🖤ABOUT ME 🖤
hey luv’s, thanks for stopping by! heard you wanted to learn more about me, so I thought I’d share some facts :)
✧༺♥༻✧ ✧༺♥༻✧ ✧༺♥༻✧
DEMOGRAPHICS
I’m Rosie! I’m 22 y/o. My ethnicity is Filipino-Caucasian, but my culture primarily consists of Filipino-Hawaiian traditions and lifestyle. I was born in socal, and currently reside in oc! I will be starting my masters program in the fall of 2024, so wish me luck! <3
✧༺♥༻✧ ✧༺♥༻✧ ✧༺♥༻✧
CURRENTLY CRUSHIN’ ON…
luver boys <3: fushiguro megumi <3, nanami kento, gojo satoru, okkotsu yuta, hayakawa aki, kishibe, eren jeager, levi ackerman, reiner braun, erwin smith, tomioka giyuu, rengoku kyojuro, kamado tanjiro, hatake kakashi, uchiha itachi, uchiha sasuke, nara shikamaru, uzumaki naruto, yamada asaemon shion, chobo aza, lucifer, mammon, beel, solomon, loid forger, kurusu kazuki, suwa rei, zuko
luver girls <3: mei mei, zen’in maki, mikasa ackerman, kocho shinobu, kanroji mitsuri, hinatsuru | makio | suma, yuhi kurenai, senju tsunade, haruno sakura, yamanaka ino, yamada asaemon sagiri, yuzuriha, yor forger, azula
luvers <3: yelena, hange zoe, uraume
this list may change as time goes on! <3
✧༺♥༻✧ ✧༺♥༻✧ ✧༺♥༻✧
CURRENT HOBBIES
cuddling with my bf & cats, reading, writing, playing games (on mobile & switch!), makeup, baking, gardening, video essays, scrapbooking
✧༺♥༻✧ ✧༺♥༻✧ ✧༺♥༻✧
LIKES
series: bobs burgers, haunting of hills house, black mirror, big mouth, the office, new girl, brooklyn 99, law & order: svu, rick & morty, hannibal, better call saul, breaking bad, game of thrones, house of dragons, vikings, vikings: valhalla
movies: parasite, uncut gems, mother!, talk to me, get out, us, nope, annihilation, hereditary, midsommar, mama, requiem for a dream,
games: obey me! shall we date?, red dead redemption II, cyberpunk, god of war, doom eternal, elden ring, legend of zelda: botw & totk, sekiro, animal crossing: new horizons
anime: jujutsu kaisen, chainsaw man, attack on titan, demon slayer, hells paradise, naruto, haikyuu, spy x family, buddy daddies, fire force, soul eater, record of ragnarok
novels: blood meridian, flowers for algernon, the metamorphosis, johnny got his gun, ‘till we have faces, one flew over the cuckoos nest, sybil
authors: Cormac McCarthy, C. S. Lewis, Ellen Hopkins, Franz Kafka, Mary Shelley, Stephen King
genres: existentialism, cosmic horror, psychological, psychological horror, slice of life, dark humor, dry humor
artists: khantrast, suicideboys, flatbush zombies, ramirez, denzel curry, JID, brockhampton, polyphia, her, summer walker, doja cat, sza, billie eilish, ari lennox
music genres: underground rap, dark trap, r & b, metal
✧༺♥༻✧ ✧༺♥༻✧ ✧༺♥༻✧
DISLIKES
homophobia, transphobia, bigotry, anti-feminism, anti-abortion, racism & anything else of a similar nature! if you engage in any of this behavior, please do not interact with me or my content!
✧༺♥༻✧ ✧༺♥༻✧ ✧༺♥༻✧
Feel free to drop an ask or leave me a message! I’d love to get to know each and every one you you luv’s <3
✧༺♥༻✧ ✧༺♥༻✧ ✧༺♥༻✧
3 notes
·
View notes
The Young Ones - Flood 💧
Original air date: 14.12.82
Reviewed by: @neil-neil-orange-peel
It’s too difficult a task for me to pick my favourite episode of The Young Ones. I honestly think it depends on my mood. As things stand, I think I’m able to break the twelve episodes into four quarters, ranking wise, and Flood is definitely in my top quarter.
