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#race in television
claudia1829things · 11 months
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"Post 9/11, But Not Post-Racial"
Nancy Wang Yuen and Cassidy J. Ray wrote this essay about the multicultural casts for television shows "LOST" and "HEROES". It's called "Post 9/11, But Not Post-Racial".
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gameraboy2 · 6 months
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Batman (1966), "Holy Rat Race"
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slythereen · 2 months
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helmut marko becoming a shooter for oscar as soon as he becomes oscar piastri leclerc… you can’t convince me that the very first “oscar is lestappen’s adopted son and this is my favorite family” post wasn’t from helmut’s burner account
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daincrediblegg · 15 days
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ONE, NOTHING CRUVUS WITH ME
TWO, NOTHING CRUVUS WITH ME
THREE, NOTHING CRUVUS WITH ME
FOUR, NOTHING CRUVUS WITH ME
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vonxodd · 7 months
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꒰ for @'antiquelaceartist
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vroom-vrooms · 5 months
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I know I like to hate on sprints but this sprint has fed me the most scrumptious brocedes meal I’ve had in a while
Nico Rosberg the man you are
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voltronposter · 1 year
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Hunk and Allura friendship. Walk and talk with me. Hunk (known reality television fanatic) introduces Allura (gossip enjoyer and glamor appreciator) to drag race and she becomes OBSESSED with it. This is a powerful image
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Bill Prutt for Slate:
On Jan. 8, 2004, just more than 20 years ago, the first episode of The Apprentice aired. It was called “Meet the Billionaire,” and 18 million people watched. The episodes that followed climbed to roughly 20 million each week. A staggering 28 million viewers tuned in to watch the first season finale. The series won an Emmy nomination for Outstanding Reality-Competition Program, and the Television Critics Association called it one of the best TV shows of the year, alongside The Sopranos and Arrested Development. The series—alongside its bawdy sibling, The Celebrity Apprentice—appeared on NBC in coveted prime-time slots for more than a decade. The Apprentice was an instant success in another way too. It elevated Donald J. Trump from sleazy New York tabloid hustler to respectable household name. In the show, he appeared to demonstrate impeccable business instincts and unparalleled wealth, even though his businesses had barely survived multiple bankruptcies and faced yet another when he was cast. By carefully misleading viewers about Trump—his wealth, his stature, his character, and his intent—the competition reality show set about an American fraud that would balloon beyond its creators’ wildest imaginations.
I should know. I was one of four producers involved in the first two seasons. During that time, I signed an expansive nondisclosure agreement that promised a fine of $5 million and even jail time if I were to ever divulge what actually happened. It expired this year. No one involved in The Apprentice—from the production company or the network, to the cast and crew—was involved in a con with malicious intent. It was a TV show, and it was made for entertainment. I still believe that. But we played fast and loose with the facts, particularly regarding Trump, and if you were one of the 28 million who tuned in, chances are you were conned. As Trump answers for another of his alleged deception schemes in New York and gears up to try to persuade Americans to elect him again, in part thanks to the myth we created, I can finally tell you what making Trump into what he is today looked like from my side. Most days were revealing. Some still haunt me, two decades later. [...]
Now, this is important. The Apprentice is a game show regulated by the Federal Communications Commission. In the 1950s, scandals arose when producers of quiz shows fed answers to likable, ratings-generating contestants while withholding those answers from unlikable but truly knowledgeable players. Any of us involved in The Apprentice swinging the outcome of prize money by telling Trump whom to fire is forbidden. [...]
Trump goes about knocking off every one of the contestants in the boardroom until only two remain. The finalists are Kwame Jackson, a Black broker from Goldman Sachs, and Bill Rancic, a white entrepreneur from Chicago who runs his own cigar business. Trump assigns them each a task devoted to one of his crown-jewel properties. Jackson will oversee a Jessica Simpson benefit concert at Trump Taj Mahal Casino in Atlantic City, while Rancic will oversee a celebrity golf tournament at Trump National Golf Club in Briarcliff Manor, New York. Viewers need to believe that whatever Trump touches turns to gold. These properties that bear his name are supposed to glitter and gleam. All thanks to him.
Reality is another matter altogether. The lights in the casino’s sign are out. Hong Kong investors actually own the place—Trump merely lends his name. The carpet stinks, and the surroundings for Simpson’s concert are ramshackle at best. We shoot around all that. Both Rancic and Jackson do a round-robin recruitment of former contestants, and Jackson makes the fateful decision to team up with the notorious Omarosa, among others, to help him carry out his final challenge. [...]
Trump will make his decision live on camera months later, so what we are about to film is the setup to that reveal. The race between Jackson and Rancic should seem close, and that’s how we’ll edit the footage. Since we don’t know who’ll be chosen, it must appear close, even if it’s not.
