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fashionbooksmilano · 1 year
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Life Style Bruce Mau
edited by Kyo Maclear with Bart Testa.
Phaidon, London 2005, 626 pages, 21,7 x 25,2 cm, hardcover, ISBN  978-9707906396
euro 80,00
email if you want to buy [email protected]
More manifesto than monograph, Life Style is the first book to document Bruce Mau's creative process and his studio practice, Bruce Mau Design. Conceived and designed by the studio, the book is a singular album of playful and critical statements about the visual and cultural trends that influence today's image-driven context. This collection of Mau's essays, observations, anecdotes, and project documentation emobides his unique world view and his belief that form and content are inseparable. The book's organization echoes his conviction that design is more than an end in and of itself; it is "not separated or segregated from life but instead is integrated with other messy flows. It engages directly with the world.".
16/05/23
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pejasurveying1 · 18 days
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Discover how quantity surveyors play a crucial role in resolving construction disputes. From cost management to mediation, their expertise ensures efficient conflict resolution, saving time and money. Learn the benefits of involving these professionals in your projects. Contact PEJA Surveying for expert services today.
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Navigating the Waters of Sudden Scope Creep in IT Projects: A Comprehensive Guide
Unlock the secrets to successfully managing sudden scope creep in IT projects! 🚀 Learn essential strategies for project success. #ProjectManagement #ScopeCreep #ITProjects #Agile #RiskManagement
Introduction: Scope creep, the sneaky and relentless enemy of project managers, lies in wait to ambush even the most carefully orchestrated IT projects. This insidious occurrence rears its head when project requirements bloat beyond their initial confines, paving the way for unforeseen hurdles and entanglements. This article will plunge into the complexities of managing abrupt scope creep in IT…
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What can I say? They're my favorite.
#twdg#twdg clouis#clouis#twdg clementine#twdg louis#sometimes they creep back into my mind and i'm like 'ah yes' like a crow admiring a pretty stone they found years ago and kept#also thank you pi for the screenshots. i used to have a whole folder full of them but that was when i was doing themed nights#the source for these is me i just have a random document full of dynamics and ship things i enjoy because.....i dunno i like keeping track#and so many of them apply to clouis but there's also an overlap of with clouis and rose/alistair [my warden from origins and alistair] like#alistair's romance route is like an evolved matured and extended version of clouis sksksks gee i wonder if i have a type#look you present me with a character who deflects with humor and isn't taken seriously by the rest of the group and the longer you know the#the more you realize how high they've built a wall around themselves and how *unwell* they really are and how they're not as sunshine#as they present themselves and also they avoid leadership and responsibility until they grow closer with someone who pushes them#and they end stronger and more balanced as a person while finding the affection they've craved#and also there's the daddy issues#present me with that character as a romantic option and i'm in no questions asked okay i don't want the mean broody one that's meh to me#i want the one that has every reason to be broody but chooses not to be because they have a completely different defense mechanism#and a warped sense of themselves and self-esteem issues they leave unaddressed until forced to face them#i'm just saying i'm aware that i have a type i'm always going to gravitate toward clouis nearly checks all the boxes#also the lack of clouis these days? my crops are thirsty and i have too many ongoing projects to do anything about it other than this sksks#so until i make time to finish my long ass louis/clouis analysis this is the best i can provide for now
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veryinnovative · 5 months
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i keep thinking about experienced (brat) sub james and new to the bdsm scene dom regulus au. i keep thinking about james introducing him to all the kinks and tools and explaining each one. i keep thinking abt james making reg discover all the kinks he has. the char development that is reg's blooming confidence and james' growing need to be subservient and the way he takes pride in being the one to please regulus. i keep thinking abt their size difference and how quick james is to fall to his knees and eat reg out or how he needs thick ass cuffs and chains to keep him bound to the bed while reg edges him while riding. I JUST THINK--
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louieshalo · 3 months
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demiromantic asexual riz gukgak save me… save me demi/ace riz who can’t distinguish his romantic feelings for fabian from his platonic ones
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yeoldenews · 6 months
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Hi! It seems like fireworks and firecrackers were a very common item in Santa letters, to the extent that they’re often thrown in at the end along with fruit like a ‘default’ Santa gift. If you know, why and when did fireworks stop being a go-to present for kids to ask from Santa?
