can u tell me a few fun facts about allison (and/or her creation)? she’s a really intriguing character!
Of course!! And thank you so much! She's one of my fave ocs so it means a lot to me that people still like her!
SPOILERS BELOW!
So I believe I said this at one point, but Allison was never meant to be a full fledged OC. She was just someone I had in my mind while talking to Keke.
Basically, I had seen a Tik Tok where someone was discussing Harry Potter and brought up the idea that "If Harry was a girl that looked like Lily, Snape would've treated her completely differently than in canon." And as an avid Snape hater, I absolutely agreed, and told Keke in my own words, "I think if I created a Harry Potter Sister!OC it would be to just dunk on Snape the entire time" and so Allison was born.
I had no intention of publishing her until Keke enabled me (love you babe) and she eventually grew into someone beyond the initial post that inspired her.
I wanted to play with the idea of growing up as a ghost of someone you never knew and when it came to her plot, I knew I wanted Allison to be someone who existed mainly in the background, someone who was talented at magic but didn't need to brag about it. And then there's the Tom Riddle of it all.
As Allison's story evolved, I decided that while Snape would remain an antagonistic force in her story, I wanted Tom Riddle to be her villain. Harry faced off against Voldemort, but Allison faced off against Tom Riddle, the man behind the monster. So that's where the idea of the diary came in, and when you're twelve you feel everything so deeply that it truly is like pouring your soul into whatever you do. And that's where the plot thread of "Hey what if Tom's soul, in a last ditch effort to create another horcrux, latched itself onto Allison's because of the connection they shared?"
Which eventually led to the central theme of Allison's story, which is that her life has been dictated by the men around her. She's been used, abused, manipulated, and coerced by every older man she's ever come into contact with, and so much of her life has been defined by them. And so her arc is about coming into her own as a woman, as herself, as a witch in her own right. Taking what her abusers left her and making it new again in a way that benefits her and makes the world better. And it also allows me to play with aspects of HP that I don't necessarily agree with, like how mental health and trauma is handled and how the magic system actually works.
Some fun facts (cause let's be honest this was kind of not fun and rather angsty haha):
She was born on August 1st, thirty minutes after Harry
When she was often forgotten by Aunt Petunia as a child, she would walk to a dance center and watch ballet classes, trying to teach herself.
Her hair is slightly more vibrant than Lily's but darker than Ginny's
Once she's out of her trauma shell, Allison is a literal wizard with pranks. Like good luck getting out of one she plays on you.
She is amazingly proficient at Wandless magic, more than most wizards her age.
She was named after Alice Longbottom, who is her godmother. Remus Lupin is her godfather.
She has a very complicated relationship with her mother and her Aunt Petunia.
She spends most of her summers at Dean Thomas's house after the events of fourth year.
Her love interest is Blaise Zabini cause I love and adore him
She's a Gryffindor
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Weavers
this was meant to be severitus, or at least Snape-mentors-Harry, so let’s call this the precursor to it
Summary: Bored before the start of sixth year, Harry goes through Petunia's old family photo albums. He demands some answers, and Dumbledore sends Snape.
Read on AO3 here
The days are hot and dusty and Harry is left roving the same suburban streets, bored as hell, as the Dursleys pretend nothing is wrong and everyone he knows acts the same. Voldemort’s back, and he wants to kill him. His godfather’s dead. No one wants to talk about Cedric, and he doesn’t even know how to talk about Cedric, even if anybody knew to ask. Harry just walks, and kicks at fluttery bits of newspaper littering the ground, and tries not to let the heat sour his mood.
When Aunt Petunia’s busy at the neighbor’s garden parties, Harry steals into the living room and starts going through the photo albums. Why, he’s not so sure, he just wants to know, to see, to remember that there was a past before Hogwarts, and so he flips through grotesque faded photos of Dudley and Uncle Vernon eating cake with him a shadow cut in half, just barely in view. These were not happy days, but Harry’s not sure he’s ever had any of those. It was fun laughing with Sirius and Ron and Hermione and the Twins sometimes, and he feels free and devoid of all this heavy thoughts on a broom. He finishes one photo album, slots it back in the shelf, and pulls out another. This one is older--before he was born. Maybe he’ll find a photo of his mother in it.
He flips through time, ignoring a wedding photo--after his grandparents’ deaths--and polaroids of truly soul-crushing dates. He laughs at the bad hair, though he knows he of all people shouldn’t point fingers. Finally, he reaches his aunt’s teenage years, and he hopes he’ll find his mother there.
