The 2024 Shortlist
The BBC’s 13th Annual Celebration of Audio Drama
2023 marked the centenary year for audio/radio drama at the BBC. For 100 years of this unique genre, audio drama and comedy have provided enjoyment, diversion, illumination, insight and escape for listeners, evolving in approach and style as audio practitioners have responded to new ideas and technology with ingenuity, imagination and inspiration. These awards celebrate the creativity of actors, writers, directors, producers, musicians, sound designers and all who work in this vibrant art-form.
The winners will be announced on Sunday 24 March 2024 in a ceremony in the Radio Theatre at BBC Broadcasting House London. The winners of the Imison and Tinniswood Awards (judged and administered by the Society of Authors and the Writers’ Guild of Great Britain) will also be announced at this ceremony.
Best Original Single Drama
Benny and Hitch by Andrew McCaldon, producers Neil Varley and Tracey Neale, BBC Audio Drama London
Churchill versus Reith by Mike Harris, producer Gary Brown, BBC Audio Drama North
Dear Harry Kane by James Fritz, producer Sally Avens, BBC Audio Drama London
Eat and Run by Paolo Chianta, producer Lorna Newman, BBC Audio Drama North
Rare Earth by Richard Monks, producer Nicolas Jackson, Afonica
Voices From the End of the World by Lucy Catherine, producer Sasha Yevtushenko, BBC Audio Drama London
Best Adaptation
The Age of Anxiety by W.H.Auden, adapted by Robin Brooks, producer Fiona McAlpine, Allegra Productions
Beowulf Retold based on the version by Seamus Heaney, producer Pauline Harris, BBC Audio Drama London
Bess Loves Porgy by Edwin DuBose Heyward, adapted by Roy Williams, producer Gill Parry, feral inc
The Dark is Rising by Susan Cooper, adapted by Robert Macfarlane and Simon McBurney, producer Catherine Bailey, Catherine Bailey Productions and Complicite
If on a Winter’s Night a Traveller by Italo Calvino, adapted by Tim Crouch and Toby Jones, producer Nadia Molinari, BBC Audio Drama North
One Moonlit Night by Caradog Prichard, adapted by Rhiannon Boyle, producer Emma Harding, BBC Cymru Wales
Best Original Series or Serial
The 5000 by Sebastian Baczkiewicz, producers Gaynor Macfarlane, BBC Scotland
An Eye for a Killing by Colin Macdonald, producer Bruce Young, BBC Scotland
Flirties, written and produced by Jess Simpson, Audiocraft
There’s Something I Need to Tell You by John Scott Dryden and Misha Kawnel, producer Emma Hearn, Goldhawk Productions
The Tomb by Sebastian Baczkiewicz, producer Joby Waldman, Reduced Listening
Trust by Jonathan Hall, producer Gary Brown, BBC Audio Drama North
Best Actor
Hiran Abeysekera, Dear Harry Kane, director Sally Avens, BBC Audio Drama London
Max Irons, The Bronze Horseman, director Susan Roberts, BBC Audio Drama North
Toby Jones, If on a Winter’s Night a Traveller, director Nadia Molinari, BBC Audio Drama North
Lorn Macdonald, Confessions of a Justified Sinner, director Kirsty Williams, BBC Scotland
Tim McInerny, Benny & Hitch, director Tracey Neale, BBC Audio Drama London
Tom Walker, Call Jonathan Pie, Alison Vernon-Smith, Yada-Yada Audio
Best Actress
Gabrielle Brooks, Bess Loves Porgy, director Michael Buffong, feral inc
Dinita Gohil, Victory City, producer Alison Crawford, BBC Bristol
Maxine Peake, The Women of Troy, director Nadia Molinari, BBC Audio Drama North
Rosamund Pike, People Who Knew Me, director Daniella Isaacs, Merman
Lydia Wilson, Happy Birthday, Mr President, director Gaynor Macfarlane, BBC Scotland
Fenella Woolgar, Lines in the Sand: The Journeys of Gertrude Bell, director Jessica Mitic, BBC Audio Drama North
Best Supporting Performance
Sacha Dhawan, Anna Karenina, director Nadia Molinari, BBC Audio Drama North
Erin Doherty, The Seagull, director Toby Swift, BBC Audio Drama London
Mark Heap, Kafka’s Dick, director Dermot Daly, Naked Productions