This is actually something I keep meaning to dig into more.
It was almost exclusively a Southern practice (particularly in the Deep South), but was so universal there that it's honestly more unusual for Southern kids to NOT ask for fireworks than to ask for them. I'm not sure if there were cultural aspects to this or was just because it makes more sense to give them where it's actually warm enough to shoot them off.
They seem to have been given primarily as a stocking-stuffers, as they are almost always listed alongside the standard fruit, nuts and candy.
From what I've seen, requests for fireworks dropped off sharply in the early 60s, though I as of yet haven't found any convincing reason as to why.
That's a bit early to coincide with the general shift away from little boys asking for firearms, which seems (from my observations at least) to be largely correlated with the advent of video games in the 70s and 80s.
It's possible it may have been a natural result of child safety standards evolving beyond the 'sure, give your six-year-old explosives, what's the worst that could happen?' that seems to have been the dominant attitude for the first half of the 20th century.
If anyone from the South has any insight on this I'd love to hear it.
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pippuns · 1 year
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youtube
hi. watch my tai sui trailer animatic.
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demonslayedher · 30 days
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Links, why started, and why abandoned:
Rengoku+Akaza Sitcom: It was very silly and rereading it still makes me laugh. I've had passing ideas here and there and have made two separate attempts to continue it, but I haven't captured the same flow. Kyojuro's efforts to get me fired as the lead writer and keep this sitcom canceled have so far panned out.
Low-Key Married AU: When I look at the notes sometimes I am like, "wow, this must be my most popular AU, but it is such a mess and I feel so bad for people trying to follow it." I got as far as The Nezuko Incident, but it was already super long, and rather than being engaging it felt more like it was just trying to give chronology to this AU. ZenNezu Angst (no link): I was in such an indulgent, angsty mood when I wrote it, and I wrote myself into an angsty hole. It was whump with an intended happy ending but by the time I went back to it I was not in as whumpy of a mood and I had forgotten how I was going to build up to the intended happy ending and found it meh. Also, I am embarrassed by how whumpy it is and even considered publishing under a different name.
Raw Sword Production: I want so badly for the fandom to appreciate the intricacies of Japanese sword production, which is why I put it into fiction format in the first place with Teppi being the vehicle through which readers can learn a complicated but fascinating process. I wound up learning a lot more since publishing that, and wanted to fix some details, as well as make it clearer with more illustrations, and add on the full process of smithing (instead of glossing over it in the conclusion and focusing most of the smelting). Got to about the point of polishing (one of the last steps), felt overwhelmed by the amount of illustration it would benefit from to be clear, and lost confidence feeling that even with all that effort, there probably would not be many people who read all the way to the end. Filler Arc w/ Character Beats: I still really like the ideas, have had ideas for how to expand it to a proper flow and make a solid story out of it, it had a very cute start, but I lost steam. I want Ufotable to make it instead and just let me direct. EDIT: So far it doesn't seem this one is going to win the poll, so I reread what 5577 words I had, and gosh dang it, it was cute. So I have posted it.
Again, zero promises of any of these projects getting more attention, even if they win the poll. But knowing what people would enjoy reading might provide more inspiration. EDIT: Guys, if you want "other," ya gotta tell me which one! Also, if you want more than one, feel free to say so too. Again, the point is to see if I can work up the inspiration to finish. If.
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ctrl-alt-cel · 2 years
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when i was 13 i wrote an essay explaining the rationale of puppyshipping to some guy in a skype chatroom. found the essay again. wanted to rewrite it. without further ado:
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HERE’S HOW PUPPYSHIPPING CAN STILL WIN: THE SEQUEL: 2 PUPPY 2 SHIPPING (4.3k words)
kaiba and jounouchi’s relationship stands at an awkwardly undefinable place in canon: they're not on good terms, but they're not enemies either. they know each other too well to be called passing acquaintances, but kaiba hardly acknowledges jounouchi as a duelist, let alone a potential rival. at best? they're mutual nuisances.
or, that's how jounouchi and kaiba choose to define it. both of them would love if their dynamic were that simple, nothing more than a back-and-forth of petty insults—but that’s not the truth. and they'll dance around the truth for five whole seasons, purposefully downplaying why they’re so obsessed with provoking each other whenever they’re in the same place.
they're foils.