It’s a weird thought, that his mother was barely more than a teenager when she was killed. She was only twenty when she had him. He’s almost sixteen now. He can’t imagine that, the pressure of having a baby with a target on its back in the middle of a war, and he wishes desperately he could know what she was like. Sirius didn’t like to talk about her, and Lupin talks in circles about everything. He wishes there was someone he could ask.
He finds a photo of her laughing with a boy who is not his father, who’s got his long black hair and a hand thrown up, too, covering his face. She’s about his age in this photo, or a bit older. Carefully he slides it out of the plastic. There’s writing on the back: “Weavers, Sev & Lily, 1976. to Baba O’Riley and the rest of our lives!!” The writing is familiar, spidery, almost indecipherable, and he squints because it reminds him of someone, it’s strangely familiar, and then he drops the photo in shock. Because he knows: that’s Severus Snape.
Rapidly now he flips through the pages. There’s one of his bright-eyed mother with a sullen-looking boy with a big nose and greasy hair, glowering at the camera as she laughs. There’s even one of her and Petunia and him all together, sitting in someone’s garden, and Snape is wearing too-big jeans and a stained t-shirt, staring solemnly at the camera. Now that he’s seen it he can’t unsee it. Aunt Petunia comes clattering in, throwing her keys onto the coffee table, and stops sharply at the sight of him with the photos all around him.
“Put those back!” she shrieks.
“You knew Snape?” he shrieks back.
Petunia rears back, apopletic. “You know Snape?”
“Yeah, I know Snape,” Harry yells back. “He’s my Potions professor, that greasy git. How do you know Snape?”
Petunia sinks onto the couch. “That--awful boy,” she says falteringly. “A teacher? At your school?” She puts her hand over her mouth. “He hated it there, he’s went back to teach?”
Harry says, “Yeah. We hate him too.”
Petunia begins to laugh. “Bastard,” she says, chortling, “serves him right. I always thought he’d end up teaching chemistry, or in prison. I suppose your Headmaster made him one of those offers you can’t refuse, like he did with me. I never wanted you, I hope you know.”
“Believe me,” Harry says wearily, “I picked up on that early on, thanks.”
Aunt Petunia yells at him for nosing into her family’s business and Harry heroically resists the urge to inform her that it’s his family too, and instead keeps the photos of his mother stealthily hidden in his pocket. When she’s done, he rushes to his room, pulls out a piece of parchment and a quill, and writes a simple sentence: “Snape knew my mom?” He sends it off to Dumbledore. This complicates the whole Prophecy bullshit he told him about, and he wants answers. Hedwig knows how to charm them out of people, too. She won’t peck the Headmaster, but she sure will be cute.
Sure enough, two hours later--or however long it takes for an owl to fly from Surrey to an unknown part of rural Scotland--the doorbell rings. Harry rushes downstairs and throws open the door. He falters. It’s not Dumbledore.
“Mr. Potter,” Snape sneers. He’s wearing muggle clothes, black jeans that actually fit him, a band t-shirt, and a blazer with its sleeves rolled up. Harry blinks. Snape likes the Clash? Snape likes things? “I have been told to take you on a walk.”
Harry says, “Uh. Do you have that in writing?” Snape’s a Death Eater, after all. He doesn’t want to die. Snape grabs his shoulder and pulls him out of the house. He closes the door. Harry yelps.
“Rest assured while I have no interest in ending your idiocy as of yet,” Snape hisses. “Now, to walk. This way.” Sharply he turns, and Harry runs to catch up. “You wrote the Headmaster.”
“You knew my mom!” Harry says. He pulls out the photos from pocket and fans them out like a hand of cards. “For your whole childhood! And my age, too!”
“Obviously,” Snape sneers. He snatches the photos from him and scrutinizes each snapshot. His scowl deepens. In Potions class, this would be a sign to get out of blast range. Unfortunately, the only thing around to hide behind is a street lamp and a hedge, and Harry’s pretty sure Snape can get around that. Snape snorts when he gets the Weaver photo. “Your aunt kept these? She hated your mother--and me.”
It’s on the tip of his tongue to say, “Well, you’re not very likeable. Sir.” With truly heroic, Gryffindor-standard effort, Harry restrains himself. He shrugs instead. He wants information. He’ll have to tap into whatever Slytherin qualities the Sorting Hat identified in him to get it.
Snape says finally, “I grew up across the river from your mother. She was my friend. Then we went our separate ways.”
“Well, you called her a Mudblood,” Harry says. “I mean, of course she’d stop talking to you.”
“Do not say that word,” Snape hisses. Harry mentally kicks himself. He shouldn’t have brought up the Pensieve incident--except, ravenously, he wants to know everything about the Pensieve incident. Dumbledore sent him there, to answer his questions. He’s got nothing to lose by asking. Snape’s gonna lose his shit anyway.
