#place d'arc

[retrogeographie]

Orléans, le centre commercial de la place d'Arc.

[anaie-russie]

Sharing one of my gigajillion WIPs with the world. I may finish it... even color it... one day... for sure...

[canyourlawnmowerdothis]

this one goes out to my singular funger mutual <3

[kjzx]

Nas'hrah I believe somewhere at the museum mentions The Girl and he says something along the lines of "--that kid, whatever her name was,--" which implies that she Did have a name, which makes sense (pretty much everyone but Enki would give her a name and he very explicitly was not the one who led her to ending A), but it's nice to have a canon confirmation she did have a name

If NAS'HRAH vaguely remembers her having a name I damn bet everyone was calling her by it

[luedelouartandwriting]

Just a little bit of comfort to leave the dungeons behind us...

[bb-fennelposting]

Le'garde=Tigerstar?????

ehhhhhhhh..... maybe??

i mean the similiarities are there, but tigerstar's rise to power stemmed from a particular ideology whereas le'garde had a god complex, but also a desire to help humanity against a cruel and unjust world (or so he claims, it can be just vanity). there wasn't really an ideology so much as a goal

i think he's moreso like clear sky. obsessed with power and wielding a flimsy ""justification"" for all their horrendous actions

[val1ate1flower]

I feel like people don't talk about Jancer enough she's such a cutie

[leatherbookmark]

okay, it seems reading from the “oh dear all those people are so fucked up” angle paid off, i’m barely 41 pages in (vs the book’s 428, that’s Nothing) but look at this quote (pgs 39, 41-42):

It happened that there was a black mirror stand opposite Yuichi. The round mirror had been knocked askew by the robe of someone walking past it, but there on its back, as it were, it reflected full in the face of Yuichi. While they talked, Yuichi felt as if his own face stared at him from time to time.

(...) All the while Yuichi was taken with the face of the beautiful youth that stared at him out of the mirror in the lamplight. The deep, mournful eyes under the intelligent brows stared fixedly in hsi direction.

Yuichi Minami tasted the mystery of that beauty. The face he had always known, filled with the energy of youth, carved with the depth of masculinity, bearing the unhappy bronze substance of youth -- it was his own. Until now Yuichi had felt only loathing in his consciousness of his own beauty. The beauty of the boys he loved, on the other hand, filled him with longing. As men in general do, Yuichi forbade himself ever to believe that he was beautiful. But the fervent praise of this old man before him now rang in his ears; and that artistic poison, the powerful poison of his words, loosened those inhibitions that had persisted so long. He now permitted himself to believe that he himself was beautiful. Now for the first time Yuichi saw himself in all his beauty. Within that little round mirror appeared the face of a surprisingly beautiful youth he had never seen before. The manly lips exposed a row of white teeth that involuntarily broke into a smile.

[hertzdo]

Excuse me I’m a what now ?

[lydianidi]

"The trusted knight of the propheticed one. She seems awfully dim standing next to the blinding shimmer of the one... But it might be wrong to misjudge her potential..."

-The New Gods of the Grand Hall

D'arce won the poll, with Enki being in second place, so here we are, I hope y'all enjoy!! ♥️

[tomicscomics]

05/13/2024

A suffocating childhood?!

