drone Based Consulting Services

Chapter 4: Presenting the Drone Based Consulting Services Market Factor Analysis Porters Five Forces, Supply/Value Chain, PESTEL analysis, Market Entropy, Patent/Trademark Analysis.

Chapter 5: Displaying market size by Type, End User and Region 2015-2020

Chapter 6: Evaluating the leading manufacturers of the Drone Based Consulting Services market which consists of its Competitive Landscape, Peer Group Analysis, BCG Matrix & Company Profile

Chapter 7: To evaluate the market by segments, by countries and by manufacturers with revenue share and sales by key countries (2021-2026).

Chapter 8 & 9: Displaying the Appendix, Methodology and Data Source

Finally, Drone Based Consulting Services Market is a valuable source of guidance for individuals and companies in decision framework.

Data Sources & Methodology The primary sources involves the industry experts from the Global Drone Based Consulting Services Market including the management organizations, processing organizations, analytics service providers of the industry’s value chain. All primary sources were interviewed to gather and authenticate qualitative & quantitative information and determine the future prospects.

In the extensive primary research process undertaken for this study, the primary sources – Postal Surveys, telephone, Online & Face-to-Face Survey were considered to obtain and verify both qualitative and quantitative aspects of this research study. When it comes to secondary sources Company's Annual reports, press Releases, Websites, Investor Presentation, Conference Call transcripts, Webinar, Journals, Regulators, National Customs and Industry Associations were given primary weight-age.

For Early Buyers | Get Up to 20% Discount on This Premium Report: https://www.advancemarketanalytics.com/request-discount/174319-global-drone-based-consulting-services-market?utm_source=Organic&utm_medium=Vinay

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To Seize powerful market opportunities

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Definitively, this report will give you an unmistakable perspective on every single reality of the market without a need to allude to some other research report or an information source. Our report will give all of you the realities about the past, present, and eventual fate of the concerned Market.

Thanks for reading this article; you can also get individual chapter wise section or region wise report version like North America, Europe or Southeast Asia.

Contact Us: Craig Francis (PR & Marketing Manager) AMA Research & Media LLP Unit No. 429, Parsonage Road Edison, NJ New Jersey USA – 08837

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amals5445blog · 1 year

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Caligo: Best Management Fest In Kerala

Caligo

Let your Calibre Rule

Caligo is a national level management fest in kerala. Caligo, is one of the best management fest in India organized by Marian College Kuttikanam, is back in an inspiring and noticeable way. With its strong online presence and reputation as one of South India's best management fests, Caligo has attracted over 1000+ participants and 4000+ students from renowned colleges nationwide every year. Marian Institute of Management is one of the best management institute in Kerala, India.

Events Caligo 2023 is south India's biggest NATIONAL LEVEL MANAGEMENT FEST conducted in the month of October (19 & 20) at Marian Institute of Management, Kuttikanam.

The events includes :

PG EVENTS:

Best Manager Best Management Team Marketing Game Finance game HR Game UG EVENTS

Best Management Squad Best Buddies IPL Auction Photography COMMON EVENTS:

Treasure Hunt Corporate Walk

Caligo has been also promoting sustainability as its theme along other five elements of nature. Thus Caligo will be promoting the UN sustainability development goals. Caligo is the top fest in South India along with the top fest in India.

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lushydays · 1 year

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Best Places to Visit in Mukteshwar

Introduction

Welcome to Mukteshwar, a serene and graphic hill station nestled in the Kumaon region of Uttarakhand, India. Known for its stirring beauty and tranquility, Mukteshwar offers a perfect flight from the hustle and bustle of megacity life. In this composition, we will explore the best places to visit in Mukteshwar, pressing its natural prodigies, literal spots, and spiritual lodestones.

Mukteshwar Dham

Mukteshwar Dham, also known as Mukteshwar Temple, is a popular religious point in the city. Dedicated to Lord Shiva, this ancient temple holds immense significance among addicts and attracts excursionists from all over the country. Callers can seek blessings, soak in the godly air, and enjoy the mesmerizing lookouts girding the temple.

Chauli Ki Jali

Chauli Ki Jali has a unique attraction in Mukteshwar known for its amazing gemstone conformations and stirring views. It believed to be the place where Goddess Parvati performed penance. The area offers adventure seekers a thrilling experience with gem climbing and rappelling openings. Also, the panoramic views of the Himalayan peaks, including Nanda Devi and Trishul, make it a famous spot for nature suckers and shutterbugs.

Mukteshwar Inspection Bungalow

Mukteshwar Inspection Bungalow, also known as the IVRI Guest House, is a social-period structure that offers a glimpse into the city’s history. Erected during the British Raj, this bungalow served as the hearthstone for the Imperial Veterinary Research Institute( IVRI) officers. The bungalow’s armature, encircled by lush verdure, creates a serene atmosphere for callers.

Bhalu Gaad Waterfalls

Nature suckers shouldn’t miss a visit to Bhalu Gaad Falls, a retired gem hidden away in the green timbers of Mukteshwar. The slinging falls, girdled by thick leafage and towering trees, produce a mesmerizing spectacle. It’s an ideal spot for picnics, photography, and revivification amidst the soothing sounds of nature. Callers can take a stimulating dip in the crystal-clear waters or simply lounge in the tranquility of the surroundings. This is also a best places in Mukteshwar.

Rajarani Temple

Rajarani Temple, positioned in the heart of Mukteshwar. Dedicated to Lord Vishnu, the Tabernacle showcases exquisite gravestone busts and intricate artwork. It’s a perfect mix of Kumaoni and South Indian architectural styles. The Tabernacle’s serene air and spiritual air make it a popular place for addicts and excursionists seeking solace.

Methodist Church

A stunning piece of architecture in Mukteshwar is the Methodist Church, which was built during the colonial era. The church has an old-world elegance and commands a panoramic view of the valley. It has surrounded by beautiful flora. Tourists who enjoy visiting historical and religious sites are attracted to the building’s stunning stained glass windows, wooden interiors, and serene ambiance. The church regularly offers Christmas events that give the community a joyful atmosphere.

Mukteshwar Temple

Mukteshwar Temple, different from Mukteshwar Dham, is another prominent religious place in the region. It touched down atop a rise and offers panoramic views of the snow- sheathe Himalayan peaks. The temple is allocated to Lord Shiva and is believed to allow deliverance to addicts. The serene surroundings and the spiritual significance of the temple make it a must- stay destination for those seeking godly blessings and peacefulness.

Conclusion

Mukteshwar, With tranquil landscapes, historic temples, and natural wonders, Mukteshwar has undiscovered gem waiting to be discovered. Whether you seek spiritual relief, adventure, or a peaceful retreat amidst nature, this hill station has commodity for everyone. From the godly air of Mukteshwar Dham to the mesmerizing views of Chauli Ki Jali, every best places in Mukteshwar offers a unique experience. Plan your visit to this attractive destination and interest yourself in its beauty and tranquillity.

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henrikanderssonart · 3 years

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Havmanden, The Merman 2021

Online work for GIBCA

57°46'18.0"N, 11°40'29.0"E are the longitude- and latitude coordinates of the wreck of the Danish frigate Havmanden. In Kjällöfjord, slightly north of Björkö, in the northern Gothenburg archipelago, is the uninhabited island Risö, on which I am standing facing north-northwest. On the horizon, I can see Carlstens fortress in Marstrand, with its characteristic shape of a cylinder on a block. Boats pass through the waterway in a north-south direction. I cannot remember how many times I have sailed this route along the coast heading north. Not once have I reflected upon what lies hidden here, at the bottom of the sea. I lower my gaze from the horizon and face the islet situated half a cable length from the peninsula where I am standing. Between me and the islet, somewhere on the ocean floor, is where it lies: The Danish West India Company’s ship Havmanden that ran aground in 1683.