As the finale to series one, we might have expected an episode more like the previous one – Interesting – to take Flood’s spot. That is, an episode with a massive cast to take the show out on a high in case a second series was never commissioned. By contrast, Flood is a far more intimate affair – with the main cast closed off from the rest of the world and any other characters they might have encountered by rapidly rising water. This forces the focus on to each of them and their interplay with one another even more so than usual, showing us how they react to being trapped in a life or death situation. So, maybe not the high of a party, but a high stakes plot… y’know, if we squint past the silliness, which of course we’re not supposed to do.
But I’m getting ahead of myself. When Flood starts, it’s only raining. I’ll just mention here that I’m in agreement with Zoe about the first series’ opening credits being superior to the second series’. I know both look dated now, but the first series’ ones give more insight into the characters’ personalities and the flavour of the show. But anyway: Flood!
The episode opens outside on a rotten, dreary, drizzly kind of day. To add to the mood, we have a cast of medieval peasants, monks, and soldiers chanting “Dominus ad nauseam”. The posh knobs who’ve had a private education and can speak Latin (plus anyone else who’s bothered to check the Wikipedia article for Flood) will know that this means: “Discussing the Lord to the point of nausea.” There’s the first joke, concealed though it may be, and I think anyone non-religious who’s been forced to sit through a church service will see the funny side.
This first scene doesn’t involve the main characters – it’s a cutaway segment. Though it’s raining hard, and their faces are partially covered, you can spot Mark Arden and Stephen Frost as the peasants. Frost’s character gets the honour of being the first this episode to be hit over the head. Leading this group is “His Holiness” – a character credited on IMDB as the Witchfinder, played by Peter Wear. I think his attire and credited name point to him being a parody of the 17th century Witchfinder General, Matthew Hopkins, which makes the collection of historical figures gathered here a bit anachronistic. That said, it doesn’t matter a jot. This is The Young Ones, after all.
The group are gathered in a graveyard to carry out an execution. They’ve dug a pit – “The finest pit we have dug this morrow, for it is in truth the only one.” – to cast the prisoner down into. Thanks to the weather, it’s more of a muddy bath now. The soldiers prove themselves to be a few vegetables short of an allotment when they misunderstand the Witchfinder’s instructions by casting themselves into the pit. Exasperated, the Witchfinder asks the prisoner if he knows the crime he has been found guilty of… and then, exasperation breaking into irritation, prompts him to tell us what it is. It is now, as the camera zooms in and he pulls out a microphone, that we can see clearly that the prisoner is Arnold Brown! From The Comic Strip! And his crime?
“Being Scottish and Jewish – two racial stereotypes for the price of one. Perhaps the best value in the graveyard this morning.”
After Brown gets his catchphrase in (“And why not?”), Neil (Nigel Planer) appears and hits himself in the face with a frying pan. Typical bloody hippie behaviour, tsk tsk. We discover this graveyard doubles as the lads’ back garden and that Rick (Rik Mayall) has seemingly been watching the cutaway segment from the window. Or has he? No, no, he’s just been watching Neil.
Inside the house – where the set lighting in the kitchen is stark, adding to the gloom of the day – Mike (Christopher Ryan) tells us Rick has been looking out of the window for three hours. As we TYO nerds already know the truth behind this, I’ll just point out now that Rick voluntarily standing with his face pressed against a window for three hours is kind of impressive, if also extraordinarily pointless. He’s so desperate for attention that he’d put himself through that uncomfortable tedium just in the hope of being able to crack a criminally unfunny joke. Long live the People’s Poet. Mike’s casually callous comment about making sure Rick doesn’t break the window when he tears his face off it is indicative of the house hierarchy and also demonstrates that Mike is a funny character actually. The standout line from this exchange is of course, however, Rick’s line about the superglue being a joke he made up that the others fell for like the fascists they are. His face is just so wonderfully animated as he says it.