___

JOKE-OGRAPHY: 1. The Source: This cartoon is based on a question St. Joan received during her trial. Before I explain it, here's the story from the original manuscript (translated by W. S. Scott): "Questioned concerning her father's dreams, she replied that when she was still with her father and mother, she was often told by her mother that her father had said that he dreamed his daughter Jeanne would go off with the soldiers; and that her mother and father took great care to keep her safely; that they were very strict with her; and that she was always obedient to them save in the incident at Toul, the action for [breach of promise of] marriage. She said further that she had heard her mother say that her father had said to her brothers: If I thought that such a thing could happen as I have dreamed, I should want you to drown her; and if you did not, I would drown her myself. And that she greatly feared that they would lose their minds when she left to go to Vaucouleurs. Asked if his thoughts and dreams had come to her father after she had her visions, she replied: Yes, more than two years after she first heard the voices." 2. Summary: In short, Joan's judges have heard that her father had prophetic dreams about her leaving home. She tells them what she knows based on what her mother told her, including that her father would prefer to have her drowned than let her go off with the army as he dreamed. 3. Location Change: For those wondering, after the 6th session of Joan's questioning, some of her assessors became too busy to consistently attend sessions, so Bishop Cauchon decreed they'd hold future sessions in her cell to make things easier. 4. The Name "Tart": First off, Jacques' last name was spelled a lot of different ways in old French (Darc, Dars, Dart, Darx, Tart, Day, and probably more). Joan didn't actually use his last name, because in her village, girls took their mother's last name, but we assign it to her nowadays anyway. In modern French, Jacques' surname is spelled d'Arc (the apostrophe is a late addition). However, when brought into English, translators assumed the d-[apostrophe] meant "of" like most names with that prefix, so Jeanne d'Arc became Joan of Arc, despite there not being a place called Arc for her to be of. In this cartoon, I used the spelling "Tart" for Jacques' surname, because W. S. Scott determined it to be the most authentic form of the patronymic, according to his sources. Also, it allowed me to make the joke in Panel 3, "I'm off to become a REAL tart!" Jacques is dreaming that Joan will run off to become a prostitute, and in addition to "Tart" being his surname, "tart" is also an old word for prostitute. 5. The Dream: Jacques shares a bit in common with St. Joseph, as both are hard-working men from simple towns, and both experience important dreams about their miracle children. However, while St. Joseph understands and responds to his dream with a generous yes, Jacques doesn't fully understand his dream and tries to prevent it from coming true. Back then, some women would follow armies around so they could prostitute themselves when the soldiers made camp. Many authors believe that Jacques' feared this would be Joan's fate, and that he never suspected that her true fate was to become a general of war. He told his sons he would prefer her to be drowned than for his dream to come true, probably meaning that he'd rather she die than lose her soul in the sinful life he thought he foresaw.

[art-that-fucks-you-up-tournament]

SET FIVE - ROUND ONE - MATCH TWO

"Uffington White Horse" (c.1380-550 BCE) / Chauvet Cave Bear (30,000 and 32,000 BP)

UFFINGTON WHITE HORSE: its public landscape art, its from bronze or iron age and people still maintain it and this chain of people working together, even through the original purpose is lost, the art is not, the community aspect of it (anonymous)

CHAUVET CAVE BEAR: I'm not a very emotional person but there's something about prehistoric cave paintings that make me cry my eyes out. There are too many examples (please check out the Altamira cave bisons they're beautiful) but one that never fails to amaze me is the Chauvet Cave Bear. He's painting with so much care, he's only one of hundreds and thousands of paintings in this cave, many of them more detailed, colorful and dynamic than this guy, but there's something about the careful lines that the artist (bc prehistoric people were artists) put on this wall that touches me. It's put in a scene where he's hunted, he's alone, in a peaceful position, possibly rummaging through a bush. The anatomy is maybe even cartoony with its tiny ears and small mouth but it's realistic in all the ways that matter at that time, anybody could look at it and see a bear, the artist had to carefully watch this bear (or many bears) to memorize its lines, it's humps and structure and the scrounge up the materials to paint, and finally put to rock this animal they admired from a distance. The Chauvet Cave has thousands of cave bear remains, estimating 200 individuals. The cave also has a quarter of ALL cave bear depictions in pre-history. That means that whoever painted this bear not only saw one in the wild but lived alongside these animals their entire lives, their culture was deeply locked with them. There's a chamber in this cave with 50 bear skulls, all of them carefully placed. This painting shows so much care and love from people that are often depicted as brute and uncaring but they were just as capable as any current human of not only caring but DEPICTING their love. It's a beautiful early representation of our capability for admiration and cherishing things that weren't essential for basic survival. Also the artist was damn good that bear has so much expression without even having eyes, the line thickness balance is amazing. (athenasabattoir)

(The "Uffington White Horse" is a prehistoric hill figure created by trenches filled with crushed white chalk. It is 110 m (360 ft) long and is located on Whitehorse Hill in England.

