#r. a. moog

[stone-cold-groove]

Front cover of the Minimoog brochure circa 1974.

[lboogie1906]

Roger Troutman (November 29, 1951 – April 25, 1999) was a singer, songwriter, record producer, multi-instrumentalist, and the founder of the band Zapp.

He used the talk box, a device that is connected to an instrument to create different vocal effects. He used a custom-made talkbox—the Electro Harmonix “Golden Throat”—through a Moog Minimoog and a Yamaha DX100 FM synthesizer.

As both band leader of Zapp and in his solo releases, he scored a bevy of funk and R&B hits throughout the 1980s and regularly collaborated with hip-hop artists in the 1990s.

Born in Hamilton, Ohio, he was the fourth of ten children. A graduate of Central State University, his first band was called the Crusaders. His band played in Cincinnati and recorded a single, “Busted Surfboard”/“Seminole”. He formed various other bands with his four brothers, including Little Roger, and the Vels, and Roger and the Human Body. In 1977, he and the Human Body issued “Freedom”, their first single.

He and his brothers were discovered by George Clinton. The original line-up consisted of Troutman brothers Roger, Larry, Lester, and Terry, along with Gregory Jackson and Bobby Glover. Zapp made their professional television debut on the first and only Funk Music Awards show.

He signed with Bootsy Collins and released his self-titled debut ‘Zapp’, which yielded “More Bounce to the Ounce”. The song peaked at #2 on the Billboard Soul Singles chart. The debut album reached the top 20 of the Billboard 200.

In 1981, he cut The Many Facets of Roger, his first solo album. Featuring a funk cover “I Heard It Through the Grapevine”, which went to #1 on the R&B singles chart, the album sold over a million copies. The album featured the hit “So Ruff, So Tuff”.

He became a producer and writer for other artists. #africanhistory365 #africanexcellence

[benjamindehli]

Blade Runner: Rachel's Song (cover)

A cover version of Rachael's Song / Rachel's Song by Vangelis from the movie Blade Runner. For the lead vocal part I used a Therevox ET-4.3. 

 Instruments:

Korg MS-20: Filter and noise for vocal

Korg Polysix: Synth pad

Logan / Hohner String Melody II: Strings

Mellotron M4000D: Choir and chimes

Moog Minitaur: Bass

Rhodes Mark I Stage Piano: Electric piano

Roland D-50: Chimes

Roland SH-09: Quarter note beeps and noise

Sequential Circuits Pro-One: Brass and lead synth

Suzuki Omnichord OM-84 System Two: Harp

Therevox ET-4.3: Vocal

Yamaha DX7: Chimes

Amplifiers:

Fender Twin Reverb: Rhodes

Tandberg Model 2 T: Therevox

Microphones:

Shure SM57

Royer R-121

Effects:

Hairball Audio FET/RACK Revision D

Roland PA-120 (preamp, EQ and spring reverb)

Roland Dimension D SDD-320

Fulltone Tube Tape Echo

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Tape recorder:

Fostex X-28H

Music: Rachel's Song from the Blade Runner soundtrack by Vangelis

[thestylesindependent]

Seemingly inescapable whenever you turned on the radio last summer, Harry Styles’ As It Was was one of the biggest hits of 2022, and remains on heavy rotation today. It topped Spotify’s end-of-year list of the most popular songs, and hit number one in the US and UK.

The song was co-written by Tyler Johnson alongside Kid Harpoon and Styles himself. Johnson and Harpoon both have production credits on the track - as they do on Watermelon Sugar, another Styles mega-hit - but as Johnson explained to Music Week [Paywall] last year, the creative process behind the two songs was very different.

“[Watermelon Sugar] took a while and As It Was was more speedy, right out of the gate,” he says. “Harry was sitting on the Moog One and I liked what he was playing, so I sat down and played as he started to write the melodies and the lyrics. Tom [Hull, aka Kid Harpoon] did a half-time beat around it, we were like, ‘No, it’s not right.’ So then Tom played the double time beat, which felt very good.

In terms of harmonic structure, As It Was has been compared to a-Ha’s Take On Me. As John Mayer demonstrated during a recent live performance, the two songs share a similar chord progression - ii-V-I-IV - but As It Was has a very different, highly distinctive topline.

“I said to Harry, ‘We need a lead line’ and he just came up right away with the ‘Dah, dah, dah...’ part,” reveals Tyler Johnson. “He didn’t hesitate. Then he started writing the second verse and referring to himself in the third person. So much of this song just came from Harry’s heart. And then Tom, as he does, with this magical sense of hooks that he has, came up with the idea of doing, ‘You know it’s not the same…’ after the chorus, which I was very impressed with. That turned out to be a very smart move.”