—but the term "foils" is so dulled within fandom lexicon now that it can mean literally anything from two guys who just disagree with each other sometimes, so i'll sharpen this further. jounouchi and kaiba see their counterpart less as an individual person but more a representation of who they could have become if they had respectively, in their eyes, never learned the lessons they needed to. they project their own ideals onto the other and come away thinking they already know how the other operates, and the fun thing is, even when working from conjecture, their assumptions of one another happen to hit far closer to home than they have any right to.
so really, they can't leave each other alone because they can't stop seeing their failures reflected back at them. the other is a defective version of themselves that they need to correct because they can't stand constantly acknowledging who they used to be, so they try to bend the other to be more like their own image—an "i can fix him (by dragging him down to my level)".
jounouchi and kaiba’s parallels run down to their origins, both set up against abysmal family situations they have no choice but to make the best of. seto and mokuba are orphaned at a young age until seto gets them adopted, while katsuya is separated from his sister and stuck with a deadbeat father who can't carry his own weight. trapped in an environment where nobody expects anything worthwhile from him, katsuya joins a gang and lives out a self-admittedly miserable existence before befriending yugi, while seto is in a battlefield of his own, faced with protecting mokuba while enduring against the nightmare that is gozaburo kaiba’s parenting.
what they do to survive those conditions determines the outlooks they carry for the rest of their lives: jounouchi learns that losing is inescapable and the best you can do is learn how to cope with it, whereas kaiba learns that losing is something you must protect yourself from because there's only so much you can afford to lose.
jounouchi is positioned as the underdog, fighting tooth-and-nail for every victory he can manage, while kaiba has power in excess and holds to the belief that it’s all he really needs. one would argue that they have the perspective the other lacks—they argue that they have the perspective the other lacks. but in my opinion? it doesn't actually matter. what interests me is how they treat each other as a result.
side: seto kaiba
kaiba degrades jounouchi a lot. like, to an uncomfortable extent. you know that one post that’s like “why does bullying exist? why are you mad that i’m ugly?” why is kaiba so mad over the fact that jounouchi loses so much?
it’s projection. he’s just holding jounouchi to the same standard he holds himself to. you need to be powerful if you want to play the same games as kaiba, and seeing jounouchi so openly lean on his friends, ask for help, and have the audacity to lose sets kaiba off because he’s not playing the way he’s supposed to. kaiba rubs jounouchi's losses in his face because he believes that's what loss is supposed to look like, and that it’s jounouchi’s fault for not understanding that yet. kaiba is trying to teach him. to kaiba, this degradation might as well be an act of generosity.
while kaiba stayed true to his own ambitions, seizing kaibacorp from gozaburo and turning it into a children's entertainment company, he beat gozaburo at his own game not by inventing new rules but by playing it better than his adoptive father ever could. and as impressive as that is, it’s not sustainable. gozaburo kills himself when faced with his own defeat, and kaiba internalizes this lesson: that all losses are final, and it’s better to die than adapt to the consequences of a defeat. gozaburo’s death was a suicide, but in the context of their game, kaiba might as well have killed him regardless.
he mirrors this when he threatens to kill himself in duelist kingdom, his heightened emotions catastrophizing losing the duel to immediately equal failing mokuba and coming to the conclusion that if he loses mokuba he’d rather be dead. being someone so fervently self-reliant, any alternate solution, a possibility that he can lose here and still find a different way to rescue mokuba never crosses his mind. and, look, this isn’t his fault. this is the only way of living he’s ever been taught. he’s never learned how to cope in the event of failure because he’s never had the luxury to fail to begin with.