Vyvyan (Adrian Edmondson) starts this episode sat on the sofa reading "SS Death Camp Criminal Battalion go to Monte Cassino for the Massacre", a comic of high cultural and intellectual value, I’m sure. I don’t know if it’s intentional or not but his hair looks a little messy in Flood, as if it’s been dampened by the rain. Rick and Vyvyan soon start their fighting – largely, though Rick would never admit it, to placate his own boredom. Yet more attention seeking behaviour from Rick sees him spouting some awful freeform poetry: “Marrow! Meringue! Boomerang!” The writers putting as many words with the “R” sound as they can into Rick’s lines is always amusing. That is what triggers their fighting.
This is one of my favourite scenes between Rick and Vyvyan. Not only is their conversation about the standards the youth should be expecting from their comics and what constitutes “being poofy” hilariously immature, it’s one of the longer periods the two have in the show where they speak without actively trying to kill one another. Vyvyan doesn’t even turn to violence when Rick shoves his bottom in his face – and he’s got a pretty big knife! The clash of personalities is where most of the comedy in the sitcom – in fact, most of the comedy in lots of sitcoms – comes from, so I usually think of this scene when it comes to a concentrated, verbal example of that for Rick and Vyvyan. Their positioning on the sofa makes for some good shots too.
There are a couple rule of three jokes at play in this first section of the show. The first of these we see when Neil enters the house and hits himself in the face with the frying pan (again), the second is started here when Vyvyan decides to check how hard it’s raining. When Vyvyan turns back from the window to break the fourth wall, TYO does what is does best and presents us with a glass of disgusting yellow gob. The studio audience audibly reacts to this.
“It’s only spitting,” Vyvyan says. Clever stuff.
Despite his protestations about how “reactionary” the comic is, Rick still tries to read it after Vyvyan rips it up. This leads into the next cutaway section. All I Have To Do Is Dream by The Everly Brothers playing signifies we’re taking a trip into the delusional world of Rick’s mind, where a comic strip featuring the racist policeman from Boring (Jim Barclay) plays out with Rick as the hero. Notably, Rick is wearing his Demolition getup again here, which suggests maybe this section was originally intended to be part of the pilot. Arden and Frost’s appearances would corroborate this, as we’ve already seen them this episode while they were absent from Demolition. This is also the last time Rick will treat us to some of his poetic verse, as interestingly enough series two features none.
“You gay, black bastards! We’re going to victimise you!” is such a funny line within the context.
The fantasy ends when Neil returns to the house once more and pours a pan of rainwater on Rick’s lap, before hitting himself for a final time. This startles Rick, who can’t figure out where the water came from – a similar joke to this will occur in Bambi. Neil’s near invisibility to the other three is fitting, particularly as we never do find out why he was hitting himself over the head with the frying pan. It’s another discarded plotline to add to the show’s fickle nature. So, while no one is in the slightest bit interested in Neil’s latest take on self-harm, they do want food. Of course. Neil moans that he can’t go to the shop because his hair will lose its shape, but we know this is just an excuse as he’s spent the opening of the episode outside without any kind of hood. The reoccurring question of money comes up and the reason Vyvyan has a knife suddenly becomes apparent. Cat lovers, avert your eyes!
A “kitty”, for those who don’t know, is a slang term for the money gathered by a group of people to be spent on collective amenities – such as in a student house. TYO interprets the name literally, managing to create surrealism from this new concept of a real-life cat containing money… or a, uh, working man’s club comedian puppet cat. I know the rule of comedy is not to explain it! Don’t dissect the frog! But it’s pretty obvious that incongruity in bits like this is what helps create TYO’s oddball humour.
The cat escapes – and for some reason I find it sweet that they’ve got a cat flap for it – but not before shitting out some dosh. Neil begrudgingly agrees to go to the shops and they set about making a list. Vyvyan amps up his taunting of a now blazered Rick by faux apologising for eating his sticky-labelled food. There’s a gifset somewhere on Tumblr for Rick’s rather animalistic reaction. Neil takes another opportunity to try to guilt trip everyone about how he does all the chores around here, guilt tripping which would work a whole lot better if his housemates were capable of being guilted. Upon opening the fridge, he pulls out Rick’s green globule on a saucer – “And I’ve spat on that, Vyvyan, so I wouldn’t advice you eat it!” – and the can of Coca Cola disguising Vyvyan’s utterly brilliant potion.