The song came together quickly, then: “Really, the record was about where it’s at now after three or four days,” Johnson recalls. “It didn’t go through a lot of [changes], there was never anything drastic. I had a guitarist friend, Doug Showalter, add electric guitars and some transition sounds. Then we got the tubular bells - another Harry idea - and I’ve got a video of him playing those. We had Mitch Rowland come in to do some live drums. We chopped those up for the ending to give it a more bombastic feeling.”

The best thing about As It Was is just how effortless it is, how it just flows over you and gives you a good energy.

Having a real drummer, it turns out, is important for Johnson, Harpoon and Styles. “For As It Was, we were thinking 2008-2012 indie rock, MGMT, Phoenix, Passion Pit. We want to be referential and for the music to sound familiar, but our process is that we don’t do as much drum programming as live drums. That’s what people in that era were doing to make things sound big, but not too programmed. Our engineer Jeremy Hatcher really helped shape that, those drum tones are unique in pop.”

Speaking to Rolling Stone, Kid Harpoon threw another influence on As It Was into the mix: “I’m sitting there on the drums and I was like, oh, this could have a Strokes kind of vibe,” he said. However, while he acknowledges the debt that As It Was owes to other artists and songs, he also firmly believes that it has its own identity.

"You get to the end and you hear it and you go, oh, it’s got the sort of A-ha references and the Strokes references and maybe there’s a bit of Talking Heads in there and then it becomes something bigger than the sum of its parts.”

Perhaps the relaxed vibe of As It Was stems from the fact that it was recorded in the living room in the home of A&R man Rob Stringer’s house, a place conducive to chilling out, you would have thought.

“The living room was actually a very perfect size for a control room, nice and tight but kinda long,” notes Tyler Johnson. “The back of it had a couch, an upright piano and windows that looked out over some fields, and in the front we had the desk. We rented a ton of gear, all the walls were lined with preamps and compressors. Even though we were going kind of bedroom-y, Tom and I just love lots of microphones and we do live drums, analogue synthesisers, multiple guitar amps… We love that whole element to recording.”

It was Styles, it turns out, who pushed for As It Was to be his album’s lead single. A wise move, it turns out, given its subsequent success.

“The best thing about As It Was is just how effortless it is, how it just flows over you and gives you a good energy,” thinks Tyler Johnson. “It has a gentle conversation with the listener while being upbeat. It’s easy to consume, but it still has depth and Harry brings so much character to it. Really, pop is just about people living life with music to garnish it.”

[burlveneer-music]

Lady Blackbird - Slang Spirituals EP - bigger arrangements than the stripped-down instrumentation of Black Acid Soul, but her powerful voice remains at the center (there is a full LP out now but it's not on Bandcamp)

In October 2024 Lady Blackbird, producer and guitarist Chris Seefried , Foundation Music Label head and A&R Ross Allen, and Lady Blackbird’s travelling band of Kenneth Crouch (Keys), Tamar Barzilay (drums) and Johnny Flaughers (bass) took a break from extensively touring “Black Acid Soul” to lay down some tracks in Los Angeles. They decamped for a week long recording session to legendary LA studio complex East West (where the Beach Boys cut “Pet Sounds”) to put down tracks that Lady Blackbird and Chris Seefried had been writing whilst on the road… Some magic happened, the bare bones of a record and then some went down. They then moved to analogue whizz Pete Min’s “Lucy’s Meat Market” studio in Highland Park, where synths and strings were overdubbed, taking the basic tracks to the next level and often into outer orbit, with ARPs, Steinways, Mellotron, Hammond B3, Solina, Buchia synth, Bells, Moog, Pump organs, Wurlitzers, Fender Rhodes, Sitars, Clavinet, plus all manner of other cosmic analogue trickery and a string quartet lead by ace arranger Paul Cartwright. The record was taking shape….there was too much music - hence this EP - and it just needed balancing. That job fell to one of the best mixers in the world, Ken Takahashi, a man who engineers and mixes for some of the best around including current production legends Danger Mouse and Inflo.