he's burned and rebuilt himself over and over again to survive in the world he operates in, and that’s why jounouchi pisses kaiba off so personally. jounouchi loses so much and so messily, and kaiba tries to show him that if he doesn’t start reinventing himself from the broken pieces of his defeats until all that’s left of him are jagged edges the same way he has, he’s never going to win. but jounouchi…does win. and keeps winning. and even when he does lose, it’s as if he creates new victories for himself, like there’s still value to playing a game with someone when you don’t win it—power of friendship bullshit and whatever. jounouchi is still here, a competitor that kaiba can no longer write off as much as he desperately wants to. (and, yeah, it is pretty ironic how jounouchi will jump through a million hoops to get kaiba to look at him, but he doesn't realize that he doesn't need to do anything to keep kaiba’s attention, only continue being himself.)
jounouchi refuses to compromise who he is and still manages to get far when in kaiba’s mind, that shouldn’t be possible; he’s supposed to be punished the way kaiba was. jounouchi is proof that you can take a devastating blow and move on from it, that even when you do fuck up spectacularly, there’s still something worthwhile in starting again tomorrow.
so kaiba constantly needs to prove that he’s better than jounouchi, that jounouchi isn’t even worth his time in order to justify his worldview. because if kaiba isn’t right, then he'll have no choice but to confront the fact that the war is over. that his circumstances aren’t instant life or death anymore and that even though he’s freed himself from gozaburo’s influence, there’s still further growth as a person he could stand to undergo, now divorced from the harsh conditions of his upbringing. jounouchi is a testament to how it’s possible to make peace and move on from the past without constantly bleeding for closure, that maybe, kaiba’s headlong quest to get the last word on his rivalry with yami yugi may not actually be as fulfilling as he thinks.
but admitting that you might need to change the way you live feels like a defeat in and of itself—it’s infuriating to hear that after everything you’ve had to learn, the way you live now isn’t good enough. that surviving insurmountable trauma doesn’t inherently make you better or more worthy than other people—it just traumatizes you, and is something you must heal from. so, instead of reflecting on these revelations, it’s so much easier for kaiba to tell himself that jounouchi is only ever graceful when he’s dead.
side: katsuya jounouchi
jounouchi is very stuck on this idea that he needs to be useful. his dad is an alcoholic with a gambling addiction and he believes it's not only his duty to pay his father's debts, but to be the household's sole source of income. his sister needs eye surgery and he believes it's his responsibility as an older brother not only to pay for it, but to act as her primary emotional support to get the surgery and throughout her recovery process. haga throws yugi's exodia into the ocean and jounouchi blames himself for not stopping it. jounouchi gets mind-controlled by malik and blames himself for causing his friends anguish from it. mai literally gets jounounchi’s soul stolen and he apologizes to her for messing up and making her sad. it's habitual, jounouchi doesn't know how to stop taking on the burdens of other people.
if you live with the mentality that you’re inevitably going to fail for long enough, you’ll come away with the belief that caring about your own wellbeing isn’t worth the effort. it depends on how pessimistic you want to read it, if it’s just his love language or jounouchi compensating for the damning act of being himself, but jounouchi quantifies his worth by how much he provides for other people. he’s always jumping in the line of fire for the sake of others because if you constantly undervalue your own wellbeing, you always have less to lose. as the underdog, he may not be as overtly powerful as kaiba or yugi, but he can still give himself away, and he’s convinced himself that it’s what he’s supposed to do. jounouchi is still new to this whole friendship thing. after a lifetime of supporting himself by himself, he doesn't know when he's allowed to ask for help yet—he’s supposed to be the help, dammit.
a key distinction between jounouchi and kaiba’s upbringings is that while kaiba’s biological parents died in an accident, jounouchi’s parents are still alive and they choose not to be responsible for him. jounouchi is conditioned to fend for himself by himself because having a parental figure actually present in his life isn’t a luxury he gets to have. to jounouchi, there has to be a reason why his mother only takes shizuka and never goes back for him in the six years he’s left with his father, and he rationalizes this with his notions of masculinity: he’s a strong man who can handle it. jounouchi is not delicate, he can endure it. men are responsible for their own circumstances. kaiba is hyperindependent out of a mixture of spite, paranoia, and self-defense. jounouchi is hyperindependent because he believes he deserves it. it’s the reason why he believes he’ll finally have a good relationship with his father if he just wins enough money to pay off his gambling debts—jounouchi can fix everything if only he were man enough to, and he can get people to stay if he demonstrates himself useful enough.