I prepare myself to dive. From the navigational chart, I conclude that it is about 5-10 meters to the bottom. A depth I should manage to free dive, i.e. to dive without air from tubes. From the smooth Bohuslän rock, I slip into the water and put on my fins, I spit into the swim mask, gently rubbing and rinsing it with salt water to avoid misting on the glass. I wind the film forward in my Nikonos underwater camera, lift my feet from the bottom, and allow myself to float into the strait between the islands. The wetsuit provides me with buoyancy, despite my lead weight belt. I follow the cliff’s extension towards deeper waters. Tufts of seaweed and algae sway in the waves. Sunlight is refracted into rays upon meeting the water and here, close by the surface, the colours of the plants are clearly reflected. I stay close to the surface and swim farther away from land. The bottom disappears into a cloudy haze in tune with sloping downwards, and soon enough I see nothing more than a cyano-coloured soup of organic material and sediment dissolved in the water. The sea of Kattegatt now completely encloses me. I breathe through the snorkel and decide to dive. I take a few deep breaths and finally hold it. I turn in a forward somersault until I am upside down vertically in the water. In a swim stroke, I grab hold of the water and pull myself down. I can feel my feet in the air above the water surface, but soon enough they are also submerged. My journey down is reduced by the buoyancy of my body and wetsuit and I kick with my legs to continue. Soon enough, I have become neutrally buoyant, my density is equal to that of the water, I am neither sinking nor rising. One last kick with my legs and I can feel that I am now sinking by myself. The pressure of the water has compressed the oxygen in my body so that I am negatively buoyant. I continue down but I can still not see the bottom.

The story of Havmanden is multifaceted and complex, with resonance in this day and age. It needs to be told in the entirety of events that resulted in the Danish frigate ending up at the bottom of the sea outside of Gothenburg. My dive is an attempt to evoke an image and a position from an underwater environment, from which a historical horizon can emerge.

During the 17th century, Denmark, as well as Sweden, attempted to advance their positions in the evolving colonial era. At the core was the so-called triangular trade, where plantations in America produced raw materials for Europe. The production was based on slave labour carried out by people kidnapped from the African continent. Slave trade and slave labour was exchanged for profit and technological development in Europe.

Denmark and the Danish West India Company had taken control over the Swedish slave fort Carolusborg (Cape Coast Castle) in Ghana and established other forts along the west coast of Africa in order to bring people across the Atlantic to be sold. Sweden was initially unsuccessful with its colonial expansion and Denmark had a hard time establishing and keeping its colony St. Thomas in the West Indies in order. A life with hardship or death awaited the ones that were forced there.

In 1682, a new Governor, Jörgen Iversen, was appointed to oversee St. Thomas and take control over the activities on the island. In the autumn of the same year, the Danish West India Company, with the support of King Christian V of Denmark, equips the ship Havmanden. The aim of the journey was to transport Danish convicts to St. Thomas and then continue sailing to the west coast of Africa to acquire slaves. Thereafter they were to return to the West Indies with the slaves and then redirect back towards Denmark. Onboard the outward journey was material to build institutions on the island, as well as the 120 convicts that were to be forced to work in the Caribbean. Twenty of them were women convicted of prostitution. It is this captive workforce who, for some months, will come to rattle the hierarchies in the Danish trans-Atlantic trade. On January 20 when the ship is in the English Channel, the prisoners, together with the sailors, make a mutiny. The Governor, the Captain, and five other officials are arrested and killed by being thrown into the sea. When the mutineers seize the ship, they sail to the Azores and release the prisoners. The remaining mutineers plan to sail to Ireland to sell the ship, but conflicts amongst them result in some of the mutineers taking the chance to save their own skin and sail back home to Copenhagen. At the end of March, when the ship enters the Kattegatt, they are struck by a westerly storm and the ship is pushed towards the Swedish coast. The ship manages to pass through the tight passage between the islands Hälso-Källö-Hyppeln to then drop ship anchor in an emergency before running aground at Risö.

The alderman at Marstrand has the five mutineers arrested and taken back to Copenhagen. There they are executed by being tortured and beheaded.

During this time, mutiny was not unusual. However, the mutiny on Havmanden is well-documented and can be read according to the organization of means of production as well as the brutality that Europe’s elite based their prosperity upon. In his thesis, Mutiny in the Danish Atlantic World, Johan Heinsen makes note that there existed a dissonance within the European colonial project, and this was manifested in a conflict such as the mutiny on Havmanden. There are three established ways to understand and analyze mutiny. Firstly, mutiny can be understood from a sort of neurosensory perspective, where the lack of food, water, and heat results in a reaction, a kind of auto impulse, to accommodate basic needs. Secondly,

seafaring per se is an extremely ritualistic place that follows the narrative of a theatrical act of sorts. If the narrative changes, the crew can there and then, consider themselves entitled to seize control of the ship. Thirdly, as a more materialistic reading, mutiny can be based upon a conflict between those who own and rule and those whose labour is being exploited. In this case, the mutiny is justified as the ship should belong to those whose labour the voyage is based upon. All three ways to gain an understanding of mutiny can be applied to Havmanden.

Heinsen also introduces dissonance as a fourth reading of the mutiny, where a conflict arises between the speaker and the hearer. Shipping environments are places governed by sound, as visibility in open seas is filled with emptiness. When Governor Iversen attempts to calm the crew with speech, the subordinates hear something else. They know that within one year on St. Thomas they will most likely die from hard labour, starvation, and illnesses. Whatever the Governor says, this is what they hear.

The sea and underwater environment is in itself a place where cognitive dissonance becomes visible. Places that have nothing to do with each other are tied together through the expansiveness of sea, and within this translocation, profits arise, although they are values created at the expense of another. The sea is also a dangerous place where people cannot live. It is a site for the imagination and dreams, but also death.

The so-called discovery of the New World appears to also have led to some unconscious psychological convulsions in the explorers, whose symptoms are represented in works such as Atlantica (1677) by Olof Rudebeck the Elder. In his text, which is a work of propaganda on the Swedish Empire, Rudebeck explains the origin of Sweden through the myth of Atlantis. Rudebeck sets out to prove that all the world’s knowledge originates in the utopia Plato refers to as Atlantis which would be identical with Sweden. His historical works were dismissed by his contemporaries from the outset as being far too imaginative, but Rudebeck’s preoccupation with historical chronology can be read through the discovery of a New World. After Columbus disembarks in the New World, in one instance Europe becomes the Old World.

A work such as Atlantica can be understood as a symptom of a dynamic that arises between new and old territories, giving rise to speculation about who is entitled to the New World.

The camera in my hand is based on the underwater camera that photographer and adventurer Jacques -Yves Costeau developed when he popularised and medialised the underwater environment in the 50s and 60s. With his research vessel Calypso, he undertook several journeys and created films that became commercial successes, such as Le Monde du Silence (The Silent World) from 1956. In the film, we follow the work aboard Calypso, which is not only a moving diving platform on an undefined sea but also a floating photo lab for still and moving photography. In one passage, Costeau describes the overall intention with the mission, whilst also studying the graph from an echo sounder which, through electroacoustics, maps the depth of the ocean below the vessel. Costeau explains that an echo often appears, as though there is something very large thousands of metres down that has yet to be explained.

Costeau arranges for cameras to be lowered down into the dark to photograph whatever may be down there, and despite the film being developed on-board, he finds no answers. The void appears to be the driving force.

In another scene, the crew is engaged in following a group of whales. Unfortunately enough, Calypso accidentally collides with a whale calf, which is seriously injured. The crew, who feel obliged to kill the injured animal, bring out with ill-concealed delight, the harpoon cannon and kill the calf. What follows is a particularly strange scene, which swiftly tells us something about the unconsciousness of the crew. A group of sharks is attracted to the dead whale and begins to eat at the dead body. Initially, the crew becomes interested in studying the sharks, but suddenly their curiosity turns into fury. In a rage, they go after the sharks that are quite close to the surface, and with hooks, axes, and sledgehammers kill shark after shark. I wonder what it is in this specific homosocial environment that brings forth such affective actions? The sea, the emptiness, the violence - is it the scientists' critical distance and judgment that enables a verdict over the non-human sharks?