“Yeah, sorry,” Harry says, annoyed. He stops under a lamp post. Dusk is coming on thick, and even on Privet Drive, it’s turning to a pretty night. Snape crosses his arms and looks at him sardonically. He is sneering, preparing to spit his usual venom, but Harry persists, “How’d all that even happen? I mean, clearly my dad was a bit of a prick--I don’t know what she saw in him--”
“Potter,” Snape says. “Shut up.”
Harry holds his hands up. “Fine. We won’t talk about it. But you and my mother were friends. No one tells me anything about her. It’s like she had nobody but--you, I guess, and my dad. They just say I have her eyes. It’s almost my birthday, uh, Professor.” He adds the title and the respect a little thick. Snape is unamused. “Aunt Petunia just says she was a showoff. What was she really like?”
Snape says, “Your aunt’s right, she was a showoff. But she was barely more than a child when she was killed. She never got the time to grow out of it. Dumbledore sent me, Potter. I’m supposed to bring you to the Weasleys. But I am not dealing with your aunt’s histrionics. Bring your things and meet me the block over. I’m parked over there.” He points at the rather nondescript gray car. “I’ll answer your questions on the drive over. You will not mention this to anyone, particularly your little friends.”
It sounds sketchy, but Harry’s willing to do it just for the rumors that will circulate around the neighborhood as they see him sneaking into a strange man’s car with a wooden trunk and a bird cage. Harry darts back home and drags his things down the street and piles them into Snape’s car. Funny thought, that--that Snape has a car, and a driver’s license. He goes in for the back first, to sit with Hedwig, but Snape snaps, “I am not your chauffeur!” so he returns to the front seat. He eyes him warily as he steps in. Snape does not look at him, but sorts through a pile of CDs.
“You do a lot of driving?” Harry asks disbelievingly.
Snape’s nostril twitch in reply. He pulls out a battered case--The Who. He puts it in, starts the car, and there they go, driving away from Privet Drive. This is not the most surreal thing that has ever happened to Harry. He’s watched a baby hatch into a man out of a cauldron before, and listened to the whispers of the dead, and ridden on an invisible horse, as well as a broom. But Snape is serene, tapping his long, skinny fingers on the steering wheel to the beat of the music. Harry sneezes. The car stinks of weed.
“Are you high?” Harry asks.
Snape says, “To deal with you during my time off--there is no other way.” He looks at him suddenly. “Get the map. I haven’t driven through Devonshire in years. When does the road merge?”
Harry shuffles through the hatbox of the car, shoving aside a pair of leather gloves, a pack of cigarettes, and a spare wand. He pulls out the map and looks at it despairingly.
“What, Potter? Can’t read a map?”
Harry says, “Uh. Think we drove past it. Sir.”
Snape curses and does a U-town, flipping off the cars that beep in their wake. Harry is beginning to get a little scared. Snape hates him, that’s obvious, and sometimes he thinks he wants to kill him. He really doesn’t want to die in a car crash, he can just imagine the headlines.
Eventually Snape gets them on their way, nasty and irritated. They detangle the suburban streets and drive into the night, getting out of the suburban tarmac into the muddy rural. When Harry tries to ask a question, Snape turns up the music. They listen to “Baba O’Riley” three times. Harry stays silent the whole time, afraid. His mother wrote this on the back of the photograph, after all, maybe there’s a subliminal message here. She wanted to go. Harry wonders, but where to? The end of Avada, a flash of green light. Maybe a car crash would have been better, more glamorous, like Princess Diana. What would she have even thought of that?
Harry musters up the courage. He says, “She wrote about this on the back of one of the photographs. 1976, weavers.” He puts it on the dashboard, and Snape, keeping one hand on the wheel, picks it up and glances at it. His expression, already sour, curdles. “What does that mean?”
“Tuney doesn’t talk about her childhood much, does she?” Snape remarks. He faces the road and misses the exit they were supposed to turn onto. Harry puts his hand into his other pocket and surreptitiously takes ahold of his wand. Snape’s probably not trying to kill him, but as Moody--well, fake-Moody says, “Constant vigilance!” He keeps his mouth shut. Snape’s always been garrulous, using ten words when three would suffice, and cramming as many syllables into them as he can. Hermione once despaired that lectures with him were like a speech class. It was all about the enunciation. Finally, Snape says, “We grew up in a textile town. Most of the men worked at the factory, until it closed. They were the weavers, and we were too, if it weren’t for magic.”
“You’re not muggleborn!” Harry says, alarmed. “How--”
“No,” Snape says. “I am not answering any questions about myself, Potter.” He veers sharply on the road, finally getting them back on track. By Harry’s reckoning, they’ve got about a half hour left. He sinks in his seat, sullen.