[swedesinstockholm]

20 février

en revenant du dentiste je suis passée au workshop d'afterwork du casino, j'étais en retard et je me suis trompée d'endroit et je suis arrivée toute échevelée. y avait deux médiatrices (mon ancien job, si j'avais pas tout gâché avec mon autosabotage j'aurai peut être fini par avoir un vrai poste fixe au casino, je me demande si la femme à l'accueil m'a reconnue) et donc y avait les deux médiatrices et un type qui s'amusait tout seul avec un synthé moog, il parlait anglais et d'après ce que j'ai entendu il était étudiant. il est parti avant la fin parce qu'il était invité à une fête qu'il appelait steak party mais je sais pas si c'était une blague ou pas. la médiatrice non plus elle savait pas. il leur a demandé ce qu'elles faisaient après le travail et la blonde a dit: rentrer chez moi, manger, dormir et recommencer le lendemain d'un ton très lassé de la vie. la brune devait déménager ses quinze paires de chaussures et ses trois cent kilos d'habits dans son nouvel appartement depuis chez ses parents.

j'aurais aimé leur demander ce qu'elles faisaient à côté de leur job de médiatrice, comment elles payaient leur loyer, pourquoi elles y étaient arrivées et pas moi, mais j'ai pas levé la tête de mon moog. de son moog. c'était le moog de la brune, elle s'en sert dans ses perfs, je sais qui c'est maintenant, elle avait fait une perf dans la cave du casino pour la nuit des musées mais on était pas rentrées parce que c'était trop cher. je crois qu'elle est curatrice aussi. elle a racheté le moog à un ami à moitié prix (300 euros). je lui ai dit que je voulais m'acheter un synthé moi aussi. j'aurais bien aimé lui demander ce qu'elle faisait comme musique aussi, mais mes capacités sociales sont au plus bas et je savais pas comment m'y prendre. j'arrivais même pas à parler clairement, sans bafouiller. c'était plus simple de rester plongée dans mes expérimentations sonores sur le moog, j'avais l'impression d'être une magicienne en tournant tous les petits boutons qui faisaient des sons trop COOL je suis obligée de m'acheter un korg maintenant.

mais je dois aussi me faire extraire une dent et ça coûte 650 euros et j'avais envie de pleurer dans la voiture quand maman m'a dit que je devrais vraiment trouver un moyen de gagner de l'argent, ça me semble tellement impossible comme tache que j'ai dit ou je peux sauter d'un pont, ce serait plus simple. j'ai pas réussi à contrôler mes pulsions morbides, elles m'ont échappé et elles se sont déversées sur l'autoroute de la frontière belge. elle m'a dit de me RENSEIGNER pour voir si je pouvais pas avoir des aides c'est pas COMPLIQUÉ quand même et dans ma gorge ça poussait parce que j'arrivais pas à lui expliquer que si c'était compliqué, que ça faisait partie du problème, que j'arrivais pas à faire ces choses-là parce que quelque chose cloche très profondément dans mon fonctionnement, c'est pas juste de la phobie administrative ou de la flemme ou que sais-je, j'avais envie de lui crier oui mais pour pouvoir faire ça d'abord il faudrait que j'aie envie de vivre! c'est de l'autosabotage comme avec tout le reste. je veux pas vraiment me sortir de La Situation. y a quelque chose à l'intérieur de moi qui veut pas, qui veut pas avancer.

j'avais l'impression d'être complètement à l'ouest chez le dentiste en plus. j'étais pas à l'ouest, mais je donnais cette impression. j'avais l'impression que la secrétaire avait pitié de moi. sinon j'ai bien aimé sentir les doigts du dentiste me tenir la mâchoire, quand la machine dans ma bouche commençait à devenir trop désagréable je me concentrais sur la sensation de ses doigts contre ma peau. ce weekend j'ai lu un livre qui s'appelle vierge de constance rutherford, j'ai lu jusqu'à trois heures du matin puis toute la matinée pour le finir. l'écriture était pas terrible terrible et j'y ai trouvé plein de maladresses mais je pouvais plus m'arrêter. ça parle d'une fille de 25 ans qui habite avec sa grand-mère et qui est toujours vierge, mais elle finit par se rendre compte qu'en fait elle est lesbienne et quand elle s'en rend compte elle couche avec une fille et hop c'est fait elle est plus vierge et elle se sent normale et on la respecte à son travail elle prend des initiatives et elle décide de quitter sa coloc avec sa grand-mère et elle arrive enfin à jouer la scène de théâtre qu'elle arrivait pas à jouer parce que la prof lui disait qu'elle était pas assez sensuelle. elle s'est inscrite à des cours de théâtre parce qu'on lui disait qu'elle avait pas de corps. mais à la fin c'est le sexe qui lui a donné un corps.

