#pub's

[fuckyeahgoodomens]

[parisoonic]

last ones i swear

[gleafer]

Sometimes before I have to tuck into a big job with a bad deadline, I need to mentally prepare myself with a few warm up sketches before hand to loosen the ol’ noggin.

They’re quick and messy, but make me giggle! It’s the sugar that makes the medicine go down.

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[bi-writes]

can't stop thinking about dark!simon with a sunshine!curvy!fem!reader, it's gnawing at my brain. (18+)

greeting him when he comes home in a little apron with dough smeared across your cheeks. you're bouncing in the kitchen, giggling as you wrap your arms around his neck. one burly arm hooks around your waist as he palms one side of your ass, and you kiss his lips over his blood-soaked mask again and again as you coo, "missed you so much, made you chocolate chip..."

you talk and talk and talk and talk. you're always talking. you're always whispering in his ear and chattering as he drives and telling him some story about something he missed while he was gone as you tidy up the flat. you never stop talking, never run out of things to tell him, and despite the monotone voice and the lack of response, he hears every single word that you say, and he forgets nothing. when he makes his way back on base, johnny is waiting, eager to hear an update about the receptionist at your work and if she is actually sleeping with your manager.

you wash his clothes without even blinking. you're at the sink, a bucket of cold, suddy water there as you scrub at his shirt. there's peroxide at the side, and you use a delicate hand as you scrub at the stains on it. ghost watches from the doorway as you hum to yourself, in a little pair of shorts with your hair tied up as you rinse the shirt clean. blood runs down the drain, and his shirt is clean as new.

you always find some kind of weapon around the house. you bend down to brush crumbs off the kitchen chairs, and you scold simon with a glossy pout because he left a bloody knife taped under the table. you whine when you find a grenade sitting in the same drawer you keep your tampons in. you complain when you take out the jar of rice to make dinner, and there's a small handgun hidden between the grains. but your face always softens when he cups your cheeks with two big hands, kissing you warmly, muttering, "gotta keep y'safe, luvvie...know there's a bloody line waitin' for a taste of y'r cunny, baby."

you visit him on base once in light wash denim and a white tshirt, sneakers hitting the linoleum and purse swinging as you wave at him. he's standing in front of a line of privates, watching them do jumping jacks, and his eyes light up a little when he sees you waving at him enthusiastically. when he finally makes it to you, he shoves you into the nearest supply closet and tugs your jeans down just enough to fit his cock between your thighs. when he's walking you out, the boys watch as you cling to simon's arm, a lovesick grin on your sweaty face as you flutter your lashes up at him.

he loves when your manicured hands touch him. scratching along his scalp, tracing the edge of his jaw, cupping the bulge in his pants. you're so sweet, the most giggly girl, and he loves tasting the strawberry of your gloss as you make him cum with your hand, cooing against his lips about how strong he is, how much you love him, how you would do anything for him.

he loves it most when you see him for what he really is. when he comes home battered and bruised, bloody clothes sticking to him, a snarl to his voice and the adrenaline of an op still pumping through his veins. he loves that nothing about him scares you. that even like this, you lean up on your toes and kiss him softly, that you get some of the blood and dirt smudges on the pink of your pajama pants, and you don't care, that he strangled a man with these very hands only hours ago, and you still want him to touch you.

he loves that you love him. that when he feeds his cock into you that night, in nothing but your baby pink lingerie, that you barely need any prep at all from how wet you are. thick thighs spreading apart, sticky slick shining on your skin, cunt nice and ready for him because you have missed him that much. he loves that no matter how ugly he feels, you always find him attractive, that no matter how many people he tells you that he killed tonight, all you do is smile and pucker your lips, and tell him, "it's okay, teddy bear, they deserved it, didn't they?" and yeah, they did, cause it is kill or be killed, and there is no universe where ghost does not fight to get back here, to get back to this pretty pussy, to get back to the bed he shares with you so he can watch those pretty tits bounce every time he fucks his cock into you.

ghost loves his pretty girl. all smiles. all soft, so cute, just perfect. ghost casts a shadow over the room, and you just brighten it right back up. ghost tracks blood into the house, and there you are to cover it all up with citrus and soap.

yeah. always just sunshine and smiles at home.

[verso-abstracto]

Te extraño sin la intensión de querer volver a ti...

Rizowl

[caostalgia]

Sí, sabía que serías fugaz; pero también supe, que serías irrepetible...

Mabel

[desorden-en-letras]

Elena Poe

[neuroconflictos]

mentesdecentes

[sinfonia-relativa]

ig: uncafeconletras

[fuckyeahgoodomens]

Well, well, well, look who met at the Pub In The Park All Star Charity Gala 2024 event 😍❤

(28.6.2024)

[greeneyed-thestral]

[crowleysgirl56]

Corporate needs you to find the difference between this picture and this picture.

Everyone on Tumblr:

[lunarw0rks]

simon “gonna go home and fuck the missus” riley

[verso-abstracto]

Verso y Cafe

[radicalgraff]

"Ad block"

Painted on a broken ad space during a demonstration in Paris against Macron's retirement reform