“So what about my mum?” he asks. “Did she like--weaving? Growing up in the town? What was she like?”
Snape says, “No, no, and--young, because she was young. Headstrong. Sarcastic. She didn’t suffer fools, until she did.”
Harry says, “My father wasn’t a fool!”
“Your father used to run around school grounds with a fully transformed werewolf.”
Harry has to say, maybe his father was a bit of a fool, after all. He does not, though, have to say all that aloud. He says, “Sarcastic?”
Snape says, “I think much of her wit went above her Housemates’ heads. They always said she was kind. That was not my experience. She was extraordinarily righteous, and outspoken, and strict with herself and everyone around her. To the point where one wondered how anyone could measure up to Saint Lily’s grandiose proclamations.” The CD ends, finally, and Snape clicks a button. He seems amused. “Lupin didn’t like her much, and she didn’t like Sirius. I am not surprised they avoid talking about her.” Eyes on the road, he goes through the electronic piles by touch, and pulls out a tape. He sticks it in. Harry blinks. It’s the Velvet Underground now, “All Tomorrow’s Parties.”
“What costume shall the poor girl wear,” the car radio warbles, “to all tomorrow’s parties?”
Harry says, “They said she was kind.”
“Perhaps she was to them. She was always demanding of me, and I do not call that kind.”
“You called her a Mudblood.”
Snape says wearily, “And no one has ever let me forget it, twenty-one long years later. Righteous, and demanding, and strict--but never kind.”
“Yeah, well, you joined the Death Eaters, too.”
Snape laughs suddenly, sharply, bitterly. “Much worse than calling someone a slur. And I have spent the rest of my life repenting of it.”
They’re in Devon now, getting close to the end. Harry’s gotten used to the smell and he’s enjoying the music now, even though he thinks it’s a little sad. He wonders if Snape is thinking about himself, or his mother, and if his mother would’ve liked this song. It’s the first time he’s ever heard someone talk about her like a person, not a saint, and he wants more. He wants to see her be mean--meaner, he guesses, than what he saw in the Pensieve. He wants to see her being too hard on herself and snapping back for justice, whatever she thought justice was. But she’s dead, and he’s only six years younger than she was when she died. That’s an insane thought. In six years, if Voldemort doesn’t kill him, he’ll be the same age as his mother when she died. Maybe he’ll be even older.
He looks at Snape, who is meditative, hands relaxed on the steering wheel. Snape’s watching the road. He looks not-old for once, not angry or sour or raging. He just looks like a guy approaching middle-age, who’s tired, who’s thinking about the past. Harry thinks, he’s not really ugly when he lets his face be. Maybe he’s thinking not-ugly thoughts. Melancholy makes a person look human. Snape doesn’t seem like a Potions professor in this car--just sad.
They pull through the town of Ottery St. Catchpole and Snape stops at a park. He looks at Harry directly and says, “Your mother...she was more than her eyes. She was an extraordinarily vibrant young woman, who died too young, who had plans for herself and everyone around her. You’re nothing like her. No one is. There was only ever one Lily Evans, and we wouldn’t want anymore.”
Harry gets out of the car and clambers to the boot of the car, getting his trunk and rattling Hedwig’s cage as he goes. She squawks at him, outraged, and he smiles at her affronted dignity. He’d thank Snape for telling him all this, but he doesn’t think he deserves it, because he only did it on Dumbledore’s orders. He gestures with the cage that he’s heading to the Burrow now.
“Uh, bye then,” Harry says. He doesn’t necessarily want to wish him a safe trip. He gets five paces before Snape stops him.
“Potter!” Harry turns back. Snape is standing in front of the car, illuminated in the headlights. His wand is up. Harry drops Hedwig’s cage, going for his own, but Snape is faster. “Obliviate!”The days are hot and dusty and Harry is left roving the same suburban streets, bored as hell, as the Dursleys pretend nothing is wrong and everyone he knows acts the same. Voldemort’s back, and he wants to kill him. His godfather’s dead. No one wants to talk about Cedric, and he doesn’t even know how to talk about Cedric, even if anybody knew to ask. Harry just walks, and kicks at fluttery bits of newspaper littering the ground, and tries not to let the heat sour his mood.
When Aunt Petunia’s busy at the neighbor’s garden parties, Harry steals into the living room and starts going through the photo albums. Why, he’s not so sure, he just wants to know, to see, to remember that there was a past before Hogwarts, and so he flips through grotesque faded photos of Dudley and Uncle Vernon eating cake with him a shadow cut in half, just barely in view. These were not happy days, but Harry’s not sure he’s ever had any of those. It was fun laughing with Sirius and Ron and Hermione and the Twins sometimes, and he feels free and devoid of all this heavy thoughts on a broom. He finishes one photo album, slots it back in the shelf, and pulls out another. This one is older--before he was born. Maybe he’ll find a photo of his mother in it.