tout d'un coup j'ai été prise d'un énorme doute concernant cette histoire de perf. non mais pour qui je me prends? j'ai pas de corps moi non plus. enfin personne m'a jamais confirmé que j'en avais un en tout cas. ça me fait penser à une interview de vincent dedienne où il disait que son premier spectacle était pas terrible parce qu'à l'époque il avait jamais fait l'amour et donc il avait pas de corps lui non plus. ça me semble être un passage obligé pour monter sur scène. est-ce que ça veut dire que je dois trouver quelqu'un qui veuille coucher avec moi avant de pouvoir considérer cette histoire de show? mais avant de pouvoir coucher avec quelqu'un je dois faire une psychothérapie. et avant de pouvoir faire une psychothérapie je dois trouver une psy qui prend des nouveaux patients. autrement dit c'est pas près d'arriver.

dans le livre sa vulve se met à chanter pour lui signifier qu'elle en peut plus et que ça commence à être une question de vie ou de mort. moi la mienne elle chante pas mais elle se manifeste sous forme de flash visuels. des flash intempestifs dans lesquels je me jette sur des gens pour les embrasser à pleine bouche et presser mon corps nu contre le leur. pas le dentiste, mais beaucoup de gens. principalement r. ces derniers mois. parfois je le mords. c'est son premier roman, elle l'a écrit dans le cadre de son master de création littéraire à paris 8. je me suis dit que je pouvais faire mieux. depuis j'ai commencé drifts de kate zambreno, c'est un peu chiant (je peux faire mieux) mais j'ai appris que les jours où elle travaillait pas à l'université, son quotidien ressemblait trait pour trait au mien: beaucoup de canapé et d'internet et de lecture et de email checking et de masturbation et de vidéos d'actrices interviewées dans des talk shows et même des séries, ce que je m'interdis pendant la journée, et parfois au milieu de tout ça, des moments d'écriture.

[brownskinsugarplum76]

Rabbit hole time...

Listened to this Daft Punk song, which features a monologue of Giorgio Moroder:

It led me to read up on Mr. Moroder, in this 2015 Guardian article.

I Feel Love, by Donna Summer, is adored in this fashion:

I Feel Love appears as if coming over the horizon like a new technological dawn, ushered in with a wave of static synth, before the emphatic, metronomic bass thud emerges, rendering obsolete the R&B-inflected disco that was so prevalent at the time. The repetitive Moog bassline was a feat of ingenuity as well as perseverance, painstakingly spliced together by Moroder and engineer Rob Wedel, who had to record it over and over because the modular kept going out of tune. And then you have Summer’s icily seductive vocal pinning it altogether on top. Its influence is immeasurable, and the bassline keeps turning up in the unlikeliest of places, from Simple Minds’ I Travel to Bon Jovi’s Livin’ on a Prayer."

Naturally, I had to hear it!

I've always been fascinated by the way it really sounds like one music era ending and another beginning. There's disco flavor, but it's dominated by that futuristic sound. Such a cool song.

BUT! Of course, my rabbit hole has to end here:

Good times. 💃💃💃

[ewoeastwestoffroad]

The Ultimate Guide to Heavy-Duty Off-Road Steering: Tie Rods, High Steer Kits & More

When it comes to off-road performance, your steering system is one of the most critical components. Weak factory parts can fail under stress, leaving you stranded on the trail. That’s why serious off-roaders upgrade to heavy-duty steering components like One Ton Tie Rod Ends, High Steer Kits, and Y Link Systems.

In this guide, we’ll break down the best steering upgrades for your rig, whether you’re running a Dana 44, Dana 60, or need GM-specific parts like Offset Tie Rod Ends. We’ll also compare 7/8” vs. 7/8-18 Tie Rods, discuss Y Link Over-the-Knuckle vs. Under-the-Knuckle setups, and highlight why East West Offroad (EWO) is the go-to brand for bulletproof steering solutions.

1. One Ton Tie Rod Ends: The Gold Standard for Off-Road Strength

Factory tie rods bend and break under extreme conditions. One Ton Tie Rod Ends are built to handle massive loads, making them ideal for:

Rock crawling

Mudding

High-speed desert running

Why upgrade? ✔ Thicker construction resists bending ✔ Heat-treated forgings for maximum durability ✔ Compatible with Dana 44 & Dana 60 axles

EWO’s One Ton Tie Rod Ends are trusted by hardcore off-roaders for their unbeatable strength.