Sophia Del Pizzo, There’s Something I Need to Tell You, director John Scott Dryden, Goldhawk Productions
The Marc Beeby Award for Best Debut Performance
Izzy Campbell, Of a Night, director Jessica Mitic, BBC Audio Drama North
Rosie Ekenna, Faith, Hope and Glory, director Anastasia Osei-Kuffour, BBC Audio Drama London
Rosalind Eleazar, Hindsight, director Gaynor Macfarlane, BBC Scotland
Jadie Rose Hobson, Exposure, director Anne Isger, BBC Audio Drama London
Dan Parr, The Test Batter Can’t Breathe, director Tracey Neale, BBC Audio Drama London
Olivia Triste, Rise, director Dermot Daly, Naked Productions
Best Sit Com or Comedy Drama
Call Jonathan Pie by Tom Walker, producer Alison Vernon-Smith, Yada-Yada Audio
Kat Sadler’s Screen Time by Kat Sadler and Cameron Loxdale, producer Gwyn Rhys Davies, BBC Studios Audio
Michael Spicer: Before Next Door by Michael Spicer, producer Matt Tiller, Starstruck Media
Mockery Manor by Lindsay Sharman, producer Laurence Owen, Long Cat Media
She Stoops to Conquer by Oliver Goldsmith, adapted by Barunka O’Shaughnessy, producer Emma Harding, BBC Cymru Wales
Where to, Mate? devised by Jo Enright, Peter Slater, Abdullah Afzal, Nina Gilligan, Andy Salthouse, Keith Carter, Jason Wingard, producer Carl Cooper, BBC Studios Audio
Best Stand Up Comedy
Daliso Chaponda: Citizen of Nowhere by Daliso Chaponda, additional material Meryl O’Rourke, producer Carl Cooper, BBC Studios Audio
Janey Godley: The C Bomb by Janey Godley, producers Julia Sutherland and Richard Melvin, Dabster Productions
Maisie Adam: The Beautiful Game by Maisie Adam, producer Georgia Keating, BBC Studios Audio
Olga Koch: OK Computer by Olga Koch and Charlie Dinkin, producer Benjamin Sutton, BBC Studios Audio
Rob Newman on Air by Rob Newman, producer Eloise Whitmore, Naked Productions
Sarah Keyworth: Are You a Boy or a Girl by by Sarah Keyworth, additional material Ruby Clyde, producer James Robinson, BBC Studios Audio
Best Use of Sound
The Adventurers, sound by Alisdair McGregor, producer Boz Temple-Morris, Holy Mountain
The Dark is Rising, sound by Gareth Fry, producer Catherine Bailey, Catherine Bailey Productions and Complicité
Hamlet Noir, sound by David Chilton, Lucinda Mason Brown, Weronika Andersen, producers Charlotte Melén, Carl Prekopp and Saskia Black, Almost Tangible
Slow Air, sound by Alisdair McGregor and Eloise Whitmore, producer Polly Thomas, Naked Productions
Voices From the End of the World, sound by Peter Ringrose, producer Sasha Yevtushenko, BBC Audio Drama London
The Women of Troy, sound by Sharon Hughes, producer Nadia Molinari, BBC Audio Drama North
Best Podcast Audio Drama
Badger and the Blitz by Richard Turley and Darren Francis, producer Richard Turley, Roxo Ltd
Below by Aaron Gray and Paul Skillen, producer John Wakefield, HTM Television
Flirties, written and produced by Jess Simpson, Audiocraft
The Haunter of the Dark – The Lovecraft Investigations by Julian Simpson, producer Sarah Tombling, Sweet Talk Productions
The Salvation by Justin Lockey, Jeffrey Aidoo, and AK Benedict, producers John Hamm and Boz Temple-Morris, Holy Mountain and Free Turn
Tagged by Brett Neichin and John Scott Dryden, producer Emma Hearn, Sony Music Entertainment and Goldhawk Productions
Best European Drama
Evicted by Karel Klostermann, adapted by Tomáš Loužný, producer Renata Venclová, CZR Czech Radio
Faust (I Never Read It) by Noam Brusilovsky, producer Andrea Oetzmann, SWR Südwestrundfunk with Deutschlandfunk
Irina’s Soul Is Like a Precious Piano by Rona Žulj, producer Katja Šimunić, Croatian Radiotelevision
The Sick Bag Song by Nick Cave, adapted by Kai Grehn, producer Lina Kokaly, Radio Bremen
The Supervisor by Nis-Momme Stockmann, producer Michael Becker, NDR Norddeutscher Rundfunk
This Word by Marta Rebzda, producer Waldemar Modestowicz, Polish Radio Theatre
-- WooHOO! The Haunter of the Dark, part 4 of The Lovecraft Investigations, is up for a BBC Audio Drama Award! I am made up!