Now I sense the bottom. The pressure on my eardrums increases and I have to equalise by pressing air through my nose into my ears. The ocean floor is smooth with some vegetation. Since my time here is restricted to my ability to conserve the oxygen I have in my body, I have decided to photograph straight ahead and indiscriminately. I simply wind up the film and continuously press down the shutter. The camera has been preset, and I now photograph as much as I can.

Then, suddenly, a structure manifests itself. It is two dark lines that criss-cross over the ocean floor. A straight angle is rarely natural. When I come closer I see what it is: two rectangular piles of square stones are sunk into the sand. It can be nothing other than bricks. This is what remains from Havmanden. For 338 years they have rested at the bottom of the sea whilst the shipwreck rotted away.

The bricks filled two functions on Havmanden. Firstly, as a ballast to stabilise the ship whilst sailing. Secondly, once the frigate had arrived on St. Thomas, they were intended to become buildings from which the colony was to be ruled and administered. For a few seconds, I hover over the objects and view them through the glass of the mask. The mask and camera provide me with a sort of optical privilege that is based on the distance between myself and the stones, and between me and history. At the same time, I cannot stop but feel a sense of closeness, we share the same enclosing substance, the sea.

The stones hardly have any vegetation on them, which surprises me. I have a hard time determining their colour as the light of longer wavelengths, such as red and yellow, cannot probe this depth which blue-green can. Everything turns a cyan-colour yet I am convinced that these are not red bricks but yellow-brown. It is said they have the same origin as the bricks in the house Charlottenburg in Copenhagen, where The Royal Art Academy can be found.

The oxygen in my body is running out and the carbon dioxide induces an intense longing to breathe. I stop myself from the impulse to touch one of the stones, as they are subject to the Antiquities Act. Instead, I turn towards the surface and the sun that breaches through the waves. I kick with my feet, find some momentum, and in an instance I am back in the summer coastal landscape. Yet before I can breathe I have to blow the water of Kattegatt out of my snorkel and mouth.

A few weeks later, when I have immersed the film into developing chemicals and then allowed it to dry, I have the opportunity to, at a distance, view the event through the negatives on my light table. It turns out that I have not managed to capture a single sharp image of the wreck of Havmanden. It appears that I have either not held the camera still enough or managed to set the sharpness. Somewhat downcast in spirit I put the negatives aside before recalling Captain Cousteau’s expedition to photograph ghost echoes in the depths of the sea and I decide to look through the images one more time, as if perhaps, there might be something there. I seem to have taken some pictures straight out which, when I scan the images, appears to be nothing more than a tone of blue-green. However, I bring up the contrast and I can then see a refraction running vertically across the image. It is sunlight refracted in the water surface and hits what is called backscatter in the water, and therefore it becomes prominent. The last image from the dive is taken at the same time as I turn away from the bottom and swim upwards, it is photographed straight towards the sun from the wreck. The film on the light table is in itself a surface that lets through light and through it another membrane appears. It is the boundary between air and water that, through the forms of the waves, creates a series of lenses that generate light beams. Just as the film mediates between that at which a given moment has taken place, with certain specific requirements, the sea surface appears to create a boundary between different states. This dividing line can be likened to photography’s making of disparities, which appears to elicit both distress and possibilities, ultimately introducing a crisis. I recall one final scene from The Silent World where Cousteau says the imperative sentence “Sometimes a marine biologist must use dynamite on a coral reef”, meaning that in order to scientifically count how many fish there are in a coral reef he must explode dynamite to kill them all – taking photographs is not accurate enough. The explosion in this scene resembles a miniature version of the French nuclear test from the Mururora atoll in the Pacific during the 1960s. Cousteau acknowledges what he is doing as an act of vandalism, but also states that this needs to be done in the name of science. This type of reasoning can be understood through theorist Ariella Azoulay´s text Unlearning decisive moments of Photography, where she links the colonial ideology of the imperial right to take photographs to the imperial right to destroy existing worlds and the right to manufacture a new world.

As it turns out the realm of the underwater is not silent at all, but rather a world of dissonance.

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ambitions401 · 5 years

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Best Candid Wedding Photography in Chennai

Wedding day is the significance of new beginnings filled pure bliss and timeless moments. For all the lovely memories to hold on it’s mandatory to capture this lifetime experience with flawless shots. Looking out for photographers to capture your perfect wedding candid shots? To make your wedding the best day of your life Ambitons4 is the one-stop destination for all your wedding needs. Giving a trove to the sweetest and finest moments we provide classy and high-quality wedding candid shots that cover every minute detail of your special day. A picture is worth a thousand words and speaks volumes showcasing the essence of wonderful and unforgettable emotions. We expertise in Wedding, Matrimonial, Couple as well as Pre and Post-wedding portraits. Our services extend to revolutionize contemporary candid style wedding photography. Freezing every moment we invoke all the ravishing and natural moments which delivers pure happiness. Our candid professionals twist and turn the Camera lenses in such a manner that makes us deliver nothing less than a perfect shot, our team of photographs is sure to leave you awestruck with natural reactions and real emotions. To make an impact and steal your heart our team of experts captures the art of raw storytelling with their lenses. Strike a pose and we will get hold of all the captivating and jaw-dropping moments with artistic skills framing to capture your laughter and warmth. If you are keen on particular themes selective views and locations then pick a place of your choice and we will capture the magic. We provide trusted verified and top-notch photography customizing the package according to your taste and preference which suits your needs. A shot so good which could be framed and put up on your walls can be achieved with Ambitions4. An illustration of sheer natural and true emotions is none other than a magnificent candid wedding shot. It’s time to load up your Instagram feed with breath-taking candid shots and portraits. Models who wish to create or makeover their portfolios do not have to go elsewhere we are a verified Model photography academy for all the talented and stylish models out there. Looking for a carrier in photography, head straight to Ambitions4 as we offer certified photography courses with ideal deals and array of options so full fill your passion and make your dreams come true with Ambitions4. We also shoot photography workshops & seminars take and sneak peek and make your way to Ambitions4.

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thefranklinoutdoor · 5 years

Photo

LOVE ALL POTATOES

Jim Duignan Claire Pentecost Melissa Potter

Opening: Friday, June 14 from 6 to 9pm

From June 14 to September 7, 2019

Love All Potatoes is a garden laboratory project by Jim Duignan, Claire Pentecost, and Melissa Potter. The artists will plant heirloom variety potatoes (e.g. Jersey Yellow and Okinawa Purple) in improvised planters, start a compost bin, and install a handmade garden cart to seed their intersecting dialogues on plant personal histories, microecologies, and intangible heritage craft histories. Over the summer, the potatoes will blossom on vines running from the sacks along strings to parts unknown. The artists will activate the Franklin as an eco-pedagogical space to engender conversations on the Garfield Park community and land in general, and to develop other collective works-in-progress, such as a publication printed on paper made from potato vines.

Jim Duignan is an artist, forming the Stockyard Institute in 1995 as a civic, artist project in the Back of the Yards community of south Chicago. Stockyard Institute was influenced early by community artists, revolutionaries, local activists, and radical teachers who explored the community as sites of contest and considered the social and civic forms of public engagement as much a part of practice as they did their life. Duignan is a professor of Visual Art in the College of Education at DePaul University in Chicago where he is the Chair of Visual Art Education. Recent print publications include; Back to the Sandbox: Art and Radical Pedagogy, (Ed.) Jaroslav Andel, published Western Washington (2019), Poor and Needy; Baggesen and Brackman, Published by Poor Farm Krabbesholm (2018), Building a Gang-Proof Suit: An Artistic and Pedagogical Framework, for the Chicago Social Practice History Series, (Eds.) Mary Jane Jacob and Kate Zeller, published University of Chicago Press (2015) and No Longer Interested for the Blade of Grass Foundation (2014). Select exhibitions include Stockyard Institute Retrospective, DePaul Art Museum (2021), Envisioning Justice, Sullivan Galleries (2019), PUBLIC SCHOOL, Hyde Park Art Center (2017), Smart Museum (2017), the Chicago Cultural Center (2016), Reykjavik Art Museum, Iceland (2016), Interference Archive, Brooklyn, NYC (2015), Sullivan Galleries, Chicago (2014), Kochi-Muziris Biennial, India (2014) and the Hull House Museum (2013). In addition, Duignan’s work has been published in The Atlantic Monthly, The Art Newspaper, Prestel Publications (Nick Cave’s Epitome), New York Times, Chicago Reader, New Art Examiner, Chronicle of Higher Education, New City, Chicago Tribune, and many others. His work has been recognized by the Weitz Family Foundation, Illinois Humanities, Artadia (NYC), and the Art Institute of Chicago. He received a B.F.A. and M.F.A. from the University of Illinois at Chicago in Studio Arts.