2. High Steer Kits vs. Crossover Kits: Which is Right for You?

High Steer Kit Benefits:

Moves the drag link above the knuckle for better clearance

Reduces bump steer on lifted rigs

Ideal for extreme articulation

Crossover Kit Benefits:

Stronger than stock inverted-Y steering

Better for moderate lifts

Easier to install than high steer

Which one should you choose?

Rock crawlers & buggies → High Steer Kit

Daily-driven trail rigs → Crossover Kit

3. Dana 44 vs. Dana 60 Tie Rod Ends: Which Axle Needs an Upgrade?

FeatureDana 44 Tie Rod EndsDana 60 Tie Rod EndsStrengthGood for light to moderate off-roadingBuilt for extreme loadsCompatibilityJeeps, Broncos, ToyotasHeavy-duty trucks, full-size rigsBest UseTrail riding, overlandingRock crawling, competition rigs

Upgrade Tip: If you’re running 37”+ tires, Dana 60 Tie Rod Ends are a must.

4. Y Link Kits: Over-the-Knuckle (OTK) vs. Under-the-Knuckle (UTK)

A Y Link Kit replaces weak factory steering with a stronger, triangulated setup. But should you go OTK or UTK?Y Link Over-the-Knuckle (OTK)Y Link Under-the-Knuckle (UTK)✔ Better ground clearance✔ Easier to install✔ Improved steering angles✔ Works with stock knuckles✔ Best for high-lift rigs✔ Good for mild to moderate lifts

EWO’s Y Link Kits come in both configurations, so you can choose the best fit for your build.

5. 7/8” vs. 7/8-18 Tie Rods: What’s the Difference?

7/8” Tie Rods – Standard size for most aftermarket steering

7/8-18 Tie Rods – Fine-thread design for better clamping force

Which is stronger? The 7/8-18 thread is preferred for high-torque applications (like Jeep Steering Kits), while 7/8” is great for general off-roading.

6. GM Offset Tie Rod Ends: Fixing Bump Steer on Chevy & GMC Rigs

If you own a GM truck or SUV, offset tie rod ends help correct steering geometry after a lift. Benefits include:

Reduced bump steer

Smoother highway driving

Longer-lasting ball joints

EWO’s GM-specific steering upgrades ensure perfect alignment, even with 6”+ lifts.

7. Jeep Steering Kits: The Best Options for Wranglers & Gladiators

Jeeps are notorious for weak steering, especially with bigger tires. The best upgrades include:

One Ton Tie Rod Kits

High Steer or Crossover Kits

Heavy-Duty Drag Links

Pro Tip: If you’re running 40”+ tires, a High Steer Kit is almost mandatory.

8. High Angle Drag Links: Preventing Binding at Full Flex

A High Angle Drag Link allows for greater suspension articulation without binding. Key benefits: ✔ No more steering lock-up at full droop ✔ Smoother turning on off-camber trails ✔ Compatible with GM, Jeep, and Ford rigs

9. Moog ES-Series vs. EWO Tie Rod Ends: Which Lasts Longer?

Many off-roaders start with Moog ES2026R, ES2027L, or ES2234L/R tie rods, but they often fail under extreme use.

Why EWO’s parts outperform Moog:

Larger, stronger ball joints

Military-grade chromoly construction

Designed for off-road abuse

If you’re tired of replacing ES23434L/R ends every few months, upgrade to EWO’s unbreakable steering components.

10. Why Choose East West Offroad (EWO) for Your Steering Upgrades?

✅ Made in the USA – No cheap overseas junk ✅ Proven in Baja, Rubicon, and Moab ✅ Lifetime warranty on many components

Whether you need Dana 60 Tie Rod Ends, a Y Link Kit, or a complete Jeep Steering System, EWO has the toughest parts on the market.

Final Verdict: What’s the Best Steering Upgrade for Your Rig?

Daily-driven trail rig? → Crossover Kit + One Ton Tie Rods

Rock crawler or buggy? → High Steer Kit + Y Link OTK

GM truck with a lift? → Offset Tie Rod Ends + High Angle Drag Link

Ready to ditch weak factory steering? Check out East West Offroad’s full lineup of heavy-duty steering solutions today!

Shop Now at East West Offroad 🚙💨

[gis56]

Aviation Motors That Go Zoom-Zoom Fast 💨✈️ $5B+ Market by 2034?!

Aviation High Speed Motor Market is rapidly evolving as the aerospace industry embraces next-generation propulsion technologies. These high-performance motors play a crucial role in driving innovation across commercial, military, and unmanned aerial platforms.