Let’s talk about Vyvyan and his potions for a moment. Presently, the only other example I can recall of one is from Interesting – the one that makes all his hair fall out. Vyvyan is a medical student and, if the first series’ opening credits are anything to go by, “mad scientist” was on his list of possible career paths when he picked his course. I love whacky coloured drinks in TV shows. In TYO, it’s usually Vyvyan who drinks them – see: the aforementioned blue example from Interesting, plus the bright green tea with bits floating in it from Demolition. We don’t actually see what colour this potion is, but if I had to wager I’d say a bright, hot colour like red. What else is going to turn you into an axe-wielding, homicidal maniac?
Foreshadowing is a device used in storytelling of all mediums, so naturally this show pokes a bit of fun at their employment of the trope: “You know, I just bet a bit later on somebody does drink that and turns into an axe-wielding, homicidal maniac.” Neil gets this line and Nigel delivers it so well, it really amuses me. Gee shucks, I guess it’s just inevitable. Oh well! Neil gets to wind Rick up in this scene too, though much more subtly than Vyvyan, by beginning to list mundane items like “wallpaper” when Rick snaps at him that they need “everything” from the shops.
As Neil leaves the house wearing his old lady’s waterproof bonnet, The Day the Rains Came by Jane Morgan begins to play. This is the second ‘50s tune in Flood – the episode that has no live music. We get our first shot of Codrington Road this episode now, which is used as a segue way for the next cutaway sequence. This time, we’re in a house across the road where two bespeckled men all in black are spying on the lads, who they seem to think are aliens. Understandable conclusion, to be fair. They’re played by Rik and Ade and remind me of the Dangerous Brothers in a much tamer way. I think it’s just that Rik’s character is the dominant one – refusing to let Ade’s character take the lens cap off because they’re not real “binocoliers” – and Ade’s character asks that most stupid of stupid questions: “Lip nip nip nip bip?”
In a mix-up, Rik’s character ends up lobbing the not real “binocoliers” at someone who isn’t the milkman and they end up in Vyvyan’s glass. He’s once again gone over to the window to test the rain and has returned with a pint of piss. There’s the second variant in this running joke. We saw with Neil hitting himself with the frying pan three times how they heightened the third one by having him spill water on Rick first – as we’re about to see with this rule of three, they decide to subvert our expectations of something more disgusting than spit and piss being next with something quite the opposite instead. First, though, Rick is shouting again.
RICK: Okay! That’s just about the bloody limit! I mean, I only put it in there on Wednesday – it’s not as if they grow on trees or anything like that!
MIKE: Rick, what have you lost?
RICK: I had half an apple in there!
The studio audience gives this line a big laugh, and so they should. As Rick and Vyvyan start up their squabbling again, we can see that Mike has begun pampering himself with an old-fashioned beauty mask and hand fan. When Rick asks if he stole his apple, Mike responds with one of his better-known lines: “Well, if you’re gonna sin you might as well be original.” I love this little quip and I love the fact that even Mike has no idea what he’s on about.
A vengeful Rick takes off to Mike’s bedroom to search for pips, only to be met by Bobby the lion tamer and his several angry, man-eating lions. Because why not. The lion tamer was the cabaret replacement for the live music in Flood and reminds us of how old this show is. The dodgy greenscreen effect reminds us of this too, but that kind of adds to TYO’s charm. Naturally Rick screams and runs off, and In the Jungle, the Mighty Jungle by The Tokens plays over footage of the lion tamer at work. I’ll be honest, with a 21st century perspective it’s not the show’s finest moment – those lions look pissed – but the last shot of the male lion roaring does function as a good transition for the next scene, where that rule of three about the rain finally pays off as Neil arrives home with a collection of adorable kittens in his coat. I think it’s fair to say cats of all kinds are a recurring theme in Flood.