Claire Pentecost is an artist and writer whose poetic and inductive drawings, sculpture and installations test and celebrate the conditions that bound and define life itself. Her projects often address the contested line between the natural and the artificial, focusing for many years on food, agriculture, bio-engineering, and anthropogenic changes in the indivisible living entity that animates our planet. Since 2006 she has worked with Brian Holmes, 16Beaver and many others organizing Continental Drift, a series of seminars to articulate the interlocking scales of our existence in the logic of globalization. She is also a founding member of Deeptime Chicago, dedicated to cultural change in the Anthropocene. A sample of Pentecost’s exhibition venues include dOCUMENTA(13), Whitechapel Gallery, the 13th Istanbul Biennial, Nottingham Contemporary, the DePaul Art Museum (Chicago), the Museum of Contemporary Photography (Chicago), the Third Mongolian Land Art Biennial, The Times Museum (Guangzhou), Spencer Museum (Lawrence, KS). Institutions inviting her to lecture include MIT; CalArts; RISD; Northwestern University; Rice University; The University of Virginia; Creative Time Summit and many others. She is represented by Higher Pictures, New York, and is a Professor in the Department of Photography at the School of the Art Institute of Chicago.

Melissa Hilliard Potter is a feminist interdisciplinary artist, writer, and curator whose work has been exhibited in venues including White Columns, Bronx Museum of the Arts, and Museum of Contemporary Art Chicago, to name a few. Her films have been screened at international film festivals, such as the Cinneffable and the Reeling International LGBT Film Festival. Potter’s awards include three Fulbright Scholar grants, which enabled her to build two papermaking studios at university art departments in Serbia and Bosnia & Hercegovina. As a curator, Potter’s exhibitions include “Social Paper: Hand Papermaking in the Context of Socially Engaged Art” with Jessica Cochran and “Revolution at Point Zero: Feminist Social Practice” with Neysa Page Lieberman. Her critical essays have been printed in BOMB, Art Papers, Flash Art, Metropolis M, Hand Papermaking, and AfterImage among others.

At The FLAT SCREEN

Solo Land Dive: Dukan Desert

Hope Ginsburg

Solo Land Dive: Dukan Desert is part of a body of the Land Dive Team body of work that proposes meditation, practicing present-moment awareness with equanimity, for coping with climate change. Breathing on land with scuba makes for a kind of assisted meditation. The mild, if not moderate discomfort of the equipment (its weight, warmth, constraints) keeps the wearer in mind of his or her physical presence. The intensification of each breath becomes a kind of involuntary meditation; one must “show up” for each exhalation when an entire apparatus is calling attention to it. In this video, one of thirteen Land Dives since 2014, I undertook a solo meditation, breathing with scuba gear in a remote desert landscape crisscrossed by all-terrain vehicles. As disjunctive as the image appears, it contains the ominous implication of a “future ocean” as rising sea levels are a threat in the Persian Gulf region.

Each of Hope Ginsburg’s long-term projects builds community around learning. Her work is by turns collaborative, cooperative, and participatory. These artworks are made with peers, students, scientists, members of the public, and experts with knowledge from outside of the field. Rooted in first-hand experience, Ginsburg’s projects are invested in the socially transformative potential of knowledge exchange. Hope Ginsburg has exhibited nationally and internationally at venues such as MoMA PS1, MASS MoCA, Institute for Contemporary Art at VCU, Wexner Center for the Arts, Kunst-Werke Berlin, Contemporary Art Center Vilnius, Baltimore Museum of Art, SculptureCenter, and the Mercosul Biennial in Brazil. Upcoming projects include a solo exhibition at the University of South Florida Contemporary Art Museum funded by the National Endowment for the Arts. Ginsburg is the recipient of an Art Matters Foundation Grant and a Virginia Museum of Fine Arts Fellowship and has attended residencies such as the Robert Rauschenberg Residency, the Skowhegan School of Painting and Sculpture, the Wexner Film/Video Studio, and The Harbor at Beta Local. Her work has appeared in the New York Times, the Wall Street Journal, Hyperallergic, and Artforum.

Solo Land Dive: Dukan Desert 2015 Single channel video with sound 4 min 59 sec

Camera: Dylan Halpern Editor: Tyler Kirby Sound: Joshua Quarles

Edition of three Courtesy of the artist

At The LIVING ROOM

A Metaphor Against Oblivion

Norma Vila Rivero

A Metaphor Against Oblivion is Norma Vila’s latest conceptual body of work, inspired by two themes: landscape and absence. This collection of images references and criticizes the notions of development by metaphorically representing the absent landscape that remains in the collective consciousness. Vila is tempted to convey the impossibility of the landscape that surrounds her by presenting a critical look at the transformation of the landscape -in the broadest sense of the word- while at the same time a contemplative view of the paradox of development in today's world.

Vila Rivero works with analogies and the double meanings of objects, words, and concepts. Media, disciplines, and materials are intertwined, thereby creating an intricate web of multi layered ideas. Vila’s starting points originate with personal experiences within her collective environment. She then directs her interests into an in-depth critical analysis of selected topics. With a deep dive into the origins and meaning of her subjects, she prepares the groundwork for making critical, contemporary and pertinent visual commentary.

Vila Rivero comments: "For this project I am working with the representation of the metaphor 'the skin of memory'... Everything we have seen marks us, and many times when passing by some place, it is inevitable to remember that place as it was before ... And that absent landscape is impregnated in us, it is a mark and a metaphor against oblivion. In order to represent that mark or trace in the memory, in this series of photos I place a stencil on the back of a model and the sun imprints the image to their backs... Then I place the model - marked by the memory of what is no longer there - in the place that corresponds to the vanished landscape. All the images used as stencils are based on stories that I have compiled from friends, family members, or myself. The result is a photo that serves as testimony or record of the specific event ... The aim is to present a clear and manifest absence. Photography as a medium is vital as it makes an absence visible and serves as a certificate of presence. In A Metaphor Against Oblivion themes such as the impossibility of the natural landscape on an island, the excessive urban development, the abandonment of cultural heritage, and the negligence in the communities and public spaces are over layered to contrast the effects caused by failed leadership and bad management today."

Calls for attention on the ways we relate to the environment are a peremptory key in Norma Vila's most recent proposal. Issues that previously emerged in her work are openly formulated today in what will be a long-term research project about environmental sustainability in the face of economic growth. Reflection through the chosen images allows us to think about ideas: memory-event-revelation, games of presence and absence, traces of hidden realities, as activation of the memory, and of updating past marks, cognitively and emotionally.

Norma Vila Rivero (b. 1982, Puerto Rico) is an artist that approaches art making from a diverse number of perspectives while subtly seeking to address emotional issues or intense social themes from a humanist point of view. She is also an active art projects coordinator of numerous innovative projects in Puerto Rico and in Boston and New York. Vila Rivero has a B.A. in Visual Arts from the Universidad del Sagrado Corazón and an M.A. in Arts Administration from the Universidad del Turabo, Ana G. Méndez. Her work has been presented in Mexico, Norway, Switzerland, Argentina, the Dominican Republic, St. Croix and U.S.A. In 2017 was selected to participate with Occupy Museums Debt Fair installation at the Whitney Museum Biennial. Since 2010 she is the Administrator of the Galería de Arte de la Universidad del Sagrado Corazón. In 2011 she co-founded Metroplataforma Organizada an artist run space and since 2015 has been the Director of ÁREA: lugar de proyectos (Founded in Caguas, P.R in 2005). Vila Rivero's work is part of the collection of the Museum and Center for Humanistic Studies Dra. Josefina Camacho de la Nuez (University of Turabo, Caguas, P.R), Luciano Benetton Collection, el Museo de Arte de Puerto RIco (MAPR) and the Foundation FIART (International Foundation Fund of the Arts) in Madrid, Spain, as well as in private collections.