From lightweight materials to sophisticated cooling systems, these motors are central to boosting fuel efficiency, reducing carbon emissions, and enhancing aircraft reliability. As airlines and defense sectors prioritize sustainability and electrification, the demand for high-speed motors is surging across the globe. The market reached a volume of 320,000 units in 2024 and is projected to hit 480,000 units by 2028, highlighting strong momentum in electric aviation and advanced motor tech integration.

Click to Request a Sample of this Report for Additional Market Insights: https://www.globalinsightservices.com/request-sample/?id=GIS21573

Market Dynamics

Growth in this market is primarily fueled by the rise in air travel, expanding airline fleets, and increasing government investment in aerospace R&D. A clear shift toward electric and hybrid aircraft is creating a boom in demand for motors that can deliver high performance without compromising efficiency. Urban air mobility, drone technology, and electric vertical takeoff and landing (eVTOL) aircraft are pushing the need for compact, power-dense, and durable motors.

However, the industry faces challenges such as strict regulatory standards, fluctuating raw material costs, and a shortage of skilled engineers in advanced manufacturing. Despite these barriers, companies are innovating through lightweight composite materials, permanent magnet technologies, and enhanced cooling systems to keep pace with performance demands and environmental standards.

Key Players Analysis

The competitive landscape is defined by both legacy manufacturers and emerging innovators. Leading players like Safran Electrical and Power, Moog Inc, Maxon Motor, and Nidec Corporation dominate the market with extensive R&D capabilities and global supply chains. At the same time, startups like Aero Volt, Nimbus Propulsion, and Stratosphere Motors are gaining traction with niche solutions tailored for UAVs and electric aircraft.

Collaborations are a significant trend, with aerospace giants teaming up with motor tech firms to accelerate the development of electric propulsion systems. This has led to rapid advancements in modular designs, motor efficiency, and thermal performance. As competition intensifies, innovation remains the key differentiator.

Regional Analysis

North America leads the global market, thanks to a strong aerospace ecosystem, consistent innovation, and massive investments in electric aviation. The U.S. remains the frontrunner due to aggressive R&D funding and government support for sustainable aviation projects.

Europe follows closely, with countries like Germany and France championing electric propulsion and clean energy initiatives. The region benefits from well-established aviation infrastructure and robust regulatory frameworks focused on emission reduction.

Asia Pacific is emerging as a high-potential region, driven by growing air traffic, infrastructure modernization, and government-backed aerospace programs in China and India. Latin America and the Middle East & Africa are gradually building momentum, supported by regional airline expansion and aviation-focused economic diversification.

Recent News & Developments

The market has recently seen a surge in innovation, particularly around electric and hybrid aircraft propulsion. New developments include high-efficiency brushless motors, integrated inverters, and smart thermal management systems designed for extreme operating conditions. Companies are also launching next-gen motors with higher torque density and digital monitoring capabilities.

The rise in UAV and eVTOL adoption has created niche but high-growth segments, encouraging manufacturers to tailor their offerings accordingly. Strategic mergers, partnerships, and global airshows have showcased futuristic designs and prototypes, reinforcing the market’s innovation-centric nature.

Browse Full Report : https://www.globalinsightservices.com/reports/aviation-high-speed-motor-market/

Scope of the Report

This comprehensive analysis provides insight into market trends, competitive dynamics, regulatory influences, and technological progress across motor types, components, applications, and regions. The report evaluates key metrics, including market volume, revenue, CAGR, and segmental growth from 2018 to 2034. It highlights drivers like fuel efficiency and electric propulsion, while also addressing restraints such as regulatory barriers and cost challenges.

Through in-depth segmentation, value chain assessment, and SWOT analysis, the report offers actionable intelligence for OEMs, MRO providers, airlines, and investors looking to tap into this dynamic sector.

Discover Additional Market Insights from Global Insight Services:

Marine Base Steering Gear Market : https://www.globalinsightservices.com/reports/marine-base-steering-gear-market/

Air Traffic Control Equipment Market : https://www.globalinsightservices.com/reports/air-traffic-control-equipment-market/

Airborne Optronics Market : https://www.globalinsightservices.com/reports/airborne-optronics-market/

Aircraft Interior Fasteners Market : https://www.globalinsightservices.com/reports/aircraft-interior-fasteners-market/

Aircraft Wheels MRO Market : https://www.globalinsightservices.com/reports/aircraft-wheels-mro-market/

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Global Insight Services (GIS) is a leading multi-industry market research firm headquartered in Delaware, US. We are committed to providing our clients with highest quality data, analysis, and tools to meet all their market research needs. With GIS, you can be assured of the quality of the deliverables, robust & transparent research methodology, and superior service.