He flips through time, ignoring a wedding photo--after his grandparents’ deaths--and polaroids of truly soul-crushing dates. He laughs at the bad hair, though he knows he of all people shouldn’t point fingers. Finally, he reaches his aunt’s teenage years, and he hopes he’ll find his mother there.
It’s a weird thought, that his mother was barely more than a teenager when she was killed. She was only twenty when she had him. He’s almost sixteen now. He can’t imagine that, the pressure of having a baby with a target on its back in the middle of a war, and he wishes desperately he could know what she was like. Sirius didn’t like to talk about her, and Lupin talks in circles about everything. He wishes there was someone he could ask.
He finds a photo of her laughing with a boy who is not his father, who’s got his long black hair and a hand thrown up, too, covering his face. She’s about his age in this photo, or a bit older. Carefully he slides it out of the plastic. There’s writing on the back: “Weavers, Sev & Lily, 1976. to Baba O’Riley and the rest of our lives!!” The writing is familiar, spidery, almost indecipherable, and he squints because it reminds him of someone, it’s strangely familiar, and then he drops the photo in shock. Because he knows: that’s Severus Snape.
Rapidly now he flips through the pages. There’s one of his bright-eyed mother with a sullen-looking boy with a big nose and greasy hair, glowering at the camera as she laughs. There’s even one of her and Petunia and him all together, sitting in someone’s garden, and Snape is wearing too-big jeans and a stained t-shirt, staring solemnly at the camera. Now that he’s seen it he can’t unsee it. Aunt Petunia comes clattering in, throwing her keys onto the coffee table, and stops sharply at the sight of him with the photos all around him.
“Put those back!” she shrieks.
“You knew Snape?” he shrieks back.
Petunia rears back, apopletic. “You know Snape?”
“Yeah, I know Snape,” Harry yells back. “He’s my Potions professor, that greasy git. How do you know Snape?”
Petunia sinks onto the couch. “That--awful boy,” she says falteringly. “A teacher? At your school?” She puts her hand over her mouth. “He hated it there, he’s went back to teach?”
Harry says, “Yeah. We hate him too.”
Petunia begins to laugh. “Bastard,” she says, chortling, “serves him right. I always thought he’d end up teaching chemistry, or in prison. I suppose your Headmaster made him one of those offers you can’t refuse, like he did with me. I never wanted you, I hope you know.”
“Believe me,” Harry says wearily, “I picked up on that early on, thanks.”
Aunt Petunia yells at him for nosing into her family’s business and Harry heroically resists the urge to inform her that it’s his family too, and instead keeps the photos of his mother stealthily hidden in his pocket. When she’s done, he rushes to his room, pulls out a piece of parchment and a quill, and writes a simple sentence: “Snape knew my mom?” He sends it off to Dumbledore. This complicates the whole Prophecy bullshit he told him about, and he wants answers. Hedwig knows how to charm them out of people, too. She won’t peck the Headmaster, but she sure will be cute.
Sure enough, two hours later--or however long it takes for an owl to fly from Surrey to an unknown part of rural Scotland--the doorbell rings. Harry rushes downstairs and throws open the door. He falters. It’s not Dumbledore.
“Mr. Potter,” Snape sneers. He’s wearing muggle clothes, black jeans that actually fit him, a band t-shirt, and a blazer with its sleeves rolled up. Harry blinks. Snape likes the Clash? Snape likes things? “I have been told to take you on a walk.”
Harry says, “Uh. Do you have that in writing?” Snape’s a Death Eater, after all. He doesn’t want to die. Snape grabs his shoulder and pulls him out of the house. He closes the door. Harry yelps.
“Rest assured while I have no interest in ending your idiocy as of yet,” Snape hisses. “Now, to walk. This way.” Sharply he turns, and Harry runs to catch up. “You wrote the Headmaster.”
“You knew my mom!” Harry says. He pulls out the photos from pocket and fans them out like a hand of cards. “For your whole childhood! And my age, too!”
“Obviously,” Snape sneers. He snatches the photos from him and scrutinizes each snapshot. His scowl deepens. In Potions class, this would be a sign to get out of blast range. Unfortunately, the only thing around to hide behind is a street lamp and a hedge, and Harry’s pretty sure Snape can get around that. Snape snorts when he gets the Weaver photo. “Your aunt kept these? She hated your mother--and me.”