so death doesn’t carry nearly as much weight to jounouchi as it does to kaiba. in kaiba’s eyes, death is the punishment for failure, but to jounouchi, death is just the natural consequence for the kind of life he leads. he can't stop himself from fighting for the people he loves until he’s spent everything and forced to stop (read: dies), so during the several times jounouchi is confronted with his own death, he meets it with a solemn acceptance. like, yeah, it sucks, but he doesn’t regret the actions he took to end up here—he’d do it all over again, frankly. it’s better to die than not give everything he can, and at least he was able to give his life in service to someone else. it’s not necessarily good to die, but it doesn’t matter as much if he does.
so where kaiba is afraid of losing, jounouchi is afraid of outliving his usefulness (and being abandoned as a result), and kaiba disrupts jounouchi’s worldview specifically because he puts his ideology on the defensive. to jounouchi, kaiba’s presence never demands a question of “what can you do for me?” (nothing, kaiba doesn’t want jounouchi to do anything for him, and frankly, he’d be insulted if jounouchi even tried) but “what makes you worthy of standing on the same level as me?”, and jounouchi can’t sacrificial lamb get set on fire die a billion times into getting kaiba into seeing it his way (rather, that would only prove him right: kaiba would love nothing more than for jounouchi to lose the ability to fight and finally align with his preconceived notions of how the world works), and he can’t argue that his value is in how much he provides for others because that’s a non-answer. kaiba doesn’t care.
kaiba’s presence forces jounouchi into a position of self-reflection: jounouchi works so hard to preserve the friendships he’s created, but who is he—what does he value about himself in the absence of it? jounouchi needs to acknowledge something inherently valuable about himself if he wants to counter kaiba in any meaningful way, and it’s not like he doesn’t have valuable qualities either: he’s tenacious, he’s resourceful, he’s a quick learner—it takes intelligence to rank as high as he does in tournaments, but he undervalues all of it. these traits are all to be expected, they don’t actually count as extraordinary when it’s him. they’re only remarkable when they’re being applied to something greater. jounouchi believes he has the potential to become strong (and valuable by extension), only with the stipulation that he’s never actually there yet. he focuses too much on his inadequacies, constantly pontificating on how he needs to become a “true duelist”, but by the way he speaks about the title, the only way to be a true duelist is be named yugi muto, i guess.
so it’s very jounouchi-esque for him to miss this point with near deliberate precision and try to make himself useful to kaiba anyway. while kaiba is bent on seeing jounouchi fail to prove that his cynicism is superior to jounouchi’s altruism, the inverse is that jounouchi sees his old self in kaiba and he’s dying to teach kaiba a lesson. during battle for bronze, jounouchi states that they used to be the same, people who only relied on themselves and thought they’d be fine living like that. the argument jounouchi makes is that living that way is fucking miserable. he calls kaiba out: you’re supposed to be having fun. why are you playing duel monsters if you’re not having fun? he’s trying to show kaiba that he can be useful and teach kaiba things if kaiba would just let him, but for reasons mentioned in both of their sections, kaiba isn’t interested in being taught anything.
while less malicious in display, it's important to note that jounouchi’s method of trying to teach kaiba doesn't make him the better person here. jounouchi isn’t coming from a place of understanding when he lectures kaiba, he’s coming from a place of misdirected self-flagellation. and from kaiba's perspective, jounouchi is just dispensing unwarranted advice for the sake of his own ego. the most egregious example is when jounouchi picks a fight with kaiba in duelist kingdom, demanding they duel when kaiba is clearly not in the mood, busy with more pressing matters like, i don’t know, trying to rescue his abducted brother? so, okay, maybe a little bit inconsiderate on jounouchi’s part.