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[syarousi]

Relaxing Sax Lounge: Afrobeat Hand Percs, Moog Bass & Sweet R&B Flow🎷 Relaxing Sax Lounge Afrobeat hand percussion, Moog bass, and sweet R&B sax flow — no vocals, just pure instrumental soul.🌙 Perfect for late-night focus or mellow vibes.🔗 https://youtu.be/zMGvjVGqDt8?si=HD2kzpZww2ChwVXP via @YouTube#SaxLounge #AfrobeatVibes #RnBInstrumental #ChillMusic 

[stone-cold-groove]

Page 3 from the Minimoog Model D brochure - 1970.

[joyholic-xx]

Popcorn - Ultra Dub House Remix by Piotr Zylbert

ポップコーンカバー

[benjamindehli]

Cantique de Noël / O Holy Night (Keyboards and Therevox version)

A synthesizer / keyboard version of the Christmas carol Cantique de Noël / O Holy Night by Adolphe Adam. For the vocal melody I used a Therevox ET-4.3. This version is inspired by the recordings and live performances of Bing Crosby, Luciano Pavarotti, Andrea Bocelli, but perhaps most of all Céline Dion (especially the vocal melody). Instruments:

Dehli Musikk 4-track Glockenspiel: Glockenspiel

Dehli Musikk 4-track Music Box: Music Box

Doepfer Dark Energy: Drums and Percussion

Hammond C3: Organ

Hohner Clavinet D6: Clavinet / Baritone Guitar

Korg MS-20: Drums

Korg Polysix: Synth Harp

Logan String Melody II: Synth Strings

Louis Zwicki Pianette: Piano

Mellotron M4000D: Violins, Cello, Flute and Choir

Moog Matriarch: Synth Pad

Roland SH-09: Synth Bass and Drums

Sequential Circuits Pro-One: Synth Brass and Drums

Therevox ET-4.3: Vocals

Yamaha DX7: Tubular Bells

Yamaha L-20D: Harmonium

Amplifiers:

Leslie 122

Tandberg Model 2 T

Vox AC15H1TV

Microphones:

Royer R-121

Sennheiser e 602-II

Shure SM57

Effects:

Alex Franklinos Stereo Transformer Saturator

Chase Bliss Audio & Meris CXM 1978

DIYRE G Bus VCA Compressor

Electro-Harmonix Deluxe Memory Man

Fairfield Circuitry Shallow Water

Fulltone Supa-Trem

Fulltone Tube Tape Echo

Hairball Audio FET/RACK Revision D

Pro Co RAT 2

Roland PA-120 (preamp, EQ and spring reverb)

Roland Dimension D SDD-320

Tape recorder:

Fostex X-28H

Cantique de Noël:

Composed by: Adolphe Adam

Text by: Placide Cappeau

English text by: John Sullivan Dwight

[ryotouzukai]

Jackie Shane is an African American trans woman who was a soul and R&B singer prominent in Toronto's jazz scene in the 1960s, most well known for her song Any Other Way, which was popular enough to make it to national charts. If you listen to her music, specifically her live performance recordings (which iirc are on spotify), it's clear she wasn't the kind of person to hide herself.

Wendy Carlos is one that I've actually seen going around tumblr a little bit but she helped create the Moog synthesizer, has won multiple Grammys for her work, and is the composer of A clockwork orange, The Shining, and tron (1982). She started transitioning in the late 60s and came out in the late 70s.

Jayne County is, according to wikipedia, "rock's first openly transgender singer", and while not being a household name she did apparently inspire musicians like Bowie, the Ramones, and Lou Ree. I'll be honest I'm just including her bc she was referenced on Jackie Shane's page, this is the first I've heard of her. She also came out in the late 70s, specifically 1979.