At The FRONT YARD

Are You Ready Kahlil Irving

Previously exhibited at Wesleyan University Center for the Arts, "Are You Ready" is a flag sculpture that connotes the relationship of a surrender flag and a racing flag. There is always a struggle and reality to face. So to use the flag with its complex usage past and present is a symbol I find relevant. "Are You Ready" is a response to the call that Tracy Chapman narrates within her song "I'm Ready". She is singing for passage, for love, for health, for life. So I am responding to her call. This flag flying is a message for Black life and the perseverance of Black people through the constant pressures faced while living today.

Kahlil Robert Irving (b. 1992, San Diego, Ca) is a multimedia artist, currently living and working part time between Saint Louis, Missouri and Brooklyn, New York. Irving completed his BFA in art history and ceramics at the Kansas City Art Institute. In May of 2017, Irving earned his Master of Fine Arts at Washington University in St. Louis. At Washington University in St. Louis Irving was a Chancellor’s Graduate Fellow. Irving was awarded the 2017 Alice C. Cole Fellowship from the studio art department at Wellesley College in Wellesley, Massachusetts. Recently, Irving completed the Turner Teaching Fellow at the New York State College of Ceramics at Alfred University. His work is in the collections of the Riga Porcelain Museum, in Riga, Latvia; Foundation for Contemporary Ceramic Art in Kecskemet, Hungary; The RISD Museum in Providence, Rhode Island; The Carnegie Museum of Art, Pittsburgh, Pennsylvania; The Nerman Museum of Contemporary Art at Johnson Community College in Overland Park, Kansas; The Whitney Museum of American Art, New York, New York. Most recently, his practice has involved making objects that are to challenge constructs around identity and culture in western civilization. He wants to challenge realities of Racism and objects that exist within the history of decorative arts and contemporary life.

Are You Ready by Kahlil Irving 2018 3 x 5 feet polyester digital print Courtesy of the Artist and Callicoon Fine Arts, NY

THE FRANKLIN 3522 W. Franklin Blvd, Chicago IL 60624 (312)823-3632 Hours: Saturdays 2-5PM and by appointment http://thefranklinoutdoor.tumblr.com/ Instagram #thefranklinoutdoor

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architectnews · 3 years

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MAP Museum of Art and Photography, Bangalore

MAP Museum of Art and Photography, Bangalore, Indian Building, Architect, Architecture Images

MAP Museum of Art and Photography in Bangalore

1 Feb 2022

Architecture: Matthew & Ghosh

Location: Bengaluru, Karnataka, southern India

Images by Matthew & Ghosh

MAP Museum of Art and Photography, India’s first museum of South Asian visual culture, will open in the global city of technology, Bangalore, in late 2022.

Museum of Art and Photography, Bangalore

The museum will be housed in a state of the art 44,000 square foot building, designed by the acclaimed Indian architectural practice Matthew & Ghosh, on a landmark site at the heart of Bangalore’s museums district.

The MAP collection includes more than 20,000 works. It covers the full range of South Asian visual culture: modern and contemporary art and sculpture, folk and tribal art, textiles, graphics and photography, with a particular focus on the period from the mid 19th century, a turning point in the history of Britain’s colonial relationship with the region, right up to the present day.

About 600 million people, more than half India’s population, are under 25 years old; no country has more young people. MAP, through advanced technology, cross art form collaborations and vivid storytelling, aims to transform the experience of museum going, making it exciting, accessible and relevant to the lives of younger generations. Entrance to the collection in the new building will be free to visitors, with a small charge for special exhibitions.

Launching initially online in December 2020 at the height of the pandemic, MAP already brings its collection to life through multiple pathways, from VR and AR to animation, video, livestreams, and online workshops.

Through its Museums Without Borders initiative, MAP has developed digital partnerships with international museums to share collections online. These include the British Museum, V&A, Horniman Museum, National Gallery Singapore, Museum of Fine Art Boston, Rhode Island School of Design, Morgan Library and Museum, Vitra Design Museum.

MAP is the brainchild of philanthropist and collector Abhishek Poddar. Born in Calcutta, he began collecting in the early 80s and now lives in Bangalore. He has gifted the founding collection to the museum and has brought together an international network of supporters and partners to raise the funds to develop the new building and create a long-term sustainable future for the museum.

Speaking about the plans for MAP, Abhishek Poddar said: “From a very young age, I have been on a long journey of discovery of art, one that has led to friendships with extraordinary artists and craftspeople. I wanted to share the fruits of that experience with others because I believe everyone has the right to learn and be inspired by creative ideas without boundaries.”

The Founding Director of MAP is Kamini Sawhney, previously the head of the Jehangir Nicholson Art Foundation in Mumbai, that served as the modern art wing of the Prince of Wales Museum. Bringing institutions together in collaborative projects has been one of her special skills enabling audiences in India the opportunity to experience exhibitions in collaboration with Tate, London; Foam, Amsterdam; the Duke University, Durham; and the KNMA, New Delhi. Sawhney was selected as one of the first candidates for the Brooks fellowship at Tate Modern, London, in 2014 in collaboration with the Delfina Foundation.

Kamini Sawhney said: “The MAP collection with its range and breadth across all forms of visual expression give us the chance to share our stories in depth in a unique way. Blurring the lines of division between ‘high art’ and ‘popular culture’, crossing art forms, we are determined that MAP will breathe new life into the museum experience and encourage a whole new generation to discover the joy of art.”

Architects Soumitro Ghosh and Nisha Mathew formed Mathew & Ghosh Architects in 1995. The firm has been the recipient of numerous Indian as well as international awards, such as the World Architecture Community Award, A+D & CERA Architecture Award, TRENDS Award for Architecture & Design and EDIDA. Their works in Bangalore include Freedom Park (2011) , the transformation of the Old Central Jail into an urban Park of Possibilities; the National Martyrs Memorial (2013), dedicated to the memory of those who gave their lives for the country since independence in 1947; and Cinnamon (2013), a lifestyle store housed in a transformed colonial building dating from 1892. MAP will be their first museum building.

Commenting on the design of the building, Soumitro Ghosh said: “Museums today are about public engagement and space. We see our responsibility as architects to give complete foreground to art in all possible ways. Lightness of design and the freedom for light to shape spaces are key characteristic in all our works. For MAP, the issue of accessibility, rarely prioritized in public buildings in India, is important and so the physical space is designed in such a way as to be exceptionally accessible and inclusive.”

Design: Matthew & Ghosh – http://mathewghosh.com/

Images: Matthew & Ghosh

MAP Museum of Art and Photography, Bangalore images / information received 010222

Location: Bangalore, Karnataka, India, southern Asia

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Comments / photos for MAP Museum of Art and Photography, Bangalore designed by Matthew & Ghosh page welcome

The post MAP Museum of Art and Photography, Bangalore appeared first on e-architect.

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24mmphotography · 3 years

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Best Portfolios Photographer in Hyderabad |24MM photography & videography

24MM photography & videography is a complete wedding event photography studio located in Hyderabad. We are specialized in photography and video-shooting of weddings, events, portfolios and industrial sites. We are providing weightless PhotoBook and high definition video (HDV) for wedding. We also have the facility of drone video shooting, LED, LCD TV display with spot editing, Web Live and Web Development.