The "Chauvet Cave Bear" is a prehistoric cave painting in the Chauvet-Pont-d'Arc Cave located in Ardèche, France. This cave contains hundreds of preserved figure paintings from the Upper Paleolithic time period. The central bear is 120 cm (47 in) and was painted using red pigment.)

[shikiii-skadi]

Shiki! I humbly request Jeanne Alter, Nobu, Okita, and Osakabehime with reader that is taller than them and will at random just *Scoop* them up nearly scaring them out of their skin to give them a hug or kiss then gently set them down and walk on like nothing happend, Bonus points if they're in the middle of a conversation or trying to be scary.

INCLUDES: jeanne d'Arc (alter), okita souji (saber)

WARNINGS: none

NAVIGATION: Fate Masterlist

Alter Jeanne d'Arc:

Arguably not a smart decision when it comes to Jeanne Alter

If she doesn't see that it is you, because you approached her from behind, you will get burned. If she does see it is you, you probably will still get burned, because how dare you do something like that.

It was a stupid dare Mordred forced upon you. Being the reckless mage you were, you obviously agreed with little hesitation. You have defeated countless singularities and lost belts. So of course you couldn't just back down from a little dare like that, even if it meant finding yourself on the other end of Jeanne's wrath. It can't be that bad… right? If everything goes wrong, you still had your command spells. Even if you'd rather not have to explain why you used one to the Director.

But now it was probably too late for second-guessing anyway. You could see Jeanne with her back turned to you talking to Andersen and Shakespeare. None of them noticed your arrival, being too engrossed in their conversation about German tales.

You take a deep breath before approaching the group.

"Jeanne!", you call out, so she will know it is you, before already slightly embracing her and placing a kiss upon her cheek.

You hoped Jeanne would be too caught of guard to react, which actually seemed to be the case until...

"How dare you, you dummy!!! La Grondement--"

You've never run faster in your life as you try to get away before Jeanne's Noble Phantasm pulverizes you.

Okita Souji:

Does not know how to react.

Okita has no idea about romance and such so it went right over her head what your show of affection could imply.

You thought it would be a fun idea to surprise Okita with a kiss on the cheek to see how she would react.

You begin to search for her. It didn't take you long to spot her together with a few other Servants of the Saber class discussing swordsmanship.

As always, Okita's expression was neutral. You took the chance and approached her. A second later you had scooped her up and gave her a gentle kiss on the cheek before setting her down again and walking away as if nothing happened, leaving the other servants rather flabbergasted to what the hell just happened, while Okita stood there with a very confused expression.

She turns to her fellow servants. "Was that Masters way of showing our friendship?", she asks, causing some Servants to facepalm at her obviousness and others to snicker in amusement.

[k-tarotz]

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[yanderes-galore]

Can I request ragnvaldr hc from f&h?

Sure! Honestly the last main Funger 1 character I have to do after this is probably Enki if he's requested. Not fully proofread, there may be mistakes.

Yandere! Ragnvaldr Concept

Pairing: Romantic/Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Trauma, Dark themes, Death/Mass Murder, Violence, Threats, Blood, Gore, Jealousy, Possessive/Protective behavior, Forced relationship, Fear and Hunger content.

Ragnvaldr was born with the soul of the tormented, he's destined to struggle in his life... which is what made him what he is.

I feel his obsession counts as one of those struggles.

He's incredibly strong and has an iron will.

He was forced to come back to his home to see his entire tribe and village dead by The Knights of The Midnight Sun.

This included his wife and child.

He enters the Dungeons of Fear and Hunger to find Le'garde and exact revenge.

In fact, his only goal is revenge.

Yet while try to pursue his goal, he finds you.