I can't think of many more people to add at the moment but we have been around, and will continue to be around no matter what anyone says.

i know i got nuked for saying this but it's still on my mind cuz i just can't get over how much i feel about how little of transfem history is preserved.. like transmascs will pass around their little "lesbian dressed as a man" idols from scattered points in history and dig up their entire history to the tune of thousands of notes. i haven't seen a single figure even close to that in transfem circles and part of that is we often dont care to mythologize our ancestors into great men unaffected by the pressures of their time but also because... they aren't there, few historical texts care to remember us. we have like.. marsha and the joke abt temple priestesses and that's it. and it's not like transfem history is completely barren but it is so significantly unkept that we really do have very little in the way of historical transfem figures we can look back on (don't lecture me abt applying modern labels transmascs do this to every lesbian pirate in history and nobody argues with them)

not that i want to do what transmascs do with their history, i've judged that behavior before, how it becomes the creation of a flattened and totalizing mythology that feels more like fandom than actually keeping any kind of trans history in tact. i don't want a transfem pirate from 400 years ago to become blorbo of the week but i do want her story to be kept and accessible. i want transfem history to not be shuffled into a corner that hides its existence and disconnects us from time. part of that is just loss of knowledge, our stories are not kept safe the way others are especially through colonization. most colonized people have their transfems, by whichever name they have for us, erased from their culture by their colonizers. and no i'm not saying that doesn't happen to transmasc history because it definitely has, but again, there's a reason we know about a european transmasc pirate more than we know about any transfem. the degree of loss is what i weep over

[eclecticreviewpeace]

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[marketprofessional]

Nutrition Meets Innovation: The Rise of Enteral Feeding Device Market 🚀🧪

Industrial Snapshot of Enteral Feeding Devices Market

The Enteral Feeding Devices Market Report is a treasured source of insightful data for business strategists. It provides an in-depth assessment of numerous features of industries like market overview, present progress valuations, historical and future Studies, current trends, SWOT valuations, and clients operating in several regions. The study provides valuable information to magnify the understanding, scope, and segments of this report. The report covers a comprehensive analysis of Enteral Feeding Devices Market segmentation, regional and country breakdowns. This research will offer a clear and exact idea about the whole industry to the readers to make beneficial decisions.

According to Straits Research, the global Enteral Feeding Devices market size was valued at USD 3.27 Billion in 2022. It is projected to reach from USD XX Billion in 2023 to USD 5.24 Billion by 2031, growing at a CAGR of 5.4% during the forecast period (2023–2031).

This study pinpoints noteworthy trends influencing the trajectory of the Gesture Recognition market's expansion. Within this recently issued report, crucial dynamics encompassing drivers, limitations, and prospects are underscored. These aspects hold relevance for well-established market entities as well as emerging stakeholders engaged in the realms of production and supply.

Request a Sample Report @ https://straitsresearch.com/report/enteral-feeding-devices-market/request-sample

Competitive Analysis

The report contains an in-depth analysis of the vendor’s profile, including financial health, business units, key business priorities, SWOT, strategies, and views.

Kimberly-Clark Corporation

Abbott Nutrition

ConMed Corporation

Moog Inc.

C.R.Bard

Danone

Cook Medical

Boston Scientific Corporation

Amsino International Inc.

Braun Melsungen AG

Fresenius SE & Co. KGaA

Vygon SA

Applied Medical Technology Inc.

Avanos Medical Inc.

Cardinal Health Inc.

Fidmi Medical

ALCOR Scientific Inc.

The vendors have been identified based on the portfolio, geographical presence, marketing & distribution channels, revenue generation, and significant R&D investments.

Request Sample Report of Global Enteral Feeding Devices Market @ https://straitsresearch.com/report/enteral-feeding-devices-market/request-sample

Vendors across different verticals are planning for high investments in this market, and as a result, the market is expected to grow at an impressive rate in the upcoming years. The key players are adopting various organic and inorganic growth strategies such as mergers & acquisitions, collaboration & partnerships, joint ventures, and a few other strategies to be in a strong position in the global market.

Market Segmentation Analysis

The report provides a wide-ranging evaluation of the market, providing in-depth qualitative insights, historical data, and supportable projections along with the assumptions about the Enteral Feeding Devices Market size. The projections featured in the report have been derived using proven research methodologies and assumptions based on the vendor’s portfolio, blogs, white papers, and vendor presentations. Thus, the research report represents every side of the Enteral Feeding Devices Market and is segmented on the basis of regional markets, offerings, applications, and end-users.

By Product

Enteral Feeding Pumps

Enteral Feeding Tubes

Enteral Syringes

Giving Sets

Consumables

By Age Group

Adults

Pediatrics

By End User

Hospitals

Ambulatory Surgical Centers

Home Care

By Application

Gastrointestinal Diseases

Cancer

Malnutrition

Neurological Disorders 

Access Detailed Segmentation @ https://straitsresearch.com/report/enteral-feeding-devices-market/segmentation