It turns out Neil’s forgotten what he went out for in the first place, much to the chagrin of Mike and Vyvyan. In a surprising twist, Rick defends Neil and tells Vyvyan he should go to the shops himself if he’s so hungry, to which we get Vyvyan’s great line about not wanting his forehead to rust. This is the point at which the episode’s title starts to bear fruit: the rain has gotten so bad that Vyvyan’s Ford Anglia is floating about outside. Poor Rick is on his last nerves after the shock of the lions in the loft and is close to tears as he berates everyone for their immaturity… and suggests a game of hide and seek to pass the time.
Talking heads have said before that they found the lads playing hide and seek sweet – not like those awful kids these days, with their phones and trendy laptop pads! Grr! The truth is that actually Rick, Mike, Vyvyan, and Neil are all just overgrown kids. That’s part of why, despite their horribleness, you like them anyway. There’s a warped innocence to their sadistic violence. Rick is the seeker in this game – presumably because he insisted on it after coming up with the idea – and while he’s (allegedly) counting to 2,500 Neil has his encounter with the lions. We see Vyvyan hastily exiting Rick’s bedroom, which we know will have consequences later on.
Mike is the first of them to be uncovered when Rick opens the kitchen cupboard. If there’s footage somewhere of Chris climbing into there, I’m sure it’s hilarious. Mike’s insecure ego won’t let him be the first caught, so he tells Rick to go away and find the others first. This is one of Rick and Mike’s funniest interactions in the show. Once again, the household dynamic is highlighted when Rick shuts the cupboard door before knocking and complimenting Mike’s hiding skills. When he turns away to find the others it’s obvious that he’s really very cross, but he won’t show that to Mike. Oh no, not to Mike. Brilliant.
Vyvyan’s found smoking at the bottom of the stairs which I’d never endorse but can’t deny he makes look very, uh, appealing. Rick never has any issues showing Vyvyan his temper but gives him an extra five seconds to hide himself anyway. There’s another good shot of the two of them glaring and yelling in each other’s faces here, with Vyvyan on the stairs and Rick on the floor. Once the five seconds are up, Vyvyan’s vanished into the wardrobe they have in their hallway. Rick screeches one of his best renditions of “BASTARD!” – topped maybe only by “THE SELFISH BASTARDS!” from Summer Holiday – and storms up the stairs. Meanwhile, the reason for the presence of lions and so many other cats in this episode becomes clear: Vyvyan is going to Narnia.
I think it’s one of TYO’s most memorable parodies, alongside The Good Life in Sick. David Rappaport returns as Shirley, joined by Justine Lord as the White Witch. The White Witch calls Vyvyan a “manchild”, which is about right. The first thing he does in this new world appears to be taking a slash in the trees. The White Witch invites Vyvyan over for some Turkish delights, mirroring her literary counterpart, but an argument soon breaks out over who’s responsible for a fart smell. Shirley takes off his beard and pipe – a funny little joke suggesting that the characters are aware they’re in a sitcom – and confronts Vyvyan.
“That’s revolting. People like you should be put in little boxes tied up with string and left in small, dark rooms without any electricity… for a month.” Very… specific…
Obviously, Vyvyan is having none of this crap and manages to intimidate Shirley into backing down. Once he finds out he’s called Shirley, he’s got even more ammo. This could be called hypocritical coming from a man named Vyvyan, but we all love it when Vyvyan’s got the upper hand, don’t we? Don’t lie to yourself!
After finding himself thoroughly unimpressed by the White Witch’s lack of kebabs, Vyvyan helpfully moves the plot along for us by getting back to the game of hide and seek. He asks the two fantasy characters not to tell Rick where he is and hurries off to hide in a tree – the tree that doubles as some sort of slide portal to the house’s cellar. It’s the unacknowledged surreal nature of the house that makes TYO that bit more exciting than it already is, for me. The rules change and no one is ever even that surprised. When Vyvyan lands in the cellar, he finds an angry Rick riled up at his inability to find anyone and the two of them finally have a physical fight.