A melting pot of experience, innovation, enthusiasm and creativity, the company has been instrumental in working proactively with the prestigious clients. With the unfailing customer service and expertise in the areas of film and video production, we have become a one stop shop solution for portfolios,Weddings, Institutions, & corporate houses. We provide and facilitate all kinds of still & video shoots at all locations in South India. We have experienced camera crews, round the clock. A committed production services organization, We have the latest, top of the line equipment of all facets of Video Production as well as Still Photography.

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timespakistan · 4 years

Link

FM urges America not to ignore ground realities in held Kashmir Foreign Minister Shah Mahmood Qureshi on Thursday asked the Biden administration not to overlook the ground realities vis-à-vis occupied Kashmir as he urged the world to help in reaching a peaceful settlement of the Kashmir dispute before it was too late. He was speaking at a photography and cultural exhibition held at the Foreign Office as part of Kashmir Solidarity Day activities. “I expect the new Biden administration that has always talked of fundamental human rights to stop ignoring the ground realities in held Kashmir,” the foreign minister asserted. Mr Qureshi’s comment came in the backdrop of the controversy that started with a tweet by the US State Department’s Bureau of South and Central Asian Affairs in which Occupied Jammu and Kashmir was referred to as India’s Jammu and Kashmir. “We welcome the resumption of 4G mobile internet in India’s Jammu & Kashmir. This marks an important step for local residents and we look forward to continued political & economic progress to restore normalcy in J&K,” the tweet read. We welcome the resumption of 4G mobile internet in India’s Jammu & Kashmir. This marks an important step for local residents and we look forward to continued political & economic progress to restore normalcy in J&K. — State_SCA (@State_SCA) February 10, 2021 The State Department’s spokesman Ned Price later clarified at a media briefing that US policy on Kashmir had not changed and it still considered Kashmir as a disputed territory. Washington clarifies its policy on the issue stays unchanged “I want to be very clear, there has been no change in US policy in the region,” Mr Price said. However, despite the clarification by the State Department spokesman, the tweet was not corrected. This prompted Pakistan’s Foreign Office to express its reservations about the tweet. FO spokesman Zahid Hafeez Chaudhri said Pakistan was “disappointed” about the reference to Jammu and Kashmir in the State Department’s tweet regarding the resumption of mobile internet in Occupied Kashmir. “The reference is inconsistent with the disputed status of Jammu and Kashmir as recognised by numerous United Nations Security Council resolutions and the international community,” he maintained. At the photography exhibition, Mr Qureshi once again took a jab at the Arab-dominated Organisation of Islamic Cooperation (OIC) by asking it to respect its people’s sentiments about Kashmir. “I expect the OIC to not overlook the sentiments of the people in their countries. Priorities of governments could be different, but the sentiment of the people is somewhat different. Recognise it, see for yourself how things are moving,” the foreign minister said as he recalled that Pakistan was the founding member of the 57-member bloc of Muslim countries. The OIC has passed several resolutions on Kashmir, but Pakistan has been unhappy with some of the group members for not having actively raised the issue with India and emphasised the need for its resolution. Rather some of the countries, especially Arab monarchies, are promoting their ties with India. Urging the world to help in resolving the dispute, Mr Qureshi said: “We all have to sit down and find a way out.” He warned that the escalating situation was unsustainable and some “accident” could happen. The foreign minister reminded the world that it could be sucked into the conflict if peace and stability was affected. In Washington, the clarification about US policy on Kashmir, given at a news briefing on Wednesday afternoon, followed a string of statements by US President Joe Biden and senior officials of his administration, outlining their policies towards the South and Central Asian regions. The regions include India, Pakistan, Afghanistan and China and the policy outlines indicate a gradual change of emphasis from Pakistan and Afghanistan to China. The statements also show a greater US reliance on India to help counter China’s growing influence in the regions. But the clarification on Kashmir shows that Biden administration is not insensitive to Pakistan’s concerns either. At the briefing in Washington, journalists also asked the US official to comment on Twitter’s decision to block over 500 accounts after the Indian government accused them of making inflammatory remarks against Prime Minister Narendra Modi. “I would say generally that around the world we are committed to supporting democratic values, including freedom of expression,” Mr Price said. “When it comes to Twitter’s policies, we’d have to refer you to Twitter itself.” On Feb 9, President Biden telephoned Mr Modi and underscored his desire to fight together the scourge of global terrorism and to “defend democratic institutions and norms around the world”. The Indian media, while commenting on the White House readout of the conversation, noted that Mr Biden’s emphasis on “democratic values” was slightly different from the Trump administration’s focus on “security, driven in large measure by growing Chinese … assertiveness” in the region. But on Tuesday, the State Department did assure New Delhi that in the India-China disputes, Washington would stand by its “friend and allies.” Spokesman Price said the US was closely monitoring the situation along the India-China border and was concerned about Beijing’s “attempts to intimidate its neighbours”. https://timespakistan.com/fm-urges-america-not-to-ignore-ground-realities-in-held-kashmir/10786/

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fastworldnews1 · 4 years

Text

FM urges America not to ignore ground realities in held Kashmir

Foreign Minister Shah Mahmood Qureshi on Thursday asked the Biden administration not to overlook the ground realities vis-à-vis occupied Kashmir as he urged the world to help in reaching a peaceful settlement of the Kashmir dispute before it was too late.

He was speaking at a photography and cultural exhibition held at the Foreign Office as part of Kashmir Solidarity Day activities.

“I expect the new Biden administration that has always talked of fundamental human rights to stop ignoring the ground realities in held Kashmir,” the foreign minister asserted.

Mr Qureshi’s comment came in the backdrop of the controversy that started with a tweet by the US State Department’s Bureau of South and Central Asian Affairs in which Occupied Jammu and Kashmir was referred to as India’s Jammu and Kashmir.

“We welcome the resumption of 4G mobile internet in India’s Jammu & Kashmir. This marks an important step for local residents and we look forward to continued political & economic progress to restore normalcy in J&K,” the tweet read.

We welcome the resumption of 4G mobile internet in India's Jammu & Kashmir. This marks an important step for local residents and we look forward to continued political & economic progress to restore normalcy in J&K.

— State_SCA (@State_SCA) February 10, 2021

The State Department’s spokesman Ned Price later clarified at a media briefing that US policy on Kashmir had not changed and it still considered Kashmir as a disputed territory.

Washington clarifies its policy on the issue stays unchanged

“I want to be very clear, there has been no change in US policy in the region,” Mr Price said. However, despite the clarification by the State Department spokesman, the tweet was not corrected.

This prompted Pakistan’s Foreign Office to express its reservations about the tweet.

FO spokesman Zahid Hafeez Chaudhri said Pakistan was “disappointed” about the reference to Jammu and Kashmir in the State Department’s tweet regarding the resumption of mobile internet in Occupied Kashmir.

“The reference is inconsistent with the disputed status of Jammu and Kashmir as recognised by numerous United Nations Security Council resolutions and the international community,” he maintained.

At the photography exhibition, Mr Qureshi once again took a jab at the Arab-dominated Organisation of Islamic Cooperation (OIC) by asking it to respect its people’s sentiments about Kashmir.

“I expect the OIC to not overlook the sentiments of the people in their countries. Priorities of governments could be different, but the sentiment of the people is somewhat different. Recognise it, see for yourself how things are moving,” the foreign minister said as he recalled that Pakistan was the founding member of the 57-member bloc of Muslim countries.

The OIC has passed several resolutions on Kashmir, but Pakistan has been unhappy with some of the group members for not having actively raised the issue with India and emphasised the need for its resolution. Rather some of the countries, especially Arab monarchies, are promoting their ties with India.

Urging the world to help in resolving the dispute, Mr Qureshi said: “We all have to sit down and find a way out.” He warned that the escalating situation was unsustainable and some “accident” could happen.

The foreign minister reminded the world that it could be sucked into the conflict if peace and stability was affected.

In Washington, the clarification about US policy on Kashmir, given at a news briefing on Wednesday afternoon, followed a string of statements by US President Joe Biden and senior officials of his administration, outlining their policies towards the South and Central Asian regions.