they're two ideological extremes: kaiba lashes out at the world while jounouchi gives himself to it, and jounouchi will keep barging in on kaiba with his life lessons because it’s the only way he wants to engage with kaiba’s arguments otherwise. jounouchi interprets kaiba’s rejection of his ideals as the equivalent of the stubbornness jounouchi had before befriending yugi, and he uses it as a reason to keep pushing, not understanding that while he may have found the most honorable path for himself, you can imagine how constantly burning yourself for others isn’t very…appealing. or sustainable. and that maybe it’s something you need to work on, actually.
conclusion: how i WIN
what’s fun about jounouchi and kaiba is how wrong they are. they genuinely can't live the way the other demands them to, their respective environments won’t allow it. if jounouchi chased victory with the same cutthroat relentlessness as kaiba, he probably never would have left his gang. or, at least, he’d lose the selfless devotion and consideration he has for others, traits that helped him build his support system, and he never would have found the friendships he values in his life—his willingness to change and start again was how he was able to befriend yugi to begin with. (and if you wanted to get really extreme with hypotheticals, his self-destructive tendencies could have grown so severe in the absence of a support system that he probably would wind up getting himself killed somewhere. lol.) inversely, if kaiba granted himself the freedom to worry less about the outcome as long as he enjoyed himself, he’d put mokuba’s safety at constant risk. kaiba’s guarded nature isn’t without reason, there are powerful corporate executives who would love to see him fail, and there are very real consequences if kaiba slips up for even a second and gives his opposition any leeway. the way they live works for them because it’s theirs. it’s not so much that either of their lifestyles are in dire need of correction, but that the other represents the possibility that they could be living better.
and this is fantastic because it means that, despite what they think, neither of them are in the “wrong” and must learn to change their idiot ways or that the solution is to strong-arm each other into some kind of compromise. it’s a battle of perceived weakness. they need to, naturally and individually, accept that the traits they’ve always deemed immature and beneath them can be just as vital for survival, even when it’s not necessarily their own.
jounouchi and kaiba are essentially the most extreme example of two people who want what’s best for each other (gone wrong!) and puppyshipping is appealing because them getting together requires that they stop punishing themselves for who they used to be. they expect too much out of themselves and then inflict those demands onto each other, but if they’re not wrong for the ways they’ve overcome the circumstances they were left in, then it’s equally true that the ideals they abandoned to survive weren’t inherently naïve just because they weren’t given the space to utilize them. sometimes life will push you to your limits in the hope that you fail, and there’s no deeper meaning to it. it’s not life’s way of teaching you a necessary lesson to make you stronger or a test to see if you deserve to live, or that it’s your fault when it breaks you. sometimes there’s no great meaning to suffering. things happen, and you will adjust to it in order to live. when kaiba and jounouchi believe they know each other as much as they know themselves, pairing them is the hope that they’ll respect themselves enough to respect each other, that they’ll one day be able to embrace the parts of themselves they’re the most ashamed of.
(or, you know, for the alternative crowd, they most definitely can make each other worse.)
for two men who claim to be so self-assured in their own lifestyles, jounouchi and kaiba are fascinating because there’s so many layers of denial at play: the denial that they see anything in each other, denial that there may be aspects of the other that they’ve come to envy, denial that they even care, and it's so tempting to imagine if all of it was forced open. jounouchi and kaiba choose to maintain this delicate equilibrium where they never actually confront anything because the idea of admitting vulnerability viscerally disgusts them, and it begs what would happen if the balance irrevocably tipped for once. watching them is like watching a pencil teetering on the edge of a desk, always this close to some kind of breakthrough. i won’t even lie to you puppyshipping pisses me off half the time because i just want to shake them around until something metaphorically breaks.
kaiba and jounouchi never let each other become complacent in their pasts: whenever their personal tragedies and childhoods are brought up in the context of one another, it’s never because they are being vindicated for continuing to dwell in them, but because they are being contested on how much the mindsets they’ve carried over from their pasts should be allowed to determine their futures.