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Bates Hunter Gold Mine and History Extending to the Colorado Gold Rush
With the history of Colorado gold mining extending to the mid-19th century, GS Mining Company has assembled an extensive portfolio of mine holdings spanning the Central City/Black Hawk region. In 2024, 85 percent of the gold under Central City remains undiscovered. The Bates Hunter Mine revival centers on sustainably exploiting assets in a mine first operated in 1859.
After teaser discoveries in 1858, George Jackson found a significant placer deposit in Chicago Creek, near Idaho Springs, in January 1859. The discovery of gold near Black Hawk by John Gregory quickly followed it. Then, tens of thousands of miners rapidly entered the Denver region, and this influx led to Colorado becoming a US territory in 1861. The Pikes Peak Gold Rush focused on the easternmost of the state’s Fourteeners, mountains extending above 14,000 feet in the Rockies - the signpost that wagon trains of immigrants first saw on the horizon as they approached the mountainous west after months of crossing the Great Plains.
However, the major riches promised never materialized in 1859, and by mid-May, the gold rush had turned into a tale of “go backers,” with a cycle of boom and bust occurring in just a few months. Of 100,000 gold seekers who set out for Colorado in early 1859, only 40,000 reached Denver, and by August, only 10,000 miners remained in the region. An estimated 2,000 miners reached Denver, with the remainder engaged in lode gold mining operations deep in the mountains. As late as September, some hoped for a significant find, with 2,000 miners surveyed in a key gulch region spanning six square miles along the Clear Creek’s North Fork and Central City. By the time winter hit, most of these miners left, and major commercial operations did not commence again until the 1890s.
The Bates Vein, within the Gregory Lode, was part of John Gregory’s initial 1859 discovery in Central City. Neglected for decades, it witnessed a late 19th-century revival. By the turn of the 20th century, it became part of a region populated by small mining operations, which National Geographic called “the richest square mile on earth.” The Bates-Hunter Mine closed in 1936, and the point the shaft reached a depth of approximately 800 feet.
In 1987, the Central City Consolidated Mining Company attempted to reopen the mine, followed by a mid-2000s Wits Basin Precious Minerals, Inc. venture. Neither project made much headway. Then, the emergence of GS Mining Company, LLC acquired the property and started extracting significant gold by 2020.
Bates Hunter Gold Mine spans a series of proven gold veins with potential gold recovery estimated between one to 3 million ounces. The existing infrastructure, including an elevator system servicing the entirety of the 800-foot main shaft, would require around $40 million to construct, adjusted for inflation. With an EPA water purification system in place, the Bates Hunter connects to the Becker Bates Mines at around 500 feet. In the area of connection, the highest gold readings (several ounces per ton) have been recorded. Characterized as one of the richest gold-bearing veins in the region, the current operation can potentially deliver significant returns on investment.
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NYT Crossword 21 January 2024
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