The regions include India, Pakistan, Afghanistan and China and the policy outlines indicate a gradual change of emphasis from Pakistan and Afghanistan to China. The statements also show a greater US reliance on India to help counter China’s growing influence in the regions. But the clarification on Kashmir shows that Biden administration is not insensitive to Pakistan’s concerns either.

At the briefing in Washington, journalists also asked the US official to comment on Twitter’s decision to block over 500 accounts after the Indian government accused them of making inflammatory remarks against Prime Minister Narendra Modi.

“I would say generally that around the world we are committed to supporting democratic values, including freedom of expression,” Mr Price said. “When it comes to Twitter’s policies, we’d have to refer you to Twitter itself.”

On Feb 9, President Biden telephoned Mr Modi and underscored his desire to fight together the scourge of global terrorism and to “defend democratic institutions and norms around the world”.

The Indian media, while commenting on the White House readout of the conversation, noted that Mr Biden’s emphasis on “democratic values” was slightly different from the Trump administration’s focus on “security, driven in large measure by growing Chinese … assertiveness” in the region.

But on Tuesday, the State Department did assure New Delhi that in the India-China disputes, Washington would stand by its “friend and allies.”

Spokesman Price said the US was closely monitoring the situation along the India-China border and was concerned about Beijing’s “attempts to intimidate its neighbours”.

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crowdfundingindia · 4 years

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Crowdfunding Platforms in India

Did you know the global crowdfunding industry has generated approximately 34.4 billion dollars of funds last year? Online Crowdfunding has gained immense popularity in the world; however, no reliable numbers are undoubtedly available for India, but it has contributed for a small fraction of this in the account. Today, India has become the world's second-biggest internet fair, with over 342 million mobile users and online fee alternatives. This has made it simple and hassle-free to make donations says a privately held financial, software, data and media company – Bloomberg. This article will help you understand more in detail about the various crowdfunding platforms here in India and how each one functions and how they are different from the other.

Check out top peer to peer online crowdfunding platforms in India.

Ketto

Founded in 2012 by Varun Sheth, Zaheer Adenwala and Kunal Kapoor(Actor), Mumbai-based Ketto supports fundraisers in three main categories:

Community/social projects (NGOs/Nonprofits/Charities),

Creative arts (Movies/Music/Theatre/Fashion/Technology)

Personal development (Health/Education/Travel).

Also, Ketto encourages companies to search for projects to support as a way of demonstrating Corporate Social Responsibility and allow NGOs to use their website as an e-commerce sales gateway. Ketto offers fundraisers an exclusive money pick-up facility and charges 5-8% of the funds raised or USD 30 (either is higher in case of individuals and corporates) along with payment gateway charges. Project makers keep all the funds that are raised even if they drop below the target they set for. The platform has hoisted 5,990,400 USD via more than 100,000 backers to sustain over 10,000 projects.

Rang de

Founded in Bengaluru 2008 by Smita Ram and Ram N. K. RangDe.org is an internet-based peer-to-peer micro-lending stage that helps micro or low-cost loans to rural entrepreneurs in India with the help of donors. An extraordinary characteristic is that more than 93% of borrowers are women in the community.

This not-for-profit crowdfunding platform has fascinated 9,699 social investors and helped expend 50,008 loans for a sector of Indian population who are typically ignored by financial institutions. Rang de has so far raised social investments of roughly USD 7 million while repaying very close to USD 5 million. Borrowers pay interest rates ranging between 4.5% and 10% p.a. for collateral-free loans. They get a nominal cut of 2% on all the loans.

The World Bank has funded it through the Development Marketplace (DM). It is a beneficiary of numerous social change-related rewards including South Asian International Fund Raising Group's Fundraising Campaign of the year Award and 2013 Millennium Alliance Award. The group has a network of Twenty- Five field partners in 16 states across India who bodily take the funds to the borrowers and can contact them to pay their debts.

Milaap

Milaap is a Bengaluru based business, founded in 2011 by Mayukh Choudhury and Anoj Vishwanathan. It began as a crowdfunding platform for micro-loans for people in rural India, helping low-income borrowers with projects such as education, health, energy and water and sanitation. The company has added donations on its range in 2014 and now allows contributions and micro-lending for medical emergencies, neighbourhood projects, natural calamities and micro-business developments. Milaap has donors and lenders from across 120 countries for close to 50,000 projects and has collected over 12.7 million USD. It charges 5-8% of the funds raised by campaign title- holders.

Impact Guru

Impact Guru is a tech-for-good platform founded by Khushboo Jain and Piyush Jain. The company offers total crowdfunding solutions to authorize individuals, NGOs and social enterprises to raise funds. Whether the cause is big or small, it raises funds for medical urgencies, personal requirements, or any social reason. Impact Guru aims to bind charity with the need to capitalize on people's potential to do good. Commencement of a crowdfunding platform for nonprofit organizations in 2014, Impact Guru is a Harvard iLab developed fintech stage located in Mumbai. It aids people, nonprofits, social enterprises, startups, corporates for their fundraising requirements. It holds in donations, rewards crowdfunding and investment fundraising effectively.

In April 2020, it had raised a handsome amount of 500,000 USD from a Singapore-based endeavour capital fund RB Investments and private investment platform Fundnel. Fundnel and Impact Guru had collectively accumulated funds around $8.5 million. Their campaigns have benefited over 100 causes and organizations in a total of 6 countries. It is free to initiate a campaign on Impact Guru; the stage charges a 5% fee with operation costs if a fundraiser chooses a 'Default' package on the threshold.

Faircent

Located at Gurgaon, Faircent is another peer-to-peer lending platform founded by Rajat Gandhi, Vinay Matthews and Nitin Gupta. The company is a fundamental marketplace where borrowers and lenders can interact directly, without the need of financial institutions. The platform encourages lenders and borrowers to discuss the terms of loans with interest rates and the period of the loan.

Faircent is, therefore, able to eradicate high margins on loans whilst keeping institutional charges low. It charges a one-time fee of USD 23 and more alongside a supervision fee depending on the sum of the loan and interest but doesn't receive from the interest paid. The company has over 6,000 lenders, and 26,000 estimated borrowers and has disbursed total loans worth almost USD 973,000 in the last years.

Wishberry

Wishberry is a donation for rewards crowdfunding platform founded in 2010 by Priyanka Agarwal and Anshulika Dubey in Mumbai. It is initiated to fund for projects such as music, stand-up comedy, film production, art, dance, design, photography and theatre. A Wishberry consultant, a 'Campaign Coach', is selected for every project to help the project creators write a persuasive pitch, make an engaging video and grip on to the logistics of choosing, sourcing and distributing the rewards. Through this, they avail a very high 70% success rate. It has completed 325 projects raising approximately 1.3 million USD from more than 11,000 backers across 60 countries. The donors are presented with non-monetary incentives such as invites to movie premiers, one-of-a-kind commodities, and overall experience in the making of the venture. Wishberry charges a one-time non-refundable charge of USD 52.37 plus 10% commission of the funds raised charged only if the funding aim is achieved.

Fuel a dream

A Bengaluru-based 'Fuel A Dream' company founded in April 2016 with 14 projects by Ranganath Thota. It is a rewards-based crowdfunding podium and focuses on imaginative art projects, social causes and charities. It gives its donors the alternative of either (All or Nothing) or (Keep What You Get) campaigns. In the case of an AON campaign, if it doesn't reach its purpose, all the funds accumulated initially is returned to donors. The corporation has its technical team to handle and put forth an online pitch and help design a rewards system for every project. It charges 9% (2% gateway +7% contract charges) of the total amount composed during the campaign, whether an AON or a KWYG form. On the 9%, there is a

government levy of service tax- 14.5%. This works out to a sum charge of 10.3% of the funds raised.

Catapooolt

Satish Kataria founded Catapooolt in July 2013. From small businesses to Parallel Cinema and from DJs Racing Car to India's leading political party AAP, Catapooolt is a company that has helped online fundraises gain popularity in sports, and political projects, social enterprises and production startups. This crowdfunding podium has helped fund over 40 projects to elevate almost 150,000 USD from over 2,000 donors with 53 active ventures. Catapoolt provides three unique tier rewards to its donors and claims to be the only crowdfunding stage that gives fundraisers access to allocation in 300,000 retail outlets with revelation to their walk-in customers in India. It charges about USD 23 as a project compliance fee along with 10-15% of the sum money raised.