All things considered, Flood hasn’t been an incredibly violent episode thus far. We never saw the Witchfinder’s prisoner die, Neil only targeted himself with that frying pan, and the lions haven’t killed anyone (yet). This isn’t the most violent fight Rick and Vyvyan will ever have either – that honour is probably reserved for the Virgin Fight in Time – but Rick does manage to ram his biro into Vyvyan’s skull and, if not for Neil arriving, Rick might have found himself chopped up into several pieces. Neil’s come to warn them that Rick’s bedroom is on fire – Vyvyan’s hasty retreat from there earlier did indeed have meaning. Trust this lot to start a fire in an episode entitled Flood!
Now it’s Alexei Sayle’s turn to show up. He enters the house to the sound of wailing sirens as Jerzei Balowski. Perhaps some more foreshadowing? At this point, we haven’t seen Mr Balowski in person since he hassled the lads for rent at their old house in Demolition. He says he has come for a party but he can’t find anyone. What he does find is the coke can – “Coca Cola, symbol of free West.” – containing Vyvyan’s potion. At the time, one of Alexei’s comedic signatures was random, insane noises. We could have a whole essay dedicated to ranking each of his appearances as members of the Balowski Family, but I think his scenes in Flood might just be my favourite. The blending of his calm searching for the lads and his screeches and yelps as the potion takes hold of him are just really funny. He wanders off into the wardrobe, inadvertently retracing Vyvyan’s steps.
Up on the landing, Neil tells Vyvyan it was selfish of him to set fire to Rick’s sociology file when he was hiding in Rick’s bedroom – he could have given him away! A panicking Rick rushes into his room – and we get some more quality greenscreen effects – and yanks open the window, immediately letting in a tide of water to drench the place. It doesn’t even put out all the fires. He sits next to his bed with a fish waggling in his blazer, ranting at a gleeful Vyvyan about the havoc he’s caused. Ade is sat quite close to the fire on Rick’s bed, but then we know he’s got massive balls.
Mike returns and lights up a cigarette. He’s got a suitcase with him and is here to point out the obvious: “I don’t want to be a wet blanket or anything but, if this house is a bottle, I’m the one with the message.” Rick, Neil, and Vyvyan don’t really get metaphors. “Simple: London has flooded.”
This was obvious to anyone with half a brain the moment we entered Rick’s bedroom, but then we have to remember which characters we’re dealing with here. The logic of London flooding and the entire house being buried underwater… but somehow not flooding itself, not even when Rick opens a window, is a great example of the kind of suspension of disbelief this show requires of you and is perhaps why some people think it’s too daft. I like how the physical laws of TYO’s world are slightly different to our own. It adds to the cartoonish, slapstick feel.
The lads react in different ways to the news that London has flooded and they’re trapped. There’s a note of finality in Mike’s voice and he seems to be preparing to go. Where or how, I’m not at all sure. Neil, the depressed hippie that he is, accepts the news with the degree of casualness you might of a much less dire, less life-threatening turn of events. Vyvyan doesn’t seem too bothered – but when is he? He called the “flying shark” outside the window “the most completely brilliant thing [he’s] ever seen”. His own potential demise doesn’t phase him. Rick, however? Well, stress of any kind is where the real Rick comes out to play – the right on anarchist persona is dropped in sheer terror, replaced by the little boy who wants the authorities to jump in and fix everything, no matter the cost.
RICK: Phone the police!
NEIL: But they’re fascists.
RICK: Well, never mind about that now! Telephone, Vyvyan!
When the telephone is no use – pulling it off the wall will do that – the group try the radio, hoping for a public information bulletin. Instead, a music show is on, and this is where we get our last cutaway segment with real people. Featuring Ben Elton as a very punchable DJ and Cindy Shelley as a musical artist who’s been in the biz since lunchtime and has amputated her arms to fit the aesthetic of “urban alienation” chosen for her by the men with money, this is a scene that honestly feels just as relevant today as it must have done in 1982. The artist’s interview is cut short when the studio starts to flood, with the DJ shoving her aside and complaining about not being warned about this on the radio.