returning to canon, kaijou operates through the language of competition. jounouchi tries to prove himself as a competitor so remarkable that kaiba can no longer deny him, while kaiba already knows he’s remarkable, and that is precisely why acknowledging it pisses him off so much. so they’ll play their game: jounouchi will provoke kaiba into fighting him because he enjoys going up against challenging opponents in the hopes of becoming stronger, whereas kaiba keeps trying to set up situations where jounouchi will lose to the point of letting him die because he wants so badly to believe that losing does equal death and jounouchi’s existence is the most inconvenient counterargument of all. and obviously, jounouchi keeps not dying. and it's endlessly infuriating—almost slapstick at this point, that much to kaiba's frustration, no matter what he does, he can never make jounouchi submit for very long.
jounouchi and kaiba spur each other on to a ridiculous extent: kaiba enjoys pushing jounouchi past the breaking point, whereas jounouchi enjoys getting pushed to his limits to test his own capabilities. whether that’s necessarily a good thing though is…well…hmm. anyways. 
their dynamic is the type of messiness only two prideful high schoolers can get up to. maybe it’s just kaiba's repression and jounouchi's recklessness, but there is a fascination with each other that they’re incapable of leaving alone. there’s intimacy in knowing someone so well and fearing that fact, but kaiba and jounouchi never respond to this fear by avoiding it—they’re engaging with it time and time again. they infuriate each other with a passion that never sits still. kaiba and jounouchi seek a validation from their counterpart while simultaneously denying each other from it, and it’s mean, but invigoratingly so.
at some point, it’s not even about wanting validation anymore, but point-blank wanting its keeper by any capacity: wanting a visible reaction to their effort as proof of reciprocation, proof that says “i’ve finally affected you just as much as you affect me.” because kaiba and jounouchi want to leave a mark on each other, they want their counterpart to fully understand how much they’ve affected them, and they want to witness that reaction themselves. it’s no longer this big, nebulous ideological debate with a reflection: the pull between them is made both physical and personal. so, like, not to go the trite route of arguing that two men who can’t stand each other were ~secretly attracted to each other this whole time~, but how else are you supposed to word this?
in some hypothetical universe where they do come together, even the ways they love manage to compliment each other in its own clumsy way. seto kaiba never does anything in moderation: if he hates something he will destroy it, if he loves something he will possess it, and if he is obsessed with something, he will single-mindedly pursue it at the expense of everything else. his repression manifests itself in a passion so pressurized it’s all-consuming against everything it comes to contact with. inversely, katsuya jounouchi loves freely and transparently: showing affection comes as naturally as breathing to him. he embodies the belief that love is not only about the grand gestures, but the day-to-day acts of warmth and casual acknowledgments that it's there. a man who wants to be wanted by someone so badly it aches paired with someone who makes no reservations as to what he's committed to, capable of a love so overwhelmingly insatiable that it is neither fickle nor delicate, and a man who finds the act of trusting others with his affection so unthinkably humiliating that he’s convinced himself it’s something beneath him paired with someone who makes it look infuriatingly easy. they are going to invent a new language to love each other with. i believe in them. i would not write two separate essays titled “here’s how puppyshipping can still win” if i did not believe in them. 
ultimately, it feels cheap to build kaiba and jounouchi’s relationship off what life lessons they could "teach" each other reformation-style when they already have a legitimate dynamic in play. they can be good for each other, or they can tear into each other in ways they’d never expect to be capable of. there’s something exhilarating in knowing there’s someone who has that kind of power and wanting to keep them within your reach, a buzzing excitement in knowing someone who can not only withstand you at your worst, but fight back at you with twice as much vigor. sure, there’s potential for growth here, but that’s because there’s potential for literally anything.
kaiba and jounouchi inspire reinvention and self-determination from each other at the best of times and enable each other’s most self-destructive tendencies at their worst. so i think. puppyshipping is the most fun. when you ship them the same way you leave a fork in the microwave to watch it explode. the end.
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TL;DR: me x the guy who keeps breaking my worldview and forces me to reevaluate myself every time i see him which i hate so much that i just want him to DIE
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fredrin · 1 month
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tungle-squentacles · 13 days
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one must imagine hardison burnt out
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Scope Management: Time-Tested Strategies for Project Success
"🚀 Discover the secrets of effective project management! Learn how to conquer #ScopeCreep and ensure project success. Dive into the world of #ProjectManagement, #StakeholderEngagement, and #ChangeControl. Don't miss out on these valuable insights.