It’s on the tip of his tongue to say, “Well, you’re not very likeable. Sir.” With truly heroic, Gryffindor-standard effort, Harry restrains himself. He shrugs instead. He wants information. He’ll have to tap into whatever Slytherin qualities the Sorting Hat identified in him to get it.
Snape says finally, “I grew up across the river from your mother. She was my friend. Then we went our separate ways.”
“Well, you called her a Mudblood,” Harry says. “I mean, of course she’d stop talking to you.”
“Do not say that word,” Snape hisses. Harry mentally kicks himself. He shouldn’t have brought up the Pensieve incident--except, ravenously, he wants to know everything about the Pensieve incident. Dumbledore sent him there, to answer his questions. He’s got nothing to lose by asking. Snape’s gonna lose his shit anyway.
“Yeah, sorry,” Harry says, annoyed. He stops under a lamp post. Dusk is coming on thick, and even on Privet Drive, it’s turning to a pretty night. Snape crosses his arms and looks at him sardonically. He is sneering, preparing to spit his usual venom, but Harry persists, “How’d all that even happen? I mean, clearly my dad was a bit of a prick--I don’t know what she saw in him--”
“Potter,” Snape says. “Shut up.”
Harry holds his hands up. “Fine. We won’t talk about it. But you and my mother were friends. No one tells me anything about her. It’s like she had nobody but--you, I guess, and my dad. They just say I have her eyes. It’s almost my birthday, uh, Professor.” He adds the title and the respect a little thick. Snape is unamused. “Aunt Petunia just says she was a showoff. What was she really like?”
Snape says, “Your aunt’s right, she was a showoff. But she was barely more than a child when she was killed. She never got the time to grow out of it. Dumbledore sent me, Potter. I’m supposed to bring you to the Weasleys. But I am not dealing with your aunt’s histrionics. Bring your things and meet me the block over. I’m parked over there.” He points at the rather nondescript gray car. “I’ll answer your questions on the drive over. You will not mention this to anyone, particularly your little friends.”
It sounds sketchy, but Harry’s willing to do it just for the rumors that will circulate around the neighborhood as they see him sneaking into a strange man’s car with a wooden trunk and a bird cage. Harry darts back home and drags his things down the street and piles them into Snape’s car. Funny thought, that--that Snape has a car, and a driver’s license. He goes in for the back first, to sit with Hedwig, but Snape snaps, “I am not your chauffeur!” so he returns to the front seat. He eyes him warily as he steps in. Snape does not look at him, but sorts through a pile of CDs.
“You do a lot of driving?” Harry asks disbelievingly.
Snape’s nostril twitch in reply. He pulls out a battered case--The Who. He puts it in, starts the car, and there they go, driving away from Privet Drive. This is not the most surreal thing that has ever happened to Harry. He’s watched a baby hatch into a man out of a cauldron before, and listened to the whispers of the dead, and ridden on an invisible horse, as well as a broom. But Snape is serene, tapping his long, skinny fingers on the steering wheel to the beat of the music. Harry sneezes. The car stinks of weed.
“Are you high?” Harry asks.
Snape says, “To deal with you during my time off--there is no other way.” He looks at him suddenly. “Get the map. I haven’t driven through Devonshire in years. When does the road merge?”
Harry shuffles through the hatbox of the car, shoving aside a pair of leather gloves, a pack of cigarettes, and a spare wand. He pulls out the map and looks at it despairingly.
“What, Potter? Can’t read a map?”
Harry says, “Uh. Think we drove past it. Sir.”
Snape curses and does a U-town, flipping off the cars that beep in their wake. Harry is beginning to get a little scared. Snape hates him, that’s obvious, and sometimes he thinks he wants to kill him. He really doesn’t want to die in a car crash, he can just imagine the headlines.
Eventually Snape gets them on their way, nasty and irritated. They detangle the suburban streets and drive into the night, getting out of the suburban tarmac into the muddy rural. When Harry tries to ask a question, Snape turns up the music. They listen to “Baba O’Riley” three times. Harry stays silent the whole time, afraid. His mother wrote this on the back of the photograph, after all, maybe there’s a subliminal message here. She wanted to go. Harry wonders, but where to? The end of Avada, a flash of green light. Maybe a car crash would have been better, more glamorous, like Princess Diana. What would she have even thought of that?
Harry musters up the courage. He says, “She wrote about this on the back of one of the photographs. 1976, weavers.” He puts it on the dashboard, and Snape, keeping one hand on the wheel, picks it up and glances at it. His expression, already sour, curdles. “What does that mean?”