Back in the house, Rick turns off their radio to stop it flooding – magical logic, I love it – and projects his fear of drowning on to Vyvyan by telling him off for building a submarine. He seems to realise after he’s said it that this is actually quite sensible behaviour for Vyvyan and switches to enquiring terribly unsubtly about whether there’s any room in it for him. There isn’t, Vyvyan tells him bluntly. Vyvyan wants to see him drown. I know Vyvyan’s submarine is tiny and made of cardboard but, hey, in the TYO universe, who’s to say that wouldn’t have done the trick and saved them? Unfortunately for Vyvyan, SPG sabotages him when he realises there’s no room for him either. After a quick beating, Vyvyan opens the front door – again, the house doesn’t flood – and sends his beloved pet out to “play with the sharks”. The shark from Jaws is out there, so SPG asks for his autograph.
A couple of tiny things to note about this drawing room scene include the last appearance of the mysterious fifth housemate – we see them swimming outside the front window. Do they drown? Do they swim off to student houses anew? We shall never know. The other thing is something I only noticed myself when analysing this episode and is something that just goes to show how much more attention I should pay to Mike. Though he has no lines, he spends the scene sat in the middle of the room on the sofa, packing up his blow-up doll. The fact he’s doing this in the open, in front of the others, would suggest he thinks this is curtains. It’s the last episode of the series and they’re all going to die. Heh. That, or they knew we and the other characters wouldn’t pay enough attention to Mike to spot this. For the eagle eyed? Or the people who can just bloody see what’s in front of their faces, more like! Sorry, Mike!
Mr Balowski fully succumbs to the potion after drifting through Narnia and into the cellar. Now an axe-wielding, homicidal maniac, he finds the axe Vyvyan was going to use on Rick earlier and Flood starts its second major parody: The Shining. The violence metre is about to crank up a notch.
Neil is blowing up water wings, employing the same standard of life preservation technique we saw with his fallout shelter in Bomb. He sows the seeds (HA) for his own almost-demise by pointing out how terrible it would be if they ended up having to eat each other. Rick, just for a change, is panicking – he’s smoking like a chimney – and doesn’t appreciate the thought. He isn’t actually doing anything to ease the situation, unlike Vyvyan and Neil’s ultimately pointless efforts, but that’s Rick all over. Mike steps up to take charge: they’re going to eat Neil.
As if they’ve been cannibals all their lives, Vyvyan, Rick, and Mike pin Neil to his bed. Rick makes fun of Neil’s terror because he’s a bastard and there’s another rule of three where things keep temporarily preventing Vyvyan from slicing Neil up with a chainsaw. The noise of the chainsaw nearly obscures it, but there’s a line where Rick points at Neil’s crotch and tells Mike he’s got bagsies there. The pervy! Then, well, then Mr Balowski arrives.
“HERE’S JERZEI!”
Things have become quite chaotic, as things in TYO often do. Most of us probably already know the story about Alexei almost catching Rik on the head with the axe when he got a little too close to the door. Mike makes an attempt to hide under a bedsheet, like a ghost. The shot switches to the landing to reveal a chair and a sign for the Half-Time Report. Alexei momentarily chills the fuck out: “Well, we’re half-way through the show and it’s time for Half-Time Report.” Considering we’re in fact nearing the end of the show now makes this comment ironic as well as funny. In an episode full of parodies, this is another quick one about football commentators at half-time. The way this lets the actors break the fourth wall and take the piss out of themselves has always cemented this scene as gold in my mind. Alexei delivers it excellently.
Soon enough, the highly serious acting has resumed. The lads give Neil over to Mr Balowski as a distraction while Vyvyan cuts through the remarkably paper like bedroom wall. The four of them escape up into the loft and hide, pursued by their rabid landlord. They trap Mr Balowski in Mike’s bedroom with the man-eating lions as soon as he enters the room. There’s a scream and a roar. And thus, the young ones have killed together – a truly bonding experience if there ever was one. It’s the only way to deal with bastard landlords, right? Mr Balowski meeting the lions was also the third time someone had this episode, so there’s another running rule of three at play.