Scope creep is the bane of many project managers and teams. It refers to the uncontrolled expansion or modification of a project’s scope, often leading to increased costs, missed deadlines, and frustrated stakeholders. Managing scope creep is a crucial aspect of project management, and it requires a combination of proactive planning, effective communication, and well-established methods to keep…
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canarydarity · 18 days
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and not to post more snippets of random au's in my google docs but
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this is from a fun project i call "moon big but waht if jimmy was there"
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guess who's stuck in a group project where no one is even really doing SHIT and now i have to probably do the whole thing by myself (◉‿◉) so the reason why i'm barely even writing anymore is bc of my two 8 week courses, sorry about that <33
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spxrklezz · 2 months
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☆ : IF YOU'RE HAPPY, I AM TOO ও
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୧ : content. reader wants to cut their hair off, and mizuki helps them out.
୧ : warnings. nb reader, she/they pronouns for mizuki
୧ : pairing. mizuki x reader
୧ : notes. hey everyone!! this is a silly idea i had some days ago, i hope you guys like it! <3
୧ : word count. 585
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it was just a normal day for everyone - well, except for you. you were sitting on the edge of your bed, staring at the mirror that stared back at your face in a mocking way.
you wanted to cut your hair. you wanted it to be short, something that could actually represent who you were. it sounded stupid for other people, but for you? it meant a lot. lost in thought you even forgot that your friend mizuki was coming over, if it wasn't for the doorbell.
getting up from the bed, you quickly made your way to the door, opening it and being faced with a really happy mizuki.
"hi author! sorry for taking too long, I was finishing something."
"hey mizuki. it's fine, no worries... uhm, here come in." — you stepped aside, making room for mizuki to get in your house.
you guided them to your bedroom, even if mizuki already knew where it was. sounded rude to not do it. when you opened the door, the scissors that you were trying to use was on top of the bed, which got you a bit worried.
"hey, what's that?" — mizuki asked you, taking the scissors on her hands to take a look at it.
"oh, nothing! I was just going to.." — you got more nervous as mizuki looked at your eyes without a face of 'I do not believe you', before grabbing your hand and dragging you to the bed.
"do you want to cut your hair?"
"huh? what-"
"I can do it for you! if you want to, of course, hehehe.." — oh, their laugh. so pretty and yet so contagious. wait, hair, right.
"... I want it."
"really?? alright! I'm not the best at doing this but I'm not going to make it look that bad. I hope.."
"what do you mean you hope??"
"just stay still for me, reader."
and then, she begun to cut your hair. the sound of the scissors getting you more nervous the more you heard it. maybe it was a good idea to not face the mirror.
after a considerable amount of time, mizuki was finally done with your hair. they noticed your anxious face, giggling a bit before grabbing your hand.
"you can look now." — and that was it. you turned around on the bed, now facing the mirror. and, oh, my, god. your eyes widened as you saw the reflection that looked at you. looking without the mockery from before, but with relief, happiness.
"so.. what did you think? I hope it is decent enough-" — before mizuki could even finish their sentence, you hugged them. her surprised face stayed for no longer than 2 seconds, quickly hugging you back.
"I.. thank you so much mizuki."
"it's nothing! did you like it?"
"I love it, mizuki."
you two stayed in the hug for some time before pulling away. as you did so, mizuki noticed your slightly red face, making her smile even more.
"aww, you're blushing!!"
"what? no I'm not?!" — they giggled, making you get even more red and mad. mizuki looked at you.
"uh huh, if you say so. come on, let's go eat something."
"ugh, sometimes I wonder why we're friends."
"stop being like that! here, maybe it's going to make you feel better." — before you could even realize what they meant, mizuki kissed your cheek, walking away to the kitchen.
"you're coming?" — you only nodded, putting your hand on the cheek they just kissed, getting even more red before running in their direction.
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© mizukiyss - don't translate, heavily inspire, feed my work to ai, or repost it on other platforms.
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