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Overture: 1 (EP) / Preliminary release for the upcoming LP "Surface to Air" (Releases on September 11th)
Listen on Spotify here: Overture: 1 by Jet Le Parti
EP: Overture: 1
Genre: experimental, ambient, neoclassical, techno, liminal, tape
By: Jet Le Parti
Album Artwork: L.S. Toy
Base 36. 2024.
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Whumpee is locked in an empty dark room with a metronome. It ticks back and forth at a steady pace, 24/7. It never stops. Whumpee has no idea what time it is, how long they've been there, or even when they are fed. They can't even find the source of that metronome, it's like it changes places. Soon enough, they start going mad.
Another metronome prompt:
Whumper uses a metronome to hypnotize Whumpee and make them repeat every cruel, messed up word they say. The ticking never leaves Whumpee's mind.
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Joep Beving & Maarten Vos’s vision of contentment
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Harmony in Glass and Steel: Renzo Piano's Masterpiece - Maison Hermes, Tokyo
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Matthew SHIPP "Spinal Syntax 1 & 2" / Loren MAZZACANE CONNORS "Exile" [feat. Val BERTOIA]
(split 7"EP. Halana. 1996) [US]
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Async
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composed a very short very simple piece of music for a certain scene in a short film final project for a different class this quarter -- context is that this is the scene where the two main characters fall asleep on a train and unknowingly find themselves mind-swapped (and also it's gay)
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that feeling when the hyperfixation hyperfixates so much that you pick up an instrument that you’ve never played before and fixate on leaning to play songs from said fixation to calm the demons
does this happen to anyone else
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alva noto & ryuichi sakamoto -- vrioon [album, 2002]
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Esto es parte de una de las mejores bandas sonoras. Es la música de Amelie, un trabajo de Yann Tiersen. Se titula Comptine d`un autre ete - l`apres-midi
*https://youtu.be/NvryolGa19A
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Hania Rani - Ghosts - new album on Gondwana Records
Hania Rani announces her new album, Ghosts, bringing her songwriting and beautiful vocals to the fore and featuring special guests Patrick Watson, Ólafur Arnalds and Duncan Bellamy (Portico Quartet).
Ghosts is the sound of an ever-evolving artist and, just as the album’s title suggests she passes repeatedly and gracefully between musical worlds: as composer, singer, songwriter, and producer. This album builds on Rani’s earlier successes Esja and Home with an expanded yet still minimal setup of piano, keyboards, synths (most importantly her Prophet) and features more of her mysterious, bewitching voice. Its spirit is warm, beckoning one into an ambitious double album that unfolds at an exquisite pace, informed by her revelatory, exploratory live performances.
Ghosts is also an album of collaborations as Rani is joined by Patrick Watson, who breathes unearthly life into the ethereal ‘Dancing with Ghosts’. ‘Whispering House’is written and recorded with her friend, Ólafur Arnalds and casts a peaceful, ineluctable spell; and Portico Quartet’s Duncan Bellamy contributes vital loops to ‘Don’t Break My Heart’ and ‘Thin Line’.
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i have planned to write a pseudo-essay or some kind of detailed look at linebeck in phantom hourglass and how he can be interpreted as autistic but thats not going very well right now so here are some autistic linebeck headcanons
He has low empathy and as such has a hard time responding very well to emotional situations, but he can take advantage of his lower empathy in situations where empathy could make things harder, like tending to wounds or rationally handling emotionally-charged situations
His coat is a comfort object and he made it specifically to act as a very slight accommodation; it’s heavy and barely lets any light through it, and he can keep all kinds of little things in pockets sewn into the inner lining, but larger objects do make it more uncomfortable to wear at times. It’s mostly good to carry around things to fidget or stim with and can be helpful in trying to recover from overwhelming sensory experiences
He doesn’t usually stim in public, but taps his fingers on tables quickly and tends to rhythmically snap his fingers when excited, and on his ship is more vocal and more willing to stim, even if around others. One of his main stims that he’ll do for no particular reason is that he’ll hold his arm or back of his wrist/hand up to his nose and mouth for the smell.
He masks frequently to please people. His default mask is that arrogant and brave front he puts up for islanders and other he may come across. Usually, if that mask doesn’t work, he tends to double-down because it usually works and, in his experience, dropping the mask has usually gone badly (non masking he’s rude and blunt but more outwardly excited about adventure and his ship and all of that, i consider it where overseas in the game is when he usually isn’t masking. this shifts his arc to be about him learning to stop masking and feel comfortable being himself)
His special interests could include stuff related to treasure hunting but it could really range from stuff about adventuring or the ocean or engineering (relating to his ship) to stuff not at all touched in the game like music. He really enjoys music, listening to it, playing it, and writing it. He also enjoys and is fascinated by shellfish.
When busy or otherwise occupied, he doesn't usually notice when he's hungry. He doesn't have as much of a problem noticing thirst or exhaustion, but feeling hunger is a problem for him, and often leads to him going a long time without eating. On the other hand, he doesn't mind eating the same thing repeatedly and is perfectly fine with blander foods, so handling food supplies for when he'll be overseas for a long time is easy for him.
He knows he's autistic, he's known for a pretty long time, and he has books on it; he also knows that Link is autistic, but doesn't say anything about it and instead waits until someone else tells him. Until (and after, I suppose) Link actually learns that he's autistic Linebeck just makes sure to keep note of what accommodations he might need and if there are any textures or tastes or smells he can't stand. He doesn't have much of a problem helping out during sensory overloads, even soon after meeting him. It's more out of understanding how it feels to not have your needs met and a sort of solidarity rather than actual friendship.
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Nils Frahm’s Day
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been listening to kali malone’s ‘the sacrificial code’ a lot again recently… classical minimalism (or whatever) really is such a positive way to deal with stress for me. in high school i would listen to einstein on repeat for like weeks on end lol. im realizing/remembering that the music i really most enjoyed making was classical minimalism. maybe this is a way to get back into making music.
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