#product design companies

[gracytaylor]

Understanding Industrial Design Consultancy

Industrial design consultancy plays a crucial role in the development of innovative and functional products. It involves a systematic approach to designing products that are not only visually appealing but also practical and user-friendly. Here's an overview of what industrial design consultancy entails:

Concept Development: This is the initial stage where ideas are generated based on the client's requirements and market research. Designers brainstorm and sketch various concepts to explore different possibilities.

Design Refinement: Once a concept is selected, it undergoes refinement. This stage involves creating detailed drawings and digital models using advanced CAD software. The focus is on improving aesthetics, ergonomics, and functionality.

Prototyping: Prototypes are developed to test the design's feasibility. This allows for the identification and resolution of any issues before mass production. Prototyping can involve various techniques, including 3D printing and CNC machining.

User Testing: The prototypes are tested by potential users to gather feedback. This stage ensures that the product meets the needs and expectations of the target audience.

Final Design and Production: After successful testing and refinement, the final design is prepared for production. This includes creating detailed manufacturing drawings and specifications.

Industrial design consultancy bridges the gap between creativity and practicality, ensuring that products are not only innovative but also market-ready. It is an essential service for companies looking to stay competitive and meet the evolving needs of their customers.

[miamaimania]

📺 Retro Futurism: 'Videosphere TV set' (1970-71) by Victor Company of Japan (JVC). A pioneer of home entertainment, displayed at Museum für Angewandte Kunst Köln. Original title: 'Videosphere TV set'

[crafting-mojo]

Oh hey isn't that that guy etho's obsessed with?

[angiestown]

[welcometoteyvat]

as a chinese person yall need to stop blaming the ccp for everything (read: hoyo is capable of making colorist design decisions and not everything is a result of censorship pls)

[soapdispensersalesman]

[soulanima]

COLLEGE SKETCH DUMP 1, featuring sinner swap au (Yuzuki, Cathy, Ahab and Sancho Panza), my oc Alice and heathcathy ofc

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[happywebdesign]

https://nu.works/

[truefirms-staff-augmentation]

What is a Product Design Agency? How Do You Choose the Right Product Design Agency?

Embark on a transformative journey through the world of product design companies. Understand their vital role in crafting successful products and learn how to choose the perfect partner for your project. With demand surging globally, gain actionable insights to navigate this landscape with confidence. Empower your brand with unique and genuine design solutions that captivate your audience. Choose your ally wisely and set the stage for innovation and excellence in your product design endeavors.

[stone-cold-groove]

Take time to see them... Plaskon brand plastic materials ad - 1945.

[nr1-logo-design-inspiration]

Creative craft beer logo 🍺

Behind a awesome concept there is a good story to tell. Let's create your story!

Contact us at:

Creativelogodesigns01@gmail.com

[mr-payjay]

animationepic after releasing the most abhorrently ugly plushies for the highest price imaginable

[thevalleyisjolly]

It's impossible to describe the experience of watching Total Forgiveness to people, like how do I explain that this is one of the most compelling shows I've ever watched and it's even one of my comfort rewatch shows but also I cannot rewatch a good third of the series because it makes me so viscerally uncomfortable and this would absolutely never be greenlit by the Dropout of today but it's also essential viewing for understanding not only the development of the company but the public personas of many of the key people involved in Dropout. It's funny and then it's painfully dark and then at the last minute it's hopeful and heartwarming again but damn if it isn't raw all the way through. From the crushing pressure of living under late-stage capitalism to the severe toll on personal relationships that the very premise of the show enables. Also there's a jaunty little soundtrack. 11/10 will rewatch again and again. Except the MLM challenge. I am psychologically unable to watch that again for any sum of money on this planet.