We lay out the virtues and deficiencies of each finalist to Trump in a fair and balanced way, but sensing the moment at hand, Kepcher sort of comes out of herself. She expresses how she observed Jackson at the casino overcoming more obstacles than Rancic, particularly with the way he managed the troublesome Omarosa. Jackson, Kepcher maintains, handled the calamity with grace. “I think Kwame would be a great addition to the organization,” Kepcher says to Trump, who winces while his head bobs around in reaction to what he is hearing and clearly resisting. “Why didn’t he just fire her?” Trump asks, referring to Omarosa. It’s a reasonable question. Given that this the first time we’ve ever been in this situation, none of this is something we expected. “That’s not his job,” Bienstock says to Trump. “That’s yours.” Trump’s head continues to bob. “I don’t think he knew he had the ability to do that,” Kepcher says. Trump winces again.
“Yeah,” he says to no one in particular, “but, I mean, would America buy a n— winning?” Kepcher’s pale skin goes bright red. I turn my gaze toward Trump. He continues to wince. He is serious, and he is adamant about not hiring Jackson. Bienstock does a half cough, half laugh, and swiftly changes the topic or throws to Ross for his assessment. What happens next I don’t entirely recall. I am still processing what I have just heard. We all are. Only Bienstock knows well enough to keep the train moving. None of us thinks to walk out the door and never return. I still wish I had. (Bienstock and Kepcher didn’t respond to requests for comment.) Afterward, we film the final meeting in the boardroom, where Jackson and Rancic are scrutinized by Trump, who, we already know, favors Rancic. Then we wrap production, pack up, and head home. There is no discussion about what Trump said in the boardroom, about how the damning evidence was caught on tape. Nothing happens.
We attend to our thesis that only the best and brightest deserve a job working for Donald Trump. Luckily, the winner, Bill Rancic, and his rival, Kwame Jackson, come off as capable and confident throughout the season. If for some reason they had not, we would have conveniently left their shortcomings on the cutting room floor. In actuality, both men did deserve to win. Without a doubt, the hardest decisions we faced in postproduction were how to edit together sequences involving Trump. We needed him to sound sharp, dignified, and clear on what he was looking for and not as if he was yelling at people. You see him today: When he reads from a teleprompter, he comes off as loud and stoic. Go to one of his rallies and he’s the off-the-cuff rambler rousing his followers into a frenzy. While filming, he struggled to convey even the most basic items. But as he became more comfortable with filming, Trump made raucous comments he found funny or amusing—some of them misogynistic as well as racist. We cut those comments. Go to one of his rallies today and you can hear many of them.
If you listen carefully, especially to that first episode, you will notice clearly altered dialogue from Trump in both the task delivery and the boardroom. Trump was overwhelmed with remembering the contestants’ names, the way they would ride the elevator back upstairs or down to the street, the mechanics of what he needed to convey. Bienstock instigated additional dialogue recording that came late in the edit phase. We set Trump up in the soundproof boardroom set and fed him lines he would read into a microphone with Bienstock on the phone, directing from L.A. And suddenly Trump knows the names of every one of the contestants and says them while the camera cuts to each of their faces. Wow, you think, how does he remember everyone’s name? While on location, he could barely put a sentence together regarding how a task would work. Listen now, and he speaks directly to what needs to happen while the camera conveniently cuts away to the contestants, who are listening and nodding. He sounds articulate and concise through some editing sleight of hand.
Then comes the note from NBC about the fact that after Trump delivers the task assignment to the contestants, he disappears from the episode after the first act and doesn’t show up again until the next-to-last. That’s too long for the (high-priced) star of the show to be absent. There is a convenient solution. At the top of the second act, right after the task has been assigned but right before the teams embark on their assignment, we insert a sequence with Trump, seated inside his gilded apartment, dispensing a carefully crafted bit of wisdom. He speaks to whatever the theme of each episode is—why someone gets fired or what would lead to a win. The net effect is not only that Trump appears once more in each episode but that he also now seems prophetic in how he just knows the way things will go right or wrong with each individual task. He comes off as all-seeing and all-knowing. We are led to believe that Donald Trump is a natural-born leader.
Through the editorial nudge we provide him, Trump prevails. So much so that NBC asks for more time in the boardroom to appear at the end of all the remaining episodes. (NBC declined to comment for this article.) [... So, we scammed. We swindled. Nobody heard the racist and misogynistic comments or saw the alleged cheating, the bluffing, or his hair taking off in the wind. Those tapes, I’ve come to believe, will never be found.
No one lost their retirement fund or fell on hard times from watching The Apprentice. But Trump rose in stature to the point where he could finally eye a run for the White House, something he had intended to do all the way back in 1998. Along the way, he could now feed his appetite for defrauding the public with various shady practices. In 2005 thousands of students enrolled in what was called Trump University, hoping to gain insight from the Donald and his “handpicked” professors. Each paid as much as $35,000 to listen to some huckster trade on Trump’s name. In a sworn affidavit, salesman Ronald Schnackenberg testified that Trump University was “fraudulent.” The scam swiftly went from online videoconferencing courses to live events held by high-pressure sales professionals whose only job was to persuade attendees to sign up for the course. The sales were for the course “tuition” and had nothing whatsoever to do with real estate investments. A class action suit was filed against Trump.