In the last scene, as they descend from the loft, Vyvyan remarks that it was lucky Bobby was here with his man-eating lions and Mike offers Rick Bobby’s hand when he says he’d like to shake it. RIP Bobby. The lads look out of the window and discover – thank Cliff – that the waters have subsided. They peer out at something on the water: it’s SPG, who swims towards the camera as the credits roll, a rainbow in the background. A cheerful end. The closing credits are still the usual theme, but with the music played faster and lighter. At the climax, they swell to a crescendo. That was The Young Ones! Did you ruddy enjoy it or what?
Personally, I think Flood is a fantastic end to this crazy show’s first series. If it had ended here it would have been a shame, knowing what we know about the brilliance to come in series two, but I think it would still have felt complete and whole. Going through the episode in detail has made me appreciate the absolute comic genius behind it even more and has been a thoroughly enjoyable experience. Happy 40th to the lads!
I know my review has really lingered on a bit too long, so I hope I haven’t put you to sleep. I’m done now. Fin. Thanks for reading!
9 notes
·
View notes
punchy: Alright, who would win: Chuck Norris or Dora?
raymond: The villager, or...?
marshal: Not Dora the villager. Dora the explorer.
raymond: What makes you think the explorer would be a worthy opponent against Chuck Norris?
marshal: She has a cursor that she guides to do her bidding! She has stars to help fight for her!
marshal: Hell, she even has a talking backpack that contains lots of stuff!
raymond: I know the backpack is Dora's inventory, but what about our mayor? They're strong enough to carry a lot of stuff in their pockets!
kyle: Yeah, our mayor would be a worthy opponent, because of their strength.
katt: I bet those fruits they eat are the key! If they can break rocks with fruit, they can punch Chuck Norris with it.
doc: I don't care whether Norris or Dora would win! What about Shaggy against Dora? He has ultra instinct!
dora: Did somebody say my name?
raymond: I think Punchy did.
dora: Well, I think I'd pack a punch against Chuck and the explorer.
marshal: Yeah, but would you even beat Shaggy?
punchy: I think we're going off the topic a little.
moe: I think both Dora the explorer and Dora the mouse would team up together and beat Chuck Norris!
moe: Heck, they'd even beat Shaggy, too!
marshal: But would they beat our mayor?
raymond: The mayor literally has power over us villagers!
bob: What about Timmy Turner?
raymond: Timmy Turner?! Are you daft, punk?
bob: Timmy would wish defeat upon Chuck Norris and Dora the explorer!
hopkins: Oh yeah? I think Shaggy would beat both Chuck and Dora!
katt: But then Timmy would wish Shaggy was defeated after that!
kyle: Not if Dora pulls out the dragon balls and wish Cosmo and Wanda were her fairy godparents!
punchy: Ummm...
kyle: Then she'd wish Timmy was defeated, along with Chuck Norris and Shaggy!
doc: You know what? If I were Timmy Turner, I would wish world hunger was defeated!
marshal: What about One-Punch Man?
doc: I'd wish he was defeated, too.
katt: Are you kidding? One-Punch Man would make a worthy opponent against Chuck Norris!
moe: What about Rick and Morty?
raymond: Rick and Morty?
jitters: Rick and Morty would defeat Timmy Turner first, then take Cosmo and Wanda, and wish Dora, Chuck Norris, Shaggy, and Saitama were all defeated.
katt: Saitama is his real name?
rudy: What about Vin Diesel? He'd defeat them all!
jitters: Oh yeah! Vin Diesel! He'd be the worthiest opponent of them all!
doc: Um...I've defeated Shaggy as Rick, and vice versa. I play Multiversus.
doc: Therefore, I believe Rick, Morty, and Shaggy would team up and defeat everyone.
punchy: You know what?! Screw all of this! I think Dr. Strange would defeat everyone! End of story.
marshal: Dr. Strange VS. Chuck Norris, the Doras, the mayor, Shaggy, Saitama, Timmy Turner, Vin Diesel, Rick, and Morty?
raymond: & KNUCKLES
punchy: This is why I hate debates, you guys!
pheonix wright: And I thought my friends' debates were chaotic. Let's get a coffee, Punchinello.
10 notes
·
View notes