“Tuney doesn’t talk about her childhood much, does she?” Snape remarks. He faces the road and misses the exit they were supposed to turn onto. Harry puts his hand into his other pocket and surreptitiously takes ahold of his wand. Snape’s probably not trying to kill him, but as Moody--well, fake-Moody says, “Constant vigilance!” He keeps his mouth shut. Snape’s always been garrulous, using ten words when three would suffice, and cramming as many syllables into them as he can. Hermione once despaired that lectures with him were like a speech class. It was all about the enunciation. Finally, Snape says, “We grew up in a textile town. Most of the men worked at the factory, until it closed. They were the weavers, and we were too, if it weren’t for magic.”
“You’re not muggleborn!” Harry says, alarmed. “How--”
“No,” Snape says. “I am not answering any questions about myself, Potter.” He veers sharply on the road, finally getting them back on track. By Harry’s reckoning, they’ve got about a half hour left. He sinks in his seat, sullen.
“So what about my mum?” he asks. “Did she like--weaving? Growing up in the town? What was she like?”
Snape says, “No, no, and--young, because she was young. Headstrong. Sarcastic. She didn’t suffer fools, until she did.”
Harry says, “My father wasn’t a fool!”
“Your father used to run around school grounds with a fully transformed werewolf.”
Harry has to say, maybe his father was a bit of a fool, after all. He does not, though, have to say all that aloud. He says, “Sarcastic?”
Snape says, “I think much of her wit went above her Housemates’ heads. They always said she was kind. That was not my experience. She was extraordinarily righteous, and outspoken, and strict with herself and everyone around her. To the point where one wondered how anyone could measure up to Saint Lily’s grandiose proclamations.” The CD ends, finally, and Snape clicks a button. He seems amused. “Lupin didn’t like her much, and she didn’t like Sirius. I am not surprised they avoid talking about her.” Eyes on the road, he goes through the electronic piles by touch, and pulls out a tape. He sticks it in. Harry blinks. It’s the Velvet Underground now, “All Tomorrow’s Parties.”
“What costume shall the poor girl wear,” the car radio warbles, “to all tomorrow’s parties?”
Harry says, “They said she was kind.”
“Perhaps she was to them. She was always demanding of me, and I do not call that kind.”
“You called her a Mudblood.”
Snape says wearily, “And no one has ever let me forget it, twenty-one long years later. Righteous, and demanding, and strict--but never kind.”
“Yeah, well, you joined the Death Eaters, too.”
Snape laughs suddenly, sharply, bitterly. “Much worse than calling someone a slur. And I have spent the rest of my life repenting of it.”
They’re in Devon now, getting close to the end. Harry’s gotten used to the smell and he’s enjoying the music now, even though he thinks it’s a little sad. He wonders if Snape is thinking about himself, or his mother, and if his mother would’ve liked this song. It’s the first time he’s ever heard someone talk about her like a person, not a saint, and he wants more. He wants to see her be mean--meaner, he guesses, than what he saw in the Pensieve. He wants to see her being too hard on herself and snapping back for justice, whatever she thought justice was. But she’s dead, and he’s only six years younger than she was when she died. That’s an insane thought. In six years, if Voldemort doesn’t kill him, he’ll be the same age as his mother when she died. Maybe he’ll be even older.
He looks at Snape, who is meditative, hands relaxed on the steering wheel. Snape’s watching the road. He looks not-old for once, not angry or sour or raging. He just looks like a guy approaching middle-age, who’s tired, who’s thinking about the past. Harry thinks, he’s not really ugly when he lets his face be. Maybe he’s thinking not-ugly thoughts. Melancholy makes a person look human. Snape doesn’t seem like a Potions professor in this car--just sad.
They pull through the town of Ottery St. Catchpole and Snape stops at a park. He looks at Harry directly and says, “Your mother...she was more than her eyes. She was an extraordinarily vibrant young woman, who died too young, who had plans for herself and everyone around her. You’re nothing like her. No one is. There was only ever one Lily Evans, and we wouldn’t want anymore.”
Harry gets out of the car and clambers to the boot of the car, getting his trunk and rattling Hedwig’s cage as he goes. She squawks at him, outraged, and he smiles at her affronted dignity. He’d thank Snape for telling him all this, but he doesn’t think he deserves it, because he only did it on Dumbledore’s orders. He gestures with the cage that he’s heading to the Burrow now.
“Uh, bye then,” Harry says. He doesn’t necessarily want to wish him a safe trip. He gets five paces before Snape stops him.
“Potter!” Harry turns back. Snape is standing in front of the car, illuminated in the headlights. His wand is up. Harry drops Hedwig’s cage, going for his own, but Snape is faster. “Obliviate!”