That same year, Trump was caught bragging to Access Hollywood co-host Billy Bush that he likes to grab married women “by the pussy,” adding, “When you’re a star, they let you do it.” He later tried to recruit porn actor Stormy Daniels for The Apprentice despite her profession and, according to Daniels, had sex with her right after his last son was born. (His alleged attempt to pay off Daniels is, of course, the subject of his recent trial.) In October 2016—a month before the election—the Access Hollywood tapes were released and written off as “locker room banter.” Trump paid Daniels to keep silent about their alleged affair. He paid $25 million to settle the Trump University lawsuit and make it go away. He went on to become the first elected president to possess neither public service nor military experience. And although he lost the popular vote, Trump beat out Hillary Clinton in the Electoral College, winning in the Rust Belt by just 80,000 votes.
Trump has been called the “reality TV president,” and not just because of The Apprentice. The Situation Room, where top advisers gathered, became a place for photo-ops, a bigger, better boardroom. Trump swaggered and cajoled, just as he had on the show. Whom would he listen to? Whom would he fire? Stay tuned. Trump even has his own spinoff, called the House of Representatives, where women hurl racist taunts and body-shame one another with impunity. The State of the Union is basically a cage fight. The demands of public office now include blowhard buffoonery.
Bill Pruitt wrote in Slate that Donald Trump used the N-word on the set of NBC's The Apprentice in 2004 when referring to a Black contestant (Kwame Jackson)'s chances of winning the competition by saying "would America buy a n***er winning?"
This is yet another example of Trump's long record of anti-Black racism that dates back to the 1970s.
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jv-f1 · 7 months
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✅ James Vowl
✅ 44 years of old
✅ Team Principal of Williams F1
— Williams via Instagram
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saturatedsinset · 5 months
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thinking of writing an essay about the deployment of The Family as a reified moral good on drag race. I think it would be interesting
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scottdixon · 1 year
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scott dixon + dario franchitti firestone twin 275s | 06/11/2011
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demifiendrsa · 8 months
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Primetime Emmy Awards 2023 winners:
Outstanding Drama Series: Succession
Outstanding Comedy Series: The Bear
Outstanding Lead Actress in a Drama Series: Sarah Snook, Succession
Outstanding Lead Actor in a Drama Series: Kieran Culkin, Succession
Outstanding Limited or Anthology Series: Beef
Outstanding Lead Actress in a Limited or Anthology Series or Movie: Ali Wong, Beef
Outstanding Lead Actor in a Limited or Anthology Series or Movie: Steven Yeun, Beef
Outstanding Variety Special (Live): Elton John Live: Farewell From Dodger Stadium
Outstanding Directing for a Drama Series: Mark Mylod, Succession
Outstanding Writing for a Limited or Anthology Series or Movie: Lee Sung Jin, Beef
Outstanding Writing for a Drama Series: Jesse Armstrong, Succession
Outstanding Supporting Actor in a Limited or Anthology Series or Movie: Paul Walter Hauser, Black Bird
Outstanding Directing for a Limited or Anthology Series or Movie: Lee Sung Jin, Beef
Outstanding Talk Series: The Daily Show with Trevor Noah
Outstanding Writing for a Variety Series: Last Week Tonight with John Oliver
Outstanding Reality Competition Program: RuPaul's Drag Race
Outstanding Writing for a Comedy Series: Christopher Storer, The Bear
Outstanding Directing for a Comedy Series: Christopher Storer, The Bear
Outstanding Supporting Actress In A Limited Or Anthology Series Or Movie: Niecy Nash-Betts, Dahmer - Monster: The Jeffrey Dahmer Story'
Outstanding Scripted Variety Series: Last Week Tonight with John Oliver
Outstanding Lead Actor In A Comedy Series: Jeremy Allen White, The Bear
Outstanding Supporting Actor In A Comedy Series: Ebon Moss-Bachrach, The Bear
Outstanding Supporting Actor In A Drama Series:  Matthew Macfadyen, Succession
Outstanding Supporting Actress In A Drama Series: Jennifer Coolidge, The White Lotus
Outstanding Lead Actress In A Comedy Series: Quinta Brunson, Abbott Elementary
Outstanding Supporting Actress In A Comedy Series: Ayo Edebiri, The Bear
Governors Award: GLAAD
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astronotmovie · 2 years
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Excellent interview of the Apollo 13 crew on the @officialjohnnycarson show, June 3, 1970. Jack Swigert, Fred Haise & Jim Lovell stopped by to speak with Johnny & Ed McMahon just a little over a month following their harrowing ordeal & incredible rescue. Humble heroes through it all. Filmed when the show was still at 30 Rockefeller Plaza in New York City🗽. The interview streams below on YouTube.
youtube
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fred-vestis · 10 months
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"It was a sandwich down to turn 6, the bread had nothing to lose, the meat was in the championship."
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sosorrydad · 1 month
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If only RuPaul had had a better idea for a daytime talk show than his failed attempt at the format in 2019, so that he would have quit Drag Race thus causing it to die the pathetic death it truly deserves
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vonxodd · 2 years
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requested by anon
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