Bit Giving

This is a crowdfunding platform founded in 2013 by Ishita Anand with headquarters in New Delhi. BitGiving enables artists, designers, engineers, and creators of all sorts to join together in a bid to share their tale and raise funds online for commercial, creative and social ventures. Nearly 15 % of campaigns are striving on raising funds for medical cure. It has completed over 650 projects, and notable success stories comprising projects to aid Nepal after the earthquakes and sending an Indian athlete to the Olympic Games. BitGiving has a scheme to assist farm widows in Marathwada and has funded 2 two months of hospital treatment for a teen with a rare disease. It charges 6-10% commission on the sum, depending on whether the seekers are nonprofits, folks, organizations or corporates. It rewards its donors via non-monetary motivations, namely social media recognitions, bespoke cards, pre-orders or money off on goods/commodities, VIP passes/tickets to seminars and many more.

Crowdera

Crowdera was launched in October 2014 by Chet Jain, Chaitanya Atreya and Rich Mastuura in Palo Alto, California. This company is an entirely free global crowdfunding stage that is founded for Indian fundraisers in April 2016. Their platform had raised over 537,000 USD, helping several impressive nonprofits, individuals, and groups. The stage is at present funded by few friends and their co-founder Rich Mastuura. The panel intends to commence financing in 2017 from the Corporate Social Responsibility activities of enterprises across the globe. It is free from any commission and firmly stands for a motto: 'Doing good must not be penalized.

Crowdfunding websites from now on the only move faster, we shall have to see how India either adapts to encourage or enables innovation in the years to come.

#Crowdfunding websites #crowdfunding India #crowdfunding platforms #Online crowdfunding

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speedylightheart · 4 years

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Geospatial Imagery Analytics Market Mergers And Acquisition, Product Portfolio, Impact Analysis 2025

Geospatial Imagery Analytics Market is valued at USD 3.97 Billion in 2018 and expected to reach USD 27.88 Billion by 2025 with the CAGR of 32.1% over the forecast period.

Factors such as Need to manage natural resources, infrastructure & utilities and to develop information systems for government institutions and companies are contributing in the market growth.

Scope of Geospatial Imagery Analytics Market is as;

Geospatial analytics manipulates gathers and displays geographic information system (GIS) data and imagery by GPS and satellite photographs. It uses data from all kinds of technology such as social media, location sensors, GPS, mobile devices and satellite imagery for building data visualizations to understand the phenomena and finding trends in complex relationships between people and places. Visualization can include graphs, statistics, maps and cartograms which show historical changes and current shifts and Geospatial imagery covers a wide range of graphical products that convey information about natural phenomena and human activities occurring on Earth's surface. That term can include multispectral or hyperspectral digital imagery which includes portions of the electromagnetic spectrum that lie beyond the range of human vision, panchromatic and color (black and white) aerial photographs and products such as shaded relief maps or three-dimensional images produced from digital elevation models. The initial form of geospatial imagery was aerial photography and it consists of photographs taken from an airborne or spaceborne camera. Those Aerial photographs can be taken either vertically or obliquely. The resolution of geospatial imagery has increased over time and the Keyhole intelligence satellites that have been launched by the United States since the early 1960s.

Geospatial Imagery Analytics Market is segmented into type and application. On the basis of type the market is segmented into Imagery Analytics and Video Analytics. On the basis of application the market is segmented into Defense and Security, Insurance, Agriculture and Healthcare and Life Sciences.

The regions covered in this Geospatial Imagery Analytics Market report are North America, Europe, Asia-Pacific and Rest of the World. On the basis of country level, market is sub divided into U.S., Mexico, Canada, UK, France, Germany, Italy, China, Japan, India, South East Asia, GCC, Africa, etc.

Geospatial Imagery Analytics Manufacturers:

Globally Manufacturers such as,

Harris Corporation

Hexagon Ab

Google

Keyw Corporation

Satellite Imaging Corporation

Urthecast Corporation

Geocento

Digitalglobe

Trimble

Eos Data Analytics

Others

Increasing demand for GIS services by businesses is driving the market growth.

The businesses are using geospatial analytics to improve their informative decision making and to understand customer preferences to increase their sales in the targeted demography. For instance, According to Idea Group Publishing (TLFe Book), sum of revenues for GIS core-business will be $1.75 billion in 2003, an 8% increase from 2002. The GIS software vendor sales totaled $1.1 billion, two thirds of the total, while services accounted for 24%. Hence increasing demand for GIS services by businesses is one of the key factors for driving the market growth. Also the adoption of drones and surveillance cameras by businesses to utilize and analyze the video content for supporting their daily operations is fueling the market growth. For instance, the global commercial drones market range between US$ 2 billion to US$ 6.5 billion by 2020, total addressable market for commercial drones to be as high as US$ 130 billion in 2015 and other sources expect the economic impact to reach US$ 80 billion by 2025 and the agriculture drones market will reach US$ 3.7 billion and it will reach to US$ 30 billion by 2025 and a current addressable market impact of US$ 32.4 billion. And as the companies are offers video recording and analysis systems which are ideal for capturing videos for mobile mapping surveys, real-time reporting, and post-mission mapping. Hence it is fueling the market growth. Moreover, the growing use of location-based services (LBS) is expected to offer immense growth opportunities to the global geospatial imagery analytics market. However, increasing government compliance pertaining to geospatial data and integration of geospatial imagery analytics data with enterprise solutions are restraining the market growth.

North America is dominating the Geospatial Imagery Analytics Market.

Geographically, North America region is dominating the geospatial imaginary analytics market. This is due to an increase in investments in new satellite systems into the region. For instance, According to Bryce Space and Technology, LLC, the global space economy was an estimated $345 billion USD in 2016. The United States leads in government space spending, this is with an estimated $48 billion spread among 11 agencies & offices and North America region has the largest combined government space budget it is nearly $50 billion. And the region has several key vendors such as Trimble, Google, Orbital Insight, Maxar Technologies, Esri and Planet Labs.

Also Asia-Pacific region is at second position in dominance. This is due to large number of internet users due to the increasing adoption of connected devices in the region are providing sufficient growth opportunities for the growth of the market in the region. For instance, According to Asia Pacific Network Information Centre, there are about 115 million internet users in 2000 and 1 billion users in 2013 in the Asia.

Key Benefits for Global Geospatial Imagery Analytics Market Reports –

Global market report covers in depth historical and forecast analysis.

Global market research report provides detail information about Market Introduction, Market Summary, Global market Revenue (Revenue USD), Market Drivers, Market Restraints, Market opportunities, Competitive Analysis, Regional and Country Level.

Global market report helps to identify opportunities in market place.

Global market report covers extensive analysis of emerging trends and competitive landscape.

Global Geospatial Imagery Analytics Market Segmentation –

By Type : Imagery Analytics, Video Analytics

By Application: Defense and Security, Insurance, Agriculture, Healthcare and Life Sciences

Regional & Country Analysis North America, U.S., Mexico, Canada , Europe, UK, France, Germany, Italy , Asia Pacific, China, Japan, India, Southeast Asia, South America, Brazil, Argentina, Columbia, The Middle East and Africa, GCC, Africa, Rest of Middle East and Africa

About Us:

Brandessence Market Research and Consulting Pvt. ltd.

Brandessence market research publishes market research reports & business insights produced by highly qualified and experienced industry analysts. Our research reports are available in a wide range of industry verticals including aviation, food & beverage, healthcare, ICT, Construction, Chemicals and lot more. Brand Essence Market Research report will be best fit for senior executives, business development managers, marketing managers, consultants, CEOs, CIOs, COOs, and Directors, governments, agencies, organizations and Ph.D. Students. We have a delivery center in Pune, India and our sales office is in London.

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