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Family Life Headcanons (Richie Tozier X Reader)
WC: 896
Warnings: swearing, drinking, it’s so fluffy y’all omg
Summary: What life is like for the Tozier family now that Eddie is born
Tagged: @billhaderlovebot @ashleybees @tozierskaspb @danny-fucking-mercury @ilywthallmyheart
A/N: Hey, this was so fun to write. It’s set from like 2018 to 2019, and I used a gif of Bill and James bc Edward Kaspbrak features quite heavily in this piece, so hope y’all enjoy it!
Richie and Y/N’s life together was already chaotic, but upon the birth of their son Eddie it became Even More So.
Firstly, instead of Eddie having a godmother and a godfather, he had two godfathers, John and Eddie (Kaspbrak that is, the kiddo’s namesake).
John makes jokes about him having a wife and a god-husband, and how that can Definitely complicate Christmases. Luckily for him, Eddie goes along with it which has resulted in Eddie, a relatively unknown presence on social media, turning into a sensation overnight. John is very proud of his god-husband.
just saying, Richie definitely cried when he held Eddie for the first time.
Anyway, as soon as Eddie is born Y/N demands a glass of champagne because ‘I just pushed out a CHILD and haven’t been able to drink for nine months, so cut me some slack, judgy nurse.’
Richie laughs and reaches into a cooler bag he brought and pulls out a bottle of Moët and two glasses, knowing that Y/N would demand a glass of champagne like she does with every major event.
“To our little boy, Edward John Tozier.” Y/N says, raising her glass in the air as they looked at their son.
“May he have a better relationship with his mother than his namesake and be as funny as his middle-name-sake.” Richie said, tapping his glass with Y/N’s as she let out a soft chuckle, taking her first drink in nine months.
Both John and Eddie come to visit little Eddie, and they absolutely melt. Y/N swears they both cry, but they deny it if asked.
When they take Eddie home it’s definitely weird, as they’re definitely not used to having an actual little human in the house. I mean they have a little Pomeranian but he is much easier to look after than a Child.
They take a photo of Eddie with their dog and post it on Richie’s Instagram with the caption ‘We all know how much Eddie loves Pomeranians.’ He tags Kaspbrak who comments ‘fuck u dude’.
Anyway, Eddie is certainly a loud child who takes after his father in the sense that he loves to laugh but is an utter force of chaos. Y/N swears her heart stopped more than a few times when he was starting to walk because he had a tendency to throw himself at walls and tables, much to Y/N’s horror.
There have been a few times where Richie has tried to show Eddie a Monty Python sketch or an episode of Fawlty Towers. Y/N tries to get mad but she really loves John Cleese so they end up sitting down and watching it as a family, Eddie propped up on Richie’s knee and Y/N cuddled up to Richie’s side, her eyes flicking between the TV and her beautiful family.
For Eddie’s first birthday they decide to just keep it casual because he’s one year old for fuck’s sake, why would they have a giant party for an infant? They invite John and Anna over, as well as Eddie and his new boyfriend who Y/N adores. They invite the rest of the Losers who all show up with big smiles and gifts for the first of the Loser babies.
They also extend the invite to both Y/N and Richie’s parents, however only Y/N’s mother Joanna shows up. Richie is a bit upset by the fact that neither of his parents came, but Y/N is there to help him out.
Y/N posts all the photos of the party to her Instagram, captioning them ‘Happy one year anniversary to the removal of this little parasite.’
There are definitely plenty of sleepless nights, and a lot of time Y/N gets really snappy because of it but Richie is surprisingly patient and he always makes sure to look after Eddie during the night so Y/N can get some sleep.
Eddie’s first word is ‘dad’, something that Richie never lets Y/N forget. He brings it up whenever possible and although it does annoy Y/N at times, she’s just overwhelmed with how much Richie loves their kid.
One night, a few weeks after Eddie’s first birthday, Richie and Y/N decide to have a date night. They haven’t had one in a very long time, so they ask Eddie (senior) if he can come babysit. He says yes immediately, eager to spend some time with his godson. Richie and Y/N are very grateful, and when they get back from their date they are so happy to see Big Eddie asleep on the couch with Little Eddie held against his chest.
Y/N took a photo, adding it to her ever-growing folder of Eddie related photos, and later that night she sent it to the Losers group chat that was created back in 2016 after the Derry ‘reunion’. She got very close with them all and had been a member of the Club ever since. Along with the photo was a message that read ‘guess little Eddie loves his uncle.’
Kaspbrak would never admit it, but he melted seeing the photo (as annoyed as he was that Y/N took it without informing him).
The Tozier family was loud and chaotic, without a doubt, but they loved each other so very much.
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