ArtSchoolGlasses Judges Rants About Watches the Bridgerton Spinoff!
Because why not?
Obviously, spoilers ahead. And also, if you can’t tell, this will largely be me complaining. (And most of that complaining will pertain to the costumes and fashion history.) So if you can’t handle it when someone dislikes something you enjoy? Maybe don’t click the “Keep Reading”...
On to episode one!
Starting with a disclaimer? Okay...
“It is fiction inspired by fact.” Well, that much was obvious before I hit play, but thanks for the reminder, I suppose? The issue for me being, there’s a difference between fictional takes on history that do the research but choose to take wild liberties for a reason (The Great, Our Flag Means Death) and a show that has the clear intent to put as little research and effort as possible into a project and make it up as they go along (Bridgerton).
In compliment to the show I will say: damn good job picking out the actress to play Charlotte. So often the younger and older versions of a character look so unalike that it sort of ruins the story for me. But this was A+.
Had to pause and face palm because Charlotte is explaining to her brother how her “underpinnings” (stays) are made from “the bones of whales” and I just *SCREAMS* No. NO. Stays and corsets were not made from the actual bones of whales Jesus Christ. “Whalebone” in stays meant baleen. Which is the filter-looking bit of a whale’s mouth. It is possible—possible—that the busk inserted into the centre front of a pair of stays might be carved from whalebone instead of wood, but I can almost guarantee no one working on this show even knows what a busk is, or knows the difference between a busk and boning. (And even then, not all boning was made from baleen anyways.)
Also the fact that she’s saying “corset” repeatedly, but stays was more commonly what they were called at this time. Corset as a term only began to be used more regularly in the Regency Era.
Six minutes in and already “My CoRsEt Is KiLlInG mEeEe!!1! I cAn’T bReAtHe!! My CoRsEt Is GoInG tO sLiCe Up My InSiDeS bECaUsE oF tHe WhAlE bOnEs!!1! I’m GoInG tO bLeEd To DeAtH iF i MoVe!!” 😑
Charlotte would have, obviously, grown up wearing stays, and would therefore be used to them. Stays that would have been specifically made to fit her body. And because they would have had hand-stitched eyelet holes—not metal ones—for the lacing, she would not be able to tight lace it to the point where she couldn’t breathe. Not without damaging such an expensive garment. (Expensive largely because of the sheer amount of labour that goes into making a pair of stays.) Nor would she choose to tight lace to that extent, because women in the 18th Century weren’t all laced to within an inch of their lives. That simply wasn’t the case. Women could indeed breathe in the past, otherwise we all wouldn’t be here. Yes, shockingly, you could move when wearing stays or a corset.
Flash forward into the Regency era and Princess Charlotte has just died. Um… This was a massive moment for England and the Queen doesn’t seem even remotely touched by it? Also, really the first mention of the Queen having children that I can recall, I don’t remember seeing any of them, and isn’t the whole reason this is a Regency romance is because, you know, it’s the Regency Era and there’s a Prince Regent? He doesn’t seem to exist in this world for whatever reason? Even though the period is literally named for him?
The amount of brocade-patterned polyester in this show that reminds me of my mother’s throw pillows from the 90s…
See, the problem with knowing where a lot of these filming locations are is you know how far apart they should be in reality and end up desperately trying to stop your brain from rationalising how far and fast a carriage would have to travel to get from Blenheim to Chatsworth to Bath to Hampton Court. (This is a personal issue; all the period dramas do this, so this isn’t just me hating on Bridgerton.)
Oh my. What an introduction to young Lady Danbury. Worthy of Harlots, I believe. (That sounds snarky. I mean it as a compliment. Excellent. Love her already.)
Hairstyles on the women far too tall for the 1760s. Hair would have been worn much closer to the head. But, you know, ✨aesthetics✨.
Though I will say, if we were having this show take place in the 1770s, and tall hair was fashionable—and Charlotte was more a fan of large hair, which, she was known to critique women like the Duchess of Devonshire for hair that was too tall—I will say, they do a wonderful job of adapting the 1770s styles to include afros and braids and locks and twists in this series. So that, again, I can commend them on.
Gotta love that the wedding invitations they sent out clearly say “Full Dress” and you just have men with their 2020s hair and no wigs, no powder, no curls. Some of the older men have wigs. But younger men? No! They must be conventionally attractive from a modern perspective otherwise what is the point!!
Also, not all of these women look like they’re wearing hoops/panniers, and they should for a formal court setting.
So, George’s coat when we first meet him… The tailoring isn’t quite right and feels far too modern. There are no buttons on it except for two at the back for some reason, just buttons on the vest. Also, where is the lace? Lace was expensive. (It was time consuming to make.) You are the King of England, you’re supposed to not only buy expensive things to encourage consumption and put money in the hands of artisans, but you also need to look expensive so that people can see you are not just the King, but one to a prosperous nation who can afford these luxuries. Your dress at this time spoke for you, and right now I’m seeing a man who can’t afford to have his clothes properly tailored, or even get his hair done.
I feel like a lot of the costumes would be less egregious if they weren’t so cheap looking? There’s really just something about the metres and metres of polyester used and plastic trimmings that… just makes this look off. Plus any close up makes the modern tailoring far too apparent. Clearly no research done into 18th Century tailoring, dressmaking, sewing techniques, etc…
I think I’m going to like Lady Danbury more than Charlotte, honestly.
Close up shot of the pleats at the back of Charlotte’s wedding dress. I’m not even sure what’s going on there. I swear it looks like someone velcroed it onto her back.
Oh god, glitter fabric… No, please. I hate the glitter fabric, Bridgerton. Stop. 😭
Ah, I see. The entirety of the drama in this plot is going to be a miscommunication trope, I assume surrounding George’s health.
Another flash forward into the Regency; Oh my god Charlotte’s children exist!
And there it ends. Charlotte alone in bed on her wedding night because George won’t speak to her about, I assume, his health.
I have low hopes Bridgerton has the capacity to properly tell a story that will no doubt largely focus on mental health and do so respectfully and carefully. I do not look forward to watching them use his deteriorating health for the sake of ✨DRAMA!✨
Anyways, Lady Danbury was the most interesting character so far and she barely had any screen time. All my hopes for this show being even remotely entertaining rest on her. 🖤 An A+ for Lady Danbury, A+ for Charlotte’s casting, and… a D for everything else?
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