You are pleasant distraction... a sight for sore eyes in a place such as the dungeons.

Ragnvaldr tries not to distract himself too much with you, he has a goal.

But you still manage to tag along... at first just following from behind.

When he confronts you and asks what you're planning, you say you want to help his quest.

You don't want to be alone here.

For some reason, Ragnvaldr takes pity on you and allows you to follow along with him.

Perhaps you reminded him of the family he used to have.

Ragnvaldr, despite his appearance, is capable of being kind.

When you follow along on his quest he teaches you important skills.

While he's capable of taking on threats, you stick by to heal him and keep him going with whatever supplies you find.

You try not to ask much about his motivations but you can tell he's hellbent on something.

I feel out of the entire main cast for Funger 1, Ragnvaldr is the most terrifying as a yandere due to his physical prowess.

I feel Cahara is bad due to his touchy and persistent nature, D'arce is bad due to her delusional behavior, Enki may be bad psychologically, but Ragnvaldr is bad since he is so strong.

You've seen how he can tear through threats in this place.

Especially if you see how he treats Le'garde when he gets his hands on him.

You look away when Ragnvaldr deals with Le'garde, if the fool is even alive when you get there.

It's not the worst thing you've seen.

Ragnvaldr probably uses you as a way to cope with the loss of his family.

That can be by seeing you as a close companion or perhaps even another romantic partner.

Ragnvaldr seems like he's be possessive but also protective.

He won't admit it but he dreads the thought of losing you.

As a result he works hard to keep you beside him.

If you seem upset or are losing sanity, he'll be by your side to hold you.

He probably dislikes you taking in other people to the group, like Cahara, D'arce, or Enki.

However, he holds his rage back.

Oh... but imagine Ragnvaldr during his S Ending as a yandere.

You watch as this man slaughters every paranormal creature in his path, all to soothe his bloodlust and protect you.

Seeing Ragnvaldr covered in blood becomes the norm for you.

He probably would even target party members, driven completely by the thought that they could take you.

At the peak of his obsession there's a good chance Ragnvaldr is covered in blood, giving you a stare that's both of adoration and something else entirely.

You originally followed him for protection... but now you fear he's a monster like the rest of the creatures in this dungeon.

But there's nothing much you can do when he pulls you into his bare chest, the blood smearing on your clothes and face.

He holds your face with bloody hands, he vows he won't ever hurt you or let anything hurt you.

Really... what can hurt you anymore?

Ragnvaldr would/already has slaughtered everything and everyone you come across.

All that's left is the blood on you and him.

He looks at you with such... obsession.

You could almost mistake it for care.

Now you're nearly completely alone, except for the Outlander in front of you.

He'll even drag you out of the dungeons with him, covered in blood, the both of you affected by the horrors you've seen.

You would call it bad...

But honestly, nothing compares to the horrors you've seen in there.

Not even the blood and gore Ragnvaldr leaves behind as he swears to care for you.

"Now nothing can hurt you... I won't let it. Every creature and person who dares to touch you will die by my hands... painfully.... Nothing will come between you and me, not even the gods."

[couldpolyamorysavethem]

D'ARCE CATALISS, CAHARA, RAGNVALDR, CELESTE, and ENKI ANKARIAN from FEAR AND HUNGER

Justification:

"Spoilers free version: Trauma bonding while raising a child. They can all have sex with one another (except Enki), all are searching for the same guy.

Character Parallels;(spoilers) Cahara and D’arce are both putting themselves here for the one they love.(despite the place literally being maddening) ragnvaldr had a wife and kid who were murderd; Cahara is here to provide for his wife and future kid ragnvaldr and D’arce are both desperately seeking the same man; however while D’arce is here to save him, ragnvaldr wants to kill him. Dramatic irony Celeste is Caharas wife so I have to include her

And while I like Enki, he doesn’t seem that interested in the polycule. Also only Cahara is willing to have sex with Enki, the others refuse. So I guess if Enkis ever bored he can join." - Anonymous